4351 Résultats
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1 online resource.
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[Place of publication not identified] : Goethe-Institut, 2022., [Place of publication not identified] : Norient, 2022.
[Place of publication not identified] : Goethe-Institut, 2022., [Place of publication not identified] : Norient, 2022.
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audio
audio
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[Place of publication not identified] : Goethe-Institut, 2022., [Place of publication not identified] : Norient, 2022.
[Place of publication not identified] : Goethe-Institut, 2022., [Place of publication not identified] : Norient, 2022.
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341 pages : illustrations (chiefly color), plans, charts ; 30 cm
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341 pages : illustrations (chiefly color), plans, charts ; 30 cm
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Paris : Éditions du Pavillon de l'Arsenal, [2021], ©2021
Paris : Éditions du Pavillon de l'Arsenal, [2021], ©2021
Titre:
L'empreinte d'un habitat : construire léger et décarboné = Housing footprint : light and low-carbon construction [exposition au Pavillon de l'Arsenal, Paris, du 22 octobre 2021 au 27 février 2022] / [Philippe Rizzotti.]
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341 pages : illustrations (chiefly color), plans, charts ; 30 cm
L'empreinte d'un habitat : construire léger et décarboné = Housing footprint : light and low-carbon construction [exposition au Pavillon de l'Arsenal, Paris, du 22 octobre 2021 au 27 février 2022] / [Philippe Rizzotti.]
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341 pages : illustrations (chiefly color), plans, charts ; 30 cm
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livres
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Paris : Éditions du Pavillon de l'Arsenal, [2021], ©2021
Paris : Éditions du Pavillon de l'Arsenal, [2021], ©2021
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livres
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$46.95
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Rudy Burckhardt (1914 – 1999) came to New York in 1935 from his native Switzerland, making the American metropolis his home for the rest of his life. His street scenes now rank among the icons of twentieth-century photography. In the 1950s, he took portraits of artists for Art News, such as Willem de Kooning, Jackson Pollock, or Mark Rothko.
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Rudy Burckhardt (1914 – 1999) came to New York in 1935 from his native Switzerland, making the American metropolis his home for the rest of his life. His street scenes now rank among the icons of twentieth-century photography. In the 1950s, he took portraits of artists for Art News, such as Willem de Kooning, Jackson Pollock, or Mark Rothko.
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Monographies photo
Monographies photo
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décembre 2005, Zürich
décembre 2005, Zürich
Titre:
Rudy Burckhardt : New York moments - photographs and films
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Rudy Burckhardt (1914 – 1999) came to New York in 1935 from his native Switzerland, making the American metropolis his home for the rest of his life. His street scenes now rank among the icons of twentieth-century photography. In the 1950s, he took portraits of artists for Art News, such as Willem de Kooning, Jackson Pollock, or Mark Rothko.
Rudy Burckhardt : New York moments - photographs and films
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Rudy Burckhardt (1914 – 1999) came to New York in 1935 from his native Switzerland, making the American metropolis his home for the rest of his life. His street scenes now rank among the icons of twentieth-century photography. In the 1950s, he took portraits of artists for Art News, such as Willem de Kooning, Jackson Pollock, or Mark Rothko.
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livres
livres
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décembre 2005, Zürich
décembre 2005, Zürich
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Monographies photo
Monographies photo
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$32.00
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DVD Release Date: June 21, 2009. Kamecke's film could be placed in a time capsule and removed some time in the distant future as an exact record of our feelings at the time." So said Kathleen Carroll of the New York Daily News in 1972. NASA commissioned director Theo Kamecke to make the documentary only six weeks before Apollo 11 s flight to the Moon in July 1969. But(...)
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DVD Release Date: June 21, 2009. Kamecke's film could be placed in a time capsule and removed some time in the distant future as an exact record of our feelings at the time." So said Kathleen Carroll of the New York Daily News in 1972. NASA commissioned director Theo Kamecke to make the documentary only six weeks before Apollo 11 s flight to the Moon in July 1969. But(...)
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Moonwalk one, the director's cut
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DVD Release Date: June 21, 2009. Kamecke's film could be placed in a time capsule and removed some time in the distant future as an exact record of our feelings at the time." So said Kathleen Carroll of the New York Daily News in 1972. NASA commissioned director Theo Kamecke to make the documentary only six weeks before Apollo 11 s flight to the Moon in July 1969. But instead of a simple documentary film, what transpired was a philosophical and poetic record of Man s first attempt to walk on another world. Opening dramatically with another of mankind s great achievements Stonehenge the film puts the triumph of the Moon shot into its proper historical context. Filmed across the World as the mission unfolded, Moonwalk One uniquely captured the essence of Apollo 11 in a way that subsequent documentaries could only mimic. Combined with Charles Morrow s breathtaking, avant-garde score and Laurence Luckinbill s inspiring narration this is a classic film for all time and makes for fascinating viewing today from the perspective of the early 21st Century. As Joseph Gelmis of the New York daily Newsday declared in 1969; Moonwalk One deserves to be a companion piece to Stanley Kubrik s masterwork 2001: A Space Odyssey .
Moonwalk one, the director's cut
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DVD Release Date: June 21, 2009. Kamecke's film could be placed in a time capsule and removed some time in the distant future as an exact record of our feelings at the time." So said Kathleen Carroll of the New York Daily News in 1972. NASA commissioned director Theo Kamecke to make the documentary only six weeks before Apollo 11 s flight to the Moon in July 1969. But instead of a simple documentary film, what transpired was a philosophical and poetic record of Man s first attempt to walk on another world. Opening dramatically with another of mankind s great achievements Stonehenge the film puts the triumph of the Moon shot into its proper historical context. Filmed across the World as the mission unfolded, Moonwalk One uniquely captured the essence of Apollo 11 in a way that subsequent documentaries could only mimic. Combined with Charles Morrow s breathtaking, avant-garde score and Laurence Luckinbill s inspiring narration this is a classic film for all time and makes for fascinating viewing today from the perspective of the early 21st Century. As Joseph Gelmis of the New York daily Newsday declared in 1969; Moonwalk One deserves to be a companion piece to Stanley Kubrik s masterwork 2001: A Space Odyssey .
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livres
livres
Publication:
octobre 2009
octobre 2009
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DVD vidéo
DVD vidéo
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237 pages : illustrations (some color), facsimiles, plans ; 23 cm
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237 pages : illustrations (some color), facsimiles, plans ; 23 cm
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Berlin : Sternberg Press, [2017], ©2017
Berlin : Sternberg Press, [2017], ©2017
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Botanical drift : protagonists of the invasive herbarium / edited by Khadija von Zinnenburg Carroll ; chapters by Germaine Greer [and twenty-five others].
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237 pages : illustrations (some color), facsimiles, plans ; 23 cm
Botanical drift : protagonists of the invasive herbarium / edited by Khadija von Zinnenburg Carroll ; chapters by Germaine Greer [and twenty-five others].
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237 pages : illustrations (some color), facsimiles, plans ; 23 cm
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Berlin : Sternberg Press, [2017], ©2017
Berlin : Sternberg Press, [2017], ©2017
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Michael Snow
Michael Snow
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$36.95
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Few filmmakers have had as large an impact on the recent avant-garde film scene as Canadian Michael Snow (b. 1928). His works in a range of media—film, installation, video, painting, sculpture, sound, photography, drawing, writing, and music—address the fundamental properties of his materials, the conditions of perception and experience, questions of authorship in(...)
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Few filmmakers have had as large an impact on the recent avant-garde film scene as Canadian Michael Snow (b. 1928). His works in a range of media—film, installation, video, painting, sculpture, sound, photography, drawing, writing, and music—address the fundamental properties of his materials, the conditions of perception and experience, questions of authorship in(...)
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Michael Snow
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Few filmmakers have had as large an impact on the recent avant-garde film scene as Canadian Michael Snow (b. 1928). His works in a range of media—film, installation, video, painting, sculpture, sound, photography, drawing, writing, and music—address the fundamental properties of his materials, the conditions of perception and experience, questions of authorship in technologically reproducible media, and techniques of translation through written and pictorial representation. This volume collects essential texts on Snow's work, with essays and interviews spanning more than four decades.
Michael Snow
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Few filmmakers have had as large an impact on the recent avant-garde film scene as Canadian Michael Snow (b. 1928). His works in a range of media—film, installation, video, painting, sculpture, sound, photography, drawing, writing, and music—address the fundamental properties of his materials, the conditions of perception and experience, questions of authorship in technologically reproducible media, and techniques of translation through written and pictorial representation. This volume collects essential texts on Snow's work, with essays and interviews spanning more than four decades.
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livres
livres
Publication:
octobre 2019
octobre 2019
Sujet:
Théorie de l’art
Théorie de l’art
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$50.00
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Infra, Richard Mosse’s first book, offers a radical rethinking of how to depict a conflict as complex and intractable as that of the ongoing war in the Democratic Republic of Congo. Mosse photographs both the rich topography, inscribed with the traces of conflicting interests, as well as rebel groups of constantly shifting allegiances at war with the Congolese national(...)
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Infra, Richard Mosse’s first book, offers a radical rethinking of how to depict a conflict as complex and intractable as that of the ongoing war in the Democratic Republic of Congo. Mosse photographs both the rich topography, inscribed with the traces of conflicting interests, as well as rebel groups of constantly shifting allegiances at war with the Congolese national(...)
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Infra: photographs by Richard Mosse
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Infra, Richard Mosse’s first book, offers a radical rethinking of how to depict a conflict as complex and intractable as that of the ongoing war in the Democratic Republic of Congo. Mosse photographs both the rich topography, inscribed with the traces of conflicting interests, as well as rebel groups of constantly shifting allegiances at war with the Congolese national army (itself a patchwork of recently integrated warlords and their militias). For centuries, the Congo has repeatedly compelled and defied the western imagination. Mosse brings to this subject the use of a discontinued aerial surveillance film, a type of color infrared film called Kodak Aerochrome. The film, originally developed for military reconnaissance, registers an invisible spectrum of infrared light, rendering the green landscape in vivid hues of lavender, crimson and hot pink. The results offer a fevered inflation of the traditional reportage document, underlining the growing tension between art, fiction and photojournalism.
Infra: photographs by Richard Mosse
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Infra, Richard Mosse’s first book, offers a radical rethinking of how to depict a conflict as complex and intractable as that of the ongoing war in the Democratic Republic of Congo. Mosse photographs both the rich topography, inscribed with the traces of conflicting interests, as well as rebel groups of constantly shifting allegiances at war with the Congolese national army (itself a patchwork of recently integrated warlords and their militias). For centuries, the Congo has repeatedly compelled and defied the western imagination. Mosse brings to this subject the use of a discontinued aerial surveillance film, a type of color infrared film called Kodak Aerochrome. The film, originally developed for military reconnaissance, registers an invisible spectrum of infrared light, rendering the green landscape in vivid hues of lavender, crimson and hot pink. The results offer a fevered inflation of the traditional reportage document, underlining the growing tension between art, fiction and photojournalism.
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livres
livres
Publication:
février 2012
février 2012
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Monographies photo
Monographies photo
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livres
livres
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Sara Cwynar: Glass Life
Sara Cwynar: Glass Life
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$80.00
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An investigation of color and image-driven consumer culture, Glass Life brings together Sara Cwynar’s multilayered portraits and stills from the films Soft Film (2016), Rose Gold (2017), and Red Film (2018). Cwynar’s research-driven and visually complex images constitute the hallmarks of contemporary post–Pictures Generation work—in which photography is pursued in(...)
$80.00
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An investigation of color and image-driven consumer culture, Glass Life brings together Sara Cwynar’s multilayered portraits and stills from the films Soft Film (2016), Rose Gold (2017), and Red Film (2018). Cwynar’s research-driven and visually complex images constitute the hallmarks of contemporary post–Pictures Generation work—in which photography is pursued in(...)
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Sara Cwynar: Glass Life
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$80.00
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An investigation of color and image-driven consumer culture, Glass Life brings together Sara Cwynar’s multilayered portraits and stills from the films Soft Film (2016), Rose Gold (2017), and Red Film (2018). Cwynar’s research-driven and visually complex images constitute the hallmarks of contemporary post–Pictures Generation work—in which photography is pursued in relation to film, sculpture, digital culture, and the cultural and technological history of image-making. Cwynar’s work revolves around her interest in subjective notions of beauty through images; the fetishization of consumer objects and colors; and the exploration of the informal image archives that have emerged around the industrialization and capitalization of these ideas. As part of her core practice, Cwynar collects, arranges, and archives her eBay purchases and creates studio studies of these consumer objects, exploring how images circulate online and how the lives and purposes of both physical objects and their likenesses change over time.
Sara Cwynar: Glass Life
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$80.00
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An investigation of color and image-driven consumer culture, Glass Life brings together Sara Cwynar’s multilayered portraits and stills from the films Soft Film (2016), Rose Gold (2017), and Red Film (2018). Cwynar’s research-driven and visually complex images constitute the hallmarks of contemporary post–Pictures Generation work—in which photography is pursued in relation to film, sculpture, digital culture, and the cultural and technological history of image-making. Cwynar’s work revolves around her interest in subjective notions of beauty through images; the fetishization of consumer objects and colors; and the exploration of the informal image archives that have emerged around the industrialization and capitalization of these ideas. As part of her core practice, Cwynar collects, arranges, and archives her eBay purchases and creates studio studies of these consumer objects, exploring how images circulate online and how the lives and purposes of both physical objects and their likenesses change over time.
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livres
livres
Publication:
août 2021
août 2021
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Monographies photo
Monographies photo
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livres
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$99.00
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This book brings together frames from all of the Super-8 and video films made by the Swiss artist Roman Signer. As fractions of time, the stills mark key moments in Signers precisely choreographed work: moments of collapse, of extreme acceleration and of temporary or prolonged hiatus, of transformation, of consolidation and dispersion.
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This book brings together frames from all of the Super-8 and video films made by the Swiss artist Roman Signer. As fractions of time, the stills mark key moments in Signers precisely choreographed work: moments of collapse, of extreme acceleration and of temporary or prolonged hiatus, of transformation, of consolidation and dispersion.
Titre:
Projections, super-8 films and videos 1975-2008
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This book brings together frames from all of the Super-8 and video films made by the Swiss artist Roman Signer. As fractions of time, the stills mark key moments in Signers precisely choreographed work: moments of collapse, of extreme acceleration and of temporary or prolonged hiatus, of transformation, of consolidation and dispersion.
Projections, super-8 films and videos 1975-2008
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$99.00
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This book brings together frames from all of the Super-8 and video films made by the Swiss artist Roman Signer. As fractions of time, the stills mark key moments in Signers precisely choreographed work: moments of collapse, of extreme acceleration and of temporary or prolonged hiatus, of transformation, of consolidation and dispersion.
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livres
livres
Publication:
mars 2009, Zürich
mars 2009, Zürich
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livres
livres
Titre:
Chris Marker : la jetée
Chris Marker : la jetée
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$18.00
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A reconsideration of Chris Markers famous film, examining its treatment of time, its use of sound, the influence of the comic book form, and other topics.
$18.00
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A reconsideration of Chris Markers famous film, examining its treatment of time, its use of sound, the influence of the comic book form, and other topics.
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Chris Marker : la jetée
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$18.00
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A reconsideration of Chris Markers famous film, examining its treatment of time, its use of sound, the influence of the comic book form, and other topics.
Chris Marker : la jetée
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$18.00
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A reconsideration of Chris Markers famous film, examining its treatment of time, its use of sound, the influence of the comic book form, and other topics.
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livres
livres
Publication:
mars 2009, Cambridge
mars 2009, Cambridge
Sujet:
Théorie de l’art
Théorie de l’art
