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An edited transcript of the third BALTIC international seminar, Curating New Media focuses on the relationship of new media art to the institution. Curators, artists and academics share their perspectives on the curating, collecting, commissioning and presenting of computer-based art in one of the first books to be published specifically on this subject.
janvier 1900, Gateshead, England
Curating new media : third BALTIC International Seminar, 2001
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An edited transcript of the third BALTIC international seminar, Curating New Media focuses on the relationship of new media art to the institution. Curators, artists and academics share their perspectives on the curating, collecting, commissioning and presenting of computer-based art in one of the first books to be published specifically on this subject.
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What happens when feminist and queer care ethics are put into curating practice? What happens when the notion of care based on the politics of relatedness, interdependence, reciprocity, and response-ability informs the practices of curating? Delivered through critical theoretical essays, practice-informed case studies, and manifestos, the essays in this book offer(...)
Radicalizing care: Feminist and queer activism in curating
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What happens when feminist and queer care ethics are put into curating practice? What happens when the notion of care based on the politics of relatedness, interdependence, reciprocity, and response-ability informs the practices of curating? Delivered through critical theoretical essays, practice-informed case studies, and manifestos, the essays in this book offer insights from diverse contexts and geographies.
Muséologie
archives
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14 videocassettes (Mini-DV) (approximately 776 min.) : sound, color ; 1/4 in. master, 3 computer optical discs (CD-R) (approximately 813 min.) : digital, MP3 file ; 12 cm
Le CCA dans un champ muséologique en expansion = The CCA in an expanding curatorial field : recordings, 2010.
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14 videocassettes (Mini-DV) (approximately 776 min.) : sound, color ; 1/4 in. master, 3 computer optical discs (CD-R) (approximately 813 min.) : digital, MP3 file ; 12 cm
archives
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A discussion on curatorial practices around photo-based images, centred on the current challenges faced by curators and artist working with photography. How do they navigate its constantly changing appearance? How are issues of representation dealt with? And what kind of mediation is necessary while seeking new forms of authorship and interaction with audiences? Offering(...)
Why exhibit? vol. 2 : On curating photography
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A discussion on curatorial practices around photo-based images, centred on the current challenges faced by curators and artist working with photography. How do they navigate its constantly changing appearance? How are issues of representation dealt with? And what kind of mediation is necessary while seeking new forms of authorship and interaction with audiences? Offering insights into a wide range of experiences, reflections, and views from various curators, writers, and researchers, this book focuses on practical perspectives intertwining photography and curation – conversations which are vital for curating photography in light of pressing issues surrounding the medium.
Muséologie
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In Curating Consciousness, Marcia Brennan focuses on one of the transformational figures of twentieth-century curatorial culture, and the main protagonist of this unacknowledged curatorial practice. James Johnson Sweeney (1900–1986) was hired as the Director of Painting and Sculpture at the Museum of Modern Art in 1935. He went on to become the director of the Guggenheim(...)
Curating consciousness: Mysticism and the Modern museum
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In Curating Consciousness, Marcia Brennan focuses on one of the transformational figures of twentieth-century curatorial culture, and the main protagonist of this unacknowledged curatorial practice. James Johnson Sweeney (1900–1986) was hired as the Director of Painting and Sculpture at the Museum of Modern Art in 1935. He went on to become the director of the Guggenheim Museum and the Museum of Fine Arts, Houston. Throughout his career, Sweeney provocatively engaged motifs of mysticism in order to cast the modern museum as a secular temple of art. Sweeney believed that artworks could engender visionary perspectives and induce alternative modes of consciousness in their viewers; his career can be seen as an exercise in curating modernist consciousness itself. Brennan describes how these motifs informed Sweeney's curatorial and textual engagements with specific artists and projects, including Marcel Duchamp's intricately androgynous constructions, Alberto Burri's images of hermetic alchemy and blood miracles, Pierre Soulages's creative transmutations of sacred stones into gestural abstract paintings, Jean Tinguely's apocalyptic yet playful kinetic experiments, and Eduardo Chillida's translations of theology and philosophy into sculpted fields of sparkling light.
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New media artworks are difficult to classify according to the traditional art museum categories determined by medium, geography, and chronology. These works present the curator with novel challenges involving interpretation, exhibition, and dissemination. This book views these challenges as opportunities to rethink curatorial practice. Rethinking Curating explores the(...)
Rethinking curating: art after new media
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New media artworks are difficult to classify according to the traditional art museum categories determined by medium, geography, and chronology. These works present the curator with novel challenges involving interpretation, exhibition, and dissemination. This book views these challenges as opportunities to rethink curatorial practice. Rethinking Curating explores the characteristics distinctive to new media art, including its immateriality and its questioning of time and space, and relates them to such contemporary art forms as video art, conceptual art, socially engaged art, and performance art.
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In this volume, an international, interdisciplinary group of writers discuss what it means to be global — or to be local — in the context of artistic, curatorial and theoretical knowledge and practice. Continuing the discussion begun in The Curatorial Conundrum (2016) and How Institutions Think (2017), Curating After the Global considers curating and questions of(...)
Curating after the global: roadmaps for the present
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In this volume, an international, interdisciplinary group of writers discuss what it means to be global — or to be local — in the context of artistic, curatorial and theoretical knowledge and practice. Continuing the discussion begun in The Curatorial Conundrum (2016) and How Institutions Think (2017), Curating After the Global considers curating and questions of locality, geopolitical change, the reassertion of nation-states, and the violent diminishing of citizen and denizen rights across the globe.
Muséologie
Curating & Politics
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Ever since the nineteen-nineties, curatorial discourse has revolved around the figure of the professional curator. Consequently, curatorial politics is usually considered the direct result of a curator's deliberate acts and intentions. Now, however, new institutional models and modes of exhibition practice together with key shifts in funding and collecting strategies have(...)
Curating & Politics
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Ever since the nineteen-nineties, curatorial discourse has revolved around the figure of the professional curator. Consequently, curatorial politics is usually considered the direct result of a curator's deliberate acts and intentions. Now, however, new institutional models and modes of exhibition practice together with key shifts in funding and collecting strategies have revealed aspects of curatorial politics over which the exhibition-maker has little or no control. The present volume presents a series of essays by noted art theorists and cultural scientists that go beyond the perspective of the individual curator to reveal these previously unexplored levels of curatorial politics.
Muséologie
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Long a pioneer in architecture, Emilio Ambasz has retained a belief in the environment, or rather the larger ecology, as fundamental in viewing the world: as the author notes in the introduction, "his philosophy of ‘green over gray’ may often have fallen on deaf ears at the height of Postmodernism, but it today seems profoundly relevant." And it is in the context of today(...)
Emilio Ambasz: Curating a new nature
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Long a pioneer in architecture, Emilio Ambasz has retained a belief in the environment, or rather the larger ecology, as fundamental in viewing the world: as the author notes in the introduction, "his philosophy of ‘green over gray’ may often have fallen on deaf ears at the height of Postmodernism, but it today seems profoundly relevant." And it is in the context of today that the book considers his work and its three main areas of concentration—architecture, industrial design, curating—with an aim of shining a light on the interdisciplinary nature of the work as a whole. Featuring built and manufactured designs that have achieved iconic fame and challenged others to approach new ways of reconciling architecture and nature, the book also considers Ambasz’s work as curator at MoMA and his ongoing influence and legacy.
Architecture, monographies
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1 online resource.
[Place of publication not identified] : Scratching the Surface, 2017.
audio
[Place of publication not identified] : Scratching the Surface, 2017.