Projet
AP178.S1.2000.PR10
Description:
This project series document the Biblioteca da Câmara Municipal de Viana do Castelo in Viana do Castelo, Portugal. While the records were held in the office’s archives this project was assigned the number 11/00. The office assigned the dates 2000-2008 to this project. The project site is located between the Alameda 5 de Outubro and the Lima river. The library was part of the waterfront development plan, directed by Fernando Távora. The development plan included a multiuse pavilion designed by Eduardo Souto de Moura, two office buildings, and an auditorium designed by Tàvora. The architects, with the help of José Bernardo Tavora and Adalberto Dias chose together location. The orthogonal two-story library respects the recommendations of the Portuguese Institute of Book and Libraries (IPLB). This project was realized and won the National Contemporary Architecture Award. Documenting this project are sketches, studies, plans, working drawings, technical drawings, and details. Textual material includes correspondence and project documentation. Photographic material documents construction work and models.
2000-2008
Biblioteca da Câmara Municipal de Viana do Castelo [Viana do Castelo Public Library], Viana do Castelo, Portugal (2000-2008)
Actions:
AP178.S1.2000.PR10
Description:
This project series document the Biblioteca da Câmara Municipal de Viana do Castelo in Viana do Castelo, Portugal. While the records were held in the office’s archives this project was assigned the number 11/00. The office assigned the dates 2000-2008 to this project. The project site is located between the Alameda 5 de Outubro and the Lima river. The library was part of the waterfront development plan, directed by Fernando Távora. The development plan included a multiuse pavilion designed by Eduardo Souto de Moura, two office buildings, and an auditorium designed by Tàvora. The architects, with the help of José Bernardo Tavora and Adalberto Dias chose together location. The orthogonal two-story library respects the recommendations of the Portuguese Institute of Book and Libraries (IPLB). This project was realized and won the National Contemporary Architecture Award. Documenting this project are sketches, studies, plans, working drawings, technical drawings, and details. Textual material includes correspondence and project documentation. Photographic material documents construction work and models.
Project
2000-2008
Projet
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
2003-2006
Recupero del Palazzo Donnaregina, Museu de Arte Contem. [Restoration of the Palazzo Donnaregina, Museum of contemporary Art], Naples, Italy (2003)
Actions:
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
Project
2003-2006
Mies en Amérique
Grand penseur et artiste minutieux, et l’un des plus illustres architectes de l’histoire, Ludwig Mies van der Rohe est déjà une figure dominante de sa profession en Allemagne, lorsque, en 1938, dans la cinquantaine, il émigre aux États-Unis. Transplanté de l’école du Bauhaus (dont il a été le dernier directeur) à un institut technique de Chicago, délaissant le milieu de(...)
Salles principales
17 octobre 2001 au 20 janvier 2002
Mies en Amérique
Actions:
Description:
Grand penseur et artiste minutieux, et l’un des plus illustres architectes de l’histoire, Ludwig Mies van der Rohe est déjà une figure dominante de sa profession en Allemagne, lorsque, en 1938, dans la cinquantaine, il émigre aux États-Unis. Transplanté de l’école du Bauhaus (dont il a été le dernier directeur) à un institut technique de Chicago, délaissant le milieu de(...)
Salles principales
Série(s)
AP115.S4
Description:
La série document le dôme géodésique Senneville Barn Dome, dit aussi The Barn Dome. Conçu par la firme Jeffrey Lindsay & Associates, il fut construction en 1954. La série contient une photographie montrant, depuis l'intérieur, la structure géodésique de bois dont l'un des triangles est recouvert d'une membrane de fibre de verre qui enveloppait la structure à l'origine, aujourd'hui disparue et remplacée par des feuilles de métal peint. On aperçoit de plus la silhouette d'un homme travaillant à assembler la structure, vraisemblablement le propriétaire du terrain et client John Hackney, qui a commandé à Jeffrey Lindsay (Montréal, 1924-Los Angeles, 1984), architecte, le dôme en question pour s'en servir comme étable. La photographie est accompagné d'un dossier documentaire contenant des photocopies de documents tirés des archives de Senneville (Plot Plan, Application for Permit to Build, Memorendum) et deux photographies récentes de l'édifice (Robert Duchesnay, photographe, avril 2004).
1954-2004
Senneville Barn Dome, Senneville, Québec
Actions:
AP115.S4
Description:
La série document le dôme géodésique Senneville Barn Dome, dit aussi The Barn Dome. Conçu par la firme Jeffrey Lindsay & Associates, il fut construction en 1954. La série contient une photographie montrant, depuis l'intérieur, la structure géodésique de bois dont l'un des triangles est recouvert d'une membrane de fibre de verre qui enveloppait la structure à l'origine, aujourd'hui disparue et remplacée par des feuilles de métal peint. On aperçoit de plus la silhouette d'un homme travaillant à assembler la structure, vraisemblablement le propriétaire du terrain et client John Hackney, qui a commandé à Jeffrey Lindsay (Montréal, 1924-Los Angeles, 1984), architecte, le dôme en question pour s'en servir comme étable. La photographie est accompagné d'un dossier documentaire contenant des photocopies de documents tirés des archives de Senneville (Plot Plan, Application for Permit to Build, Memorendum) et deux photographies récentes de l'édifice (Robert Duchesnay, photographe, avril 2004).
Série
1954-2004
archives
Niveau de description archivistique:
Fonds
Jean-Louis Cohen fonds
AP210
Résumé:
The Jean-Louis Cohen fonds, 1968 – 2023, documents the projects and activities of historian, curator, professor, and architect Jean-Louis Cohen (1949 – 2023). Cohen’s research focus was largely modern architecture and transnational architectural exchange, particularly between and among the United States, Europe, and the former Soviet Union in the 20th century. Through physical and digital records, this fonds documents his academic, publishing, and curatorial work along with his professional activities within architectural research and heritage organizations, as well as his architectural practice.
1968 - 2023
Jean-Louis Cohen fonds
Actions:
AP210
Résumé:
The Jean-Louis Cohen fonds, 1968 – 2023, documents the projects and activities of historian, curator, professor, and architect Jean-Louis Cohen (1949 – 2023). Cohen’s research focus was largely modern architecture and transnational architectural exchange, particularly between and among the United States, Europe, and the former Soviet Union in the 20th century. Through physical and digital records, this fonds documents his academic, publishing, and curatorial work along with his professional activities within architectural research and heritage organizations, as well as his architectural practice.
archives
Niveau de description archivistique:
Fonds
1968 - 2023
archives
Niveau de description archivistique:
Fonds
Fonds Roland Dumais
AP005
Résumé:
The Roland Dumais fonds, 1930-1975, documents architect Roland Dumais’s design and construction of over 500 built projects in Québec. In addition to documenting Dumais’s professional career (1935-1971), the fonds includes materials relating to the everyday administration of Dumais’s architectural firm (1941-1977) as well as materials pertaining to his personal life (1932-1982). Materials in this fonds consist of approximately 12 400 drawings (including reprographic copies), 126 photographic materials, 10.33 l.m. of textual records, 5 models, and 3 reels of 16 mm film.
1930-1975
Fonds Roland Dumais
Actions:
AP005
Résumé:
The Roland Dumais fonds, 1930-1975, documents architect Roland Dumais’s design and construction of over 500 built projects in Québec. In addition to documenting Dumais’s professional career (1935-1971), the fonds includes materials relating to the everyday administration of Dumais’s architectural firm (1941-1977) as well as materials pertaining to his personal life (1932-1982). Materials in this fonds consist of approximately 12 400 drawings (including reprographic copies), 126 photographic materials, 10.33 l.m. of textual records, 5 models, and 3 reels of 16 mm film.
archives
Niveau de description archivistique:
Fonds
1930-1975
Sous-série
AP207.S2.SS07
Description:
The sub-series documents the exhibition "Ettore Sottsass sr. Architetto", curated by Pettena and presented at Palazzo delle Albere, in Trento, in 1991. The exhibition presented the work of Italian architect Ettore Sottsass. The exhibition, promoted by his son Ettore Sottsass Jr, led to the donation of the Sottsass archive to the MART, in Trento. The sub-series contains research material, including photocopies of articles and books on Ettore Sottsass, photographs of his projects and reproductions of his plans, as well as some notes by Gianni Pettena. This sub-series also contains preliminary project descriptions for the exhibition catalogue with a selection of plans and images of the buildings designed by Sottsass.
1980-1996
Ettore Sottsass sr. Architetto (1991)
Actions:
AP207.S2.SS07
Description:
The sub-series documents the exhibition "Ettore Sottsass sr. Architetto", curated by Pettena and presented at Palazzo delle Albere, in Trento, in 1991. The exhibition presented the work of Italian architect Ettore Sottsass. The exhibition, promoted by his son Ettore Sottsass Jr, led to the donation of the Sottsass archive to the MART, in Trento. The sub-series contains research material, including photocopies of articles and books on Ettore Sottsass, photographs of his projects and reproductions of his plans, as well as some notes by Gianni Pettena. This sub-series also contains preliminary project descriptions for the exhibition catalogue with a selection of plans and images of the buildings designed by Sottsass.
Subseries
1980-1996
dessins, documents textuels, né numérique, photographies
ARCH240681
Description:
Labelled: "Archive, ANY Magazine #22". Most common file formats: Microsoft Word for Macintosh Document, Tagged Image File Format, Quark Xpress Data File. The StuffIt (.sit) file named "NYstories" was deleted after its contents were extracted.
1998-2000
Production files, ANY Magazine, issue 22
Actions:
ARCH240681
Description:
Labelled: "Archive, ANY Magazine #22". Most common file formats: Microsoft Word for Macintosh Document, Tagged Image File Format, Quark Xpress Data File. The StuffIt (.sit) file named "NYstories" was deleted after its contents were extracted.
dessins, documents textuels, né numérique, photographies
1998-2000
Lors de la réforme de l’enseignement dans les écoles d’architecture américaines durant les années 1970, Kenneth Frampton a joué un rôle de premier plan dans la transformation du programme de la Graduate School of Architecture Planning de Columbia University. Il a notamment créé et enseigné les trois cours de base du programme: le séminaire théorique «Comparative Critical(...)
Salle octogonale Mot(s)-clé(s):
Kenneth Frampton, Columbia, Princeton, teaching, GSAPP
31 mai 2017 au 24 septembre 2017
Apprendre aux architectes : quatre cours de Kenneth Frampton
Actions:
Description:
Lors de la réforme de l’enseignement dans les écoles d’architecture américaines durant les années 1970, Kenneth Frampton a joué un rôle de premier plan dans la transformation du programme de la Graduate School of Architecture Planning de Columbia University. Il a notamment créé et enseigné les trois cours de base du programme: le séminaire théorique «Comparative Critical(...)
Salle octogonale Mot(s)-clé(s):
Kenneth Frampton, Columbia, Princeton, teaching, GSAPP
À partir d’hypothèses et de points de vue différents, Cedric Price, Aldo Rossi, James Stirling et Gordon Matta-Clark se sont engagés dans un processus de reformulation radicale du statut, de l’histoire et du rôle de l’architecture. sortis du cadre: price rossi stirling + matta-clark fait entrer en dialogue les réflexions de quatre figures marquantes des années 1970 à(...)
Salles principales
23 octobre 2003 au 6 septembre 2004
sortis du cadre : price rossi stirling + matta-clark
Actions:
Description:
À partir d’hypothèses et de points de vue différents, Cedric Price, Aldo Rossi, James Stirling et Gordon Matta-Clark se sont engagés dans un processus de reformulation radicale du statut, de l’histoire et du rôle de l’architecture. sortis du cadre: price rossi stirling + matta-clark fait entrer en dialogue les réflexions de quatre figures marquantes des années 1970 à(...)
Salles principales