Interior view of the building systems control room on level 3, Shaughnessy House, Montréal, Québec
PH1989:0087
Description:
- Photographs PH1989:0087, PH1989:0095 and PH1989:0103 were taken through plastic film which was possibly used as a temporary curtain prior to the installation of the building systems control room door.
architecture
1989
Interior view of the building systems control room on level 3, Shaughnessy House, Montréal, Québec
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PH1989:0087
Description:
- Photographs PH1989:0087, PH1989:0095 and PH1989:0103 were taken through plastic film which was possibly used as a temporary curtain prior to the installation of the building systems control room door.
architecture
photographies
DR2012:0012:082:007
Description:
File containing film negatives, and printouts related to Melvin Charney's proposal for the Canadian pavillion at Expo 70 in Osaka, Japan. Original folder inscribed in graphite: OSAKA PROJECT 1969
circa 1967
Photographs for the proposal for the Canadian pavillion at Expo 70 in Osaka, Japan
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DR2012:0012:082:007
Description:
File containing film negatives, and printouts related to Melvin Charney's proposal for the Canadian pavillion at Expo 70 in Osaka, Japan. Original folder inscribed in graphite: OSAKA PROJECT 1969
photographies
circa 1967
PHCON2003:0005:058
Description:
Videocassette contains films compiled by Jane Crawford in 2001. Food: Betacam SP master of Fulton Fish Market, restaurant, and dinner. Inscription: Fulton fish market, in restaurant, dinner w/ friends.
1971
Video copy of compiled 2001 restoration of Food
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PHCON2003:0005:058
Description:
Videocassette contains films compiled by Jane Crawford in 2001. Food: Betacam SP master of Fulton Fish Market, restaurant, and dinner. Inscription: Fulton fish market, in restaurant, dinner w/ friends.
1971
né numérique
Voyage to Italy
PH2006:0232
Description:
The film is about a trip to the ruins of Pompei. The box contains the original DVD and a security copy. Commissioned by the Canadian Centre for Architecture, Montréal, for "Tangent," 2006
2006
Voyage to Italy
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PH2006:0232
Description:
The film is about a trip to the ruins of Pompei. The box contains the original DVD and a security copy. Commissioned by the Canadian Centre for Architecture, Montréal, for "Tangent," 2006
né numérique
2006
AP140.S2.SS7.D3.P10.9
Description:
- Includes segments from the Abend Shau, 6/7, the Landes Schau, and Heute Journal. - Also includes the film "Ein Stärkes Stuck" by Gisela Reich with narration by Walter Kreye.
1984
German media coverage of the opening of the Staatsgalerie Stuttgart
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AP140.S2.SS7.D3.P10.9
Description:
- Includes segments from the Abend Shau, 6/7, the Landes Schau, and Heute Journal. - Also includes the film "Ein Stärkes Stuck" by Gisela Reich with narration by Walter Kreye.
1984
Série(s)
AP207.S1
Description:
The series documents Pettena’s artistic, architectural and design projects from 1966 to 2018. It includes material related to his performances, installations, furniture designs, architectural projects, films he produced, and series of photographic projects. The series includes projects created during Pettena’s residencies in the United States, such as “Vestirsi Di Siede [Wearable Chairs]” (1971), “Ice House I” (1971) and “Ice House II” (1972), and “Tumbleweeds Catcher” (1972). The series also contains material showing Pettena’s growing interest in the preservation and conservation of historical buildings with projects like the new Town Hall of Canazei (1990-1997) and the preservation and conversion of the Forte Inglese in Portoferraio (1992). The presence of nature in architecture and it’s influence on the architect’s work, a recurring theme in Pettena’s work, is also documented in this series with projects such as his proposal “Grass architecture” for the Trigon competition in 1971, the photographic series “Case Conquistate Dal Verde” (1985), and the installation “Architecture forgiven by nature” (2017). The series contains sketches, renderings, and plans, either originals or reprographic copies, and photographs for installation projects and his furniture designs. It also contains drawings, notes, storyboards, and photographs of the performances. There are also films, in digital formats, and film stills for short movie projects produced by Pettena. Also included, are two models: a small wooden model for ”Rumble” sofa” (1967) and a model of for “Archipensierio” (2001-2018) installation of 2001. Finally, the series contains, sketches, floor plans, site plans, sections and elevations, reference drawings and photographs, proposals, and cost estimates for architectural projects such as the Canazei Town Hall (1990-1997), Fort Inglese conversion (1992), and for Pettena’s residence on Elba (1972-2012).
1966-2018
Works
Actions:
AP207.S1
Description:
The series documents Pettena’s artistic, architectural and design projects from 1966 to 2018. It includes material related to his performances, installations, furniture designs, architectural projects, films he produced, and series of photographic projects. The series includes projects created during Pettena’s residencies in the United States, such as “Vestirsi Di Siede [Wearable Chairs]” (1971), “Ice House I” (1971) and “Ice House II” (1972), and “Tumbleweeds Catcher” (1972). The series also contains material showing Pettena’s growing interest in the preservation and conservation of historical buildings with projects like the new Town Hall of Canazei (1990-1997) and the preservation and conversion of the Forte Inglese in Portoferraio (1992). The presence of nature in architecture and it’s influence on the architect’s work, a recurring theme in Pettena’s work, is also documented in this series with projects such as his proposal “Grass architecture” for the Trigon competition in 1971, the photographic series “Case Conquistate Dal Verde” (1985), and the installation “Architecture forgiven by nature” (2017). The series contains sketches, renderings, and plans, either originals or reprographic copies, and photographs for installation projects and his furniture designs. It also contains drawings, notes, storyboards, and photographs of the performances. There are also films, in digital formats, and film stills for short movie projects produced by Pettena. Also included, are two models: a small wooden model for ”Rumble” sofa” (1967) and a model of for “Archipensierio” (2001-2018) installation of 2001. Finally, the series contains, sketches, floor plans, site plans, sections and elevations, reference drawings and photographs, proposals, and cost estimates for architectural projects such as the Canazei Town Hall (1990-1997), Fort Inglese conversion (1992), and for Pettena’s residence on Elba (1972-2012).
Series
1966-2018
Surface du quotidien : La pelouse en Amérique montre la pelouse comme symbole de la vie domestique, espace public de représentation, agent économique et icône de l’Amérique. Les pavillons des lotissements de banlieue, les sièges d’entreprise établis en milieu suburbain et la Maison Blanche ont une chose en commun : tous ces bâtiments sont entourés d’une pelouse – une(...)
Salles principales, salle octogonale et vitrines
16 juin 1998 au 8 novembre 1998
Surface du quotidien : la pelouse en Amérique
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Description:
Surface du quotidien : La pelouse en Amérique montre la pelouse comme symbole de la vie domestique, espace public de représentation, agent économique et icône de l’Amérique. Les pavillons des lotissements de banlieue, les sièges d’entreprise établis en milieu suburbain et la Maison Blanche ont une chose en commun : tous ces bâtiments sont entourés d’une pelouse – une(...)
Salles principales, salle octogonale et vitrines
Disneyland, avec ses colonies en Floride, au Japon et en France, est un symbole clé de la culture américaine. Très célébré, Disneyland a également été attaqué en tant qu’incarnation suprême de la société de consommation, de la simulation et du pastiche, de la confusion entre la réalité et les images des médias de masse. L’architecture du réconfort : Les parcs thématiques(...)
Salles principales
17 juin 1997 au 28 septembre 1997
L'architecture du réconfort : les parcs thématiques de Disney
Actions:
Description:
Disneyland, avec ses colonies en Floride, au Japon et en France, est un symbole clé de la culture américaine. Très célébré, Disneyland a également été attaqué en tant qu’incarnation suprême de la société de consommation, de la simulation et du pastiche, de la confusion entre la réalité et les images des médias de masse. L’architecture du réconfort : Les parcs thématiques(...)
Salles principales
Sous-série
Personal Photographs
AP032.S1.SS1.D6
Description:
A collection of b/w photographs, some from an envelope labelled "Williamsburg Photos", film negatives and postcards. The mostly small-format photos include views of residences, churches, barns, windmills, public buildings, country side, bridges, architectural details, F.L. Wright's Falling Water, architectural models, etc. Included are snapshots of Goldsmith on military leave, showing friends, beach scenes and a wedding. Also a formal studio portrait of Goldsmith in uniform, and a portrait of him probably between 15 and 20 years old.
[ca. 1933-1943]
Personal Photographs
Actions:
AP032.S1.SS1.D6
Description:
A collection of b/w photographs, some from an envelope labelled "Williamsburg Photos", film negatives and postcards. The mostly small-format photos include views of residences, churches, barns, windmills, public buildings, country side, bridges, architectural details, F.L. Wright's Falling Water, architectural models, etc. Included are snapshots of Goldsmith on military leave, showing friends, beach scenes and a wedding. Also a formal studio portrait of Goldsmith in uniform, and a portrait of him probably between 15 and 20 years old.
File 6
[ca. 1933-1943]
photographies
ARCH39395
Description:
10P-02: b/w (21,5 x 19,6 cm); Federal Office Building, perspective drawing showing Hollis Street facade (duplicate of above print with adjustments to the chimney). Photographer; Fraser Films Limited, Montreal
Federal Office Building, perspective drawing showing Hollis Street facade
Actions:
ARCH39395
Description:
10P-02: b/w (21,5 x 19,6 cm); Federal Office Building, perspective drawing showing Hollis Street facade (duplicate of above print with adjustments to the chimney). Photographer; Fraser Films Limited, Montreal
photographies