12024 Résultats
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This surprising collection of essays accompanied by beautiful picture material by architects and artists revisits D'Arcy Thompson's influential book "On Growth and Form" (1917) to explore the link between morphology and formmaking in historical and contemporary design. Editd by the Faculty of Architecture and Planning, Dalhouse University, Halifax, Canada.
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This surprising collection of essays accompanied by beautiful picture material by architects and artists revisits D'Arcy Thompson's influential book "On Growth and Form" (1917) to explore the link between morphology and formmaking in historical and contemporary design. Editd by the Faculty of Architecture and Planning, Dalhouse University, Halifax, Canada.
Publication:
juin 2008, Halifax
juin 2008, Halifax
Titre:
On growth and form: organic architecture and beyond
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This surprising collection of essays accompanied by beautiful picture material by architects and artists revisits D'Arcy Thompson's influential book "On Growth and Form" (1917) to explore the link between morphology and formmaking in historical and contemporary design. Editd by the Faculty of Architecture and Planning, Dalhouse University, Halifax, Canada.
On growth and form: organic architecture and beyond
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This surprising collection of essays accompanied by beautiful picture material by architects and artists revisits D'Arcy Thompson's influential book "On Growth and Form" (1917) to explore the link between morphology and formmaking in historical and contemporary design. Editd by the Faculty of Architecture and Planning, Dalhouse University, Halifax, Canada.
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livres
livres
Publication:
juin 2008, Halifax
juin 2008, Halifax
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livres
livres
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$109.50
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"Women's places : architecture and design 1860-1960" presents a series of case-study essays, all of them based on research which has been unpublished up until now, dealing with the relationship between particular women, buildings and design in the time period. This collection shows a range of actual relationships between women and material culture in a given(...)
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"Women's places : architecture and design 1860-1960" presents a series of case-study essays, all of them based on research which has been unpublished up until now, dealing with the relationship between particular women, buildings and design in the time period. This collection shows a range of actual relationships between women and material culture in a given(...)
Publication:
octobre 2003, London / New York
octobre 2003, London / New York
Titre:
Women's places : architecture and design 1860-1960
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"Women's places : architecture and design 1860-1960" presents a series of case-study essays, all of them based on research which has been unpublished up until now, dealing with the relationship between particular women, buildings and design in the time period. This collection shows a range of actual relationships between women and material culture in a given historical period, from those who engaged with the avant-garde of their day, to others who were more conservative and worked within prevailing traditions and conventions; their differing strategies and the ways in which the picture changed over a period of time in response to shifts in the contemporary aesthetic, economic, social and cultural climate of gender, architecture and design. The team of authors are noted within the discipline for their original and pioneering research in the field of gender, architecture, material culture and the built environment.
Women's places : architecture and design 1860-1960
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"Women's places : architecture and design 1860-1960" presents a series of case-study essays, all of them based on research which has been unpublished up until now, dealing with the relationship between particular women, buildings and design in the time period. This collection shows a range of actual relationships between women and material culture in a given historical period, from those who engaged with the avant-garde of their day, to others who were more conservative and worked within prevailing traditions and conventions; their differing strategies and the ways in which the picture changed over a period of time in response to shifts in the contemporary aesthetic, economic, social and cultural climate of gender, architecture and design. The team of authors are noted within the discipline for their original and pioneering research in the field of gender, architecture, material culture and the built environment.
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livres
livres
Publication:
octobre 2003, London / New York
octobre 2003, London / New York
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livres
livres
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This book is a presentation the ten nominees of the year, chosen from a total of 151 entries. The selection shows the foremost achievements of Swedish wooden architecture in the past four years, "Swedish architecture in wood" is illustrated by photographer Åke E:son Lindman and with descriptions and drawings from the architects themselves. The Timber Prize was founded(...)
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This book is a presentation the ten nominees of the year, chosen from a total of 151 entries. The selection shows the foremost achievements of Swedish wooden architecture in the past four years, "Swedish architecture in wood" is illustrated by photographer Åke E:son Lindman and with descriptions and drawings from the architects themselves. The Timber Prize was founded(...)
Publication:
janvier 1900, Stockholm
janvier 1900, Stockholm
Titre:
Swedish architecture in wood : the 2004 Timber prize
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This book is a presentation the ten nominees of the year, chosen from a total of 151 entries. The selection shows the foremost achievements of Swedish wooden architecture in the past four years, "Swedish architecture in wood" is illustrated by photographer Åke E:son Lindman and with descriptions and drawings from the architects themselves. The Timber Prize was founded in 1967 and is presented by the Swedish Forest Industries Federation.
Swedish architecture in wood : the 2004 Timber prize
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$87.50
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Résumé:
This book is a presentation the ten nominees of the year, chosen from a total of 151 entries. The selection shows the foremost achievements of Swedish wooden architecture in the past four years, "Swedish architecture in wood" is illustrated by photographer Åke E:son Lindman and with descriptions and drawings from the architects themselves. The Timber Prize was founded in 1967 and is presented by the Swedish Forest Industries Federation.
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livres
livres
Publication:
janvier 1900, Stockholm
janvier 1900, Stockholm
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livres
livres
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Le Walt Disney Concert Hall à Los Angeles de Frank Gehry, le Terminal 4 de l aéroport de Barajas à Madrid par Richard Rogers ou encore le nid , stade national olympique de Pékin par Herzog & de Meuron sont quelques-uns des 38 projets présentés dans cet ouvrage qui offre un panorama clair et concis des uvres architecturales majeures réalisées dans le monde depuis le(...)
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Le Walt Disney Concert Hall à Los Angeles de Frank Gehry, le Terminal 4 de l aéroport de Barajas à Madrid par Richard Rogers ou encore le nid , stade national olympique de Pékin par Herzog & de Meuron sont quelques-uns des 38 projets présentés dans cet ouvrage qui offre un panorama clair et concis des uvres architecturales majeures réalisées dans le monde depuis le(...)
Titre:
Bâtir le nouveau millénaire, l'architecture à l'aube du XXIe siècle
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Le Walt Disney Concert Hall à Los Angeles de Frank Gehry, le Terminal 4 de l aéroport de Barajas à Madrid par Richard Rogers ou encore le nid , stade national olympique de Pékin par Herzog & de Meuron sont quelques-uns des 38 projets présentés dans cet ouvrage qui offre un panorama clair et concis des uvres architecturales majeures réalisées dans le monde depuis le passage au nouveau millénaire. Cette sélection réunit les plus grands et célèbres architectes contemporains tels que Toyo Ito, Renzo Piano, Zaha Hadid, Peter Zumthor, Jean Nouvel, Tadao Ando ou Norman Foster. Il inclut un large éventail de types de bâtiments : stades, salles de concerts, musées, sièges d entreprises, bâtiments gouvernementaux ainsi que des constructions à échelle plus réduite telles que boutiques ou cafés.
Bâtir le nouveau millénaire, l'architecture à l'aube du XXIe siècle
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Le Walt Disney Concert Hall à Los Angeles de Frank Gehry, le Terminal 4 de l aéroport de Barajas à Madrid par Richard Rogers ou encore le nid , stade national olympique de Pékin par Herzog & de Meuron sont quelques-uns des 38 projets présentés dans cet ouvrage qui offre un panorama clair et concis des uvres architecturales majeures réalisées dans le monde depuis le passage au nouveau millénaire. Cette sélection réunit les plus grands et célèbres architectes contemporains tels que Toyo Ito, Renzo Piano, Zaha Hadid, Peter Zumthor, Jean Nouvel, Tadao Ando ou Norman Foster. Il inclut un large éventail de types de bâtiments : stades, salles de concerts, musées, sièges d entreprises, bâtiments gouvernementaux ainsi que des constructions à échelle plus réduite telles que boutiques ou cafés.
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livres
livres
Publication:
novembre 2009
novembre 2009
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livres
livres
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$39.95
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Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the (...)
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Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the (...)
Titre:
Warped space : art, architecture, and anxiety in modern culture
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Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the spatial arts of architecture, urbanism, and film. This "spatial warping" is now being reshaped by digitalization and virtual reality. Anthony Vidler is concerned with two forms of warped space. The first, a psychological space, is the repository of neuroses and phobias. This space is not empty but full of disturbing forms, including those of architecture and the city. The second kind of warping is produced when artists break the boundaries of genre to depict space in new ways. Vidler traces the emergence of a psychological idea of space from Pascal and Freud to the identification of agoraphobia and claustrophobia in the nineteenth century to twentieth-century theories of spatial alienation and estrangement in the writings of Georg Simmel, Siegfried Kracauer, and Walter Benjamin. Focusing on current conditions of displacement and placelessness, he examines ways in which contemporary artists and architects have produced new forms of spatial warping. The discussion ranges from theorists such as Jacques Lacan and Gilles Deleuze to artists such as Vito Acconci, Mike Kelley, Martha Rosler, and Rachel Whiteread. Finally, Vidler looks at the architectural experiments of Frank Gehry, Coop Himmelblau, Daniel Libeskind, Greg Lynn, Morphosis, and Eric Owen Moss in the light of new digital techniques that, while relying on traditional perspective, have radically transformed the composition, production, and experience of architecture.
Warped space : art, architecture, and anxiety in modern culture
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Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the spatial arts of architecture, urbanism, and film. This "spatial warping" is now being reshaped by digitalization and virtual reality. Anthony Vidler is concerned with two forms of warped space. The first, a psychological space, is the repository of neuroses and phobias. This space is not empty but full of disturbing forms, including those of architecture and the city. The second kind of warping is produced when artists break the boundaries of genre to depict space in new ways. Vidler traces the emergence of a psychological idea of space from Pascal and Freud to the identification of agoraphobia and claustrophobia in the nineteenth century to twentieth-century theories of spatial alienation and estrangement in the writings of Georg Simmel, Siegfried Kracauer, and Walter Benjamin. Focusing on current conditions of displacement and placelessness, he examines ways in which contemporary artists and architects have produced new forms of spatial warping. The discussion ranges from theorists such as Jacques Lacan and Gilles Deleuze to artists such as Vito Acconci, Mike Kelley, Martha Rosler, and Rachel Whiteread. Finally, Vidler looks at the architectural experiments of Frank Gehry, Coop Himmelblau, Daniel Libeskind, Greg Lynn, Morphosis, and Eric Owen Moss in the light of new digital techniques that, while relying on traditional perspective, have radically transformed the composition, production, and experience of architecture.
Classification:
livres
livres
Publication:
avril 2002, Cambridge, Mass.
avril 2002, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
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In a daring revisionist history of modern architecture, Mark Wigley opens up a new understanding of the historical avant-garde. He explores the most obvious, but least discussed, feature of modern architecture: white walls. Although the white wall exemplifies the stripping away of the decorative masquerade costumes worn by nineteenth-century buildings, Wigley argues that(...)
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In a daring revisionist history of modern architecture, Mark Wigley opens up a new understanding of the historical avant-garde. He explores the most obvious, but least discussed, feature of modern architecture: white walls. Although the white wall exemplifies the stripping away of the decorative masquerade costumes worn by nineteenth-century buildings, Wigley argues that(...)
Titre:
White walls, designer dresses : the fashioning of modern architecture
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In a daring revisionist history of modern architecture, Mark Wigley opens up a new understanding of the historical avant-garde. He explores the most obvious, but least discussed, feature of modern architecture: white walls. Although the white wall exemplifies the stripping away of the decorative masquerade costumes worn by nineteenth-century buildings, Wigley argues that modern buildings are not naked. The white wall is itself a form of clothing -- the newly athletic body of the building, like that of its occupants, wears a new kind of garment and these garments are meant to match. Not only did almost all modern architects literally design dresses, Wigley points out, their arguments for a modern architecture were taken from the logic of clothing reform. Architecture was understood as a form of dress design. Wigley follows the trajectory of this key subtext by closely reading the statements and designs of most of the protagonists, demonstrating that it renders modern architecture's relationship with the psychosexual economy of fashion much more ambiguous than the architects' endlessly repeated rejections of fashion would suggest. Indeed, Wigley asserts, the very intensity of these rejections is a symptom of how deeply they are embedded in the world of clothing. By drawing on arguments about the relationship between clothing and architecture first formulated in the middle of the nineteenth century, modern architects in fact presented a sophisticated theory of the surface, modernizing architecture by transforming the status of the surface. "White Walls, Designer Dresses" shows how this seemingly incidental clothing logic actually organizes the detailed design of the modern building, dictating a system of polychromy, understood as a multicolored outfit. The familiar image of modern architecture as white turns out to be the effect of a historiographical tradition that has worked hard to suppress the color of the surfaces of the buildings that it describes. Wigley analyzes this suppression in terms of the sexual logic that invariably accompanies discussions of clothing and color, recovering those sensuously colored surfaces and the extraordinary arguments about clothing that were used to defend them.
White walls, designer dresses : the fashioning of modern architecture
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In a daring revisionist history of modern architecture, Mark Wigley opens up a new understanding of the historical avant-garde. He explores the most obvious, but least discussed, feature of modern architecture: white walls. Although the white wall exemplifies the stripping away of the decorative masquerade costumes worn by nineteenth-century buildings, Wigley argues that modern buildings are not naked. The white wall is itself a form of clothing -- the newly athletic body of the building, like that of its occupants, wears a new kind of garment and these garments are meant to match. Not only did almost all modern architects literally design dresses, Wigley points out, their arguments for a modern architecture were taken from the logic of clothing reform. Architecture was understood as a form of dress design. Wigley follows the trajectory of this key subtext by closely reading the statements and designs of most of the protagonists, demonstrating that it renders modern architecture's relationship with the psychosexual economy of fashion much more ambiguous than the architects' endlessly repeated rejections of fashion would suggest. Indeed, Wigley asserts, the very intensity of these rejections is a symptom of how deeply they are embedded in the world of clothing. By drawing on arguments about the relationship between clothing and architecture first formulated in the middle of the nineteenth century, modern architects in fact presented a sophisticated theory of the surface, modernizing architecture by transforming the status of the surface. "White Walls, Designer Dresses" shows how this seemingly incidental clothing logic actually organizes the detailed design of the modern building, dictating a system of polychromy, understood as a multicolored outfit. The familiar image of modern architecture as white turns out to be the effect of a historiographical tradition that has worked hard to suppress the color of the surfaces of the buildings that it describes. Wigley analyzes this suppression in terms of the sexual logic that invariably accompanies discussions of clothing and color, recovering those sensuously colored surfaces and the extraordinary arguments about clothing that were used to defend them.
Classification:
livres
livres
Publication:
octobre 2001, Cambridge, Mass.
octobre 2001, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$90.00
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The influence of the award-winning Jordanian architect Rasem Badran is rapidly spreading throughout the developing world. His work involves the full spectrum from urban planning to individual residences. His work is human-scaled, responsive to its environment and meets the social and cultural requirements of the people who use it. For the first time, this volume(...)
$90.00
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The influence of the award-winning Jordanian architect Rasem Badran is rapidly spreading throughout the developing world. His work involves the full spectrum from urban planning to individual residences. His work is human-scaled, responsive to its environment and meets the social and cultural requirements of the people who use it. For the first time, this volume(...)
Titre:
The architecture of Rasem Badran : narratives on people and place
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The influence of the award-winning Jordanian architect Rasem Badran is rapidly spreading throughout the developing world. His work involves the full spectrum from urban planning to individual residences. His work is human-scaled, responsive to its environment and meets the social and cultural requirements of the people who use it. For the first time, this volume provides an overview of the work of one who could be seen as the natural successor to the seminal Egyptian architect Hassan Fathy and brings together the architect’s own dramatic collection of drawings, plans and photographs, many seen here for the first time. A comprehensive chronology of Badran’s work completes a fascinating survey of this influential and revolutionary architect.
The architecture of Rasem Badran : narratives on people and place
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The influence of the award-winning Jordanian architect Rasem Badran is rapidly spreading throughout the developing world. His work involves the full spectrum from urban planning to individual residences. His work is human-scaled, responsive to its environment and meets the social and cultural requirements of the people who use it. For the first time, this volume provides an overview of the work of one who could be seen as the natural successor to the seminal Egyptian architect Hassan Fathy and brings together the architect’s own dramatic collection of drawings, plans and photographs, many seen here for the first time. A comprehensive chronology of Badran’s work completes a fascinating survey of this influential and revolutionary architect.
Classification:
livres
livres
Publication:
juin 2005, New York
juin 2005, New York
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$50.00
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"The Eyes of the Skin" has become a classic of architectural theory and consists of two extended essays. The first surveys the historical development of the ocular-centric paradigm in western culture since the Greeks and its impact on the experience of the world and the nature of architecture. The second examines the role of the other senses in authentic architectural(...)
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"The Eyes of the Skin" has become a classic of architectural theory and consists of two extended essays. The first surveys the historical development of the ocular-centric paradigm in western culture since the Greeks and its impact on the experience of the world and the nature of architecture. The second examines the role of the other senses in authentic architectural(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
avril 2005, Chichester, England
avril 2005, Chichester, England
Titre:
The eyes of the skin : architecture and the senses
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"The Eyes of the Skin" has become a classic of architectural theory and consists of two extended essays. The first surveys the historical development of the ocular-centric paradigm in western culture since the Greeks and its impact on the experience of the world and the nature of architecture. The second examines the role of the other senses in authentic architectural experiences, and points the way towards a multi-sensory architecture which facilitates a sense of belonging and integration. Since the book's first publication, interest in the role of the body and the senses has been emerging in both architectural philosophy and teaching. This new, revised and extended edition of this seminal work will not only inspire architects and students to design more holistic architecture, but will enrich the general reader's perception of the world around them. Preface by Steven Holl.
The eyes of the skin : architecture and the senses
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"The Eyes of the Skin" has become a classic of architectural theory and consists of two extended essays. The first surveys the historical development of the ocular-centric paradigm in western culture since the Greeks and its impact on the experience of the world and the nature of architecture. The second examines the role of the other senses in authentic architectural experiences, and points the way towards a multi-sensory architecture which facilitates a sense of belonging and integration. Since the book's first publication, interest in the role of the body and the senses has been emerging in both architectural philosophy and teaching. This new, revised and extended edition of this seminal work will not only inspire architects and students to design more holistic architecture, but will enrich the general reader's perception of the world around them. Preface by Steven Holl.
Classification:
livres
livres
Publication:
avril 2005, Chichester, England
avril 2005, Chichester, England
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$68.95
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Russian artist El Lissitzky’s work spans painting, photography, theatrical and exhibition design, architecture, graphic design, typography, and literature. He was active in the Jewish cultural renaissance, formed an artists’ collective with Kazimir Malevich, was a key figure in the dissemination of early Soviet art in Western Europe, and designed propaganda for the Stalin(...)
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Russian artist El Lissitzky’s work spans painting, photography, theatrical and exhibition design, architecture, graphic design, typography, and literature. He was active in the Jewish cultural renaissance, formed an artists’ collective with Kazimir Malevich, was a key figure in the dissemination of early Soviet art in Western Europe, and designed propaganda for the Stalin(...)
Titre:
El Lissitzky on paper: Print culture, architecture, politics, 1919-1933
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Russian artist El Lissitzky’s work spans painting, photography, theatrical and exhibition design, architecture, graphic design, typography, and literature. He was active in the Jewish cultural renaissance, formed an artists’ collective with Kazimir Malevich, was a key figure in the dissemination of early Soviet art in Western Europe, and designed propaganda for the Stalin regime. With such a varied history and body of work, scholars have often struggled to identify the core principles that tied his diverse oeuvre together. With this book, Johnson presents a significant contribution to scholarship on this major artist, revealing new connections between Lissitzky’s work in architecture and visual art and bringing to light sources from largely unstudied Russian archives.
El Lissitzky on paper: Print culture, architecture, politics, 1919-1933
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Russian artist El Lissitzky’s work spans painting, photography, theatrical and exhibition design, architecture, graphic design, typography, and literature. He was active in the Jewish cultural renaissance, formed an artists’ collective with Kazimir Malevich, was a key figure in the dissemination of early Soviet art in Western Europe, and designed propaganda for the Stalin regime. With such a varied history and body of work, scholars have often struggled to identify the core principles that tied his diverse oeuvre together. With this book, Johnson presents a significant contribution to scholarship on this major artist, revealing new connections between Lissitzky’s work in architecture and visual art and bringing to light sources from largely unstudied Russian archives.
Classification:
livres
livres
Publication:
mai 2024
mai 2024
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$102.00
(disponible en magasin)
Résumé:
The second installment in the Dongola Architecture Series, dedicated to the great voices of contemporary architecture in the Arab culture, delves into the life and work of the distinguished Syrian architect and architecture historian Nasser Rabbat. This publication underscores the profound connection between Rabbat's upbringing in Syria during a period of significant(...)
$102.00
(disponible en magasin)
Résumé:
The second installment in the Dongola Architecture Series, dedicated to the great voices of contemporary architecture in the Arab culture, delves into the life and work of the distinguished Syrian architect and architecture historian Nasser Rabbat. This publication underscores the profound connection between Rabbat's upbringing in Syria during a period of significant(...)
Titre:
Nasser Rabbat: Critical encounters. Dongola Architecture Series DAS 02
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The second installment in the Dongola Architecture Series, dedicated to the great voices of contemporary architecture in the Arab culture, delves into the life and work of the distinguished Syrian architect and architecture historian Nasser Rabbat. This publication underscores the profound connection between Rabbat's upbringing in Syria during a period of significant political transformation and his development as a critical thinker and storyteller. His journey from a reluctant choice to study architecture to becoming a prominent figure as the Director of the Aga Khan Program for Islamic Architecture at MIT illustrates his unceasing commitment to expanding the horizons of historiography, particularly within the realm of non-Western voices. "Nasser Rabbat : Critical encounters" seeks to deepen our understanding of the urgency of history to enable the possibilities of questioning and reimagining dominant powers. Professor Rabbat's work presents a compelling account within the broader context of Arab thinkers actively reshaping their region's narrative and pushing for a more inclusive and diverse historical perspective.
Nasser Rabbat: Critical encounters. Dongola Architecture Series DAS 02
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The second installment in the Dongola Architecture Series, dedicated to the great voices of contemporary architecture in the Arab culture, delves into the life and work of the distinguished Syrian architect and architecture historian Nasser Rabbat. This publication underscores the profound connection between Rabbat's upbringing in Syria during a period of significant political transformation and his development as a critical thinker and storyteller. His journey from a reluctant choice to study architecture to becoming a prominent figure as the Director of the Aga Khan Program for Islamic Architecture at MIT illustrates his unceasing commitment to expanding the horizons of historiography, particularly within the realm of non-Western voices. "Nasser Rabbat : Critical encounters" seeks to deepen our understanding of the urgency of history to enable the possibilities of questioning and reimagining dominant powers. Professor Rabbat's work presents a compelling account within the broader context of Arab thinkers actively reshaping their region's narrative and pushing for a more inclusive and diverse historical perspective.
Classification:
livres
livres
Publication:
mars 2024
mars 2024
Sujet:
Architecture, monographies
Architecture, monographies
