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Organized by season, these delicate pieces exude an optimism that revolves around community, sustenance, parenting, and appreciating both urban and rural landscapes. McClure’s work reminds us of the important things: the change of seasons, slowing down the world for a moment so we can actually taste it, looking up at the stars to dream.
Collect raindrops: the seasons gathered
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Organized by season, these delicate pieces exude an optimism that revolves around community, sustenance, parenting, and appreciating both urban and rural landscapes. McClure’s work reminds us of the important things: the change of seasons, slowing down the world for a moment so we can actually taste it, looking up at the stars to dream.
Littérature jeunesse
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There are an estimated 600,000,000 passenger cars in the world, and that number is increasing every day. So too is Earth’s supply of parking spaces. In some cities, parking lots cover more than one-third of the metropolitan footprint. It’s official:we have paved paradise and put up a parking lot. In this publication,author Eran Ben-Joseph shares a different vision for(...)
Rethinking a lot : the design and culture of parking
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There are an estimated 600,000,000 passenger cars in the world, and that number is increasing every day. So too is Earth’s supply of parking spaces. In some cities, parking lots cover more than one-third of the metropolitan footprint. It’s official:we have paved paradise and put up a parking lot. In this publication,author Eran Ben-Joseph shares a different vision for parking’s future. Parking lots, he writes, are ripe for transformation. After all, as he points out, their design and function has not been rethought since the 1950s. With this book, Ben-Joseph pushes the parking lot into the twenty-first century. Can’t parking lots be aesthetically pleasing, environmentally and architecturally responsible? Used for something other than car storage? Ben-Joseph shows us that they can. He provides a visual history of this often ignored urban space, introducing us to some of the many alternative and nonparking purposes that parking lots have served - from RV campgrounds to stages for “Shakespeare in the Parking Lot.” He shows us parking lots that are not concrete wastelands but lushly planted with trees and flowers and beautifully integrated with the rest of the built environment. With purposeful design, Ben-Joseph argues, parking lots could be significant public places, contributing as much to their communities as great boulevards, parks, or plazas. For all the acreage they cover, parking lots have received scant attention. It’s time to change that; it’s time to rethink the lot.
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"With every step forward we leave a backward trace. A footprint in wet sand is ephemeral but photographs fill a drawer and linger and haunt us; letters and journals call out to be read. We don’t really want our lives and the activities and objects that filled them to be lost and forgotten. Not really. It is our sop against oblivion, and out of our desire to be in the(...)
Bordercrossings 167: the archive
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"With every step forward we leave a backward trace. A footprint in wet sand is ephemeral but photographs fill a drawer and linger and haunt us; letters and journals call out to be read. We don’t really want our lives and the activities and objects that filled them to be lost and forgotten. Not really. It is our sop against oblivion, and out of our desire to be in the company of others that we store and sort and arrange the material evidence of our having been here. The ordering of these artifacts brings sense and coherence to lives that seem fleeting and without conclusive purpose. Our collections—whatever it is that composes them—take an almost imitative corporeal form that we feel may represent us as we are and have been. I am here; this is what I have done; my accomplishments have been assembled and are shown. An Archive."
Revues
Archigram: The magazine
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Inspired by comic-book culture, Pop art, psychedelia, the space race, sci-fi, Constructivism and Buckminster Fuller, the hugely influential British collective Archigram was the epitome of 1960s avant-garde architecture. Their self-published, lo-fi but materially ingenious magazine Archigram, begun in 1961, announced their ideas for such visionary concepts as "Walking(...)
Archigram: The magazine
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Inspired by comic-book culture, Pop art, psychedelia, the space race, sci-fi, Constructivism and Buckminster Fuller, the hugely influential British collective Archigram was the epitome of 1960s avant-garde architecture. Their self-published, lo-fi but materially ingenious magazine Archigram, begun in 1961, announced their ideas for such visionary concepts as "Walking City," "Plug-In City" and "Instant City." It also served to connect the international avant-garde of the 1960s. Archigram forged links with the Metabolists in Japan, Frei Otto, Utopie and Haus-Rucker-Co in Europe, and Buckminster Fuller in the US. They were also championed by critics such as Charles Jencks and Reyner Banham, who brought Archigram's famous fourth pop-up issue to the US in 1966. Today "Archigram" is one of the rarest major small-press publications of the 1960s, with individual issues selling for a minimum of $600.
Théorie de l’architecture
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''The Interiors of Social Media'' explores the relationship between architecture, interiors, and social media, guiding us through today's digital landscape to reveal where the virtual and physical worlds meet. From influencer bedrooms and gaming setups to humanitarian shelters, pet influencer homes, and porn rooms, Javier Fernández Contreras reveals how social media(...)
The interiors of social media: Architecture, space and technology
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''The Interiors of Social Media'' explores the relationship between architecture, interiors, and social media, guiding us through today's digital landscape to reveal where the virtual and physical worlds meet. From influencer bedrooms and gaming setups to humanitarian shelters, pet influencer homes, and porn rooms, Javier Fernández Contreras reveals how social media does not merely depict interiors, but actively scripts new spatial types: homes that are both private and hyper-public, domestic yet performative, and material yet algorithmic. By mapping platform spatialities and tracing the themes that connect them, he examines interiors as sites of consumerism, display, and mediatization - environments that expose the ethical, political, and ecological implications of 21st-century digital culture. Drawing on architecture, media studies, and digital humanities, «The Interiors of Social Media » offers a critical lens on how online interactions are woven into everyday life and invites us to rethink architecture in the age of the algorithm.
Social
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Hélène Cixous’s powerful new book, masterfully translated by Peggy Kamuf, is a vivid journey through fire. From the ashes of wars, wildfires, and upheaval, Cixous traces a dramatic path across time—from the Second World War and the Nazi occupation of Oran to the European wildfires of 2022—weaving a rich, intimate narrative that merges history, autobiography, and myth.(...)
Incinarration: What do we carry?
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Hélène Cixous’s powerful new book, masterfully translated by Peggy Kamuf, is a vivid journey through fire. From the ashes of wars, wildfires, and upheaval, Cixous traces a dramatic path across time—from the Second World War and the Nazi occupation of Oran to the European wildfires of 2022—weaving a rich, intimate narrative that merges history, autobiography, and myth. With her piercing, lyrical voice, Cixous confronts the human cost of destruction and upheaval, and asks a universal question: What do we carry with us when everything we know is falling to ashes? In ''Incinarration'' Cixous finds hope in the power of words, memory, and imagination to illuminate our darkest moments and redeem the future. As forests burn and regimes collapse, Cixous shows us how stories become a form of resistance—a way to remember, to bear testimony, and to find renewal in the face of oblivion.
Théorie/ philosophie
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This book explores in depth how, when, where, and by whom the most important North American bridges were built. Over 185 of Plowden's photographs allow us to dwell on the most important scientific and aesthetic qualities of each bridge. In addition, Plowden has included original designs and drawings of structures - some unbuilt, gone, or dramatically altered -(...)
Bridges : the spans of North America
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This book explores in depth how, when, where, and by whom the most important North American bridges were built. Over 185 of Plowden's photographs allow us to dwell on the most important scientific and aesthetic qualities of each bridge. In addition, Plowden has included original designs and drawings of structures - some unbuilt, gone, or dramatically altered - illuminating less obvious aspects of these engineering marvels and introducing us to bridges we otherwise would never have seen. In his extensive text, Plowden vividly records the discoveries, misconceptions, struggles, failures, and triumphs of the men who dedicated their energies to bridge design and construction. In the more than twenty-five years since this classic book was first published, bridges have been lost, and others have been built; some of the best examples of new bridges are included in this new, revised edition. All the photographs have been reprinted to achieve the best duotone reproduction.
Structures d’ingénierie
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Agnes Martin (1912–2004) wrote Religion of Love, a late statement on her work and thought, sometime in the 1990s. Composed of short, aphoristic statements and paragraphs, it lucidly states her art credo and life advice: "Love makes us want to do all the good things. Get up in the morning and work for life." "The part of the mind that's aware of perfection tells us(...)
Agnes Martin & Richard Tuttle: religion of love
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Agnes Martin (1912–2004) wrote Religion of Love, a late statement on her work and thought, sometime in the 1990s. Composed of short, aphoristic statements and paragraphs, it lucidly states her art credo and life advice: "Love makes us want to do all the good things. Get up in the morning and work for life." "The part of the mind that's aware of perfection tells us everything that is good." "You can contact the mind by asking for help." Somewhat uncharacteristically, Martin asked her friend Richard Tuttle to illustrate it. As Tuttle writes in his introduction, "on the one hand, it reconfirms her most classical thought (Beauty is the mystery of life), and, on the other, adds new thought with an urgency only found in a mature artist of her age and persuasion." This beautiful, slim volume constitutes both an important artist's statement and a great collaboration.
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''Spirits out of Trees'' traces the interwoven stories of two architectural works by Burkinabé-German architect Francis Kéré: Xylem, a contemplative pavilion nestled within the aspen groves of Tippet Rise Art Center in Fishtail, Montana, and the Naaba Belem Goumma Secondary School, built for Kéré’s hometown community of Gando, Burkina Faso. Though separated by geography,(...)
Francis Kéré: Spirits out of trees. Gando / Montana
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''Spirits out of Trees'' traces the interwoven stories of two architectural works by Burkinabé-German architect Francis Kéré: Xylem, a contemplative pavilion nestled within the aspen groves of Tippet Rise Art Center in Fishtail, Montana, and the Naaba Belem Goumma Secondary School, built for Kéré’s hometown community of Gando, Burkina Faso. Though separated by geography, climate, and culture, the two buildings are united by a shared philosophy: architecture as a site of gathering, learning, and care. Combining architectural documentation and photography with personal writing and original poetry, ''Spirits out of Trees'' is both a tribute to Francis Kéré’s vision and to the enduring metaphor of the tree as shelter and a symbol of regeneration. Designed with the same humility and clarity that define Kéré’s work, the volume offers a deeply resonant meditation on sustainability, cultural continuity, and the power of architecture to root us more fully in the world around us.
Architecture, monographies
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In an era of increasing individualism, we have never been more isolated and dispirited. A paradox confronts us. While research and technology find new ways to measure contentment and popular culture encourages us to think of happiness as a human right, misery is abundant. Segal believes we have lost the art of “radical happiness”—the liberation that comes with(...)
Radical happiness: moments of collective joy
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In an era of increasing individualism, we have never been more isolated and dispirited. A paradox confronts us. While research and technology find new ways to measure contentment and popular culture encourages us to think of happiness as a human right, misery is abundant. Segal believes we have lost the art of “radical happiness”—the liberation that comes with transformative, collective joy. She argues that instead of obsessing about our own well-being we should seek fulfilment in the lives of others. Examining her own experience in the women’s movement, Segal looks at the relationship between love and sex, and the scope for utopian thinking as a means to a better future. She also shows how the gaps in care that come from the diminishing role of the welfare state must be replaced by alternative ways of living together and looking after one another.
Social