10208 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH153450
Description:
Financial report, April 12, 1982 2-page handwritten notes from PDE describing the director's job Resignation and notes on job description from Hamid Nouri to PDE, Feb. 19, 1982 2 Documents relative to a grant application to the NEH for Open Plan, 22 July 1981 Agenda of Meeting of April 7, 1982. IAUS Brochure, 1979 Memos to PDE Transcripts of meetings held on 4/14 & 4/18 about fund raising problems Correspondence about current projects (building project, catalogues, grants…) Minutes of the special meeting of the Board of Trustees of March 25, 1982 Proposed salary structure for the IAUS Staff, April 12, 1982
ARCH153450
Description:
Financial report, April 12, 1982 2-page handwritten notes from PDE describing the director's job Resignation and notes on job description from Hamid Nouri to PDE, Feb. 19, 1982 2 Documents relative to a grant application to the NEH for Open Plan, 22 July 1981 Agenda of Meeting of April 7, 1982. IAUS Brochure, 1979 Memos to PDE Transcripts of meetings held on 4/14 & 4/18 about fund raising problems Correspondence about current projects (building project, catalogues, grants…) Minutes of the special meeting of the Board of Trustees of March 25, 1982 Proposed salary structure for the IAUS Staff, April 12, 1982
Personnes et institutions:
Date:
1979-1982
1979-1982
Titre:
P. Eisenman, Trustees Meeting, Feb. 22, 1982
Actions:
ARCH153450
Description:
Financial report, April 12, 1982 2-page handwritten notes from PDE describing the director's job Resignation and notes on job description from Hamid Nouri to PDE, Feb. 19, 1982 2 Documents relative to a grant application to the NEH for Open Plan, 22 July 1981 Agenda of Meeting of April 7, 1982. IAUS Brochure, 1979 Memos to PDE Transcripts of meetings held on 4/14 & 4/18 about fund raising problems Correspondence about current projects (building project, catalogues, grants…) Minutes of the special meeting of the Board of Trustees of March 25, 1982 Proposed salary structure for the IAUS Staff, April 12, 1982
P. Eisenman, Trustees Meeting, Feb. 22, 1982
Actions:
ARCH153450
Description:
Financial report, April 12, 1982 2-page handwritten notes from PDE describing the director's job Resignation and notes on job description from Hamid Nouri to PDE, Feb. 19, 1982 2 Documents relative to a grant application to the NEH for Open Plan, 22 July 1981 Agenda of Meeting of April 7, 1982. IAUS Brochure, 1979 Memos to PDE Transcripts of meetings held on 4/14 & 4/18 about fund raising problems Correspondence about current projects (building project, catalogues, grants…) Minutes of the special meeting of the Board of Trustees of March 25, 1982 Proposed salary structure for the IAUS Staff, April 12, 1982
Classification:
documents textuels
documents textuels
Date:
1979-1982
1979-1982
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2003.D5
Description:
The project series documents the competition entry a plan of the Sagüés promenade, located at gates of Ulía park in San Sebastián, Spain. Abalos & Herreros and Renata Sentkiewicz drafted a study and proposal for the plan of the Sagüés promenade, located at gates of Ulía park in San Sebastián, Spain. The firm identified the project as number 165. The architects described their project as “[…] a place where […] [the urban and the natural] landscapes […] meet. Under a green roof a winter beach, thermal installations and the groundfloor [sic] of a hotel are combined. Five towers rise through this roof with different uses: hotel, social housing, and the ‘Gallery of Wonders’ […]. A passageway curls up around them, connecting the towers by an impactant [sic] skywalk […]” (ARCH270975). Documenting the project are conceptual, presentation and design development drawings, correspondence, project descriptions, notes, reports, resumes, and reference, photographic and digital materials.
AP164.S1.2003.D5
Description:
The project series documents the competition entry a plan of the Sagüés promenade, located at gates of Ulía park in San Sebastián, Spain. Abalos & Herreros and Renata Sentkiewicz drafted a study and proposal for the plan of the Sagüés promenade, located at gates of Ulía park in San Sebastián, Spain. The firm identified the project as number 165. The architects described their project as “[…] a place where […] [the urban and the natural] landscapes […] meet. Under a green roof a winter beach, thermal installations and the groundfloor [sic] of a hotel are combined. Five towers rise through this roof with different uses: hotel, social housing, and the ‘Gallery of Wonders’ […]. A passageway curls up around them, connecting the towers by an impactant [sic] skywalk […]” (ARCH270975). Documenting the project are conceptual, presentation and design development drawings, correspondence, project descriptions, notes, reports, resumes, and reference, photographic and digital materials.
Personnes et institutions:
Date:
circa 2001-2005
circa 2001-2005
Titre:
Sagüés, San Sebastián, Spain (2003)
Actions:
AP164.S1.2003.D5
Description:
The project series documents the competition entry a plan of the Sagüés promenade, located at gates of Ulía park in San Sebastián, Spain. Abalos & Herreros and Renata Sentkiewicz drafted a study and proposal for the plan of the Sagüés promenade, located at gates of Ulía park in San Sebastián, Spain. The firm identified the project as number 165. The architects described their project as “[…] a place where […] [the urban and the natural] landscapes […] meet. Under a green roof a winter beach, thermal installations and the groundfloor [sic] of a hotel are combined. Five towers rise through this roof with different uses: hotel, social housing, and the ‘Gallery of Wonders’ […]. A passageway curls up around them, connecting the towers by an impactant [sic] skywalk […]” (ARCH270975). Documenting the project are conceptual, presentation and design development drawings, correspondence, project descriptions, notes, reports, resumes, and reference, photographic and digital materials.
Sagüés, San Sebastián, Spain (2003)
Actions:
AP164.S1.2003.D5
Description:
The project series documents the competition entry a plan of the Sagüés promenade, located at gates of Ulía park in San Sebastián, Spain. Abalos & Herreros and Renata Sentkiewicz drafted a study and proposal for the plan of the Sagüés promenade, located at gates of Ulía park in San Sebastián, Spain. The firm identified the project as number 165. The architects described their project as “[…] a place where […] [the urban and the natural] landscapes […] meet. Under a green roof a winter beach, thermal installations and the groundfloor [sic] of a hotel are combined. Five towers rise through this roof with different uses: hotel, social housing, and the ‘Gallery of Wonders’ […]. A passageway curls up around them, connecting the towers by an impactant [sic] skywalk […]” (ARCH270975). Documenting the project are conceptual, presentation and design development drawings, correspondence, project descriptions, notes, reports, resumes, and reference, photographic and digital materials.
Niveau de description archivistique:
Project
Project
Date:
circa 2001-2005
circa 2001-2005
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP206.S2.010
Description:
File was originally housed in a binder along with content arranged in AP206.S2.011 and AP206.S2.012. This file contains the following papers: "The role of Architecture and Community Planners in the Planning, Development and Management of Urban Systems [...]," seminar talk, 1981 "Sobha Singh," 1981 "Energy Crisis and Future Pattern of Human Settlements in Developing Countries" "The Role of Architects in Urban and Rural Growth," 1984 "Chandigarh: Capital of Two States," circa 1966 “Aesthetic: Reflections on Beauty of Line, Shape and Form,” by P. Jeanneret
AP206.S2.010
Description:
File was originally housed in a binder along with content arranged in AP206.S2.011 and AP206.S2.012. This file contains the following papers: "The role of Architecture and Community Planners in the Planning, Development and Management of Urban Systems [...]," seminar talk, 1981 "Sobha Singh," 1981 "Energy Crisis and Future Pattern of Human Settlements in Developing Countries" "The Role of Architects in Urban and Rural Growth," 1984 "Chandigarh: Capital of Two States," circa 1966 “Aesthetic: Reflections on Beauty of Line, Shape and Form,” by P. Jeanneret
Personnes et institutions:
Date:
circa 1966-1982
circa 1966-1982
Titre:
Published and unpublished papers (folder 1 of 3)
Actions:
AP206.S2.010
Description:
File was originally housed in a binder along with content arranged in AP206.S2.011 and AP206.S2.012. This file contains the following papers: "The role of Architecture and Community Planners in the Planning, Development and Management of Urban Systems [...]," seminar talk, 1981 "Sobha Singh," 1981 "Energy Crisis and Future Pattern of Human Settlements in Developing Countries" "The Role of Architects in Urban and Rural Growth," 1984 "Chandigarh: Capital of Two States," circa 1966 “Aesthetic: Reflections on Beauty of Line, Shape and Form,” by P. Jeanneret
Published and unpublished papers (folder 1 of 3)
Actions:
AP206.S2.010
Description:
File was originally housed in a binder along with content arranged in AP206.S2.011 and AP206.S2.012. This file contains the following papers: "The role of Architecture and Community Planners in the Planning, Development and Management of Urban Systems [...]," seminar talk, 1981 "Sobha Singh," 1981 "Energy Crisis and Future Pattern of Human Settlements in Developing Countries" "The Role of Architects in Urban and Rural Growth," 1984 "Chandigarh: Capital of Two States," circa 1966 “Aesthetic: Reflections on Beauty of Line, Shape and Form,” by P. Jeanneret
Classification:
documents textuels
documents textuels
Date:
circa 1966-1982
circa 1966-1982
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH153846
Description:
Evaluation of IAUS from former students & interns (1976-1977) Planning meeting - June 23, 1976 (Peter Eisenman, Bill Porter, Frederieke Taylor) Interns Meeting, Feb. 21, 1975 Minutes of an Ad Hoc Undergrad. Meeting - no date
ARCH153846
Description:
Evaluation of IAUS from former students & interns (1976-1977) Planning meeting - June 23, 1976 (Peter Eisenman, Bill Porter, Frederieke Taylor) Interns Meeting, Feb. 21, 1975 Minutes of an Ad Hoc Undergrad. Meeting - no date
Personnes et institutions:
Date:
1975-1977
1975-1977
Titre:
Miscellaneous - IAUS Pedagogical Issues
Actions:
ARCH153846
Description:
Evaluation of IAUS from former students & interns (1976-1977) Planning meeting - June 23, 1976 (Peter Eisenman, Bill Porter, Frederieke Taylor) Interns Meeting, Feb. 21, 1975 Minutes of an Ad Hoc Undergrad. Meeting - no date
Miscellaneous - IAUS Pedagogical Issues
Actions:
ARCH153846
Description:
Evaluation of IAUS from former students & interns (1976-1977) Planning meeting - June 23, 1976 (Peter Eisenman, Bill Porter, Frederieke Taylor) Interns Meeting, Feb. 21, 1975 Minutes of an Ad Hoc Undergrad. Meeting - no date
Classification:
documents textuels
documents textuels
Date:
1975-1977
1975-1977
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Miragaia, Porto
Miragaia, Porto
Numéro de référence:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Personnes et institutions:
Date:
1975-1977
1975-1977
Titre:
Miragaia, Porto
Actions:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Miragaia, Porto
Actions:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Niveau de description archivistique:
Project
Project
Date:
1975-1977
1975-1977
Personnes et institutions:
Classification:
graphique
graphique
Numéro de référence:
ARCH153790
Description:
Various posters advertising IAUS exhibitions: Architecture: Program for Continuing Education in Architecture; October 7 to December 19 [?] Architecture 2: Program for Continuing Education in Architecture; March 3 to May 15, 1975 City as Theater: Evening Program in Architecture and Planning; March 1 to June 29, 1977
ARCH153790
Description:
Various posters advertising IAUS exhibitions: Architecture: Program for Continuing Education in Architecture; October 7 to December 19 [?] Architecture 2: Program for Continuing Education in Architecture; March 3 to May 15, 1975 City as Theater: Evening Program in Architecture and Planning; March 1 to June 29, 1977
Personnes et institutions:
Date:
1975-1977
1975-1977
Titre:
Various posters advertising IAUS exhibitions
Actions:
ARCH153790
Description:
Various posters advertising IAUS exhibitions: Architecture: Program for Continuing Education in Architecture; October 7 to December 19 [?] Architecture 2: Program for Continuing Education in Architecture; March 3 to May 15, 1975 City as Theater: Evening Program in Architecture and Planning; March 1 to June 29, 1977
Various posters advertising IAUS exhibitions
Actions:
ARCH153790
Description:
Various posters advertising IAUS exhibitions: Architecture: Program for Continuing Education in Architecture; October 7 to December 19 [?] Architecture 2: Program for Continuing Education in Architecture; March 3 to May 15, 1975 City as Theater: Evening Program in Architecture and Planning; March 1 to June 29, 1977
Classification:
graphique
graphique
Date:
1975-1977
1975-1977
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Milton Parc
Fonds Milton Parc
Numéro de référence:
AP025
Résumé:
The Milton Parc fonds, 1969 – 1989, documents the Société du patrimoine urbaine de Montréal’s (SPUM) planning, design and renovation of Montreal’s historic Milton Parc neighbourhood. Recognized as one of the largest co-operative rehabilitation projects completed in Canada, the Milton Parc housing project (1979-1982) renovated over 135 historic buildings and 597 dwelling units within Milton Parc’s 6-block radius. The fonds consists of the following materials: approximately 600 drawings, 85 l.m. of textual records, 0.6 l.m. of slides, 0.6 l.m.of photographs, 8 posters, 3 seals, 2 models, 2 rubber stamps, and 2 audio cassettes.
AP025
Résumé:
The Milton Parc fonds, 1969 – 1989, documents the Société du patrimoine urbaine de Montréal’s (SPUM) planning, design and renovation of Montreal’s historic Milton Parc neighbourhood. Recognized as one of the largest co-operative rehabilitation projects completed in Canada, the Milton Parc housing project (1979-1982) renovated over 135 historic buildings and 597 dwelling units within Milton Parc’s 6-block radius. The fonds consists of the following materials: approximately 600 drawings, 85 l.m. of textual records, 0.6 l.m. of slides, 0.6 l.m.of photographs, 8 posters, 3 seals, 2 models, 2 rubber stamps, and 2 audio cassettes.
Personnes et institutions:
Date:
1962-1989
1962-1989
Titre:
Fonds Milton Parc
Actions:
AP025
Résumé:
The Milton Parc fonds, 1969 – 1989, documents the Société du patrimoine urbaine de Montréal’s (SPUM) planning, design and renovation of Montreal’s historic Milton Parc neighbourhood. Recognized as one of the largest co-operative rehabilitation projects completed in Canada, the Milton Parc housing project (1979-1982) renovated over 135 historic buildings and 597 dwelling units within Milton Parc’s 6-block radius. The fonds consists of the following materials: approximately 600 drawings, 85 l.m. of textual records, 0.6 l.m. of slides, 0.6 l.m.of photographs, 8 posters, 3 seals, 2 models, 2 rubber stamps, and 2 audio cassettes.
Fonds Milton Parc
Actions:
AP025
Résumé:
The Milton Parc fonds, 1969 – 1989, documents the Société du patrimoine urbaine de Montréal’s (SPUM) planning, design and renovation of Montreal’s historic Milton Parc neighbourhood. Recognized as one of the largest co-operative rehabilitation projects completed in Canada, the Milton Parc housing project (1979-1982) renovated over 135 historic buildings and 597 dwelling units within Milton Parc’s 6-block radius. The fonds consists of the following materials: approximately 600 drawings, 85 l.m. of textual records, 0.6 l.m. of slides, 0.6 l.m.of photographs, 8 posters, 3 seals, 2 models, 2 rubber stamps, and 2 audio cassettes.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1962-1989
1962-1989
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.2001.PR06
Description:
This project series documents the Centro de Alto Rendimento en el Balneario de Panticosa in Panticosa, Spain. While the records were held in the office’s archives this project was assigned the number 32/00 A. The office assigned the date 2001 for this project. The project site is located in the mountains of Panticosa on the site of a spa resort. Siza's project was part of a revitalization project of the area supervised by Rafael Moneo. Moneo's project included the urban rehabilitation of the area and the renovation of the Nuestra Señora del Carmen church, as well as the construction of a hotel, a casino, and a cultural center. Siza's project consisted of a hotel for athletes, that included gymnasiums, exterior and interior pools, massage rooms, saunas, thermal baths, a solarium, a restaurant, a library, and a shop. During the beginning of the construction, a hot thermal watercourse was discovered under the project site and obliged the architect to revise the plans. The project was realized. Documenting this project are studies, design development drawings, and plans. Textual material includes project documentation and correspondence. Photographic material documents the project site, model, and built project.
AP178.S1.2001.PR06
Description:
This project series documents the Centro de Alto Rendimento en el Balneario de Panticosa in Panticosa, Spain. While the records were held in the office’s archives this project was assigned the number 32/00 A. The office assigned the date 2001 for this project. The project site is located in the mountains of Panticosa on the site of a spa resort. Siza's project was part of a revitalization project of the area supervised by Rafael Moneo. Moneo's project included the urban rehabilitation of the area and the renovation of the Nuestra Señora del Carmen church, as well as the construction of a hotel, a casino, and a cultural center. Siza's project consisted of a hotel for athletes, that included gymnasiums, exterior and interior pools, massage rooms, saunas, thermal baths, a solarium, a restaurant, a library, and a shop. During the beginning of the construction, a hot thermal watercourse was discovered under the project site and obliged the architect to revise the plans. The project was realized. Documenting this project are studies, design development drawings, and plans. Textual material includes project documentation and correspondence. Photographic material documents the project site, model, and built project.
Personnes et institutions:
Date:
2000-2008
2000-2008
Titre:
Centro de Alto Rendimento en el Balneario de Panticosa [Sports Hotel and High-performance center], Panticosa, Spain (2001)
Actions:
AP178.S1.2001.PR06
Description:
This project series documents the Centro de Alto Rendimento en el Balneario de Panticosa in Panticosa, Spain. While the records were held in the office’s archives this project was assigned the number 32/00 A. The office assigned the date 2001 for this project. The project site is located in the mountains of Panticosa on the site of a spa resort. Siza's project was part of a revitalization project of the area supervised by Rafael Moneo. Moneo's project included the urban rehabilitation of the area and the renovation of the Nuestra Señora del Carmen church, as well as the construction of a hotel, a casino, and a cultural center. Siza's project consisted of a hotel for athletes, that included gymnasiums, exterior and interior pools, massage rooms, saunas, thermal baths, a solarium, a restaurant, a library, and a shop. During the beginning of the construction, a hot thermal watercourse was discovered under the project site and obliged the architect to revise the plans. The project was realized. Documenting this project are studies, design development drawings, and plans. Textual material includes project documentation and correspondence. Photographic material documents the project site, model, and built project.
Centro de Alto Rendimento en el Balneario de Panticosa [Sports Hotel and High-performance center], Panticosa, Spain (2001)
Actions:
AP178.S1.2001.PR06
Description:
This project series documents the Centro de Alto Rendimento en el Balneario de Panticosa in Panticosa, Spain. While the records were held in the office’s archives this project was assigned the number 32/00 A. The office assigned the date 2001 for this project. The project site is located in the mountains of Panticosa on the site of a spa resort. Siza's project was part of a revitalization project of the area supervised by Rafael Moneo. Moneo's project included the urban rehabilitation of the area and the renovation of the Nuestra Señora del Carmen church, as well as the construction of a hotel, a casino, and a cultural center. Siza's project consisted of a hotel for athletes, that included gymnasiums, exterior and interior pools, massage rooms, saunas, thermal baths, a solarium, a restaurant, a library, and a shop. During the beginning of the construction, a hot thermal watercourse was discovered under the project site and obliged the architect to revise the plans. The project was realized. Documenting this project are studies, design development drawings, and plans. Textual material includes project documentation and correspondence. Photographic material documents the project site, model, and built project.
Niveau de description archivistique:
Project
Project
Date:
2000-2008
2000-2008
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
Personnes et institutions:
Date:
circa 1975-2003
circa 1975-2003
Titre:
Linear city, Chandigarh, India (circa 1975-1987)
Actions:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
Linear city, Chandigarh, India (circa 1975-1987)
Actions:
AP206.S1.1975.PR01
Description:
This project series documents Aditya Prakash's proposal for an alternative plan for Chandigarh, India, which came to be known as the Linear City. Prakash began developing and advocating for this idea around the early 1970s. The Linear City had two fundamental ideas at its core. The first was to raise the roadways in Chandigarh (or any future city) 10-12 feet from ground level. This, he proposed, would separate vehicular traffic from pedestrians, eliminating all the hazardous impacts of traffic on daily life. The large part of the drawings for this project show sector plans and city blocks with evenly dispersed roundabout roadways as major transit hubs, wrapping around but high above centres of pedestrian activity that included shops, markets and green spaces. The sale of the land below the roadways would pay for the upheaval. He also recommended building this city only a few sectors deep, but endlessly expanding it length-wise, with a raised canal along one side to provide an additional transpiration network and irrigation. The second fundamental idea of this city was the creation of self-sustaining sectors in the city plan, advocating that each neighbourhood should have the infrastructure to provide food and recycling for its residents. He fervently argued for the reimagination of modernist Chandigarh by incorporating sustainable, local traditions - the rural should exist in harmony with the urban. In opposition to Le Corbusier and Pierre Jeanneret, he believed areas for recycling, animal husbandry, and growing food should be incorporated into the fabric of the city.[1] This project is recorded largely through original drawings of city plans, perspectives and axonometric views detailing Prakash's new vision for the city. It seems that many of the perspectives were drawn by family friend Sandeep Virmani, after listening to Prakash's ideas.[2] The project is also recorded through photographs, negatives and slides showing plans and the project model. A small amount of notes and an article on the project are also included. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 164-181. [2]Prakash, One Continuous Line, 169.
Niveau de description archivistique:
Project
Project
Date:
circa 1975-2003
circa 1975-2003
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S2.1990.005
Description:
This sketchbook contains notes and sketches of the Santa Maria church and parish centre in Marco de Canavezes, Portugal, the urban and circulation study for Praça de Espanha in Lisbon, and Macau City expansion plan in China. It also includes sketches of people and dogs.
AP178.S2.1990.005
Description:
This sketchbook contains notes and sketches of the Santa Maria church and parish centre in Marco de Canavezes, Portugal, the urban and circulation study for Praça de Espanha in Lisbon, and Macau City expansion plan in China. It also includes sketches of people and dogs.
Personnes et institutions:
Date:
July 1990
July 1990
Titre:
Sketchbook 309: Igreja M. Canaveses- Moveis Escritorio -Pr. Espanha estimativa- Macau- Restau. Porto Santiago
Actions:
AP178.S2.1990.005
Description:
This sketchbook contains notes and sketches of the Santa Maria church and parish centre in Marco de Canavezes, Portugal, the urban and circulation study for Praça de Espanha in Lisbon, and Macau City expansion plan in China. It also includes sketches of people and dogs.
Sketchbook 309: Igreja M. Canaveses- Moveis Escritorio -Pr. Espanha estimativa- Macau- Restau. Porto Santiago
Actions:
AP178.S2.1990.005
Description:
This sketchbook contains notes and sketches of the Santa Maria church and parish centre in Marco de Canavezes, Portugal, the urban and circulation study for Praça de Espanha in Lisbon, and Macau City expansion plan in China. It also includes sketches of people and dogs.
Classification:
dessins
dessins
Date:
July 1990
July 1990
Personnes et institutions:
