118023 Résultats
Numéro de référence:
AP140.S1.SS2.P2
AP140.S1.SS2.P2
Personnes et institutions:
Date:
1954
1954
Date:
1954
1954
Personnes et institutions:
Classification:
documents textuels, photographies
documents textuels, photographies
Numéro de référence:
AP206.S4.018
AP206.S4.018
Personnes et institutions:
Date:
circa 1970s-1980s
circa 1970s-1980s
Classification:
documents textuels, photographies
documents textuels, photographies
Date:
circa 1970s-1980s
circa 1970s-1980s
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP207.S1.2012.PR04.002
AP207.S1.2012.PR04.002
Personnes et institutions:
Date:
circa 2012
circa 2012
Classification:
photographies
photographies
Date:
circa 2012
circa 2012
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP207.S1.2012.PR04.003
Description:
The photograph also show the installation Paper/Midwestern Ocean edition of 2017, also presented at the exhibition Architetture Naturali/Gianni Pettena, Kunst Meran in Meran, in 2017.
AP207.S1.2012.PR04.003
Description:
The photograph also show the installation Paper/Midwestern Ocean edition of 2017, also presented at the exhibition Architetture Naturali/Gianni Pettena, Kunst Meran in Meran, in 2017.
Personnes et institutions:
Date:
circa 2017
circa 2017
Titre:
Photograph of the installation, Breathing Architecture
Actions:
AP207.S1.2012.PR04.003
Description:
The photograph also show the installation Paper/Midwestern Ocean edition of 2017, also presented at the exhibition Architetture Naturali/Gianni Pettena, Kunst Meran in Meran, in 2017.
Photograph of the installation, Breathing Architecture
Actions:
AP207.S1.2012.PR04.003
Description:
The photograph also show the installation Paper/Midwestern Ocean edition of 2017, also presented at the exhibition Architetture Naturali/Gianni Pettena, Kunst Meran in Meran, in 2017.
Classification:
photographies
photographies
Date:
circa 2017
circa 2017
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP207.S1.2016.PR01.001
AP207.S1.2016.PR01.001
Personnes et institutions:
Date:
circa 2016
circa 2016
Classification:
photographies
photographies
Date:
circa 2016
circa 2016
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S1.SS7.044
AP197.S1.SS7.044
Personnes et institutions:
Date:
1985-1995
1985-1995
Classification:
documents textuels
documents textuels
Date:
1985-1995
1985-1995
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
Personnes et institutions:
Date:
circa 1972-2015
circa 1972-2015
Titre:
About None-conscious Architecture (1972-1973)
Actions:
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
About None-conscious Architecture (1972-1973)
Actions:
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
Niveau de description archivistique:
Project
Project
Date:
circa 1972-2015
circa 1972-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1978.PR02
Description:
The project series documents "Complimenti D'Architettura", an installation for the Biennale di Venezia at the Magazzini del Sale in 1978. The installation consists of a stone wall that showcases the different types of stone used as construction material over time, begining with uncut natural stone and ending with cut polished stone. "It is a symbolic history of architecture [...]: all the intermediate phases, from the collection of scattered pieces of rock, piled up to make a heap, to the hewn and polished stone, its surface as shiny as a mirror." [1] The installation was also presented at the exhibition "La fine del mondo" at the Centro Pecci per l'Arte Contemporanea in Prato, in 2016. The project series contains photographs of the first edition of the installation at the Biennale di Venezia, and installation sketches. It also contains two photographs of the second edition at the Centro Pecci per l'Arte Contemporanea. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-complements-1978/ (last accessed 14 November 2019).
