10704 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1961.PR02
Description:
This project series documents the Piscina de Marés in Leça da Palmeira, Matosinhos, Portugal. While the records were held in the office’s archives this project was assigned the number 9/60. The office assigned the date 1961. Piscina de Marés was built between 1961 and 1966. The project included two salt water pools, one for adults and another for children, and changing rooms. A restaurant was later added in 1965. The pools were embedded in rock formations situated on the northern coastline of the Atlantic Ocean in Matosinhos. Siza used concrete to build the pools and walls while preserving some of the rock formation. There was also restoration work done for both the pools and the restaurant in the mid 1990s. The project series includes sketches, elevations, plans, and details, as well as correspondence and project documentation. Photographic materials document the project site, the built project, the model, and drawings. Also included are panoramas of the built project and aerial views of the project site. Note that photographic materials related to the 1995 renovation are also found among these materials, however the rest of the materials related to the renovations are in subseries Recuperação da Piscina de Marés (AP178.S1.1995.PR01).
AP178.S1.1961.PR02
Description:
This project series documents the Piscina de Marés in Leça da Palmeira, Matosinhos, Portugal. While the records were held in the office’s archives this project was assigned the number 9/60. The office assigned the date 1961. Piscina de Marés was built between 1961 and 1966. The project included two salt water pools, one for adults and another for children, and changing rooms. A restaurant was later added in 1965. The pools were embedded in rock formations situated on the northern coastline of the Atlantic Ocean in Matosinhos. Siza used concrete to build the pools and walls while preserving some of the rock formation. There was also restoration work done for both the pools and the restaurant in the mid 1990s. The project series includes sketches, elevations, plans, and details, as well as correspondence and project documentation. Photographic materials document the project site, the built project, the model, and drawings. Also included are panoramas of the built project and aerial views of the project site. Note that photographic materials related to the 1995 renovation are also found among these materials, however the rest of the materials related to the renovations are in subseries Recuperação da Piscina de Marés (AP178.S1.1995.PR01).
Personnes et institutions:
Date:
1961-1995
1961-1995
Titre:
Piscina de Marés [Ocean swimming pool], Leça da Palmeira, Matosinhos, Portugal (1961-1966)
Actions:
AP178.S1.1961.PR02
Description:
This project series documents the Piscina de Marés in Leça da Palmeira, Matosinhos, Portugal. While the records were held in the office’s archives this project was assigned the number 9/60. The office assigned the date 1961. Piscina de Marés was built between 1961 and 1966. The project included two salt water pools, one for adults and another for children, and changing rooms. A restaurant was later added in 1965. The pools were embedded in rock formations situated on the northern coastline of the Atlantic Ocean in Matosinhos. Siza used concrete to build the pools and walls while preserving some of the rock formation. There was also restoration work done for both the pools and the restaurant in the mid 1990s. The project series includes sketches, elevations, plans, and details, as well as correspondence and project documentation. Photographic materials document the project site, the built project, the model, and drawings. Also included are panoramas of the built project and aerial views of the project site. Note that photographic materials related to the 1995 renovation are also found among these materials, however the rest of the materials related to the renovations are in subseries Recuperação da Piscina de Marés (AP178.S1.1995.PR01).
Piscina de Marés [Ocean swimming pool], Leça da Palmeira, Matosinhos, Portugal (1961-1966)
Actions:
AP178.S1.1961.PR02
Description:
This project series documents the Piscina de Marés in Leça da Palmeira, Matosinhos, Portugal. While the records were held in the office’s archives this project was assigned the number 9/60. The office assigned the date 1961. Piscina de Marés was built between 1961 and 1966. The project included two salt water pools, one for adults and another for children, and changing rooms. A restaurant was later added in 1965. The pools were embedded in rock formations situated on the northern coastline of the Atlantic Ocean in Matosinhos. Siza used concrete to build the pools and walls while preserving some of the rock formation. There was also restoration work done for both the pools and the restaurant in the mid 1990s. The project series includes sketches, elevations, plans, and details, as well as correspondence and project documentation. Photographic materials document the project site, the built project, the model, and drawings. Also included are panoramas of the built project and aerial views of the project site. Note that photographic materials related to the 1995 renovation are also found among these materials, however the rest of the materials related to the renovations are in subseries Recuperação da Piscina de Marés (AP178.S1.1995.PR01).
Niveau de description archivistique:
Project
Project
Date:
1961-1995
1961-1995
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1995.PR10
Description:
This project series documents the Conjunto Habitações, Remodelação de Duas Habitações and BAC – Banco de Arte Contemporãnea in Quinta da Palmeira, Evora, Portugal. While the records were held in the office's archives, this project was assigned the number 66/90 and was further divided as follows : 66/90 A/B Conjunto Habitações; 66/90 [B] Remodelação de Duas Habitações; and 66/90 C BAC, Banco de Arte Contemporãnea. The office assigned the date 1995 to this project. These projects were commisioned as a part of Sociedade Hoteleira Do Arez's venture to maintain the historical zone of Quinta da Palmeira. Sociedade Hoteleira Do Arez contracted Siza to restore two existing houses, construct seven new houses to join to the Hotel da Cartuxa, and later, transform a warehouse building into an art museum. The BAC was not realized. Documenting this project are sketches, studies, and plans. Photographic material includes photographs, slides and negatives of the project sites and models. Textual material includes project documentation, notes, meeting minutes, contracts, technical specifications, and correpondence with Câmara Municipal de Évora, Sociedade Hoteleira Do Arez, and the Gabinete de Organização e Projectos.
AP178.S1.1995.PR10
Description:
This project series documents the Conjunto Habitações, Remodelação de Duas Habitações and BAC – Banco de Arte Contemporãnea in Quinta da Palmeira, Evora, Portugal. While the records were held in the office's archives, this project was assigned the number 66/90 and was further divided as follows : 66/90 A/B Conjunto Habitações; 66/90 [B] Remodelação de Duas Habitações; and 66/90 C BAC, Banco de Arte Contemporãnea. The office assigned the date 1995 to this project. These projects were commisioned as a part of Sociedade Hoteleira Do Arez's venture to maintain the historical zone of Quinta da Palmeira. Sociedade Hoteleira Do Arez contracted Siza to restore two existing houses, construct seven new houses to join to the Hotel da Cartuxa, and later, transform a warehouse building into an art museum. The BAC was not realized. Documenting this project are sketches, studies, and plans. Photographic material includes photographs, slides and negatives of the project sites and models. Textual material includes project documentation, notes, meeting minutes, contracts, technical specifications, and correpondence with Câmara Municipal de Évora, Sociedade Hoteleira Do Arez, and the Gabinete de Organização e Projectos.
Personnes et institutions:
Date:
1995-2008
1995-2008
Titre:
Sociedade Hoteleira do Arez, Quinta da Palmeira, Evora, Portugal (1995)
Actions:
AP178.S1.1995.PR10
Description:
This project series documents the Conjunto Habitações, Remodelação de Duas Habitações and BAC – Banco de Arte Contemporãnea in Quinta da Palmeira, Evora, Portugal. While the records were held in the office's archives, this project was assigned the number 66/90 and was further divided as follows : 66/90 A/B Conjunto Habitações; 66/90 [B] Remodelação de Duas Habitações; and 66/90 C BAC, Banco de Arte Contemporãnea. The office assigned the date 1995 to this project. These projects were commisioned as a part of Sociedade Hoteleira Do Arez's venture to maintain the historical zone of Quinta da Palmeira. Sociedade Hoteleira Do Arez contracted Siza to restore two existing houses, construct seven new houses to join to the Hotel da Cartuxa, and later, transform a warehouse building into an art museum. The BAC was not realized. Documenting this project are sketches, studies, and plans. Photographic material includes photographs, slides and negatives of the project sites and models. Textual material includes project documentation, notes, meeting minutes, contracts, technical specifications, and correpondence with Câmara Municipal de Évora, Sociedade Hoteleira Do Arez, and the Gabinete de Organização e Projectos.
Sociedade Hoteleira do Arez, Quinta da Palmeira, Evora, Portugal (1995)
Actions:
AP178.S1.1995.PR10
Description:
This project series documents the Conjunto Habitações, Remodelação de Duas Habitações and BAC – Banco de Arte Contemporãnea in Quinta da Palmeira, Evora, Portugal. While the records were held in the office's archives, this project was assigned the number 66/90 and was further divided as follows : 66/90 A/B Conjunto Habitações; 66/90 [B] Remodelação de Duas Habitações; and 66/90 C BAC, Banco de Arte Contemporãnea. The office assigned the date 1995 to this project. These projects were commisioned as a part of Sociedade Hoteleira Do Arez's venture to maintain the historical zone of Quinta da Palmeira. Sociedade Hoteleira Do Arez contracted Siza to restore two existing houses, construct seven new houses to join to the Hotel da Cartuxa, and later, transform a warehouse building into an art museum. The BAC was not realized. Documenting this project are sketches, studies, and plans. Photographic material includes photographs, slides and negatives of the project sites and models. Textual material includes project documentation, notes, meeting minutes, contracts, technical specifications, and correpondence with Câmara Municipal de Évora, Sociedade Hoteleira Do Arez, and the Gabinete de Organização e Projectos.
Niveau de description archivistique:
Project
Project
Date:
1995-2008
1995-2008
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Ernest Isbell Barott
Fonds Ernest Isbell Barott
Numéro de référence:
AP003
Résumé:
The Ernest Isbell Barott fonds, 1912-1983, documents architect Ernest Isbell Barott’s design and construction of over 380 built projects in Canada. The fonds comprises of materials relating to projects executed by Ernest Isbell Barott during his active years at the firm, 1912-1962, as well as projects exclusively completed by the firm after Barott’s retirement, 1962-1983. Materials in this fonds consist of approximately 11 764 drawings (including reprographic copies), approximately 1795 photographic materials, 8.75 l.m. of textual records, 4 medals, and 1 key.
AP003
Résumé:
The Ernest Isbell Barott fonds, 1912-1983, documents architect Ernest Isbell Barott’s design and construction of over 380 built projects in Canada. The fonds comprises of materials relating to projects executed by Ernest Isbell Barott during his active years at the firm, 1912-1962, as well as projects exclusively completed by the firm after Barott’s retirement, 1962-1983. Materials in this fonds consist of approximately 11 764 drawings (including reprographic copies), approximately 1795 photographic materials, 8.75 l.m. of textual records, 4 medals, and 1 key.
Personnes et institutions:
Date:
1912-1983
1912-1983
Titre:
Fonds Ernest Isbell Barott
Actions:
AP003
Résumé:
The Ernest Isbell Barott fonds, 1912-1983, documents architect Ernest Isbell Barott’s design and construction of over 380 built projects in Canada. The fonds comprises of materials relating to projects executed by Ernest Isbell Barott during his active years at the firm, 1912-1962, as well as projects exclusively completed by the firm after Barott’s retirement, 1962-1983. Materials in this fonds consist of approximately 11 764 drawings (including reprographic copies), approximately 1795 photographic materials, 8.75 l.m. of textual records, 4 medals, and 1 key.
Fonds Ernest Isbell Barott
Actions:
AP003
Résumé:
The Ernest Isbell Barott fonds, 1912-1983, documents architect Ernest Isbell Barott’s design and construction of over 380 built projects in Canada. The fonds comprises of materials relating to projects executed by Ernest Isbell Barott during his active years at the firm, 1912-1962, as well as projects exclusively completed by the firm after Barott’s retirement, 1962-1983. Materials in this fonds consist of approximately 11 764 drawings (including reprographic copies), approximately 1795 photographic materials, 8.75 l.m. of textual records, 4 medals, and 1 key.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1912-1983
1912-1983
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1996.PR01
Description:
This project series documents the Kolonihaven - Exposição ao ar livre in Copenhagen, Denmark. While the records were held in the office’s archives this project was assigned the number 73/90 The office assigned the date 1996 to this project. At the end of the 19th century, there was an important migration of people from the rural areas to the cities in Denmark. Some migrants missed the contact with the soil and decided to built small houses with gardens to help them to adapt to their new urban life. These small Danish houses we're later named Kolonihavehus and became emblematic in Denmark. The exhibition Kolonihaven - The International challenge was held in Copenhagen by the Arken Museum of Modern Art. Fourteen international architects, including Álvaro Siza, Aldo Rossi, Mario Botta, Michael Graves, Arata Isozaki, and Leon Krier were invited to design a 7.5 square meter Danish house. Siza's design was based on his idea of a house as a child mixed with his memories of a trip to Scandinavia. The fourteen architects also participated in the exhibition "Major Projects" at the Køge Museum, in Køge, Danmark. The exhibition focused on the sketches and preliminary drawings of majort projects by each architect. Documenting this project are sketches and documentation.
AP178.S1.1996.PR01
Description:
This project series documents the Kolonihaven - Exposição ao ar livre in Copenhagen, Denmark. While the records were held in the office’s archives this project was assigned the number 73/90 The office assigned the date 1996 to this project. At the end of the 19th century, there was an important migration of people from the rural areas to the cities in Denmark. Some migrants missed the contact with the soil and decided to built small houses with gardens to help them to adapt to their new urban life. These small Danish houses we're later named Kolonihavehus and became emblematic in Denmark. The exhibition Kolonihaven - The International challenge was held in Copenhagen by the Arken Museum of Modern Art. Fourteen international architects, including Álvaro Siza, Aldo Rossi, Mario Botta, Michael Graves, Arata Isozaki, and Leon Krier were invited to design a 7.5 square meter Danish house. Siza's design was based on his idea of a house as a child mixed with his memories of a trip to Scandinavia. The fourteen architects also participated in the exhibition "Major Projects" at the Køge Museum, in Køge, Danmark. The exhibition focused on the sketches and preliminary drawings of majort projects by each architect. Documenting this project are sketches and documentation.
Personnes et institutions:
Date:
1996
1996
Titre:
Kolonihaven - The International Challenge, Copenhagen, Denmark (1996)
Actions:
AP178.S1.1996.PR01
Description:
This project series documents the Kolonihaven - Exposição ao ar livre in Copenhagen, Denmark. While the records were held in the office’s archives this project was assigned the number 73/90 The office assigned the date 1996 to this project. At the end of the 19th century, there was an important migration of people from the rural areas to the cities in Denmark. Some migrants missed the contact with the soil and decided to built small houses with gardens to help them to adapt to their new urban life. These small Danish houses we're later named Kolonihavehus and became emblematic in Denmark. The exhibition Kolonihaven - The International challenge was held in Copenhagen by the Arken Museum of Modern Art. Fourteen international architects, including Álvaro Siza, Aldo Rossi, Mario Botta, Michael Graves, Arata Isozaki, and Leon Krier were invited to design a 7.5 square meter Danish house. Siza's design was based on his idea of a house as a child mixed with his memories of a trip to Scandinavia. The fourteen architects also participated in the exhibition "Major Projects" at the Køge Museum, in Køge, Danmark. The exhibition focused on the sketches and preliminary drawings of majort projects by each architect. Documenting this project are sketches and documentation.
Kolonihaven - The International Challenge, Copenhagen, Denmark (1996)
Actions:
AP178.S1.1996.PR01
Description:
This project series documents the Kolonihaven - Exposição ao ar livre in Copenhagen, Denmark. While the records were held in the office’s archives this project was assigned the number 73/90 The office assigned the date 1996 to this project. At the end of the 19th century, there was an important migration of people from the rural areas to the cities in Denmark. Some migrants missed the contact with the soil and decided to built small houses with gardens to help them to adapt to their new urban life. These small Danish houses we're later named Kolonihavehus and became emblematic in Denmark. The exhibition Kolonihaven - The International challenge was held in Copenhagen by the Arken Museum of Modern Art. Fourteen international architects, including Álvaro Siza, Aldo Rossi, Mario Botta, Michael Graves, Arata Isozaki, and Leon Krier were invited to design a 7.5 square meter Danish house. Siza's design was based on his idea of a house as a child mixed with his memories of a trip to Scandinavia. The fourteen architects also participated in the exhibition "Major Projects" at the Køge Museum, in Køge, Danmark. The exhibition focused on the sketches and preliminary drawings of majort projects by each architect. Documenting this project are sketches and documentation.
Niveau de description archivistique:
Project
Project
Date:
1996
1996
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1978.PR01
Description:
This project series documents the Banco Borges & Irmão II in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 46/70. The office assigned the date 1978 to this project. The Banco Borges & Irmão bank was located in the historic part of Vila do Conde, near the Matriz Church. The project site was the same as for the Banco Borges & Irmão I (project series AP178.S1.1977.PR02 in this fonds). The old building was destroyed and Siza built a new bank. The documentation informs us that the design of the building was subject to several changes. This project series contains documentation for several different versions of the building. The building had two floors and a basement. The third floor was used for administrative offices, the second floor for services to the public, and the basement for safety deposits. In 1988, Siza received the Mies van der Rohe prize for this project. Drawings include sketches, studies and working drawings. Textual materials include project documentation, meeting minutes and correspondence. Photographic materials include photographs of the models and the built project. A study model is also included in these materials.
AP178.S1.1978.PR01
Description:
This project series documents the Banco Borges & Irmão II in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 46/70. The office assigned the date 1978 to this project. The Banco Borges & Irmão bank was located in the historic part of Vila do Conde, near the Matriz Church. The project site was the same as for the Banco Borges & Irmão I (project series AP178.S1.1977.PR02 in this fonds). The old building was destroyed and Siza built a new bank. The documentation informs us that the design of the building was subject to several changes. This project series contains documentation for several different versions of the building. The building had two floors and a basement. The third floor was used for administrative offices, the second floor for services to the public, and the basement for safety deposits. In 1988, Siza received the Mies van der Rohe prize for this project. Drawings include sketches, studies and working drawings. Textual materials include project documentation, meeting minutes and correspondence. Photographic materials include photographs of the models and the built project. A study model is also included in these materials.
Personnes et institutions:
Date:
1978-1986
1978-1986
Titre:
Banco Borges & Irmão II [Borges & Irmão bank II], Vila do Conde, Portugal (1978-1986)
Actions:
AP178.S1.1978.PR01
Description:
This project series documents the Banco Borges & Irmão II in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 46/70. The office assigned the date 1978 to this project. The Banco Borges & Irmão bank was located in the historic part of Vila do Conde, near the Matriz Church. The project site was the same as for the Banco Borges & Irmão I (project series AP178.S1.1977.PR02 in this fonds). The old building was destroyed and Siza built a new bank. The documentation informs us that the design of the building was subject to several changes. This project series contains documentation for several different versions of the building. The building had two floors and a basement. The third floor was used for administrative offices, the second floor for services to the public, and the basement for safety deposits. In 1988, Siza received the Mies van der Rohe prize for this project. Drawings include sketches, studies and working drawings. Textual materials include project documentation, meeting minutes and correspondence. Photographic materials include photographs of the models and the built project. A study model is also included in these materials.
Banco Borges & Irmão II [Borges & Irmão bank II], Vila do Conde, Portugal (1978-1986)
Actions:
AP178.S1.1978.PR01
Description:
This project series documents the Banco Borges & Irmão II in Vila do Conde, Portugal. While the records were held in the office’s archives this project was assigned the number 46/70. The office assigned the date 1978 to this project. The Banco Borges & Irmão bank was located in the historic part of Vila do Conde, near the Matriz Church. The project site was the same as for the Banco Borges & Irmão I (project series AP178.S1.1977.PR02 in this fonds). The old building was destroyed and Siza built a new bank. The documentation informs us that the design of the building was subject to several changes. This project series contains documentation for several different versions of the building. The building had two floors and a basement. The third floor was used for administrative offices, the second floor for services to the public, and the basement for safety deposits. In 1988, Siza received the Mies van der Rohe prize for this project. Drawings include sketches, studies and working drawings. Textual materials include project documentation, meeting minutes and correspondence. Photographic materials include photographs of the models and the built project. A study model is also included in these materials.
Niveau de description archivistique:
Project
Project
Date:
1978-1986
1978-1986
Personnes et institutions:
Classification:
articles
articles
Titre:
La découverte des manques
La découverte des manques
Actions:
Martien de Vletter esquisse un processus de description réparatrice
Mot(s)-clé(s):
Catalogage critique, terminologie, descriptions archivistiques, changement de termes, collection photographie
Catalogage critique, terminologie, descriptions archivistiques, changement de termes, collection photographie
Publié:
13 décembre 2021
13 décembre 2021
Titre:
La découverte des manques
Martien de Vletter esquisse un processus de description réparatrice
Actions:
La découverte des manques
Martien de Vletter esquisse un processus de description réparatrice
Actions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1988.PR07.SS2
Description:
This project subseries documents the Bloco A of the reconstruction of the Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. The Bloco A was located between Rua Ivens, Rua Garrett, and Rua Nova Do Almada. In the reconstruction plan, Bloco A included buildings 7 (Camara Chaves building) 8/9 (Castro & Melo building), 10, 11, 20, 21, 22, 23, and 24. The construction work for the buildings of Bloco A included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, working drawings, and structural drawings. Textual material includes project documentation and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, project site, construction work, and models. It is important to note that this subseries includes general details of the Bloco A. For more specific details, see individual project subseries: the Camara Chaves building (AP178.S1.1988.PR07.SS3) and Edifício Castro e Melo (AP178.S1.1988.PR07.SS4). General documentation can also be found in the master plans and exterior spaces work subseries (AP178.S1.1988.PR07.SS1).
AP178.S1.1988.PR07.SS2
Description:
This project subseries documents the Bloco A of the reconstruction of the Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. The Bloco A was located between Rua Ivens, Rua Garrett, and Rua Nova Do Almada. In the reconstruction plan, Bloco A included buildings 7 (Camara Chaves building) 8/9 (Castro & Melo building), 10, 11, 20, 21, 22, 23, and 24. The construction work for the buildings of Bloco A included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, working drawings, and structural drawings. Textual material includes project documentation and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, project site, construction work, and models. It is important to note that this subseries includes general details of the Bloco A. For more specific details, see individual project subseries: the Camara Chaves building (AP178.S1.1988.PR07.SS3) and Edifício Castro e Melo (AP178.S1.1988.PR07.SS4). General documentation can also be found in the master plans and exterior spaces work subseries (AP178.S1.1988.PR07.SS1).
Personnes et institutions:
Date:
1988-1998
1988-1998
Titre:
Bloco A, Reconstrução do Chiado [Block A, Reconstruction of the Chiado area] Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS2
Description:
This project subseries documents the Bloco A of the reconstruction of the Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. The Bloco A was located between Rua Ivens, Rua Garrett, and Rua Nova Do Almada. In the reconstruction plan, Bloco A included buildings 7 (Camara Chaves building) 8/9 (Castro & Melo building), 10, 11, 20, 21, 22, 23, and 24. The construction work for the buildings of Bloco A included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, working drawings, and structural drawings. Textual material includes project documentation and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, project site, construction work, and models. It is important to note that this subseries includes general details of the Bloco A. For more specific details, see individual project subseries: the Camara Chaves building (AP178.S1.1988.PR07.SS3) and Edifício Castro e Melo (AP178.S1.1988.PR07.SS4). General documentation can also be found in the master plans and exterior spaces work subseries (AP178.S1.1988.PR07.SS1).
Bloco A, Reconstrução do Chiado [Block A, Reconstruction of the Chiado area] Lisbon, Portugal (1988-1998)
Actions:
AP178.S1.1988.PR07.SS2
Description:
This project subseries documents the Bloco A of the reconstruction of the Chiado in Lisbon, Portugal. The office's archives identified this project as 58/80. The office assigned the dates 1988-1998 for this project. The Bloco A was located between Rua Ivens, Rua Garrett, and Rua Nova Do Almada. In the reconstruction plan, Bloco A included buildings 7 (Camara Chaves building) 8/9 (Castro & Melo building), 10, 11, 20, 21, 22, 23, and 24. The construction work for the buildings of Bloco A included restorations of windows, doors, façades, painting, stonework, as well as work on the structure and mechanical systems. Drawings include plans prior to the fire, working drawings, and structural drawings. Textual material includes project documentation and studies. Photographic materials and slides document the buildings prior to the fire, damaged buildings, project site, construction work, and models. It is important to note that this subseries includes general details of the Bloco A. For more specific details, see individual project subseries: the Camara Chaves building (AP178.S1.1988.PR07.SS3) and Edifício Castro e Melo (AP178.S1.1988.PR07.SS4). General documentation can also be found in the master plans and exterior spaces work subseries (AP178.S1.1988.PR07.SS1).
Niveau de description archivistique:
Project
Project
Date:
1988-1998
1988-1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Personnes et institutions:
Date:
1993-2012
1993-2012
Titre:
Museu J. Paul Getty [The J. Paul Getty Museum], Malibu, United States (1993)
Actions:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Museu J. Paul Getty [The J. Paul Getty Museum], Malibu, United States (1993)
Actions:
AP178.S1.1993.PR06
Description:
This project series documents the proposed design for the J. Paul Getty Museum. While the records were held in the office’s archives this project was assigned the number 40/90. The office assigned the date 1993 to this project. The project was a collaboration between Álvaro Siza and Peter Testa. The proposal included renovations of the Villa and the Ranch House, the reorganization of the site, as well as the addition of new installations. The main change proposed by the architects was the creation of a Terrace Gallery and a natural amphitheater, forming a new entrance west of the Villa. Renovations to the Villa included modifications to the structure and the reorganization of the interior spaces. They proposed to rearrangeme the interior of the Ranch House and the construction of a 6,000 sqaure foot auditorium with a capacity of 200 people. The proposal also included the construction of a 13,000 square foot U-shaped building for the conservation program, the scholar program, and artist residency program. The main public entrance was redirected to the Los Liones Drives and a new parking area was proposed, with a 300 automobile and 6 bus capacity. In 1994, the Machado Silvetti Firm proposal was selected. Documenting this project are sketches and studies. Textual materials include project documentation and correspondence. Photographic materials document the models and project site.
Niveau de description archivistique:
Project
Project
Date:
1993-2012
1993-2012
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
Personnes et institutions:
Date:
circa 1981-1988
circa 1981-1988
Titre:
Concurso, Block 121, Schlesisches Tor [Competition for Schlesisches Tor residential complex], Berlin, Germany (1981-1988)
Actions:
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
Concurso, Block 121, Schlesisches Tor [Competition for Schlesisches Tor residential complex], Berlin, Germany (1981-1988)
Actions:
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
Niveau de description archivistique:
Project
Project
Date:
circa 1981-1988
circa 1981-1988
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Personnes et institutions:
Date:
1988-1995
1988-1995
Titre:
Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain, 1988-1993
Actions:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain, 1988-1993
Actions:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Niveau de description archivistique:
Project
Project
Date:
1988-1995
1988-1995
Personnes et institutions:
