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An examination of the multifaceted career of artist, activist, curator, and writer Howardena Pindell (b. 1943). It offers a fresh perspective on her abstract practice from the late 1960s through the early 1980s—a period in which debates about Black Power, feminism, and modernist abstraction intersected in uniquely contentious yet generative ways. Sarah Louise Cowan not(...)
Howardena Pindell: Reclaiming abstraction
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An examination of the multifaceted career of artist, activist, curator, and writer Howardena Pindell (b. 1943). It offers a fresh perspective on her abstract practice from the late 1960s through the early 1980s—a period in which debates about Black Power, feminism, and modernist abstraction intersected in uniquely contentious yet generative ways. Sarah Louise Cowan not only asserts Pindell’s rightful place within the canon but also recenters dominant historical narratives to reveal the profound and overlooked roles that Black women artists have played in shaping modernist abstraction. Pindell’s career acts as a springboard for a broader study of how artists have responded during periods of heightened social activism and used abstraction to convey political urgency. With works that drew on Ghanaian textiles, administrative labor, cosmetics, and postminimalism, Pindell deployed abstraction in deeply personal ways that resonated with collective African diasporic and women’s practices. In her groundbreaking analysis, Cowan argues that such work advanced Black feminist modernisms, diverse creative practices that unsettle racist and sexist logics.
A social ecology of capital
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Faced with an ecological crisis of existential proportions, the economic relations of capitalism have only fanned the flames. The transformation of property relations is an urgent necessity, but not, in itself, enough to save us. Enter 'degrowth': a concept that radically challenges contemporary life, culture and economics as we know it. Through an impressive synthesis of(...)
A social ecology of capital
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Faced with an ecological crisis of existential proportions, the economic relations of capitalism have only fanned the flames. The transformation of property relations is an urgent necessity, but not, in itself, enough to save us. Enter 'degrowth': a concept that radically challenges contemporary life, culture and economics as we know it. Through an impressive synthesis of the traditions of eco-Marxism and feminist ecological economics, Éric Pineault presents a well-rounded critique of contemporary capitalist growth and its socio-ecological contradictions, in which growth is understood as both a biophysical and accumulation process. The book provides fresh answers to key questions of current socio-ecological debates: Why does capitalist society depend on accelerating growth? Why is the constant upscaling of its economic process necessary for its social stability? How does this deepen the ecological contradictions that humanity now faces? And what can we learn from this for our understanding of emancipatory futures?
Women in revolt!
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''The Women in Revolt!'' exhibition book is a crucial exploration of the wealth and diversity of work by women artists working in the 1970s and 1980s during a period of seismic social and political change. Across a wide variety of mediums including painting, drawing, sculpture, performance, film and photography, this extensive exhibition catalogue reflects on how(...)
Women in revolt!
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''The Women in Revolt!'' exhibition book is a crucial exploration of the wealth and diversity of work by women artists working in the 1970s and 1980s during a period of seismic social and political change. Across a wide variety of mediums including painting, drawing, sculpture, performance, film and photography, this extensive exhibition catalogue reflects on how women's needs were marginalised within mainstream culture and reveals how artists used radical ideas and methods to confront issues that will resonate with contemporary audiences — from access to healthcare and class struggles to ecological disaster, racism and misogyny. Featuring essays on feminist film distribution, the visibility of Black and South Asian women artists, Section 28 and the AIDS pandemic, Greenham Common and the peace movement, and the intersection of punk, feminism and art, ''Women in Revolt!'' celebrates the full diversity of what was a highly creative, politically engaged and determined community of women that paved the way for future generations and, ultimately, changed the face of British culture.
Théorie de l’art
Queer forms
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In "Queer forms," Ramzi Fawaz explores how the central values of 1970s movements for women’s and gay liberation-- including consciousness-raising, separatism, and coming out of the closet?were translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly(...)
Queer forms
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In "Queer forms," Ramzi Fawaz explores how the central values of 1970s movements for women’s and gay liberation-- including consciousness-raising, separatism, and coming out of the closet?were translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly explode definitions of so-called "normal" gender and sexuality. In doing so, they inspired artists, writers, and filmmakers to invent new ways of formally representing, or giving shape to, non-normative genders and sexualities. This included placing women, queers, and gender outlaws of all stripes into exhilarating new environments?from the streets of an increasingly gay San Francisco to a post-apocalyptic commune, from an Upper East Side New York City apartment to an all-female version of Earth-- and finding new ways to formally render queer genders and sexualities by articulating them to figures, outlines, or icons that could be imagined in the mind’s eye and interpreted by diverse publics.
Théorie/ philosophie
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During the 18th century a remarkable group of women formed the Bluestocking Salon, where women and men met to debate contemporary ideas and promote the life of the mind. Together, these cultural innovators helped forge new roles for women as influential thinkers, writers, and artists, and their creative achievements were publicly celebrated. Richly illustrated(...)
Histoire jusqu’à 1900
juin 2008, New Haven, London
Brilliant women : 18th-century bluestockings
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During the 18th century a remarkable group of women formed the Bluestocking Salon, where women and men met to debate contemporary ideas and promote the life of the mind. Together, these cultural innovators helped forge new roles for women as influential thinkers, writers, and artists, and their creative achievements were publicly celebrated. Richly illustrated with portraits, prints, and personal artifacts, "Brilliant women" tells the story of this fascinating group of women. The authors chart the changing fortunes of the female intellectual and explore how a number of bluestocking women, such as artist Angelica Kauffmann, historian Catharine Macaulay, and early feminist Mary Wollstonecraft, used portraiture to advance their work and their reputations in a period framed by the Enlightenment and the French Revolution. "Brilliant women" pays tribute to the friendships and achievements of these bluestocking women, presenting new information on the range of cultural activities in which they were engaged, as well as celebrating their legacy.
Histoire jusqu’à 1900
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Olivier Vallerand investigates how queer critiques, building on pioneering feminist work, question the relation between identity and architecture and highlight normative constructs underlying domestic spaces. He draws out a genealogy of queer space in theoretical discourse in architecture, studying projects by Mark Robbins, Joel Sanders, J Mayer H, Elmgreen & Dragset,(...)
Unplanned visitors: queering the ethics and aesthetics of domestic space
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Olivier Vallerand investigates how queer critiques, building on pioneering feminist work, question the relation between identity and architecture and highlight normative constructs underlying domestic spaces. He draws out a genealogy of queer space in theoretical discourse in architecture, studying projects by Mark Robbins, Joel Sanders, J Mayer H, Elmgreen & Dragset, Andrés Jaque, and MYCKET, among others. These works blur the traditional borders between architecture and art to emphasize the tensions between private and public and their impact on assumptions about domestic space and family structure. Sexuality and gender have long been influential in understanding the construction of domestic space, its meanings, often revealing a binary division of private and public, female and male. By reconstructing the foundation of queer critiques of space and by analyzing the representation of domesticity in contemporary art and architecture, Unplanned Visitors shows the blurring of private and public that can occur in any domestic space and explores the potential of queer theory for understanding, and designing, the built environment.
Théorie de l’architecture
Work: the last 1000 years
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Say the word "work," and most people think of some form of gainful employment. Yet this limited definition has never corresponded to the historical experience of most people—whether in colonies, developing countries, or the industrialized world. That gap between common assumptions and reality grows even more pronounced in the case of women and other groups excluded from(...)
Work: the last 1000 years
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Say the word "work," and most people think of some form of gainful employment. Yet this limited definition has never corresponded to the historical experience of most people—whether in colonies, developing countries, or the industrialized world. That gap between common assumptions and reality grows even more pronounced in the case of women and other groups excluded from the labour market. In this important intervention, Andrea Komlosy demonstrates that popular understandings of work have varied radically in different ages and countries. Looking at labour history around the globe from the 13th to the 21st centuries, Komlosy sheds light on both discursive concepts as well as the concrete coexistence of multiple forms of labour—paid and unpaid, free and unfree. Komlosy’s narrative adopts a distinctly global and feminist approach, revealing the hidden forms of unpaid and hyper-exploited labour which often go ignored, yet are key to the functioning of the capitalist world-system.
Théorie/ philosophie
Cyberfeminism index
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When learning about internet history, we are taught to focus on engineering, the military-industrial complex and the grandfathers who created the architecture and protocol, but the internet is not only a network of cables, servers and computers. It is an environment that shapes and is shaped by its inhabitants and their use.The creation and use of this Index is a social(...)
Cyberfeminism index
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When learning about internet history, we are taught to focus on engineering, the military-industrial complex and the grandfathers who created the architecture and protocol, but the internet is not only a network of cables, servers and computers. It is an environment that shapes and is shaped by its inhabitants and their use.The creation and use of this Index is a social and political act. It takes the name cyberfeminism as an umbrella, complicates it and pushes it into plain sight. Edited by designer, professor and researcher Mindy Seu (who began the project during a fellowship at the Harvard Law School’s Berkman Klein Center for the Internet & Society, later presenting it at the New Museum), it includes more than 1,000 short entries of radical techno-critical activism in a variety of media, including excerpts from academic articles and scholarly texts; descriptions of hackerspaces, digital rights activist groups, bio-hacktivism; and depictions of feminist net art and new media art.
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Delving behind Canada’s veneer of multiculturalism and tolerance, ''Policing Black lives'' traces the violent realities of anti-blackness from the slave ships to prisons, classrooms and beyond. Robyn Maynard provides readers with the first comprehensive account of nearly four hundred years of state-sanctioned surveillance, criminalization and punishment of Black lives in(...)
Policing Black lives: state violence in Canada from slavery to the present
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Delving behind Canada’s veneer of multiculturalism and tolerance, ''Policing Black lives'' traces the violent realities of anti-blackness from the slave ships to prisons, classrooms and beyond. Robyn Maynard provides readers with the first comprehensive account of nearly four hundred years of state-sanctioned surveillance, criminalization and punishment of Black lives in Canada. While highlighting the ubiquity of Black resistance, ''Policing Black lives'' traces the still-living legacy of slavery across multiple institutions, shedding light on the state’s role in perpetuating contemporary Black poverty and unemployment, racial profiling, law enforcement violence, incarceration, immigration detention, deportation, exploitative migrant labour practices, disproportionate child removal and low graduation rates. Emerging from a critical race feminist framework that insists that all Black lives matter, Maynard’s intersectional approach to anti-Black racism addresses the unique and understudied impacts of state violence as it is experienced by Black women, Black people with disabilities, as well as queer, trans, and undocumented Black communities.
Social
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At what point did the British develop their mania for interiors, wallpaper, furniture, and decoration? Why have the middle classes developed so passionate an attachment to the contents of their homes? This book offers surprising answers to these questions, uncovering the roots of today's consumer society and investigating the forces that shape consumer desires. Exploring(...)
Household gods; the British and their possessions
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At what point did the British develop their mania for interiors, wallpaper, furniture, and decoration? Why have the middle classes developed so passionate an attachment to the contents of their homes? This book offers surprising answers to these questions, uncovering the roots of today's consumer society and investigating the forces that shape consumer desires. Exploring a wealth of unusual records and archives, Deborah Cohen locates the source of modern consumerism and materialism in early nineteenth-century religious fervor. Over the course of the Victorian era, consumerism shed the taint of sin to become the pre-eminent means of expressing individuality. The book ranges from musty antique shops to luxurious emporia, from suburban semi-detached houses to elegant city villas, from husbands fretting about mantelpieces to women appropriating home decoration as a feminist cause. It uncovers a society of consumers whose identities have become entwined with the things they put in their houses.