AP207.S1.1978.PR02
Description:
The project series documents "Complimenti D'Architettura", an installation for the Biennale di Venezia at the Magazzini del Sale in 1978. The installation consists of a stone wall that showcases the different types of stone used as construction material over time, begining with uncut natural stone and ending with cut polished stone. "It is a symbolic history of architecture [...]: all the intermediate phases, from the collection of scattered pieces of rock, piled up to make a heap, to the hewn and polished stone, its surface as shiny as a mirror." [1] The installation was also presented at the exhibition "La fine del mondo" at the Centro Pecci per l'Arte Contemporanea in Prato, in 2016. The project series contains photographs of the first edition of the installation at the Biennale di Venezia, and installation sketches. It also contains two photographs of the second edition at the Centro Pecci per l'Arte Contemporanea. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-complements-1978/ (last accessed 14 November 2019).
Personnes et institutions:
Date:
1978-2016
1978-2016
Titre:
Complimenti D'Architettura [Complements of Architecture] (1978)
Actions:
AP207.S1.1978.PR02
Description:
The project series documents "Complimenti D'Architettura", an installation for the Biennale di Venezia at the Magazzini del Sale in 1978. The installation consists of a stone wall that showcases the different types of stone used as construction material over time, begining with uncut natural stone and ending with cut polished stone. "It is a symbolic history of architecture [...]: all the intermediate phases, from the collection of scattered pieces of rock, piled up to make a heap, to the hewn and polished stone, its surface as shiny as a mirror." [1] The installation was also presented at the exhibition "La fine del mondo" at the Centro Pecci per l'Arte Contemporanea in Prato, in 2016. The project series contains photographs of the first edition of the installation at the Biennale di Venezia, and installation sketches. It also contains two photographs of the second edition at the Centro Pecci per l'Arte Contemporanea. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-complements-1978/ (last accessed 14 November 2019).
Complimenti D'Architettura [Complements of Architecture] (1978)
Actions:
AP207.S1.1978.PR02
Description:
The project series documents "Complimenti D'Architettura", an installation for the Biennale di Venezia at the Magazzini del Sale in 1978. The installation consists of a stone wall that showcases the different types of stone used as construction material over time, begining with uncut natural stone and ending with cut polished stone. "It is a symbolic history of architecture [...]: all the intermediate phases, from the collection of scattered pieces of rock, piled up to make a heap, to the hewn and polished stone, its surface as shiny as a mirror." [1] The installation was also presented at the exhibition "La fine del mondo" at the Centro Pecci per l'Arte Contemporanea in Prato, in 2016. The project series contains photographs of the first edition of the installation at the Biennale di Venezia, and installation sketches. It also contains two photographs of the second edition at the Centro Pecci per l'Arte Contemporanea. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-complements-1978/ (last accessed 14 November 2019).
Niveau de description archivistique:
Project
Project
Date:
1978-2016
1978-2016
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1985:0583
PH1985:0583
Personnes et institutions:
Classification:
photographies
photographies
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP143.S6.D12
Description:
File documents Peter Eisenman's contribution to an exhibition organized by The Architectural League of New York and Minetta Brook for projects that were displayed in five non-art sites in SoHo, New York City, New York in Spring 1995.
AP143.S6.D12
Description:
File documents Peter Eisenman's contribution to an exhibition organized by The Architectural League of New York and Minetta Brook for projects that were displayed in five non-art sites in SoHo, New York City, New York in Spring 1995.
Personnes et institutions:
Date:
1995
1995
Titre:
Architecture of Display, Comme des Garçons
Actions:
AP143.S6.D12
Description:
File documents Peter Eisenman's contribution to an exhibition organized by The Architectural League of New York and Minetta Brook for projects that were displayed in five non-art sites in SoHo, New York City, New York in Spring 1995.
Architecture of Display, Comme des Garçons
Actions:
AP143.S6.D12
Description:
File documents Peter Eisenman's contribution to an exhibition organized by The Architectural League of New York and Minetta Brook for projects that were displayed in five non-art sites in SoHo, New York City, New York in Spring 1995.
Niveau de description archivistique:
File 12
File 12
Date:
1995
1995
Personnes et institutions:
