5369 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2006.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restauration of the Evergreen Building, a ten-story office tower on West Pender Street, in Vancouver, British Columbia. The building was previously known as the Laxton Building. The project consisted in renovations work to the building, design by architect Arthur Erickson in the 1980. Oberlander herself worked with Erickson at the time. After helping to save the building from demolition in the early 2000s, Oberlander worked as a landscape consultant for Omicron Architecture Engineering Construction Co. in 2006-2007. She was consulted for the restoration of the landscaping at the street level and the replanting of the planted balconies she had created while working with Erickson. As the building facade consisted in a stepped facade with an alternance of zigzag floor plates and straight floor plates, Oberlander chose cascading plants for the zigzag floors and upright planting for the straight floors. "Since the plants were brought to the structure's edges, the geometries of the building were dramatically amplified." [1] The Evergreen Building received a heritage status in the mid-2000s. This project series contains only materials related to the 2006-2007 renovations project. The project series comprises sketches, design development drawings, including site plans, plantings plans and landscape elevations, and buildings plans used as reference. The project series is also documented through corrsepondence, including correspondence with architects and contractors, specifications, plant lists, digital files of a presentation on the existing site condition, financial material, and research material for the project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 139.
AP075.S1.2006.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restauration of the Evergreen Building, a ten-story office tower on West Pender Street, in Vancouver, British Columbia. The building was previously known as the Laxton Building. The project consisted in renovations work to the building, design by architect Arthur Erickson in the 1980. Oberlander herself worked with Erickson at the time. After helping to save the building from demolition in the early 2000s, Oberlander worked as a landscape consultant for Omicron Architecture Engineering Construction Co. in 2006-2007. She was consulted for the restoration of the landscaping at the street level and the replanting of the planted balconies she had created while working with Erickson. As the building facade consisted in a stepped facade with an alternance of zigzag floor plates and straight floor plates, Oberlander chose cascading plants for the zigzag floors and upright planting for the straight floors. "Since the plants were brought to the structure's edges, the geometries of the building were dramatically amplified." [1] The Evergreen Building received a heritage status in the mid-2000s. This project series contains only materials related to the 2006-2007 renovations project. The project series comprises sketches, design development drawings, including site plans, plantings plans and landscape elevations, and buildings plans used as reference. The project series is also documented through corrsepondence, including correspondence with architects and contractors, specifications, plant lists, digital files of a presentation on the existing site condition, financial material, and research material for the project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 139.
Personnes et institutions:
Date:
2006-2007
2006-2007
Titre:
Evergreen Building restoration, Vancouver, British Columbia (2006)
Actions:
AP075.S1.2006.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restauration of the Evergreen Building, a ten-story office tower on West Pender Street, in Vancouver, British Columbia. The building was previously known as the Laxton Building. The project consisted in renovations work to the building, design by architect Arthur Erickson in the 1980. Oberlander herself worked with Erickson at the time. After helping to save the building from demolition in the early 2000s, Oberlander worked as a landscape consultant for Omicron Architecture Engineering Construction Co. in 2006-2007. She was consulted for the restoration of the landscaping at the street level and the replanting of the planted balconies she had created while working with Erickson. As the building facade consisted in a stepped facade with an alternance of zigzag floor plates and straight floor plates, Oberlander chose cascading plants for the zigzag floors and upright planting for the straight floors. "Since the plants were brought to the structure's edges, the geometries of the building were dramatically amplified." [1] The Evergreen Building received a heritage status in the mid-2000s. This project series contains only materials related to the 2006-2007 renovations project. The project series comprises sketches, design development drawings, including site plans, plantings plans and landscape elevations, and buildings plans used as reference. The project series is also documented through corrsepondence, including correspondence with architects and contractors, specifications, plant lists, digital files of a presentation on the existing site condition, financial material, and research material for the project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 139.
Evergreen Building restoration, Vancouver, British Columbia (2006)
Actions:
AP075.S1.2006.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restauration of the Evergreen Building, a ten-story office tower on West Pender Street, in Vancouver, British Columbia. The building was previously known as the Laxton Building. The project consisted in renovations work to the building, design by architect Arthur Erickson in the 1980. Oberlander herself worked with Erickson at the time. After helping to save the building from demolition in the early 2000s, Oberlander worked as a landscape consultant for Omicron Architecture Engineering Construction Co. in 2006-2007. She was consulted for the restoration of the landscaping at the street level and the replanting of the planted balconies she had created while working with Erickson. As the building facade consisted in a stepped facade with an alternance of zigzag floor plates and straight floor plates, Oberlander chose cascading plants for the zigzag floors and upright planting for the straight floors. "Since the plants were brought to the structure's edges, the geometries of the building were dramatically amplified." [1] The Evergreen Building received a heritage status in the mid-2000s. This project series contains only materials related to the 2006-2007 renovations project. The project series comprises sketches, design development drawings, including site plans, plantings plans and landscape elevations, and buildings plans used as reference. The project series is also documented through corrsepondence, including correspondence with architects and contractors, specifications, plant lists, digital files of a presentation on the existing site condition, financial material, and research material for the project. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 139.
Niveau de description archivistique:
Project
Project
Date:
2006-2007
2006-2007
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP009
Résumé:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
AP009
Résumé:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
Personnes et institutions:
Date:
1979-1983
1979-1983
Titre:
Documents d’archives d’Arcop Associates pour le projet Maison Alcan
Actions:
AP009
Résumé:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
Documents d’archives d’Arcop Associates pour le projet Maison Alcan
Actions:
AP009
Résumé:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1979-1983
1979-1983
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
Personnes et institutions:
Date:
1986-1992
1986-1992
Titre:
Art Gallery of Ontario, Phase 3, Toronto (1988-1993)
Actions:
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
Art Gallery of Ontario, Phase 3, Toronto (1988-1993)
Actions:
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
Niveau de description archivistique:
Project
Project
Date:
1986-1992
1986-1992
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Personnes et institutions:
Date:
2001-2016
2001-2016
Titre:
Documents d’archives de Preston Scott Cohen pour le projet Eyebeam
Actions:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Documents d’archives de Preston Scott Cohen pour le projet Eyebeam
Actions:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
2001-2016
2001-2016
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Peter Rose
Fonds Peter Rose
Numéro de référence:
AP046
Résumé:
The Peter Rose fonds, documents the design and construction of the Canadian Centre for Architecture (1989) and a design for the redevelopment of the Old Port of Montréal, Master Plan (1992) by architect Peter Rose. Both projects include drawings, textual records, models and photographs.
AP046
Résumé:
The Peter Rose fonds, documents the design and construction of the Canadian Centre for Architecture (1989) and a design for the redevelopment of the Old Port of Montréal, Master Plan (1992) by architect Peter Rose. Both projects include drawings, textual records, models and photographs.
Personnes et institutions:
Date:
1983-1989
1983-1989
Titre:
Fonds Peter Rose
Actions:
AP046
Résumé:
The Peter Rose fonds, documents the design and construction of the Canadian Centre for Architecture (1989) and a design for the redevelopment of the Old Port of Montréal, Master Plan (1992) by architect Peter Rose. Both projects include drawings, textual records, models and photographs.
Fonds Peter Rose
Actions:
AP046
Résumé:
The Peter Rose fonds, documents the design and construction of the Canadian Centre for Architecture (1989) and a design for the redevelopment of the Old Port of Montréal, Master Plan (1992) by architect Peter Rose. Both projects include drawings, textual records, models and photographs.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1983-1989
1983-1989
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Ernest Cormier
Fonds Ernest Cormier
Numéro de référence:
AP001
Résumé:
Le Fonds Ernest Cormier documente la vie personnelle, artistique et professionnelle d'Ernest Cormier. Le fonds compte près de 30 000 dessins et reproductions ainsi que les dossier administratif relatifs à plus de 110 projets architecturaux réalisés par Cormier entre 1919 et 1964, environ 14 000 documents photographiques, incluant les photographies par Ernest Cormier, sa correspondance et documents personnels, ses oeuvres d'arts, et de nombreux outils et objets utilisés par Cormier pour ses projets artistiques et architecturaux.
AP001
Résumé:
Le Fonds Ernest Cormier documente la vie personnelle, artistique et professionnelle d'Ernest Cormier. Le fonds compte près de 30 000 dessins et reproductions ainsi que les dossier administratif relatifs à plus de 110 projets architecturaux réalisés par Cormier entre 1919 et 1964, environ 14 000 documents photographiques, incluant les photographies par Ernest Cormier, sa correspondance et documents personnels, ses oeuvres d'arts, et de nombreux outils et objets utilisés par Cormier pour ses projets artistiques et architecturaux.
Personnes et institutions:
Date:
1857-1980
1857-1980
Titre:
Fonds Ernest Cormier
Actions:
AP001
Résumé:
Le Fonds Ernest Cormier documente la vie personnelle, artistique et professionnelle d'Ernest Cormier. Le fonds compte près de 30 000 dessins et reproductions ainsi que les dossier administratif relatifs à plus de 110 projets architecturaux réalisés par Cormier entre 1919 et 1964, environ 14 000 documents photographiques, incluant les photographies par Ernest Cormier, sa correspondance et documents personnels, ses oeuvres d'arts, et de nombreux outils et objets utilisés par Cormier pour ses projets artistiques et architecturaux.
Fonds Ernest Cormier
Actions:
AP001
Résumé:
Le Fonds Ernest Cormier documente la vie personnelle, artistique et professionnelle d'Ernest Cormier. Le fonds compte près de 30 000 dessins et reproductions ainsi que les dossier administratif relatifs à plus de 110 projets architecturaux réalisés par Cormier entre 1919 et 1964, environ 14 000 documents photographiques, incluant les photographies par Ernest Cormier, sa correspondance et documents personnels, ses oeuvres d'arts, et de nombreux outils et objets utilisés par Cormier pour ses projets artistiques et architecturaux.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1857-1980
1857-1980
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP128
Résumé:
The Harold Ship Alexis Nihon Plaza and Nuns’ Island Master Plan project records, (1956- 1973), document architect Harold Ship’s design and plan for the Alexis Nihon Plaza (1956-1965) and the Nun’s Island Master Plan (1959-1973). Materials in these project records consist of 1 619 drawings (including reprographic copies), 330 photographs, 5 l.m. of textual records, 5 models and 2 panels.
AP128
Résumé:
The Harold Ship Alexis Nihon Plaza and Nuns’ Island Master Plan project records, (1956- 1973), document architect Harold Ship’s design and plan for the Alexis Nihon Plaza (1956-1965) and the Nun’s Island Master Plan (1959-1973). Materials in these project records consist of 1 619 drawings (including reprographic copies), 330 photographs, 5 l.m. of textual records, 5 models and 2 panels.
Personnes et institutions:
Date:
1956-1973
1956-1973
Titre:
Documents d’archives de Harold Ship pour les projets de la Place Alexis Nihon Plaza et du plan directeur de L’Île-des-Sœurs
Actions:
AP128
Résumé:
The Harold Ship Alexis Nihon Plaza and Nuns’ Island Master Plan project records, (1956- 1973), document architect Harold Ship’s design and plan for the Alexis Nihon Plaza (1956-1965) and the Nun’s Island Master Plan (1959-1973). Materials in these project records consist of 1 619 drawings (including reprographic copies), 330 photographs, 5 l.m. of textual records, 5 models and 2 panels.
Documents d’archives de Harold Ship pour les projets de la Place Alexis Nihon Plaza et du plan directeur de L’Île-des-Sœurs
Actions:
AP128
Résumé:
The Harold Ship Alexis Nihon Plaza and Nuns’ Island Master Plan project records, (1956- 1973), document architect Harold Ship’s design and plan for the Alexis Nihon Plaza (1956-1965) and the Nun’s Island Master Plan (1959-1973). Materials in these project records consist of 1 619 drawings (including reprographic copies), 330 photographs, 5 l.m. of textual records, 5 models and 2 panels.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1956-1973
1956-1973
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Umberto Riva
Fonds Umberto Riva
Numéro de référence:
AP180
Résumé:
The Umberto Riva fonds documents Riva’s work as an architect and designer, predominantly in Italy, between the 1960s to the early 2010s. Included are drawings related to over 80 architectural projects, furniture designs, and exhibition designs.
AP180
Résumé:
The Umberto Riva fonds documents Riva’s work as an architect and designer, predominantly in Italy, between the 1960s to the early 2010s. Included are drawings related to over 80 architectural projects, furniture designs, and exhibition designs.
Personnes et institutions:
Date:
1959-2012
1959-2012
Titre:
Fonds Umberto Riva
Actions:
AP180
Résumé:
The Umberto Riva fonds documents Riva’s work as an architect and designer, predominantly in Italy, between the 1960s to the early 2010s. Included are drawings related to over 80 architectural projects, furniture designs, and exhibition designs.
Fonds Umberto Riva
Actions:
AP180
Résumé:
The Umberto Riva fonds documents Riva’s work as an architect and designer, predominantly in Italy, between the 1960s to the early 2010s. Included are drawings related to over 80 architectural projects, furniture designs, and exhibition designs.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1959-2012
1959-2012
Personnes et institutions:
Classification:
audio
audio
Titre:
Lectures
Lectures
Numéro de référence:
DR1999:0361
Description:
audiocassettes include: 1986 (X1) August 4th: PDE & J. H - House I & House II; 1987 (X2) October 13th: Grotesque II Cooper; October 27th - Cooper: Grotesque III; 1988 (X8) April: 15th - Arizona State, Grotesque; September: 12th - P.E. at Cooper Union; 20th , 26th - P.E. at Cooper on Terragni; October: 4th ,10th - P.E. at Cooper on Terragni; 14th - P.E/Kipnis at OSU; 17th - Asilo Infantile/Terragni at Cooper; 1989 (X50) March: 6th - Cooper; April: 6th & 13th - OSU; 12th - University of California, Irvine (X2); 13th - OSU May: 4th - Texas Tech " Weak Image"; 25th - OSU (X3); August: 22nd - Kip & Eisenman; September: 11th , 12th - Cooper; 13th - Kip & Johnson on PDE; 28th - Cooper; 28th , 29th- OSU; October: 2nd , 3rd , 9th , 10th - Cooper; 13th - OSU (X6); 16th , 18th - Cooper; 20th - OSU; 23rd , 31st - Cooper; November: 2nd - Cooper; 3rd - Cooper (X2); 9th - Cooper; 10th - OSU (X2); 17th - OSU (X2); 20th - Cooper; December: 4th - OSU; Undated: All School Lecture Series Fall 1989; Eisenman/Hejduk; Wexner Center for the Visual Arts, 1989; 1990 (X36) February: 5th, 12th , 20th, 26th, 27th - Cooper; March: 1st - Cincinnati Presentation; 5th, 19th, 20th, 26th - Cooper; lecture on Guardiola House (Sintra Portugal); April: 3rd - Cooper; 5th , 11th- Chicago; 16th - Cooper; 19th - Eisenman/R.M.; 24th - Cooper; 25th - Chicago; May: 1st - Cooper; 2nd - Chicago; 7th - Cooper; 10th & 11th , 18th, 29th - Chicago; June: 16th - Any: One Etc. Meeting June 14, 1990; 18th - summer seminar (X2); July: 3rd - Koizumi lecture; 18th - summer seminar (X2); August: 15th - seminar # 4; 22nd - seminar; September: 20th - PDE & Yatsuka; October: 15th - Cooper (Yale essays introduction); December: 18th , 19th - Frankfurt Competition; 1991 (X4) April: 22nd - Cooper/Blanchard; May: 7th - Cooper/Blanchard; June: 12th - Gehry/Eisenman; July: 30th - P.E. seminar #3; 1992 (X15) January: 9th - Philip Johnson; March ?: Rice University Kennon Memorial (X2); May: 7th - Empay; July: 2nd - PDE seminar #2; 10th - seminar #2; 24th - seminar #3; 24th - seminar #4; 31st - seminar; August: 31st - Düsseldorf; December: 15th - Max Reinhardt Haus; 29th - WOSU FM Columbus; 1992 - 1993 (X3) Proust; 1993 (X8) summer lecture '93 Derrida Conference (X3); August: 6th , 13th, 20th, 27th - summer seminar; September: 22nd - Inside: The Difference; UNDATED (X32): Cooper/Blanchard 3; Blanchot; The Sea; Cooper/Blanchard; Eisenman Pt. 3; Hejduk & Eisenman House I & House II; Blanchot; Eisenman #1; "The Writing of the Disaster"; PDE & Isozaki July 10th; Banyoles staff meeting 10/5; DAAP project meeting; Alberti; German interview; Cooper/Blanchot 2; Nakamura & P. Johnson on PDE; P.E. Heimrod 9/16; Eisenman/Hejduk #3; Eisenman/Hejduk #4; unidentified; lecture on pinchin; unidentified; lecture on classicism - architecture; Eisenman & Hejduk #2; Cooper Bataille; Folding in Architecture; unidentified; Alcatraz; PDE seminar #3; PDE seminar #6; Eisenman #4; Eisenman #2;
DR1999:0361
Description:
audiocassettes include: 1986 (X1) August 4th: PDE & J. H - House I & House II; 1987 (X2) October 13th: Grotesque II Cooper; October 27th - Cooper: Grotesque III; 1988 (X8) April: 15th - Arizona State, Grotesque; September: 12th - P.E. at Cooper Union; 20th , 26th - P.E. at Cooper on Terragni; October: 4th ,10th - P.E. at Cooper on Terragni; 14th - P.E/Kipnis at OSU; 17th - Asilo Infantile/Terragni at Cooper; 1989 (X50) March: 6th - Cooper; April: 6th & 13th - OSU; 12th - University of California, Irvine (X2); 13th - OSU May: 4th - Texas Tech " Weak Image"; 25th - OSU (X3); August: 22nd - Kip & Eisenman; September: 11th , 12th - Cooper; 13th - Kip & Johnson on PDE; 28th - Cooper; 28th , 29th- OSU; October: 2nd , 3rd , 9th , 10th - Cooper; 13th - OSU (X6); 16th , 18th - Cooper; 20th - OSU; 23rd , 31st - Cooper; November: 2nd - Cooper; 3rd - Cooper (X2); 9th - Cooper; 10th - OSU (X2); 17th - OSU (X2); 20th - Cooper; December: 4th - OSU; Undated: All School Lecture Series Fall 1989; Eisenman/Hejduk; Wexner Center for the Visual Arts, 1989; 1990 (X36) February: 5th, 12th , 20th, 26th, 27th - Cooper; March: 1st - Cincinnati Presentation; 5th, 19th, 20th, 26th - Cooper; lecture on Guardiola House (Sintra Portugal); April: 3rd - Cooper; 5th , 11th- Chicago; 16th - Cooper; 19th - Eisenman/R.M.; 24th - Cooper; 25th - Chicago; May: 1st - Cooper; 2nd - Chicago; 7th - Cooper; 10th & 11th , 18th, 29th - Chicago; June: 16th - Any: One Etc. Meeting June 14, 1990; 18th - summer seminar (X2); July: 3rd - Koizumi lecture; 18th - summer seminar (X2); August: 15th - seminar # 4; 22nd - seminar; September: 20th - PDE & Yatsuka; October: 15th - Cooper (Yale essays introduction); December: 18th , 19th - Frankfurt Competition; 1991 (X4) April: 22nd - Cooper/Blanchard; May: 7th - Cooper/Blanchard; June: 12th - Gehry/Eisenman; July: 30th - P.E. seminar #3; 1992 (X15) January: 9th - Philip Johnson; March ?: Rice University Kennon Memorial (X2); May: 7th - Empay; July: 2nd - PDE seminar #2; 10th - seminar #2; 24th - seminar #3; 24th - seminar #4; 31st - seminar; August: 31st - Düsseldorf; December: 15th - Max Reinhardt Haus; 29th - WOSU FM Columbus; 1992 - 1993 (X3) Proust; 1993 (X8) summer lecture '93 Derrida Conference (X3); August: 6th , 13th, 20th, 27th - summer seminar; September: 22nd - Inside: The Difference; UNDATED (X32): Cooper/Blanchard 3; Blanchot; The Sea; Cooper/Blanchard; Eisenman Pt. 3; Hejduk & Eisenman House I & House II; Blanchot; Eisenman #1; "The Writing of the Disaster"; PDE & Isozaki July 10th; Banyoles staff meeting 10/5; DAAP project meeting; Alberti; German interview; Cooper/Blanchot 2; Nakamura & P. Johnson on PDE; P.E. Heimrod 9/16; Eisenman/Hejduk #3; Eisenman/Hejduk #4; unidentified; lecture on pinchin; unidentified; lecture on classicism - architecture; Eisenman & Hejduk #2; Cooper Bataille; Folding in Architecture; unidentified; Alcatraz; PDE seminar #3; PDE seminar #6; Eisenman #4; Eisenman #2;
Personnes et institutions:
Titre:
Lectures
Actions:
DR1999:0361
Description:
audiocassettes include: 1986 (X1) August 4th: PDE & J. H - House I & House II; 1987 (X2) October 13th: Grotesque II Cooper; October 27th - Cooper: Grotesque III; 1988 (X8) April: 15th - Arizona State, Grotesque; September: 12th - P.E. at Cooper Union; 20th , 26th - P.E. at Cooper on Terragni; October: 4th ,10th - P.E. at Cooper on Terragni; 14th - P.E/Kipnis at OSU; 17th - Asilo Infantile/Terragni at Cooper; 1989 (X50) March: 6th - Cooper; April: 6th & 13th - OSU; 12th - University of California, Irvine (X2); 13th - OSU May: 4th - Texas Tech " Weak Image"; 25th - OSU (X3); August: 22nd - Kip & Eisenman; September: 11th , 12th - Cooper; 13th - Kip & Johnson on PDE; 28th - Cooper; 28th , 29th- OSU; October: 2nd , 3rd , 9th , 10th - Cooper; 13th - OSU (X6); 16th , 18th - Cooper; 20th - OSU; 23rd , 31st - Cooper; November: 2nd - Cooper; 3rd - Cooper (X2); 9th - Cooper; 10th - OSU (X2); 17th - OSU (X2); 20th - Cooper; December: 4th - OSU; Undated: All School Lecture Series Fall 1989; Eisenman/Hejduk; Wexner Center for the Visual Arts, 1989; 1990 (X36) February: 5th, 12th , 20th, 26th, 27th - Cooper; March: 1st - Cincinnati Presentation; 5th, 19th, 20th, 26th - Cooper; lecture on Guardiola House (Sintra Portugal); April: 3rd - Cooper; 5th , 11th- Chicago; 16th - Cooper; 19th - Eisenman/R.M.; 24th - Cooper; 25th - Chicago; May: 1st - Cooper; 2nd - Chicago; 7th - Cooper; 10th & 11th , 18th, 29th - Chicago; June: 16th - Any: One Etc. Meeting June 14, 1990; 18th - summer seminar (X2); July: 3rd - Koizumi lecture; 18th - summer seminar (X2); August: 15th - seminar # 4; 22nd - seminar; September: 20th - PDE & Yatsuka; October: 15th - Cooper (Yale essays introduction); December: 18th , 19th - Frankfurt Competition; 1991 (X4) April: 22nd - Cooper/Blanchard; May: 7th - Cooper/Blanchard; June: 12th - Gehry/Eisenman; July: 30th - P.E. seminar #3; 1992 (X15) January: 9th - Philip Johnson; March ?: Rice University Kennon Memorial (X2); May: 7th - Empay; July: 2nd - PDE seminar #2; 10th - seminar #2; 24th - seminar #3; 24th - seminar #4; 31st - seminar; August: 31st - Düsseldorf; December: 15th - Max Reinhardt Haus; 29th - WOSU FM Columbus; 1992 - 1993 (X3) Proust; 1993 (X8) summer lecture '93 Derrida Conference (X3); August: 6th , 13th, 20th, 27th - summer seminar; September: 22nd - Inside: The Difference; UNDATED (X32): Cooper/Blanchard 3; Blanchot; The Sea; Cooper/Blanchard; Eisenman Pt. 3; Hejduk & Eisenman House I & House II; Blanchot; Eisenman #1; "The Writing of the Disaster"; PDE & Isozaki July 10th; Banyoles staff meeting 10/5; DAAP project meeting; Alberti; German interview; Cooper/Blanchot 2; Nakamura & P. Johnson on PDE; P.E. Heimrod 9/16; Eisenman/Hejduk #3; Eisenman/Hejduk #4; unidentified; lecture on pinchin; unidentified; lecture on classicism - architecture; Eisenman & Hejduk #2; Cooper Bataille; Folding in Architecture; unidentified; Alcatraz; PDE seminar #3; PDE seminar #6; Eisenman #4; Eisenman #2;
Lectures
Actions:
DR1999:0361
Description:
audiocassettes include: 1986 (X1) August 4th: PDE & J. H - House I & House II; 1987 (X2) October 13th: Grotesque II Cooper; October 27th - Cooper: Grotesque III; 1988 (X8) April: 15th - Arizona State, Grotesque; September: 12th - P.E. at Cooper Union; 20th , 26th - P.E. at Cooper on Terragni; October: 4th ,10th - P.E. at Cooper on Terragni; 14th - P.E/Kipnis at OSU; 17th - Asilo Infantile/Terragni at Cooper; 1989 (X50) March: 6th - Cooper; April: 6th & 13th - OSU; 12th - University of California, Irvine (X2); 13th - OSU May: 4th - Texas Tech " Weak Image"; 25th - OSU (X3); August: 22nd - Kip & Eisenman; September: 11th , 12th - Cooper; 13th - Kip & Johnson on PDE; 28th - Cooper; 28th , 29th- OSU; October: 2nd , 3rd , 9th , 10th - Cooper; 13th - OSU (X6); 16th , 18th - Cooper; 20th - OSU; 23rd , 31st - Cooper; November: 2nd - Cooper; 3rd - Cooper (X2); 9th - Cooper; 10th - OSU (X2); 17th - OSU (X2); 20th - Cooper; December: 4th - OSU; Undated: All School Lecture Series Fall 1989; Eisenman/Hejduk; Wexner Center for the Visual Arts, 1989; 1990 (X36) February: 5th, 12th , 20th, 26th, 27th - Cooper; March: 1st - Cincinnati Presentation; 5th, 19th, 20th, 26th - Cooper; lecture on Guardiola House (Sintra Portugal); April: 3rd - Cooper; 5th , 11th- Chicago; 16th - Cooper; 19th - Eisenman/R.M.; 24th - Cooper; 25th - Chicago; May: 1st - Cooper; 2nd - Chicago; 7th - Cooper; 10th & 11th , 18th, 29th - Chicago; June: 16th - Any: One Etc. Meeting June 14, 1990; 18th - summer seminar (X2); July: 3rd - Koizumi lecture; 18th - summer seminar (X2); August: 15th - seminar # 4; 22nd - seminar; September: 20th - PDE & Yatsuka; October: 15th - Cooper (Yale essays introduction); December: 18th , 19th - Frankfurt Competition; 1991 (X4) April: 22nd - Cooper/Blanchard; May: 7th - Cooper/Blanchard; June: 12th - Gehry/Eisenman; July: 30th - P.E. seminar #3; 1992 (X15) January: 9th - Philip Johnson; March ?: Rice University Kennon Memorial (X2); May: 7th - Empay; July: 2nd - PDE seminar #2; 10th - seminar #2; 24th - seminar #3; 24th - seminar #4; 31st - seminar; August: 31st - Düsseldorf; December: 15th - Max Reinhardt Haus; 29th - WOSU FM Columbus; 1992 - 1993 (X3) Proust; 1993 (X8) summer lecture '93 Derrida Conference (X3); August: 6th , 13th, 20th, 27th - summer seminar; September: 22nd - Inside: The Difference; UNDATED (X32): Cooper/Blanchard 3; Blanchot; The Sea; Cooper/Blanchard; Eisenman Pt. 3; Hejduk & Eisenman House I & House II; Blanchot; Eisenman #1; "The Writing of the Disaster"; PDE & Isozaki July 10th; Banyoles staff meeting 10/5; DAAP project meeting; Alberti; German interview; Cooper/Blanchot 2; Nakamura & P. Johnson on PDE; P.E. Heimrod 9/16; Eisenman/Hejduk #3; Eisenman/Hejduk #4; unidentified; lecture on pinchin; unidentified; lecture on classicism - architecture; Eisenman & Hejduk #2; Cooper Bataille; Folding in Architecture; unidentified; Alcatraz; PDE seminar #3; PDE seminar #6; Eisenman #4; Eisenman #2;
Classification:
audio
audio
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Collection Eva Hollo Vecsei
Collection Eva Hollo Vecsei
Numéro de référence:
CD041
Résumé:
The Eva Hollo Vecsei collection documents the career of Hungarian-Canadian architect Eva Hollo Vecsei with a few materials from her husband’s, Andrei Vecsei, work. Records in this collection, ranging from 1959 to 2019, document key elements of several of Vecsei’s projects, including built and unbuilt designs.
CD041
Résumé:
The Eva Hollo Vecsei collection documents the career of Hungarian-Canadian architect Eva Hollo Vecsei with a few materials from her husband’s, Andrei Vecsei, work. Records in this collection, ranging from 1959 to 2019, document key elements of several of Vecsei’s projects, including built and unbuilt designs.
Personnes et institutions:
Date:
1959-2019
1959-2019
Titre:
Collection Eva Hollo Vecsei
Actions:
CD041
Résumé:
The Eva Hollo Vecsei collection documents the career of Hungarian-Canadian architect Eva Hollo Vecsei with a few materials from her husband’s, Andrei Vecsei, work. Records in this collection, ranging from 1959 to 2019, document key elements of several of Vecsei’s projects, including built and unbuilt designs.
Collection Eva Hollo Vecsei
Actions:
CD041
Résumé:
The Eva Hollo Vecsei collection documents the career of Hungarian-Canadian architect Eva Hollo Vecsei with a few materials from her husband’s, Andrei Vecsei, work. Records in this collection, ranging from 1959 to 2019, document key elements of several of Vecsei’s projects, including built and unbuilt designs.
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
1959-2019
1959-2019
Personnes et institutions:
