557 Résultats
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Over the past century, an art form has emerged that draws from the worlds of visual art and music. Sound art’s roots can be found in the experimental work of Italian Futurism, Dada, and later the Fluxus group and the pioneering efforts of the American composer and artist John Cage. In the wake of this groundbreaking work, sound art began to mature into a movement, and(...)
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Over the past century, an art form has emerged that draws from the worlds of visual art and music. Sound art’s roots can be found in the experimental work of Italian Futurism, Dada, and later the Fluxus group and the pioneering efforts of the American composer and artist John Cage. In the wake of this groundbreaking work, sound art began to mature into a movement, and(...)
Titre:
Sound art: beyond music, between categories
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Over the past century, an art form has emerged that draws from the worlds of visual art and music. Sound art’s roots can be found in the experimental work of Italian Futurism, Dada, and later the Fluxus group and the pioneering efforts of the American composer and artist John Cage. In the wake of this groundbreaking work, sound art began to mature into a movement, and artists explored the interactive possibilities of sound and in turn created entirely new modes of experiencing and engaging with art. In this volume, the complete story of sound art is told by one of the country’s leading critics and scholars. The author traces the history of this form of art–highlighting the convergence of the indie world bands such as Sonic Youth with the art world–looking at the critical cross-pollination that has led to some of the most important and challenging art being produced today, including work by Christian Marclay, LaMonte Young, Janet Cardiff, Rodney Graham, and Laurie Anderson, among many others. Alan Licht is an American composer, guitarist, music writer, and a widely respected figure on the experimental music scene. He is not only responsible for important album reissues, but was a member of the cult classic NYC bands Love Child and Run On. He currently lives in New York City. Jim O’Rourke is an American musician and producer, and most widely known as a member of the rock band Sonic Youth. Considered an expert on experimental music, he has scored films for Werner Herzog and Olivier Assayas.
Sound art: beyond music, between categories
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Over the past century, an art form has emerged that draws from the worlds of visual art and music. Sound art’s roots can be found in the experimental work of Italian Futurism, Dada, and later the Fluxus group and the pioneering efforts of the American composer and artist John Cage. In the wake of this groundbreaking work, sound art began to mature into a movement, and artists explored the interactive possibilities of sound and in turn created entirely new modes of experiencing and engaging with art. In this volume, the complete story of sound art is told by one of the country’s leading critics and scholars. The author traces the history of this form of art–highlighting the convergence of the indie world bands such as Sonic Youth with the art world–looking at the critical cross-pollination that has led to some of the most important and challenging art being produced today, including work by Christian Marclay, LaMonte Young, Janet Cardiff, Rodney Graham, and Laurie Anderson, among many others. Alan Licht is an American composer, guitarist, music writer, and a widely respected figure on the experimental music scene. He is not only responsible for important album reissues, but was a member of the cult classic NYC bands Love Child and Run On. He currently lives in New York City. Jim O’Rourke is an American musician and producer, and most widely known as a member of the rock band Sonic Youth. Considered an expert on experimental music, he has scored films for Werner Herzog and Olivier Assayas.
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livres
livres
Publication:
novembre 2007, New York
novembre 2007, New York
Sujet:
Acoustique
Acoustique
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livres
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Hors-série ''D'Ailleurs'', la revue de recherche de l'Institut supérieur des beaux-arts de Besançon, Max Feed est le résultat d'une réflexion collective sur l'héritage de Max Neuhaus, considéré comme le père de l'installation sonore.
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Hors-série ''D'Ailleurs'', la revue de recherche de l'Institut supérieur des beaux-arts de Besançon, Max Feed est le résultat d'une réflexion collective sur l'héritage de Max Neuhaus, considéré comme le père de l'installation sonore.
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Max Feed : oeuvre et héritage de Max Neuhaus
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Hors-série ''D'Ailleurs'', la revue de recherche de l'Institut supérieur des beaux-arts de Besançon, Max Feed est le résultat d'une réflexion collective sur l'héritage de Max Neuhaus, considéré comme le père de l'installation sonore.
Max Feed : oeuvre et héritage de Max Neuhaus
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Hors-série ''D'Ailleurs'', la revue de recherche de l'Institut supérieur des beaux-arts de Besançon, Max Feed est le résultat d'une réflexion collective sur l'héritage de Max Neuhaus, considéré comme le père de l'installation sonore.
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livres
livres
Publication:
septembre 2018
septembre 2018
Sujet:
Acoustique
Acoustique
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livres
livres
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Hyatt has spent the last four years collecting sounds and arranging them into uniquely site-responsive music. Working collaboratively under the name Field Works, musicians from around the world have contributed over 50 new compositions to this massive collection. In "Metaphonics: The Field Works Listener’s Guide", Hyatt contributes a complete track-by-track guide to the(...)
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Hyatt has spent the last four years collecting sounds and arranging them into uniquely site-responsive music. Working collaboratively under the name Field Works, musicians from around the world have contributed over 50 new compositions to this massive collection. In "Metaphonics: The Field Works Listener’s Guide", Hyatt contributes a complete track-by-track guide to the(...)
Sujet:
Acoustique
Acoustique
Publication:
septembre 2018
septembre 2018
Titre:
Metaphonics: the Field Works listener's guide
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Hyatt has spent the last four years collecting sounds and arranging them into uniquely site-responsive music. Working collaboratively under the name Field Works, musicians from around the world have contributed over 50 new compositions to this massive collection. In "Metaphonics: The Field Works Listener’s Guide", Hyatt contributes a complete track-by-track guide to the 7-album Field Works box set, addressing from many angles the interpretation of place through sound. Renowned naturalist Bernie Krause writes the book’s foreword, establishing a taxonomy of the soundscapes explored in the book’s essays: geophony (earth sounds), biophony (animal sounds), anthropophony (human sounds) and cosmophony (sounds from outer space).
Metaphonics: the Field Works listener's guide
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Hyatt has spent the last four years collecting sounds and arranging them into uniquely site-responsive music. Working collaboratively under the name Field Works, musicians from around the world have contributed over 50 new compositions to this massive collection. In "Metaphonics: The Field Works Listener’s Guide", Hyatt contributes a complete track-by-track guide to the 7-album Field Works box set, addressing from many angles the interpretation of place through sound. Renowned naturalist Bernie Krause writes the book’s foreword, establishing a taxonomy of the soundscapes explored in the book’s essays: geophony (earth sounds), biophony (animal sounds), anthropophony (human sounds) and cosmophony (sounds from outer space).
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livres
livres
Publication:
septembre 2018
septembre 2018
Sujet:
Acoustique
Acoustique
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livres
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Never before has the everyday soundtrack of urban space been so cacophonous. Since the 1970s, sound researchers have attempted to classify noise, music, and everyday sounds using concepts such as Pierre Shafer's sound object and R. Murray Schafer's soundscape. Recently, the most significant team of soundscape researchers in the world has been concerned with the effects of(...)
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Never before has the everyday soundtrack of urban space been so cacophonous. Since the 1970s, sound researchers have attempted to classify noise, music, and everyday sounds using concepts such as Pierre Shafer's sound object and R. Murray Schafer's soundscape. Recently, the most significant team of soundscape researchers in the world has been concerned with the effects of(...)
Titre:
Sonic experience : a guide to everyday sounds
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Never before has the everyday soundtrack of urban space been so cacophonous. Since the 1970s, sound researchers have attempted to classify noise, music, and everyday sounds using concepts such as Pierre Shafer's sound object and R. Murray Schafer's soundscape. Recently, the most significant team of soundscape researchers in the world has been concerned with the effects of sounds on listeners. In a multidisciplinary work spanning musicology, electro-acoustic composition, architecture, urban studies, communication, phenomenology, social theory, physics, and psychology, Jean-François Augoyard, Henry Torgue, and their associates at the Centre for Research on Sonic Space and the Urban Environment (CRESSON) in Grenoble, France, provide an alphabetical sourcebook of eighty sonic/auditory effects. Their accounts of sonic effects such as echo, anticipation, vibrato, and wha-wha integrate information about the objective physical spaces in which sounds occur with cultural contexts and individual auditory experience. "Sonic experience" attempts to rehabilitate general acoustic awareness, combining accessible definitions and literary examples with more in-depth technical information for specialists.
Sonic experience : a guide to everyday sounds
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Never before has the everyday soundtrack of urban space been so cacophonous. Since the 1970s, sound researchers have attempted to classify noise, music, and everyday sounds using concepts such as Pierre Shafer's sound object and R. Murray Schafer's soundscape. Recently, the most significant team of soundscape researchers in the world has been concerned with the effects of sounds on listeners. In a multidisciplinary work spanning musicology, electro-acoustic composition, architecture, urban studies, communication, phenomenology, social theory, physics, and psychology, Jean-François Augoyard, Henry Torgue, and their associates at the Centre for Research on Sonic Space and the Urban Environment (CRESSON) in Grenoble, France, provide an alphabetical sourcebook of eighty sonic/auditory effects. Their accounts of sonic effects such as echo, anticipation, vibrato, and wha-wha integrate information about the objective physical spaces in which sounds occur with cultural contexts and individual auditory experience. "Sonic experience" attempts to rehabilitate general acoustic awareness, combining accessible definitions and literary examples with more in-depth technical information for specialists.
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livres
livres
Publication:
mars 2006, Montreal
mars 2006, Montreal
Sujet:
Acoustique
Acoustique
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livres
livres
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$18.00
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Identifying an intensified concern for place-based production in art and architecture, "Surface tension – supplements" addresses questions of site-specific art, public and architectural design, and location-based practice. With Supplement No. 1, issues of spatial practice are explored in critical essays by Jennifer Gabrys on the geographic implications of Fresh Kills(...)
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Identifying an intensified concern for place-based production in art and architecture, "Surface tension – supplements" addresses questions of site-specific art, public and architectural design, and location-based practice. With Supplement No. 1, issues of spatial practice are explored in critical essays by Jennifer Gabrys on the geographic implications of Fresh Kills(...)
Sujet:
Acoustique
Acoustique
Publication:
juin 2006, Copenhagen, Los Angeles
juin 2006, Copenhagen, Los Angeles
Titre:
Surface tension - supplement no 1
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Identifying an intensified concern for place-based production in art and architecture, "Surface tension – supplements" addresses questions of site-specific art, public and architectural design, and location-based practice. With Supplement No. 1, issues of spatial practice are explored in critical essays by Jennifer Gabrys on the geographic implications of Fresh Kills Landfill, Scott Berzofsky, Nicholas Petr, Nicholas Wisniewski & Michael Rakowitz on artistic interventions in Baltimore, and by Claudine Isé, curator of "Vanishing Point", an exhibition at the Wexner Center for the Arts, which questions the aesthetics of urban non-spaces through recent photography and film. In addition field reports by Robin Wilson on public art projects in Bristol, Goto Newton on the cultures of interventionist practice in Curitiba Brazil, and Ken Ehrlich on the infrastructure of signage in Los Angeles as seen through the photographic works of Brandon Lattu complement the articles. In addition, documentation of public projects in Tijuana and Ohio by the artist groups Simparch and e-Xplo will be presented, along with projects designed specifically for the book by Sophie Warren and Jonathan Mosely, a Bristol-based team working with questions of utopian architecture, and Brandon LaBelle with a textual-photographic meditation on experimental architecture. Additional writings by Kathy Battista and Aoife O’Brien provide critical and creative perspectives on recent events, books, and exhibitions working with questions of architecture, performance, and media.
Surface tension - supplement no 1
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Identifying an intensified concern for place-based production in art and architecture, "Surface tension – supplements" addresses questions of site-specific art, public and architectural design, and location-based practice. With Supplement No. 1, issues of spatial practice are explored in critical essays by Jennifer Gabrys on the geographic implications of Fresh Kills Landfill, Scott Berzofsky, Nicholas Petr, Nicholas Wisniewski & Michael Rakowitz on artistic interventions in Baltimore, and by Claudine Isé, curator of "Vanishing Point", an exhibition at the Wexner Center for the Arts, which questions the aesthetics of urban non-spaces through recent photography and film. In addition field reports by Robin Wilson on public art projects in Bristol, Goto Newton on the cultures of interventionist practice in Curitiba Brazil, and Ken Ehrlich on the infrastructure of signage in Los Angeles as seen through the photographic works of Brandon Lattu complement the articles. In addition, documentation of public projects in Tijuana and Ohio by the artist groups Simparch and e-Xplo will be presented, along with projects designed specifically for the book by Sophie Warren and Jonathan Mosely, a Bristol-based team working with questions of utopian architecture, and Brandon LaBelle with a textual-photographic meditation on experimental architecture. Additional writings by Kathy Battista and Aoife O’Brien provide critical and creative perspectives on recent events, books, and exhibitions working with questions of architecture, performance, and media.
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livres
livres
Publication:
juin 2006, Copenhagen, Los Angeles
juin 2006, Copenhagen, Los Angeles
Sujet:
Acoustique
Acoustique
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livres
livres
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$30.00
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Taking off from Saadane Afif's 2008 Witte de With exhibition Technical Specifications, this volume examines the artist's practice in relation to music. In addition to tracing the evolution and reconfigurations of the works in the show, it includes documentation of Afif's radio show, 53:56--which broadcast related words and songs.
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Résumé:
Taking off from Saadane Afif's 2008 Witte de With exhibition Technical Specifications, this volume examines the artist's practice in relation to music. In addition to tracing the evolution and reconfigurations of the works in the show, it includes documentation of Afif's radio show, 53:56--which broadcast related words and songs.
Titre:
Saadane Afif: technical specifications
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Taking off from Saadane Afif's 2008 Witte de With exhibition Technical Specifications, this volume examines the artist's practice in relation to music. In addition to tracing the evolution and reconfigurations of the works in the show, it includes documentation of Afif's radio show, 53:56--which broadcast related words and songs.
Saadane Afif: technical specifications
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Taking off from Saadane Afif's 2008 Witte de With exhibition Technical Specifications, this volume examines the artist's practice in relation to music. In addition to tracing the evolution and reconfigurations of the works in the show, it includes documentation of Afif's radio show, 53:56--which broadcast related words and songs.
Classification:
livres
livres
Publication:
mai 2009
mai 2009
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Prix:
$34.95
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In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially(...)
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In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially(...)
Titre:
Inherent vice: bootleg histories of videotape and copyright
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In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially resisted VCRs and began legal action to oppose their marketing. In turn, U.S. courts controversially reinterpreted copyright law to protect users’ right to record, while content owners eventually developed ways to exploit the video market. Lucas Hilderbrand shows how videotape and fair use offer essential lessons relevant to contemporary progressive media policy.
Inherent vice: bootleg histories of videotape and copyright
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$34.95
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In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially resisted VCRs and began legal action to oppose their marketing. In turn, U.S. courts controversially reinterpreted copyright law to protect users’ right to record, while content owners eventually developed ways to exploit the video market. Lucas Hilderbrand shows how videotape and fair use offer essential lessons relevant to contemporary progressive media policy.
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livres
livres
Publication:
juin 2009
juin 2009
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Titre:
Sounds: noisy paper book
Sounds: noisy paper book
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$28.00
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«Except what you are reading on this page, this book has no words or printed images. It is as the title suggest a book about sounds. The pages in sequence make a quiet drama of subtle noises. By turning, rustling and fumbling the pages, you will find all thar is intended.
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«Except what you are reading on this page, this book has no words or printed images. It is as the title suggest a book about sounds. The pages in sequence make a quiet drama of subtle noises. By turning, rustling and fumbling the pages, you will find all thar is intended.
Titre:
Sounds: noisy paper book
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$28.00
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«Except what you are reading on this page, this book has no words or printed images. It is as the title suggest a book about sounds. The pages in sequence make a quiet drama of subtle noises. By turning, rustling and fumbling the pages, you will find all thar is intended.
Sounds: noisy paper book
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$28.00
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«Except what you are reading on this page, this book has no words or printed images. It is as the title suggest a book about sounds. The pages in sequence make a quiet drama of subtle noises. By turning, rustling and fumbling the pages, you will find all thar is intended.
Classification:
livres
livres
Publication:
janvier 1992, New York
janvier 1992, New York
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Titre:
Sonic Youth: sensational fix
Sonic Youth: sensational fix
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$99.00
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This comprehensive 784-page volume--which includes two 7-inch records with unpublished songs by each member, album covers, band portraits and documentary photos, many of which have never been published before--is a must for fans and anyone seeking to connect the dots between New York's various cultural scenes. It features writings by band members and contributions by a(...)
$99.00
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Résumé:
This comprehensive 784-page volume--which includes two 7-inch records with unpublished songs by each member, album covers, band portraits and documentary photos, many of which have never been published before--is a must for fans and anyone seeking to connect the dots between New York's various cultural scenes. It features writings by band members and contributions by a(...)
Titre:
Sonic Youth: sensational fix
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$99.00
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Résumé:
This comprehensive 784-page volume--which includes two 7-inch records with unpublished songs by each member, album covers, band portraits and documentary photos, many of which have never been published before--is a must for fans and anyone seeking to connect the dots between New York's various cultural scenes. It features writings by band members and contributions by a host of other luminaries, including Richard Hell, Mike Kelley, Jutta Koether, Alan Licht, Lydia Lunch and John Miller.
Sonic Youth: sensational fix
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Prix:
$99.00
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Résumé:
This comprehensive 784-page volume--which includes two 7-inch records with unpublished songs by each member, album covers, band portraits and documentary photos, many of which have never been published before--is a must for fans and anyone seeking to connect the dots between New York's various cultural scenes. It features writings by band members and contributions by a host of other luminaries, including Richard Hell, Mike Kelley, Jutta Koether, Alan Licht, Lydia Lunch and John Miller.
Classification:
livres
livres
Publication:
mars 2009, Köln
mars 2009, Köln
Sujet:
Acoustique
Acoustique
Classification:
livres
livres
Prix:
$28.95
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Résumé:
This book traces the interactions and mutual influences of art and music over the past sixty years. It presents a narrative of late-Modern/Postmodern artistic practice, connecting familiar events, figures and works to less-familiar precedents and antecedents from within their own fields and from across the aisle.Engaged with critical texts by Jacques Derrida, Rosalind(...)
$28.95
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Résumé:
This book traces the interactions and mutual influences of art and music over the past sixty years. It presents a narrative of late-Modern/Postmodern artistic practice, connecting familiar events, figures and works to less-familiar precedents and antecedents from within their own fields and from across the aisle.Engaged with critical texts by Jacques Derrida, Rosalind(...)
Titre:
In the blink of an ear, toward a non-cochlear sonic art
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This book traces the interactions and mutual influences of art and music over the past sixty years. It presents a narrative of late-Modern/Postmodern artistic practice, connecting familiar events, figures and works to less-familiar precedents and antecedents from within their own fields and from across the aisle.Engaged with critical texts by Jacques Derrida, Rosalind Krauss, Friedrich Kittler, Jean François Lyotard, and Jacques Attali, among others, Seth Kim-Cohen convincingly argues for a reassessment of the short history of sound art, rejecting sound-in-itself in favor of a reading of sound’s expanded situation and its uncontainable textuality. At the same time, this book establishes the principles for a nascent non-cochlear sonic practice, embracing the inevitable interaction of sound with the social, the linguistic, the philosophical, the political, and the technological.
In the blink of an ear, toward a non-cochlear sonic art
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$28.95
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Résumé:
This book traces the interactions and mutual influences of art and music over the past sixty years. It presents a narrative of late-Modern/Postmodern artistic practice, connecting familiar events, figures and works to less-familiar precedents and antecedents from within their own fields and from across the aisle.Engaged with critical texts by Jacques Derrida, Rosalind Krauss, Friedrich Kittler, Jean François Lyotard, and Jacques Attali, among others, Seth Kim-Cohen convincingly argues for a reassessment of the short history of sound art, rejecting sound-in-itself in favor of a reading of sound’s expanded situation and its uncontainable textuality. At the same time, this book establishes the principles for a nascent non-cochlear sonic practice, embracing the inevitable interaction of sound with the social, the linguistic, the philosophical, the political, and the technological.
Classification:
livres
livres
Publication:
juillet 2009
juillet 2009
Sujet:
Acoustique
Acoustique
