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Architect Hideyuki Nakayama started out working for Toyo Ito & Associates before establishing his own firm in 2007. This collection of Nakayama’s work is presented in the form of brochures for five films, each featuring one of his architectural works. With its novel design by Idea Oshima and in as much detail as possible, the volume records the production processes for(...)
Hideyuki Nakayama: And then, 5 films of 5 architectures
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Architect Hideyuki Nakayama started out working for Toyo Ito & Associates before establishing his own firm in 2007. This collection of Nakayama’s work is presented in the form of brochures for five films, each featuring one of his architectural works. With its novel design by Idea Oshima and in as much detail as possible, the volume records the production processes for the films, which focused on the status of the five works after Nakayama had completed them and moved on. Additionally, it offers a closer look at his design concepts for architecture, and in particular the elements he tries to incorporate in them. Both recent and as yet unreleased projects are among the featured works.
Architecture, monographies
October 159
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Latest issue in store! At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation.
October 159
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Latest issue in store! At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation.
Revues
October 138 : digital art
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At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Issue 138 : Digital art
October 138 : digital art
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At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. Issue 138 : Digital art
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October 147
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At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. New issue in store!
October 147
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At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts—film, painting, music, media, photography, performance, sculpture, and literature—and their various contexts of interpretation. New issue in store!
Revues
livres
Who's that Guy
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A film, a portrait of Guy de Cointet (1934-1983), a French-born artist based in California who created text and sculptural works, often combining them as props and stage sets in theatrical performance pieces.
Who's that Guy
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A film, a portrait of Guy de Cointet (1934-1983), a French-born artist based in California who created text and sculptural works, often combining them as props and stage sets in theatrical performance pieces.
livres
août 2014
$12.95
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"In April 2020, during the Covid-19 lockdown, I discovered (quite by chance) some 35mm film negatives from weekend visits to Stockport Market in Greater Manchester, in 1976 and 1977. I had shot several rolls of film with the old Leica M4 camera passed on to me by my father. At that time I was an undergraduate student at Stirling University. Soon after that my life became(...)
Heidi Alexander: Stockport Market 1976-1977
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"In April 2020, during the Covid-19 lockdown, I discovered (quite by chance) some 35mm film negatives from weekend visits to Stockport Market in Greater Manchester, in 1976 and 1977. I had shot several rolls of film with the old Leica M4 camera passed on to me by my father. At that time I was an undergraduate student at Stirling University. Soon after that my life became all about parenthood and a full-time career in social work. So the negatives from my 1970’s adventures went into storage, occasionally dragged around house moves in Scotland, but mainly forgotten for over four decades..." Heidi Alexander
Monographies photo
La ville au cinéma
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Ce volume explore pour la première fois de façon systématique en langue française la représentation de la ville à l’écran. Plus de 85 auteurs, universitaires cinéphiles et critiques internationaux, ont rédigé cette « biographie croisée » de la ville et du cinéma. Cette encyclopédie est construite en cinq parties : « Filmer, montrer, représenter » (Lumière, Décor,(...)
Théorie de l’urbanisme
novembre 2005, Paris
La ville au cinéma
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Ce volume explore pour la première fois de façon systématique en langue française la représentation de la ville à l’écran. Plus de 85 auteurs, universitaires cinéphiles et critiques internationaux, ont rédigé cette « biographie croisée » de la ville et du cinéma. Cette encyclopédie est construite en cinq parties : « Filmer, montrer, représenter » (Lumière, Décor, Histoire, Montage, Musique de film...) ; « Genres et écoles » (Film noir, Science-fiction, Banlieue, Western...) ; Lieux et personnages (30 courts textes personnels d’Aéroport à Voisinage) ; Villes cinématographiques (55 portraits d’Abidjan à Washington, en passant par Buenos Aires, New York, Taipei...) et 50 cinéastes urbains (50 notices biographiques de Woody Allen à Wong Kar-wai).
Théorie de l’urbanisme
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First edition. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this(...)
Art and the moving image : a critical reader
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First edition. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? This publication gathers together key texts including new, translated and previously unavailable essays by writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen.
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In discussing what makes The Way Things Go utterly compelling to its viewers—whether they have seen it one time or many times—Jeremy Millar leaves no doubt as to why this film was chosen for the One Work series. As everyday objects crash, scrape, slide, or fly into one another with devastating, impossible, and persuasive effect, viewers find themselves witnessing a(...)
Fischli and Weiss: the way things go
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In discussing what makes The Way Things Go utterly compelling to its viewers—whether they have seen it one time or many times—Jeremy Millar leaves no doubt as to why this film was chosen for the One Work series. As everyday objects crash, scrape, slide, or fly into one another with devastating, impossible, and persuasive effect, viewers find themselves witnessing a spectacle that seems at once prehistoric and postapocalyptic. Millar tells us why this extraordinary film speaks to us at the beginning of the twenty-first century. If history is "just one thing after another," then The Way Things Go is truly a historic work.
Théorie de l’art
livres
Hans Richter : new living
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"New Living” (Das Neue Wohnen) was the title of an exceptional architectural propaganda film created in 1930 by German avant-garde artist and filmmaker Hans Richter. It show-cased exemplary modernist buildings and furniture – some of which were on view shortly afterwards in the prestigious exhibitions "The International Style” – and contrasted them with impractical,(...)
Architecture, monographies
novembre 2000, Baden
Hans Richter : new living
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"New Living” (Das Neue Wohnen) was the title of an exceptional architectural propaganda film created in 1930 by German avant-garde artist and filmmaker Hans Richter. It show-cased exemplary modernist buildings and furniture – some of which were on view shortly afterwards in the prestigious exhibitions "The International Style” – and contrasted them with impractical, unhygienic living spaces. The visual diversity of "New Living”, and its use of an experimental montage technique, pioneered a radical new method of portraying architecture on celluloid. This publication includes detailed sequences from the New Living film, as well as numerous documents that illustrate the new style of architectural modernism. Previously priced at $96.00.
livres
novembre 2000, Baden
Architecture, monographies