1271 Résultats
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200 pages : illustrations (color, black & white) ; 21 cm
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200 pages : illustrations (color, black & white) ; 21 cm
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Brussels : Accattone, [2021].
Brussels : Accattone, [2021].
Titre:
Objects of fascination / [edited by Sophie Dars and Roxane Le Grelle].
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200 pages : illustrations (color, black & white) ; 21 cm
Objects of fascination / [edited by Sophie Dars and Roxane Le Grelle].
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200 pages : illustrations (color, black & white) ; 21 cm
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Brussels : Accattone, [2021].
Brussels : Accattone, [2021].
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Hatje Cantz 2012
Hatje Cantz 2012
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Hatje Cantz 2012
Hatje Cantz 2012
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109 pages : illustrations ; 19 cm
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109 pages : illustrations ; 19 cm
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[Rousset] : Manuella Editions, ©2019.
[Rousset] : Manuella Editions, ©2019.
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Forward : rencontre avec Hans Ulrich Obrist / Eugénie Paultre.
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109 pages : illustrations ; 19 cm
Forward : rencontre avec Hans Ulrich Obrist / Eugénie Paultre.
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109 pages : illustrations ; 19 cm
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livres
livres
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[Rousset] : Manuella Editions, ©2019.
[Rousset] : Manuella Editions, ©2019.
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$25.95
(disponible en magasin)
Résumé:
Through conversations with curators and participating artists, this book revisits some of the most groundbreaking yet under-researched European and US public art exhibitions of the 1980s and 1990s. It focuses on questions central to all these projects: How can art productively navigate political tensions? How have artists and curators addressed the ethical asymmetries of(...)
$25.95
(disponible en magasin)
Résumé:
Through conversations with curators and participating artists, this book revisits some of the most groundbreaking yet under-researched European and US public art exhibitions of the 1980s and 1990s. It focuses on questions central to all these projects: How can art productively navigate political tensions? How have artists and curators addressed the ethical asymmetries of(...)
Titre:
Assuming asymmetries: Conversations on curating public art projects of the 1980s and 1990s
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$25.95
(disponible en magasin)
Résumé:
Through conversations with curators and participating artists, this book revisits some of the most groundbreaking yet under-researched European and US public art exhibitions of the 1980s and 1990s. It focuses on questions central to all these projects: How can art productively navigate political tensions? How have artists and curators addressed the ethical asymmetries of the border condition, of inside and outside, working across walls and fences—whether physical, political, or social? Why is participation so hard to catalyze and conduct? How have artworks come to constitute a practice of “situated knowledge,” engaging with the contexts in which they are produced or exhibited? And finally, what can we learn from the exhibitions discussed here when developing new, respectful forms of curating today?
Assuming asymmetries: Conversations on curating public art projects of the 1980s and 1990s
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$25.95
(disponible en magasin)
Résumé:
Through conversations with curators and participating artists, this book revisits some of the most groundbreaking yet under-researched European and US public art exhibitions of the 1980s and 1990s. It focuses on questions central to all these projects: How can art productively navigate political tensions? How have artists and curators addressed the ethical asymmetries of the border condition, of inside and outside, working across walls and fences—whether physical, political, or social? Why is participation so hard to catalyze and conduct? How have artworks come to constitute a practice of “situated knowledge,” engaging with the contexts in which they are produced or exhibited? And finally, what can we learn from the exhibitions discussed here when developing new, respectful forms of curating today?
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livres
livres
Publication:
février 2022
février 2022
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Muséologie
Muséologie
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audio
audio
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1 online resource.
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[Place of publication not identified] : Scratching the Surface, 2018.
[Place of publication not identified] : Scratching the Surface, 2018.
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audio
audio
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[Place of publication not identified] : Scratching the Surface, 2018.
[Place of publication not identified] : Scratching the Surface, 2018.
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199 pages : illustrations ; 17 cm
Description:
199 pages : illustrations ; 17 cm
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Zurich : JRP/Ringier, [2017], ©2017
Zurich : JRP/Ringier, [2017], ©2017
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Somewhere totally else : columns, 2012-2017 / Hans Ulrich Obrist ; drawings by David Shrigley ; edited by Finn Canonica and Clément Dirié.
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199 pages : illustrations ; 17 cm
Somewhere totally else : columns, 2012-2017 / Hans Ulrich Obrist ; drawings by David Shrigley ; edited by Finn Canonica and Clément Dirié.
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199 pages : illustrations ; 17 cm
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Zurich : JRP/Ringier, [2017], ©2017
Zurich : JRP/Ringier, [2017], ©2017
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$13.95
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Résumé:
Now that we 'curate' even lunch, what happens to the role of the connoisseur in contemporary culture? 'Curate' is now a buzzword, applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of(...)
$13.95
(disponible sur commande)
Résumé:
Now that we 'curate' even lunch, what happens to the role of the connoisseur in contemporary culture? 'Curate' is now a buzzword, applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of(...)
Titre:
Curationism: how curating took over the art world and everything else
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$13.95
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Now that we 'curate' even lunch, what happens to the role of the connoisseur in contemporary culture? 'Curate' is now a buzzword, applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of individual artists. Curatorial-studies programs continue to grow, and the business world is adopting curation as a means of adding value to content. Everyone, it seems, is a curator. But what is a curator, exactly? And what does the explosive popularity of curating say about our culture's relationship with taste, labour and the avant-garde? In this vibrant, revelatory and original study, David Balzer travels through art history and around the globe to explore the cult of curation, from superstar curator Hans Ulrich Obrist's war with sleep to Subway's 'sandwich artists.' Recalling such landmark works of cultural criticism as Tom Wolfe's The Painted Word and John Berger's Ways of Seeing, Curationism will change the way you look at art - and maybe even the way you see yourself.
Curationism: how curating took over the art world and everything else
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$13.95
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Résumé:
Now that we 'curate' even lunch, what happens to the role of the connoisseur in contemporary culture? 'Curate' is now a buzzword, applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of individual artists. Curatorial-studies programs continue to grow, and the business world is adopting curation as a means of adding value to content. Everyone, it seems, is a curator. But what is a curator, exactly? And what does the explosive popularity of curating say about our culture's relationship with taste, labour and the avant-garde? In this vibrant, revelatory and original study, David Balzer travels through art history and around the globe to explore the cult of curation, from superstar curator Hans Ulrich Obrist's war with sleep to Subway's 'sandwich artists.' Recalling such landmark works of cultural criticism as Tom Wolfe's The Painted Word and John Berger's Ways of Seeing, Curationism will change the way you look at art - and maybe even the way you see yourself.
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livres
livres
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septembre 2014
septembre 2014
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Muséologie
Muséologie
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1 online resource (315 pages)
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Open Humanities Press
Open Humanities Press
Titre:
Executing Practices Helen Pritchard, Eric Snodgrass, Magda Tyżlik-Carver.
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1 online resource (315 pages)
Executing Practices Helen Pritchard, Eric Snodgrass, Magda Tyżlik-Carver.
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1 online resource (315 pages)
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Open Humanities Press
Open Humanities Press
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39 pages : illustrations ; 27 cm
Description:
39 pages : illustrations ; 27 cm
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Casalgrande (Italy) : Comune di Casalgrande, [2000]
Casalgrande (Italy) : Comune di Casalgrande, [2000]
Titre:
Esercizi di fotografia : Casalgrande 2000 / [ideation and organization, Roberto Margini, Luca Nasi, Maurizio Vecchi].
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39 pages : illustrations ; 27 cm
Esercizi di fotografia : Casalgrande 2000 / [ideation and organization, Roberto Margini, Luca Nasi, Maurizio Vecchi].
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39 pages : illustrations ; 27 cm
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Casalgrande (Italy) : Comune di Casalgrande, [2000]
Casalgrande (Italy) : Comune di Casalgrande, [2000]
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336 pages, [64] pages de plates : illustrations, plans, facsimiles ; 23 cm.
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336 pages, [64] pages de plates : illustrations, plans, facsimiles ; 23 cm.
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Roma : Apeiron, ©1993.
Roma : Apeiron, ©1993.
Titre:
The power of imagery : essays on Rome, Italy & imagination / edited by Peter van Kessel.
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336 pages, [64] pages de plates : illustrations, plans, facsimiles ; 23 cm.
The power of imagery : essays on Rome, Italy & imagination / edited by Peter van Kessel.
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336 pages, [64] pages de plates : illustrations, plans, facsimiles ; 23 cm.
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Roma : Apeiron, ©1993.
Roma : Apeiron, ©1993.
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