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Comics emerged parallel to, and in several ways intertwined with, the development of modern urban mass societies at the turn of the 20th century. On the one hand, urban topoi, self-portrayals, forms of urban cultural memories, and variant readings of the city (strolling, advertising, architecture, detective stories, mass phenomena, street life, etc.) are all incorporated(...)
Comics and the city: urban space in print, picture and sequence
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Comics emerged parallel to, and in several ways intertwined with, the development of modern urban mass societies at the turn of the 20th century. On the one hand, urban topoi, self-portrayals, forms of urban cultural memories, and variant readings of the city (strolling, advertising, architecture, detective stories, mass phenomena, street life, etc.) are all incorporated into comics. On the other hand, comics have unique abilities to capture urban space and city life because of their hybrid nature, consisting of words, pictures, and sequences. These formal aspects of comics are also to be found within the cityscape itself: one can see the influence of comic book aesthetics all around us today.
Théorie de l’urbanisme
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Urban gardening has become recently popular. We only have to think of the riverbanks restored to their natural state, the urban gardening and urban farming projects springing up all over the world, the green skyscrapers (prospective and actually built) such as, for instance, the utopian farmscrapers of Vincent Callebout, the conversion of former high rail lines into green(...)
Greenwards: the new delight in urban nature
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Urban gardening has become recently popular. We only have to think of the riverbanks restored to their natural state, the urban gardening and urban farming projects springing up all over the world, the green skyscrapers (prospective and actually built) such as, for instance, the utopian farmscrapers of Vincent Callebout, the conversion of former high rail lines into green recreation spaces, the meditation gardens of Piet Oudolf, and the vertical gardens of Patrick Blanc. These days, we feel close to greenery, just as we feel close to our pets. We tend and nurture the seeds and stalks, the leaves and flowers, the shrubs and grasses, the bushes and trees, with a matchless solicitude. These culturally coded natural phenomena also have therapeutic qualities, because they offer us self-determination and the possibility to share in social development. This is nothing less than the reintegration of the first, primal nature into the context of the conditions that have become ubiquitous today into the context of what has, today, become 'second nature'. For some people, such as the campaigners of 'Guerilla Gardening', these plants, wild and domestic, provide a way of criticizing the system; others, such as vertical planners of wall gardens like Ken Yeang, utopia-infatuated and bitten by the green bug, presumably see themselves as an avant-garde working in harmony with the system. Volker Fischer was deputy director of the Deutsches Architekturmuseum in Frankfurt am Main for over ten years. From 1994 to 2012 he has built up a new design department at the Museum for Applied Arts in Frankfurt. At the same time, he taught on the history of architecture and design at the Hochschule fur Gestaltung in Offenbach.
Paysages urbains
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225 pages : illustrations (some color), map, plans, portraits ; 23 cm
Berlin : DOM Publishers, [2019], ©2019
New human, new housing : architecture of the new Frankfurt 1925-1933 / edited by Wolfgang Voigt, Dorothea Deschermeier and Peter Cachola Schmal ; with contributions from Alexander Brockhoff [and six others].
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225 pages : illustrations (some color), map, plans, portraits ; 23 cm
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Berlin : DOM Publishers, [2019], ©2019
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220 pages : illustrations ; 24 x 28 cm
Minneapolis : University of Minnesota Press, ©2008.
Wood, concrete, stone, and steel : Minnesota's historic bridges / Denis P. Gardner ; afterword by Eric DeLony.
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220 pages : illustrations ; 24 x 28 cm
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Minneapolis : University of Minnesota Press, ©2008.
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xi, 147 pages : illustrations, plans ; 22 cm
Abingdon, Oxon ; New York : Routledge, 2022., ©2022
Poetics of underground space : architecture, literature, cinema / Antonello Boschi ; foreword by Michael Jakob.
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xi, 147 pages : illustrations, plans ; 22 cm
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Abingdon, Oxon ; New York : Routledge, 2022., ©2022
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Cities, like the people that live in them, are subject to the attention economy. In ''The city authentic,'' author David A. Banks shows how cities are transforming themselves to appeal to modern desires for authentic urban living through the attention-grabbing tactics of social media influencers and reality-TV stars. Blending insightful analysis with pop culture, this(...)
The city authentic: how the attention economy builds urban America
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Cities, like the people that live in them, are subject to the attention economy. In ''The city authentic,'' author David A. Banks shows how cities are transforming themselves to appeal to modern desires for authentic urban living through the attention-grabbing tactics of social media influencers and reality-TV stars. Blending insightful analysis with pop culture, this engaging study of New York State’s Capital Region is an accessible glimpse into the social phenomena that influence contemporary cities. The rising economic fortunes of cities in the Rust Belt, Banks argues, are due in part to the markers of its previous decay—which translate into signs of urban authenticity on the internet. ''The city authentic'' unpacks the odd connection between digital media and derelict buildings, the consequences of how we think about industry and place, and the political processes that have enabled a new paradigm in urban planning. Mixing urban sociology with media and cultural studies, Banks offers a lively account of how urban life and development are changing in the twenty-first century.
Théorie de l’urbanisme
livres
Dyckman Haze / Adam Pape.
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1 volume (unpaged) : illustrations ; 26 cm
[London] : MACK, [2018], ©2018
Dyckman Haze / Adam Pape.
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1 volume (unpaged) : illustrations ; 26 cm
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[London] : MACK, [2018], ©2018
$39.95
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For E. C. Relph, the landscape of late twentieth-century cities must be envisioned as a total environment—not just streets and buildings but billboards and parking meters as well. "The modern urban landscape" traces the developments since 1880 in architecture, technology, planning, and society that have formed the visual context of daily life. Each of these shaping(...)
The modern urban landscape: 1880 to the present
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For E. C. Relph, the landscape of late twentieth-century cities must be envisioned as a total environment—not just streets and buildings but billboards and parking meters as well. "The modern urban landscape" traces the developments since 1880 in architecture, technology, planning, and society that have formed the visual context of daily life. Each of these shaping influences is often viewed in isolation, but Relph surveys the ways in which they have operated independently to create what we see when we walk down a street, shop in a mall, or stare through a windshield on an expressway. Two sets of ideas and fashions, Relph argues, have had an especially important impact on urban landscapes in the twentieth century. An "internationalism" made possible by new building technologies and design ideologies has replaced regional style and custom as the dominant feature of city appearance, while a firm belief in the merits of self-consciousness has imposed logical analysis and technical manipulation on such commonplace objects as curbstones and park benches. "As a result," writes Relph, "the modern urban landscape is both rationalized and artificial, which is another way of saying that it is intensely human." This edition features a new preface in which the author identifies the major visible changes in urban landscapes over the past thirty years, including destination architecture, coffee shops, condominium towers, revitalized downtown streets, and the creation of edge cities. He also considers the less visible yet pervasive impacts associated with the emergence of electronic technologies and sustainable development.
Théorie de l’urbanisme
livres
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xxiv, 371 pages : illustrations (some color), maps ; 26 cm.
Burlington, VT : Ashgate Publishing Company, [2014]
Building the modern church : Roman Catholic Church architecture in Britain, 1955 to 1975 / Robert Proctor, Glasgow School of Art, UK.
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xxiv, 371 pages : illustrations (some color), maps ; 26 cm.
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Burlington, VT : Ashgate Publishing Company, [2014]
$62.95
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"Picturing the city" takes a look at the group of urban realists known as the Ashcan School, and at the booming cultures of vision and representation in early twentieth-century New York. Offering insights into the development of modern cities and modern art in America, Rebecca Zurier considers what it meant to live in a city where strangers habitually watched each other(...)
Théorie de l’urbanisme
juin 2006, Berkeley / Los Angeles / London
Picturing the city : urban vision and the Ashcan school
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"Picturing the city" takes a look at the group of urban realists known as the Ashcan School, and at the booming cultures of vision and representation in early twentieth-century New York. Offering insights into the development of modern cities and modern art in America, Rebecca Zurier considers what it meant to live in a city where strangers habitually watched each other and public life seemed to consist of continual display, as new classes of immigrants and working women claimed their places in the metropolis. Through her study of six artists - George Bellows, William Glackens, Robert Henri, George Luks, Everett Shinn, and John Sloan, Zurier illuminates the quest for new forms of realism to describe changes in urban life, commercial culture, and codes of social conduct in the early 1900s. Synthesizing visual and literary analysis with urban cultural history, "Picturing the city" focuses new attention on the materiality and design process of pictures. The author scrutinizes many manner of visual activity, from the pandemonium of comics to the mise-en-scene of early movies, from the mark of an individual pen stroke to a glance on the street, from illustrators' manuals to ambitious paintings that became icons of American art.
Théorie de l’urbanisme