6197 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP173.S1.1991.D1
Description:
Series documents Lars Spuybroek's study project Dark Sections, ''De zwarte secties'' in Dutch. The material was produced around 1991, and features slides of drawings and presentation panels, original presentation drawings, panels and an article on the project by Lars Spuybroek. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
AP173.S1.1991.D1
Description:
Series documents Lars Spuybroek's study project Dark Sections, ''De zwarte secties'' in Dutch. The material was produced around 1991, and features slides of drawings and presentation panels, original presentation drawings, panels and an article on the project by Lars Spuybroek. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Personnes et institutions:
Date:
ca. 1991
ca. 1991
Titre:
Dark Sections (1991)
Actions:
AP173.S1.1991.D1
Description:
Series documents Lars Spuybroek's study project Dark Sections, ''De zwarte secties'' in Dutch. The material was produced around 1991, and features slides of drawings and presentation panels, original presentation drawings, panels and an article on the project by Lars Spuybroek. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Dark Sections (1991)
Actions:
AP173.S1.1991.D1
Description:
Series documents Lars Spuybroek's study project Dark Sections, ''De zwarte secties'' in Dutch. The material was produced around 1991, and features slides of drawings and presentation panels, original presentation drawings, panels and an article on the project by Lars Spuybroek. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Niveau de description archivistique:
Project
Project
Date:
ca. 1991
ca. 1991
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Lionel March fonds
Lionel March fonds
Numéro de référence:
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Personnes et institutions:
Date:
circa 1957-2017
circa 1957-2017
Titre:
Lionel March fonds
Actions:
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Lionel March fonds
Actions:
AP208
Résumé:
The Lionel March fonds, circa 1957-2017, documents the work and activities of architect and professor Lionel March. The records within this fonds illustrate March’s architectural career, representing five professional and personal building projects, including the 1964 Whitehall plan; as well as his academic career in research and teaching, spanning England and North America, most notably March’s work with the Centre for Land Use and Built Form Studies (now the Martin Centre) and his research at UCLA. The fonds is largely composed of books from March’s library, textual records, slides and photographs, and drawings.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1957-2017
circa 1957-2017
Personnes et institutions:
Classification:
dessins, documents textuels, photographies
Quantité:
19 sets group(s)
dessins, documents textuels, photographies
Quantité:
19 sets group(s)
Numéro de référence:
ARCH263519
Description:
Page layout information organized in 19 envelopes corresponding to 19 gatherings of the book. Contents of each envelope include texts (printouts or manuscript) and/or images. Media of the images include photographs, negatives, slides, digital files on CD and transparencies).
ARCH263519
Description:
Page layout information organized in 19 envelopes corresponding to 19 gatherings of the book. Contents of each envelope include texts (printouts or manuscript) and/or images. Media of the images include photographs, negatives, slides, digital files on CD and transparencies).
Personnes et institutions:
Titre:
Page layout information organized in 19 envelopes corresponding to 19 gatherings of the book
Actions:
ARCH263519
Description:
Page layout information organized in 19 envelopes corresponding to 19 gatherings of the book. Contents of each envelope include texts (printouts or manuscript) and/or images. Media of the images include photographs, negatives, slides, digital files on CD and transparencies).
Page layout information organized in 19 envelopes corresponding to 19 gatherings of the book
Actions:
ARCH263519
Description:
Page layout information organized in 19 envelopes corresponding to 19 gatherings of the book. Contents of each envelope include texts (printouts or manuscript) and/or images. Media of the images include photographs, negatives, slides, digital files on CD and transparencies).
Classification:
dessins, documents textuels, photographies
Quantité:
19 sets group(s)
dessins, documents textuels, photographies
Quantité:
19 sets group(s)
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP173.S1.2001.D3
Description:
Series documents Lars Spuybroek's project La Tana di Alice in Italy, a project for the Alice in Wonderland pavilion in 'Pinopoli' for the Roberto Masiero / Carlo Callodi Foundation. Material in this series was produced around 2001. The series contains slides of drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
AP173.S1.2001.D3
Description:
Series documents Lars Spuybroek's project La Tana di Alice in Italy, a project for the Alice in Wonderland pavilion in 'Pinopoli' for the Roberto Masiero / Carlo Callodi Foundation. Material in this series was produced around 2001. The series contains slides of drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Personnes et institutions:
Date:
ca. 2001
ca. 2001
Titre:
La Tana di Alice, Italy (2001)
Actions:
AP173.S1.2001.D3
Description:
Series documents Lars Spuybroek's project La Tana di Alice in Italy, a project for the Alice in Wonderland pavilion in 'Pinopoli' for the Roberto Masiero / Carlo Callodi Foundation. Material in this series was produced around 2001. The series contains slides of drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
La Tana di Alice, Italy (2001)
Actions:
AP173.S1.2001.D3
Description:
Series documents Lars Spuybroek's project La Tana di Alice in Italy, a project for the Alice in Wonderland pavilion in 'Pinopoli' for the Roberto Masiero / Carlo Callodi Foundation. Material in this series was produced around 2001. The series contains slides of drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Niveau de description archivistique:
Project
Project
Date:
ca. 2001
ca. 2001
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP173.S1.1998.D2.005
Description:
Group consists of 153 slides of design development drawings and working drawings, predominantly 3D renderings from digital files, and photograhs of the interior during the construction and once completed. Stored in a binder with the orginial divider entitled "V2 LAB".
AP173.S1.1998.D2.005
Description:
Group consists of 153 slides of design development drawings and working drawings, predominantly 3D renderings from digital files, and photograhs of the interior during the construction and once completed. Stored in a binder with the orginial divider entitled "V2 LAB".
Personnes et institutions:
Date:
ca. 1998
ca. 1998
Titre:
Photographs for the V2_Lab in Rotterdam, Netherlands
Actions:
AP173.S1.1998.D2.005
Description:
Group consists of 153 slides of design development drawings and working drawings, predominantly 3D renderings from digital files, and photograhs of the interior during the construction and once completed. Stored in a binder with the orginial divider entitled "V2 LAB".
Photographs for the V2_Lab in Rotterdam, Netherlands
Actions:
AP173.S1.1998.D2.005
Description:
Group consists of 153 slides of design development drawings and working drawings, predominantly 3D renderings from digital files, and photograhs of the interior during the construction and once completed. Stored in a binder with the orginial divider entitled "V2 LAB".
Classification:
photographies
photographies
Date:
ca. 1998
ca. 1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP173.S2.2005.D2
Description:
Series documents Lars Spuybroek's project for the invited competition for It, in Flims, Switzerlands, an interactive public artword for the City of Flims. Material in this series was produced around 2005. The series contains reprographic copies of presentation drawings and a presentation booklet of the project. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
AP173.S2.2005.D2
Description:
Series documents Lars Spuybroek's project for the invited competition for It, in Flims, Switzerlands, an interactive public artword for the City of Flims. Material in this series was produced around 2005. The series contains reprographic copies of presentation drawings and a presentation booklet of the project. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Personnes et institutions:
Date:
ca. 2005
ca. 2005
Titre:
It, Flims, Switzerlands (2005)
Actions:
AP173.S2.2005.D2
Description:
Series documents Lars Spuybroek's project for the invited competition for It, in Flims, Switzerlands, an interactive public artword for the City of Flims. Material in this series was produced around 2005. The series contains reprographic copies of presentation drawings and a presentation booklet of the project. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
It, Flims, Switzerlands (2005)
Actions:
AP173.S2.2005.D2
Description:
Series documents Lars Spuybroek's project for the invited competition for It, in Flims, Switzerlands, an interactive public artword for the City of Flims. Material in this series was produced around 2005. The series contains reprographic copies of presentation drawings and a presentation booklet of the project. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Niveau de description archivistique:
Project
Project
Date:
ca. 2005
ca. 2005
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP182.S1
Description:
Series documents projects by Bijoy Jain and the firm Studio Mumbai carried out between 2009 and 2014. Series contains drawings, models, digital photographs, videos, material samples, and original and reproduced notebooks and sketchbooks related to six built works (Copper House II, Ahmedabad House, Saat Rasta, Carrimjee House, Chennai House, Weavers' Studio) and two conceptual projects (Demolition, Migrant housing).
AP182.S1
Description:
Series documents projects by Bijoy Jain and the firm Studio Mumbai carried out between 2009 and 2014. Series contains drawings, models, digital photographs, videos, material samples, and original and reproduced notebooks and sketchbooks related to six built works (Copper House II, Ahmedabad House, Saat Rasta, Carrimjee House, Chennai House, Weavers' Studio) and two conceptual projects (Demolition, Migrant housing).
Personnes et institutions:
Date:
2009-2014
2009-2014
Titre:
Projects
Actions:
AP182.S1
Description:
Series documents projects by Bijoy Jain and the firm Studio Mumbai carried out between 2009 and 2014. Series contains drawings, models, digital photographs, videos, material samples, and original and reproduced notebooks and sketchbooks related to six built works (Copper House II, Ahmedabad House, Saat Rasta, Carrimjee House, Chennai House, Weavers' Studio) and two conceptual projects (Demolition, Migrant housing).
Projects
Actions:
AP182.S1
Description:
Series documents projects by Bijoy Jain and the firm Studio Mumbai carried out between 2009 and 2014. Series contains drawings, models, digital photographs, videos, material samples, and original and reproduced notebooks and sketchbooks related to six built works (Copper House II, Ahmedabad House, Saat Rasta, Carrimjee House, Chennai House, Weavers' Studio) and two conceptual projects (Demolition, Migrant housing).
Niveau de description archivistique:
Series 1
Series 1
Date:
2009-2014
2009-2014
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Personnes et institutions:
Date:
1997-1998
1997-1998
Titre:
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Niveau de description archivistique:
Project
Project
Date:
1997-1998
1997-1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP173.S1.1992.D3
Description:
Series documents Lars Spuybroek's project for Baroque Army, a furniture design study. Material in this series was produced around 1992. The series contains photographs, predominantly slides, of the models and some of the drawings, along with study sketches and design development drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
AP173.S1.1992.D3
Description:
Series documents Lars Spuybroek's project for Baroque Army, a furniture design study. Material in this series was produced around 1992. The series contains photographs, predominantly slides, of the models and some of the drawings, along with study sketches and design development drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Personnes et institutions:
Date:
ca. 1992
ca. 1992
Titre:
Baroque Army (1992)
Actions:
AP173.S1.1992.D3
Description:
Series documents Lars Spuybroek's project for Baroque Army, a furniture design study. Material in this series was produced around 1992. The series contains photographs, predominantly slides, of the models and some of the drawings, along with study sketches and design development drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Baroque Army (1992)
Actions:
AP173.S1.1992.D3
Description:
Series documents Lars Spuybroek's project for Baroque Army, a furniture design study. Material in this series was produced around 1992. The series contains photographs, predominantly slides, of the models and some of the drawings, along with study sketches and design development drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Niveau de description archivistique:
Project
Project
Date:
ca. 1992
ca. 1992
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP173.S1.2001.D4
Description:
Series documents Lars Spuybroek's project ObliqueWTC in New York, United States, a proposal for the new World Trade Center for the Max Protetch Gallery in New York. Material in this series was produced around 2001. The series contains slides of drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
AP173.S1.2001.D4
Description:
Series documents Lars Spuybroek's project ObliqueWTC in New York, United States, a proposal for the new World Trade Center for the Max Protetch Gallery in New York. Material in this series was produced around 2001. The series contains slides of drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Personnes et institutions:
Date:
ca. 2001
ca. 2001
Titre:
ObliqueWTC, New York City, United States (2001)
Actions:
AP173.S1.2001.D4
Description:
Series documents Lars Spuybroek's project ObliqueWTC in New York, United States, a proposal for the new World Trade Center for the Max Protetch Gallery in New York. Material in this series was produced around 2001. The series contains slides of drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
ObliqueWTC, New York City, United States (2001)
Actions:
AP173.S1.2001.D4
Description:
Series documents Lars Spuybroek's project ObliqueWTC in New York, United States, a proposal for the new World Trade Center for the Max Protetch Gallery in New York. Material in this series was produced around 2001. The series contains slides of drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Niveau de description archivistique:
Project
Project
Date:
ca. 2001
ca. 2001
Personnes et institutions:
