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''Toxic Atmospheres'' consists in a different approach to space and bodies to the strictly physical one usually described in The Funambulist. Its editorial argument draws on the concepts of “being-in-the-breathable” (Peter Sloterdijk), “the weather” (Christina Sharpe), and “combat breathing” (Frantz Fanon) to resolutely politicize what is usually approached through an(...)
The Funambulist 14, Toxic atmospheres. November-December 2017
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''Toxic Atmospheres'' consists in a different approach to space and bodies to the strictly physical one usually described in The Funambulist. Its editorial argument draws on the concepts of “being-in-the-breathable” (Peter Sloterdijk), “the weather” (Christina Sharpe), and “combat breathing” (Frantz Fanon) to resolutely politicize what is usually approached through an environmentalist perspective. The toxicity described throughout its pages are the atmospheric conditions of colonialism, imperialism, and/or capitalism.
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64 pages : illustrations (some color) ; 30 cm.
[Paris] : Institut français d'architecture, 2001.
Beyrouth / [par Jade Tabet ; avec Marlène Ghorayeb, Eric Huybrechts et Eric Verdeil].
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64 pages : illustrations (some color) ; 30 cm.
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[Paris] : Institut français d'architecture, 2001.
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From the late nineteenth through most of the twentieth century, the evangelical Protestant Grenfell Mission in Newfoundland and Labrador, Canada, created a network of hospitals, schools, orphanages, stores, and industries with the goal of bringing health and organized society to settler fisherfolk and Indigenous populations. This infrastructure also served to support(...)
Slow disturbance: infrastructural mediation on the settler colonial resource frontier
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From the late nineteenth through most of the twentieth century, the evangelical Protestant Grenfell Mission in Newfoundland and Labrador, Canada, created a network of hospitals, schools, orphanages, stores, and industries with the goal of bringing health and organized society to settler fisherfolk and Indigenous populations. This infrastructure also served to support resource extraction of fisheries off Labrador's coast. In 'Slow Disturbance' Rafico Ruiz engages with the Grenfell Mission to theorize how settler colonialism establishes itself through what he calls infrastructural mediation—the ways in which colonial lifeworlds, subjectivities, and affects come into being through the creation and maintenance of infrastructures. Drawing on archival documents, maps, interviews with municipal officials, teachers, and residents, as well as his field photography, Ruiz shows how the mission's infrastructural mediation—from its attempts to restructure the local economy to the aerial surveying and mapping of the coastline—responded to the colony's environmental conditions in ways that expanded the bounds of the settler frontier. By tracing the mission's history and the mechanisms that enabled its functioning, Ruiz complicates understandings of mediation and infrastructure while expanding current debates surrounding settler colonialism and extractive capitalism.
L'écologie de l'architecure
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This volume is a beautifully illustrated and astute examination of women photographers in Canada as it took shape in the nineteenth and early-twentieth centuries. Throughout, the camera was both a witness to the colonialism, capitalism, and gendered and racialized social organization, and a protagonist. And women across the country, whether residents or visitors, captured(...)
Rare merit: Women in photography in Canada, 1840-1940
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This volume is a beautifully illustrated and astute examination of women photographers in Canada as it took shape in the nineteenth and early-twentieth centuries. Throughout, the camera was both a witness to the colonialism, capitalism, and gendered and racialized social organization, and a protagonist. And women across the country, whether residents or visitors, captured people and places that were entirely new to the lens. This book shows how they did so, and the meaning their work carries.
Théorie de la photographie
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Carolee Thea explores the intellectual convictions and personal visions that lay the groundwork for the most prestigious and influential exhibitions in the world today. Among the aesthetic and theoretical issues raised are the relationship between artist and curator, globalism, post-colonialism, capitalism, the future of cultural tourism and the biennial as spectacle or(...)
On curating: interviews with ten international curators
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Carolee Thea explores the intellectual convictions and personal visions that lay the groundwork for the most prestigious and influential exhibitions in the world today. Among the aesthetic and theoretical issues raised are the relationship between artist and curator, globalism, post-colonialism, capitalism, the future of cultural tourism and the biennial as spectacle or utopian ideal. Thea's interviewees are Joseph Backstein, Carolyn Christov-Bakargiev, Okwui Enwezor, Charles Esche, Massimiliano Gioni, RoseLee Goldberg, Mary Jane Jacob, Pi Li, Virginia Perez-Ratton and Rirkrit Tiravanija.
The radicant
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First published in English. Version française va sortir en automne 2009. French edition to follow in fall 2009. “In ordinary language, ‘modernizing’ has come to mean reducing cultural and social reality to Western formats. And today, modernism amounts to a form of complicity with colonialism and Eurocentrism. Let us bet on a modernity which, far from absurdly duplicating(...)
septembre 2008, New York/Berlin
The radicant
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First published in English. Version française va sortir en automne 2009. French edition to follow in fall 2009. “In ordinary language, ‘modernizing’ has come to mean reducing cultural and social reality to Western formats. And today, modernism amounts to a form of complicity with colonialism and Eurocentrism. Let us bet on a modernity which, far from absurdly duplicating that of the last century, would be specific to our epoch and would echo its own problematics: an altermodernity whose issues and features this book seeks to sketch out.”
Hannah Höch
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Focusing on Höch’s collages, this book examines the artist’s career from the 1920s to the 1970s, charting her oeuvre from early works influenced by fashion and mass media, through to her later compositions of lyrical abstraction. It reveals her rapid development of a personal style, which was both humorous and often moving, but also offered critical commentary on society(...)
Hannah Höch
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Focusing on Höch’s collages, this book examines the artist’s career from the 1920s to the 1970s, charting her oeuvre from early works influenced by fashion and mass media, through to her later compositions of lyrical abstraction. It reveals her rapid development of a personal style, which was both humorous and often moving, but also offered critical commentary on society at a time of tremendous social change. Included are essays that examine themes such as the concept of the “New Woman” and the legacy of German colonialism.
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''Welcome to the 32nd issue of The Funambulist. For once, we curated and coordinated its editorial line amongst the three of us (Caroline Honorien, Margarida Waco, and Léopold Lambert) in order to combine our perspectives on the topic. Pan-Africanism is an issue dedicated to a political project that 'maps onto Blackness' (Denise Ferreira da Silva) between the African(...)
The Funambulist 32: Pan-Africanism, November - December 2020
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''Welcome to the 32nd issue of The Funambulist. For once, we curated and coordinated its editorial line amongst the three of us (Caroline Honorien, Margarida Waco, and Léopold Lambert) in order to combine our perspectives on the topic. Pan-Africanism is an issue dedicated to a political project that 'maps onto Blackness' (Denise Ferreira da Silva) between the African Continent, the Afro Diaspora, and beyond; a project that can serve as a force and a reference for all people struggling against colonialism or neocolonialism.''
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In ''Pidginization as curatorial method: Messing with languages and praxes'', renowned curator and director Bonaventure Soh Bejeng Ndikung proposes Pidgin languages as expressions of resistance to settler colonialism and pidginization as a way to approach curating (and the world), creating new spaces for encounter, knowledge, and pluralities. Deftly deploying the(...)
Pidginization as curatorial method: Messing with languages and praxes of curating
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In ''Pidginization as curatorial method: Messing with languages and praxes'', renowned curator and director Bonaventure Soh Bejeng Ndikung proposes Pidgin languages as expressions of resistance to settler colonialism and pidginization as a way to approach curating (and the world), creating new spaces for encounter, knowledge, and pluralities. Deftly deploying the thinking, writing, and rhythmic beat of musicians, philosophers, linguists, poets, and novelists, Ndikung offers a new vision for activist curatorial practice and beyond. This is the third volume of the series ''Thoughts on Curating'', edited by Steven Henry Madoff.
Muséologie
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Based on the photographs and writings of his great-grandfather, photographer and video artist Andréas Lang embarks on a search for traces and research into a lost chapter of German colonial history in Central Africa: a frontier expedition to take possession of the territory of French Congo. His photographs and videos depict places and landscapes in which the phantoms of(...)
Andréas Lang: A Phantom Geography. Cameroon and Congo
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Based on the photographs and writings of his great-grandfather, photographer and video artist Andréas Lang embarks on a search for traces and research into a lost chapter of German colonial history in Central Africa: a frontier expedition to take possession of the territory of French Congo. His photographs and videos depict places and landscapes in which the phantoms of the colonial era are still present, in a state of limbo between reality and fiction, past and present. He contrasts this with previously unpublished historical material that reflects the bleak reality of colonialism.
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