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xiii, 200 pages : illustrations ; 27 cm
Newark, DE : University of Delaware Press, ©1999.
Buildings for bluestockings : the architecture and social history of women's colleges in late Victorian England / by Margaret Birney Vickery.
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xiii, 200 pages : illustrations ; 27 cm
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Newark, DE : University of Delaware Press, ©1999.
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viii, 301 pages ; 24 cm.
Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, [2023], ©2023
Countercurrents : women's movements in postwar Montreal / Amanda Ricci.
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viii, 301 pages ; 24 cm.
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Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, [2023], ©2023
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Commune Editions AK Press 2015
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Commune Editions AK Press 2015
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xi, 260 pages : illustrations, maps ; 24 cm
Knoxville : University of Tennessee Press, ©2003.
Shared spaces and divided places : material dimensions of gender relations and the American historical landscape / edited by Deborah L. Rotman and Ellen-Rose Savulis.
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xi, 260 pages : illustrations, maps ; 24 cm
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Knoxville : University of Tennessee Press, ©2003.
$35.95
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Résumé:
The contributors to this publication advance a feminist version of Marshall McLuhan’s key text, ''Understanding Media: The Extensions of Man'', repurposing his insight that ''the medium is the message'' for feminist ends. They argue that while McLuhan’s theory provides a falsely universalizing conception of the technological as a structuring form of power, feminist(...)
Re-Understanding media: Feminist extensions of Marshall McLuhan
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The contributors to this publication advance a feminist version of Marshall McLuhan’s key text, ''Understanding Media: The Extensions of Man'', repurposing his insight that ''the medium is the message'' for feminist ends. They argue that while McLuhan’s theory provides a falsely universalizing conception of the technological as a structuring form of power, feminist critics can take it up to show how technologies alter and determine the social experiences of race, gender, class, and sexuality. This volume showcases essays, experimental writings, and interviews from media studies scholars, artists, activists, and those who work with and create technology. The volume demonstrates how power dynamics are built into technological media and how media can be harnessed for radical purposes.
Théorie/ philosophie
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xi, 243 pages ; 21 cm
Toronto : Between the Lines, 2022., ©2022
Gentrification is inevitable and other lies / Leslie Kern.
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xi, 243 pages ; 21 cm
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Toronto : Between the Lines, 2022., ©2022
$57.95
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À la fois enquête, biographie et inventaire architectural, « L’Architecte fantôme » retrace la vie et l’œuvre d’Octave Van Rysselberghe, un des créateurs les plus insaisissables et les plus secrets de la période Art nouveau. Peu soucieux d’une réputation post-mortem, ce pionnier de l’architecture n’a laissé aucune archive, aucun écrit, sous le prétexte que seuls les(...)
L'architecte fantôme : À la recherche d'Octave Van Rysselberghe
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À la fois enquête, biographie et inventaire architectural, « L’Architecte fantôme » retrace la vie et l’œuvre d’Octave Van Rysselberghe, un des créateurs les plus insaisissables et les plus secrets de la période Art nouveau. Peu soucieux d’une réputation post-mortem, ce pionnier de l’architecture n’a laissé aucune archive, aucun écrit, sous le prétexte que seuls les bâtiments comptaient. Françoise Levie a réalisé une extraordinaire enquête, traquant chaque indice, chaque détail, allant de découverte en déconvenue, pour finir par dépister des plans dans un container enneigé. Chacun de ces projets renferme une histoire fascinante où se côtoient l’astronome François Folie, le franc-maçon Eugène Goblet d’Alviella, le tribun socialiste Émile Vandervelde, l’utopiste Paul Otlet, le designer Henry Van de Velde, l’architecte Victor Horta, la féministe Florence de Brouckère, l’écrivain André Gide, le poète Émile Verhaeren, le géographe anarchiste Élisée Reclus, l’industriel Georges Nagelmackers, les peintres Paul Signac et Henri-Edmond Cross, le mécène Raoul Warocqué, et surtout son frère, le peintre Théo Van Rysselberghe.
Architecture, monographies
$39.95
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''Feminist designer'' brings together a constellation of voices and perspectives to examine the intersection of design and feminist theory. For decades, the feminist refrain within design has hinged on the representation and inclusion of women in the field. This collection, edited by Alison Place, however, is a call to move beyond this narrow application. Feminist design(...)
Feminist designer: On the personal and the political in design
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''Feminist designer'' brings together a constellation of voices and perspectives to examine the intersection of design and feminist theory. For decades, the feminist refrain within design has hinged on the representation and inclusion of women in the field. This collection, edited by Alison Place, however, is a call to move beyond this narrow application. Feminist design is not just about who does design—it is about how we do design and why. Feminist frameworks for design activism are now more relevant than ever, as they emphasize collaborative processes that aim to disrupt and dismantle power hierarchies while centering feminist ways of knowing and doing. ''Feminist designer'' contains essays, case studies, and dialogues by 43 contributors from 16 different countries. It engages a wide variety of design disciplines, from graphic design to disability design to algorithmic design, and explores key feminist themes, such as power, knowledge, care, plurality, liberation, and community. Through diverse, sometimes conflicting, intersectional perspectives, this book contributes new design methods informed by a multiplicity of feminisms that confront design’s patriarchal origins while ushering in new pathways for making critical and meaningful change.
Théorie du design
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Written between 1974 and 2012, ''Revolution at point zero'' collects forty years of research and theorizing on the nature of housework, social reproduction, and women’s struggles on this terrainto escape it, to better its conditions, to reconstruct it in ways that provide an alternative to capitalist relations. Indeed, as Federici reveals, behind the capitalist(...)
Revolution at point zero: Housework, reproduction, and feminist struggle
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Written between 1974 and 2012, ''Revolution at point zero'' collects forty years of research and theorizing on the nature of housework, social reproduction, and women’s struggles on this terrainto escape it, to better its conditions, to reconstruct it in ways that provide an alternative to capitalist relations. Indeed, as Federici reveals, behind the capitalist organization of work and the contradictions inherent in ''alienated labor'' is an explosive ground zero for revolutionary practice upon which are decided the daily realities of our collective reproduction. Beginning with Federici’s organizational work in the Wages for Housework movement, the essays collected here unravel the power and politics of wide but related issues including the international restructuring of reproductive work and its effects on the sexual division of labor, the globalization of care work and sex work, the crisis of elder care, the development of affective labor, and the politics of the commons.
Social
$47.00
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In the 2010s, the term ''autotheory'' began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of(...)
Autotheory as feminist practice in art, writing and criticism
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In the 2010s, the term ''autotheory'' began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory.
Théorie de l’art