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Space and place as topics of playful investigation and serious reflection This book looks at art that relates playfully to architecture, with contributions from artists, architects, designers and scholars including Franz Xaver Baier, Beatriz Colomina, Olafur Eliasson, Andrea Fraser, Bruce Nauman, Tom Sachs and more.
Space is the place: current reflections on art and architecture
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Space and place as topics of playful investigation and serious reflection This book looks at art that relates playfully to architecture, with contributions from artists, architects, designers and scholars including Franz Xaver Baier, Beatriz Colomina, Olafur Eliasson, Andrea Fraser, Bruce Nauman, Tom Sachs and more.
Théorie de l’architecture
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A room’s acoustic character seems at once the most technical and the most mystical of concerns. Since the early Enlightenment, European architects have systematically endeavored to represent and control the propagation of sound in large interior spaces. Their work has been informed by the science of sound but has also been entangled with debates on style, visualization(...)
Echo's chambers: architecture and the idea of acoustic space
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A room’s acoustic character seems at once the most technical and the most mystical of concerns. Since the early Enlightenment, European architects have systematically endeavored to represent and control the propagation of sound in large interior spaces. Their work has been informed by the science of sound but has also been entangled with debates on style, visualization techniques, performance practices, and the expansion of the listening public. Echo’s Chambers explores how architectural experimentation from the seventeenth through the mid-twentieth centuries laid the groundwork for concepts of acoustic space that are widely embraced in contemporary culture. It focuses on the role of echo and reverberation in the architecture of Pierre Patte, Claude-Nicolas Ledoux, Carl Ferdinand Langhans, and Le Corbusier, as well as the influential acoustic ideas of Athanasius Kircher, Richard Wagner, and Marshall McLuhan. Drawing on interdisciplinary theories of media and auditory culture, Joseph L. Clarke reveals how architecture has impacted the ways we continue to listen to, talk about, and creatively manipulate sound in the physical environment.
Théorie de l’architecture
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In '''Architecture unbound,'' noted architecture critic Joseph Giovannini proposes that our current architectural landscape ultimately emerged from transgressive and progressive art movements that had roiled Europe before and after World War I. By the 1960s, social unrest and cultural disruption opened the way for investigations into an inventive, antiauthoritarian(...)
Architecture unbound: A century of the disruptive avant-garde
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In '''Architecture unbound,'' noted architecture critic Joseph Giovannini proposes that our current architectural landscape ultimately emerged from transgressive and progressive art movements that had roiled Europe before and after World War I. By the 1960s, social unrest and cultural disruption opened the way for investigations into an inventive, antiauthoritarian architecture. Explorations emerged in the 1970s, and built projects surfaced in the 1980s, taking digital form in the 1990s, with large-scale projects finally landing on the far side of the millennium. '''Architecture unbound'' traces all of these developments and influences, presenting an authoritative and illuminating history not only of the sources of contemporary currents in architecture but also of the twentieth-century avant-garde and the twenty-first-century digital revolution in form-making, and profiling the most influential practitioners and their most notable projects, including Frank Gehry’s Guggenheim Bilbao and Walt Disney Concert Hall, Zaha Hadid’s Guangzhou Opera House, Daniel Libeskind’s master plan for the World Trade Center, Rem Koolhaas’s CCTV Tower, and Herzog and de Meuron’s Bird’s Nest Olympic Stadium in Beijing.
Architecture contemporaine
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Even when an architectural drawing does not show any human figures, we can imagine many different characters just off the page: architects, artists, onlookers, clients, builders, developers, philanthropists—working, observing, admiring, arguing. In ''Stories from architecture,'' Philippa Lewis captures some of these personalities through reminiscences, anecdotes,(...)
Stories from architecture: Behind the lines at Drawing Matter
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Even when an architectural drawing does not show any human figures, we can imagine many different characters just off the page: architects, artists, onlookers, clients, builders, developers, philanthropists—working, observing, admiring, arguing. In ''Stories from architecture,'' Philippa Lewis captures some of these personalities through reminiscences, anecdotes, conversations, letters, and monologues that collectively offer the imagined histories of twenty-five architectural drawings. Some of these untold stories are factual, like Frank Lloyd Wright’s correspondence with a Wisconsin librarian regarding her $5,000 dream home, or letters written by the English architect John Nash to his irascible aristocratic client. Others recount a fictional, if credible, scenario by placing these drawings—and with them their characters—into their immediate social context. For instance, the dilemmas facing a Regency couple who are considering a move to a suburban villa; a request from the office of Richard Neutra for an assistant to measure Josef von Sternberg’s Rolls-Royce so that the director’s beloved vehicle might fit into the garage being designed by his architect; a teenager dreaming of a life away from parental supervision by gazing at a gadget-filled bachelor pad in Playboy magazine; even a policeman recording the ground plans of the house of a murder scene. The drawings, reproduced in color, are all sourced from the Drawing Matter collection in Somerset, UK, and are fascinating objects in themselves; but Lewis shifts our attention beyond the image to other possible histories that linger, invisible, beyond the page, and in the process animates not just a series of archival documents but the writing of architectural history.
Théorie de l’architecture
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A series of conversations with thinkers and practitioners of contemporary architecture today, featuring visiting lecturers Beatriz Colomina, Peter Wilson, and John Lin and Joshua Bolchover of Rural Urban Framework. The talks, which took place in 2018 and 2019 at the Melbourne School of Design, University of Melbourne, dive deeper into the ideas and processes behind their(...)
What we talk about when we talk about architecture
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A series of conversations with thinkers and practitioners of contemporary architecture today, featuring visiting lecturers Beatriz Colomina, Peter Wilson, and John Lin and Joshua Bolchover of Rural Urban Framework. The talks, which took place in 2018 and 2019 at the Melbourne School of Design, University of Melbourne, dive deeper into the ideas and processes behind their buildings – the players, places, forces, cultural imperatives, and ideologies that the glamour of the finished output often obscures. In addition, thought-provoking essays by Diane Yvonne Ghirardo, Justin Clemens, Sven-Olov Wallenstein, and others offer fresh insights on the themes uncovered.
Théorie de l’architecture
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During the 1920s and 1930s, proponents of Soviet architecture looked to various principles within the human sciences in their efforts to formulate a methodological and theoretical basis for their modernist project. ''Architecture of life'' delves into the foundations of this transdisciplinary and transnational endeavor, analyzing many facets of their radical approach and(...)
Architecture of life: Soviet modernism and the human sciences
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During the 1920s and 1930s, proponents of Soviet architecture looked to various principles within the human sciences in their efforts to formulate a methodological and theoretical basis for their modernist project. ''Architecture of life'' delves into the foundations of this transdisciplinary and transnational endeavor, analyzing many facets of their radical approach and situating it within the context of other modernist movements that were developing concurrently across the globe. Examining the theories advanced by El Lissitzky, Moisei Ginzburg, and Nikolay Ladovsky, as well as those of their lesser-known colleagues, this illuminating study demonstrates how Soviet architects of the interwar period sought to mitigate Fordist production methods with other, ostensibly more human-oriented approaches that drew on the biological and psychological sciences. Envisioning the built environment as innately connected to social evolution, their methods incorporated aspects of psychoanalysis, personality theory, and studies in spatial perception, all of which were integrated into an ideology that grounded functional design firmly within the attributes of the individual. A comprehensive overview of the ideals that permeated its expanded project, ''Architecture of life'' explicates the underlying impulses that motivated Soviet modernism, highlighting the deep interconnections among the ways in which it viewed all aspects of life, both natural and manufactured.
Théorie de l’architecture
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A multimedia exploration of the morphology of architecture in the American Southwest as defined by evolving modes of transportation. In examining advances in transportation, the book asks how we have come to acquiesce to the monotonous, isolating, and aesthetically bankrupt landscape of suburbia. It also casts predictions about how the future built landscape will look as(...)
Architecture of normal: The colonization of the American landscape
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A multimedia exploration of the morphology of architecture in the American Southwest as defined by evolving modes of transportation. In examining advances in transportation, the book asks how we have come to acquiesce to the monotonous, isolating, and aesthetically bankrupt landscape of suburbia. It also casts predictions about how the future built landscape will look as it continues to adapt to patterns of human movement.
Architecture contemporaine
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A new era is rapidly approaching when computers will not merely be instruments for data creation, manipulation and management, but, empowered by artificial intelligence, they will become agents of design themselves. Architects need a strategy for facing the opportunities and threats of these emergent capabilities or risk being left behind. Architecture’s best-known(...)
Machine learning: Architecture in the age of artificial intelligence
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A new era is rapidly approaching when computers will not merely be instruments for data creation, manipulation and management, but, empowered by artificial intelligence, they will become agents of design themselves. Architects need a strategy for facing the opportunities and threats of these emergent capabilities or risk being left behind. Architecture’s best-known technologist, Phil Bernstein, provides that strategy. Divided into three key sections – Process, Relationships and Results – this book lays out an approach for anticipating, understanding and managing a world in which computers often augment, but may well also supplant, knowledge workers like architects.
Architecture numérique
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Restoration in all its forms is entangled in many contemporary theoretical debates and problems. This book examines together the linked philosophies of the different arts of preserving and uncovering the past: the restoration of buildings, conservation of works of art, and editing of literary works to retrieve their original or intended texts. By investigating a series of(...)
Securing the past: conservation in art, architecture and literature
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Restoration in all its forms is entangled in many contemporary theoretical debates and problems. This book examines together the linked philosophies of the different arts of preserving and uncovering the past: the restoration of buildings, conservation of works of art, and editing of literary works to retrieve their original or intended texts. By investigating a series of recent crises in each of these areas, this publication shows how their underlying justifications relate closely to one another.
Théorie de l’architecture
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This volume, which presents work from the 1950’s and early 1960’s, reproduces a monograph first published in 1962. In an age dominated by a few great architect-designers noted for their intensely personal art, the firm of Skidmore, Owings & Merrill for twenty-five years has been a unique force in the building of the modern city. This book is the first study of SOM’s(...)
SOM architecture of Skidmore, Owings & Merrill (1950-1962)
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This volume, which presents work from the 1950’s and early 1960’s, reproduces a monograph first published in 1962. In an age dominated by a few great architect-designers noted for their intensely personal art, the firm of Skidmore, Owings & Merrill for twenty-five years has been a unique force in the building of the modern city. This book is the first study of SOM’s unified but far-flung operations, of the architecture created by its remarkable complex of designers and engineers working in all corners of the world
Architecture, monographies