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Robin Hood Gardens in Tower Hamlets, East London, was designed by Alison + Peter Smithson and completed in 1972. In 2008, this large social housing scheme was threatened with demolition and became a controversial conservation case. The government refused to give it protection as a historic building despite widespread public support for its retention. This book uncovers(...)
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Robin Hood Gardens in Tower Hamlets, East London, was designed by Alison + Peter Smithson and completed in 1972. In 2008, this large social housing scheme was threatened with demolition and became a controversial conservation case. The government refused to give it protection as a historic building despite widespread public support for its retention. This book uncovers(...)
Titre:
Robin Hood Gardens re-visions: Alison and Peter Smithson
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Robin Hood Gardens in Tower Hamlets, East London, was designed by Alison + Peter Smithson and completed in 1972. In 2008, this large social housing scheme was threatened with demolition and became a controversial conservation case. The government refused to give it protection as a historic building despite widespread public support for its retention. This book uncovers the history of the project, arguing for its historical and architectural significance and for its future role in local housing provision. It includes support from architects Richard Rogers and Zaha Hadid, with previously unpublished text and pictures by Alison + Peter Smithson and photographs by Sandra Lousada and Ioana Marinescu. With contributions by: Catherine Croft, Alan Powers, Dirk van den Heuvel, Ken Baker, Simon Smithson, Amanda Baillieu, Zaha Hadid, Sir Stuart Lipton, Peter St John, Neil Jackson, Deborah Saunt, Richard Rogers, Ann Power, Dan Cruickshank
Robin Hood Gardens re-visions: Alison and Peter Smithson
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Robin Hood Gardens in Tower Hamlets, East London, was designed by Alison + Peter Smithson and completed in 1972. In 2008, this large social housing scheme was threatened with demolition and became a controversial conservation case. The government refused to give it protection as a historic building despite widespread public support for its retention. This book uncovers the history of the project, arguing for its historical and architectural significance and for its future role in local housing provision. It includes support from architects Richard Rogers and Zaha Hadid, with previously unpublished text and pictures by Alison + Peter Smithson and photographs by Sandra Lousada and Ioana Marinescu. With contributions by: Catherine Croft, Alan Powers, Dirk van den Heuvel, Ken Baker, Simon Smithson, Amanda Baillieu, Zaha Hadid, Sir Stuart Lipton, Peter St John, Neil Jackson, Deborah Saunt, Richard Rogers, Ann Power, Dan Cruickshank
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livres
livres
Publication:
octobre 2010
octobre 2010
Sujet:
Architecture, monographies
Architecture, monographies
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livres
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$56.95
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This study links the art practices of Allan Kaprow and Robert Smithson in their attempts to test the limits of art - both what it is and where it is. Ursprung's analysis places the two artists firmly in the art world of the 1960s as well as in the art historical discourse of the following decades. Although their practices were quite different, they both extended the(...)
$56.95
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This study links the art practices of Allan Kaprow and Robert Smithson in their attempts to test the limits of art - both what it is and where it is. Ursprung's analysis places the two artists firmly in the art world of the 1960s as well as in the art historical discourse of the following decades. Although their practices were quite different, they both extended the(...)
Titre:
Allan Kaprow, Robert Smithson, and the limits of art
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This study links the art practices of Allan Kaprow and Robert Smithson in their attempts to test the limits of art - both what it is and where it is. Ursprung's analysis places the two artists firmly in the art world of the 1960s as well as in the art historical discourse of the following decades. Although their practices were quite different, they both extended the studio and gallery into desert landscapes, abandoned warehouses, industrial sites, train stations, and other spaces. Ursprung bolsters his argument with substantial archival research and sociological and economic models of expansion and limits.
Allan Kaprow, Robert Smithson, and the limits of art
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This study links the art practices of Allan Kaprow and Robert Smithson in their attempts to test the limits of art - both what it is and where it is. Ursprung's analysis places the two artists firmly in the art world of the 1960s as well as in the art historical discourse of the following decades. Although their practices were quite different, they both extended the studio and gallery into desert landscapes, abandoned warehouses, industrial sites, train stations, and other spaces. Ursprung bolsters his argument with substantial archival research and sociological and economic models of expansion and limits.
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livres
livres
Publication:
janvier 2014
janvier 2014
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livres
livres
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$49.95
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In 1970 Robert Smithson (1938-1973), one of the most innovative and provocative artists of the twentieth century, created the landmark earthwork "Spiral Jetty" at Rozel Point on Utah's Great Salt Lake. This dramatic and highly influential work forms a coil 1,500 feet long and 15 feet wide and stretches out counter-clockwise into the lake's translucent red water. Composed(...)
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In 1970 Robert Smithson (1938-1973), one of the most innovative and provocative artists of the twentieth century, created the landmark earthwork "Spiral Jetty" at Rozel Point on Utah's Great Salt Lake. This dramatic and highly influential work forms a coil 1,500 feet long and 15 feet wide and stretches out counter-clockwise into the lake's translucent red water. Composed(...)
Publication:
juin 2005, New York
juin 2005, New York
Titre:
Robert Smithson : Spiral Jetty - true fictions, false realities
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In 1970 Robert Smithson (1938-1973), one of the most innovative and provocative artists of the twentieth century, created the landmark earthwork "Spiral Jetty" at Rozel Point on Utah's Great Salt Lake. This dramatic and highly influential work forms a coil 1,500 feet long and 15 feet wide and stretches out counter-clockwise into the lake's translucent red water. Composed of black basalt rocks and earth, the sculpture comprises the materials of its location: mud, salt crystals, rocks, water. The contributors to this comprehensive publication consider the sculpture in relation to its eponymous companions - a text work and a film. These essays situate this renowned series of works alongside Smithson's critical writings, proposals, drawings, sources, and models. Amply illustrated with archival and new photographs of the Jetty and many comparative illustrations, this book makes evident why Smithson's art and writings have had such a powerful impact on art and art theory for over thirty years.
Robert Smithson : Spiral Jetty - true fictions, false realities
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In 1970 Robert Smithson (1938-1973), one of the most innovative and provocative artists of the twentieth century, created the landmark earthwork "Spiral Jetty" at Rozel Point on Utah's Great Salt Lake. This dramatic and highly influential work forms a coil 1,500 feet long and 15 feet wide and stretches out counter-clockwise into the lake's translucent red water. Composed of black basalt rocks and earth, the sculpture comprises the materials of its location: mud, salt crystals, rocks, water. The contributors to this comprehensive publication consider the sculpture in relation to its eponymous companions - a text work and a film. These essays situate this renowned series of works alongside Smithson's critical writings, proposals, drawings, sources, and models. Amply illustrated with archival and new photographs of the Jetty and many comparative illustrations, this book makes evident why Smithson's art and writings have had such a powerful impact on art and art theory for over thirty years.
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livres
livres
Publication:
juin 2005, New York
juin 2005, New York
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$19.95
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"When I was thirty, the first generation of architects that one looked upon to was L Corbusier; the second was jean Prouvé and Josép-Luis Sert; next were George Candilis, Shadrach Woods, and Alexis Josic. These were the people you were talking about, and the connection between them were observable. Even though between these generations there wasn't any copying in a(...)
$19.95
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Résumé:
"When I was thirty, the first generation of architects that one looked upon to was L Corbusier; the second was jean Prouvé and Josép-Luis Sert; next were George Candilis, Shadrach Woods, and Alexis Josic. These were the people you were talking about, and the connection between them were observable. Even though between these generations there wasn't any copying in a(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
juin 2004, New York
juin 2004, New York
Titre:
Peter Smithson : conversations with students, a space for our generation
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$19.95
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"When I was thirty, the first generation of architects that one looked upon to was L Corbusier; the second was jean Prouvé and Josép-Luis Sert; next were George Candilis, Shadrach Woods, and Alexis Josic. These were the people you were talking about, and the connection between them were observable. Even though between these generations there wasn't any copying in a stylistic sense, there was a kind of moral overlap. That's the curiosity. There's not a hint stylistically in their work but there is a moral position." -Peter Smithson
Peter Smithson : conversations with students, a space for our generation
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"When I was thirty, the first generation of architects that one looked upon to was L Corbusier; the second was jean Prouvé and Josép-Luis Sert; next were George Candilis, Shadrach Woods, and Alexis Josic. These were the people you were talking about, and the connection between them were observable. Even though between these generations there wasn't any copying in a stylistic sense, there was a kind of moral overlap. That's the curiosity. There's not a hint stylistically in their work but there is a moral position." -Peter Smithson
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livres
livres
Publication:
juin 2004, New York
juin 2004, New York
Sujet:
Architecture, monographies
Architecture, monographies
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Description:
448 pages : illustrations (some color), maps (some color), portraits (some color) ; 30 cm
Description:
448 pages : illustrations (some color), maps (some color), portraits (some color) ; 30 cm
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Minneapolis : Walker Art Center, [2015], New York, NY : D.A.P./Distributed Art Publishers, ©2015
Minneapolis : Walker Art Center, [2015], New York, NY : D.A.P./Distributed Art Publishers, ©2015
Titre:
Hippie modernism : the struggle for utopia / [edited by] Andrew Blauvelt ; with contributions by Andrew Blauvelt, Greg Castillo, Esther Choi, Alison J. Clarke, Hugh Dubberly, Ross K. Elfline, Adam Gildar, Liz Glass, David Karwan, Paul Pangaro, Craig J. Peariso, Catharine Rossi, Tina Rivers Ryan, Simon Sadler, Jeffrey T. Schnapp, Felicity D. Scott, Susan Snodgrass, Lorraine Wild.
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448 pages : illustrations (some color), maps (some color), portraits (some color) ; 30 cm
Hippie modernism : the struggle for utopia / [edited by] Andrew Blauvelt ; with contributions by Andrew Blauvelt, Greg Castillo, Esther Choi, Alison J. Clarke, Hugh Dubberly, Ross K. Elfline, Adam Gildar, Liz Glass, David Karwan, Paul Pangaro, Craig J. Peariso, Catharine Rossi, Tina Rivers Ryan, Simon Sadler, Jeffrey T. Schnapp, Felicity D. Scott, Susan Snodgrass, Lorraine Wild.
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448 pages : illustrations (some color), maps (some color), portraits (some color) ; 30 cm
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Minneapolis : Walker Art Center, [2015], New York, NY : D.A.P./Distributed Art Publishers, ©2015
Minneapolis : Walker Art Center, [2015], New York, NY : D.A.P./Distributed Art Publishers, ©2015
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$34.95
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Inaptitude à voir (Smithson), sentiment de perte (Höller), absence de sens (Ruscha), quête du zéro (Creed), plaisir de la réification (Armleder) ou, au contraire, ultime tentative pour la déjouer (Sehgal) : cinq essais monographiques de Michel Gauthier pour dégager les données singulières qui remettent en cause les valeurs traditionnelles de l'art, à travers l'analyse de(...)
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Inaptitude à voir (Smithson), sentiment de perte (Höller), absence de sens (Ruscha), quête du zéro (Creed), plaisir de la réification (Armleder) ou, au contraire, ultime tentative pour la déjouer (Sehgal) : cinq essais monographiques de Michel Gauthier pour dégager les données singulières qui remettent en cause les valeurs traditionnelles de l'art, à travers l'analyse de(...)
Titre:
Les promesses du zéro : Robert Smithson, Carsten Höller, Ed Ruscha, Martin Creed, John M Armleder, Tino Sehgal
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$34.95
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Inaptitude à voir (Smithson), sentiment de perte (Höller), absence de sens (Ruscha), quête du zéro (Creed), plaisir de la réification (Armleder) ou, au contraire, ultime tentative pour la déjouer (Sehgal) : cinq essais monographiques de Michel Gauthier pour dégager les données singulières qui remettent en cause les valeurs traditionnelles de l'art, à travers l'analyse de quelques-unes des œuvres majeures de notre temps.
Les promesses du zéro : Robert Smithson, Carsten Höller, Ed Ruscha, Martin Creed, John M Armleder, Tino Sehgal
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$34.95
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Inaptitude à voir (Smithson), sentiment de perte (Höller), absence de sens (Ruscha), quête du zéro (Creed), plaisir de la réification (Armleder) ou, au contraire, ultime tentative pour la déjouer (Sehgal) : cinq essais monographiques de Michel Gauthier pour dégager les données singulières qui remettent en cause les valeurs traditionnelles de l'art, à travers l'analyse de quelques-unes des œuvres majeures de notre temps.
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livres
livres
Publication:
octobre 2009
octobre 2009
Sujet:
Théorie de l’art
Théorie de l’art
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livres
Titre:
Karlchens Haus
Karlchens Haus
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$80.00
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This is the story of a house in the woods, where lives a cat, a man and their collection of chairs. The chairs are on the floor, on the walls and on the ceilings. The cat comes and goes. Sometimes it sleeps on a chair, sometimes it hunts in the woods. The man is the cat's butler.
$80.00
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This is the story of a house in the woods, where lives a cat, a man and their collection of chairs. The chairs are on the floor, on the walls and on the ceilings. The cat comes and goes. Sometimes it sleeps on a chair, sometimes it hunts in the woods. The man is the cat's butler.
Titre:
Karlchens Haus
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$80.00
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This is the story of a house in the woods, where lives a cat, a man and their collection of chairs. The chairs are on the floor, on the walls and on the ceilings. The cat comes and goes. Sometimes it sleeps on a chair, sometimes it hunts in the woods. The man is the cat's butler.
Karlchens Haus
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$80.00
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This is the story of a house in the woods, where lives a cat, a man and their collection of chairs. The chairs are on the floor, on the walls and on the ceilings. The cat comes and goes. Sometimes it sleeps on a chair, sometimes it hunts in the woods. The man is the cat's butler.
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livres
livres
Publication:
février 2023
février 2023
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livres
livres
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La ville en jeux / Toy town
La ville en jeux / Toy town
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Publié à l'occasion de la sixième exposition tirée de la collection de jeux d'architecture du CCA. / Catalogue for the sixth in a series of exhibitions featuring architectural toys in the CCA's collection.
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Publié à l'occasion de la sixième exposition tirée de la collection de jeux d'architecture du CCA. / Catalogue for the sixth in a series of exhibitions featuring architectural toys in the CCA's collection.
Titre:
La ville en jeux / Toy town
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Publié à l'occasion de la sixième exposition tirée de la collection de jeux d'architecture du CCA. / Catalogue for the sixth in a series of exhibitions featuring architectural toys in the CCA's collection.
La ville en jeux / Toy town
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Publié à l'occasion de la sixième exposition tirée de la collection de jeux d'architecture du CCA. / Catalogue for the sixth in a series of exhibitions featuring architectural toys in the CCA's collection.
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livres
livres
Publication:
octobre 1997, Montréal
octobre 1997, Montréal
Sujet:
Publications du CCA
Publications du CCA
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Description:
373 pages : illustrations ; 33 cm
Description:
373 pages : illustrations ; 33 cm
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London ; New York : Phaidon Press, 2013.
London ; New York : Phaidon Press, 2013.
Titre:
Art & place : site-specific art of the Americas.
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Description:
373 pages : illustrations ; 33 cm
Art & place : site-specific art of the Americas.
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Description:
373 pages : illustrations ; 33 cm
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livres
Publication:
London ; New York : Phaidon Press, 2013.
London ; New York : Phaidon Press, 2013.
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livres
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$58.95
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This extensive study of the Free University looks at the formative ideas leading to the design, the role of Shadrach Woods, and the influence of the building on a generation of architects. The texts are accompanied by specially commissioned photographs.
$58.95
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This extensive study of the Free University looks at the formative ideas leading to the design, the role of Shadrach Woods, and the influence of the building on a generation of architects. The texts are accompanied by specially commissioned photographs.
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
janvier 1900, London
janvier 1900, London
Titre:
Candilis, Josic, Woods, Schiedhelm : Free University Berlin
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This extensive study of the Free University looks at the formative ideas leading to the design, the role of Shadrach Woods, and the influence of the building on a generation of architects. The texts are accompanied by specially commissioned photographs.
Candilis, Josic, Woods, Schiedhelm : Free University Berlin
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$58.95
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This extensive study of the Free University looks at the formative ideas leading to the design, the role of Shadrach Woods, and the influence of the building on a generation of architects. The texts are accompanied by specially commissioned photographs.
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livres
livres
Publication:
janvier 1900, London
janvier 1900, London
Sujet:
Architecture, monographies
Architecture, monographies
