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“Green buildings” that slash energy use and carbon emissions are all the rage, but they aren’t enough. The hidden culprit is embodied carbon?the carbon emitted when materials are mined, manufactured, and transported?comprising some ten percent of global emissions. With the built environment doubling by 2030, buildings are a carbon juggernaut threatening to overwhelm the(...)
New carbon architecture: building to cool the climate
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“Green buildings” that slash energy use and carbon emissions are all the rage, but they aren’t enough. The hidden culprit is embodied carbon?the carbon emitted when materials are mined, manufactured, and transported?comprising some ten percent of global emissions. With the built environment doubling by 2030, buildings are a carbon juggernaut threatening to overwhelm the climate. Like never before in history, buildings can become part of the climate solution. With biomimicry and innovation, we can pull huge amounts of carbon out of the atmosphere and lock it up as walls, roofs, foundations, and insulation. We can literally make buildings out of the sky with a massive positive impact.
Architecture écologique
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"The Bauhaus and Czechoslovakia 1919–1938" looks at the Central European context and legacy of Germany’s legendary Bauhaus school. This center of avant-garde learning, whose teachers included artists such as Walter Gropius, Paul Klee, Wassily Kandinsky, Josef Albers, László Moholy-Nagy and Adolf Meyer, was a place of meeting and mutual inspiration for artists, designers(...)
février 2018
The Bauhaus and Czechoslovakia 1919-1938
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"The Bauhaus and Czechoslovakia 1919–1938" looks at the Central European context and legacy of Germany’s legendary Bauhaus school. This center of avant-garde learning, whose teachers included artists such as Walter Gropius, Paul Klee, Wassily Kandinsky, Josef Albers, László Moholy-Nagy and Adolf Meyer, was a place of meeting and mutual inspiration for artists, designers and architects. Czech students brought their own original ideas and progressive techniques into this heady atmosphere. This volume, the result of years of scholarly research by Czech art historian Markéta Svobodová, is the first publication to survey the contributions of Czech students in this creative environment, offering a student-centered perspective on the famed institution.
Parliament
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*reprinting / en ré-impression* Amsterdam-based office XML explores the complex relationship between space and politics by documenting and comparing the plenary halls of the parliaments of all 193 United Nations member states. Whether arranged in a semicircle or horseshoe, as opposing benches or classroom style, the seats in these halls not only offer clues to a(...)
Parliament
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*reprinting / en ré-impression* Amsterdam-based office XML explores the complex relationship between space and politics by documenting and comparing the plenary halls of the parliaments of all 193 United Nations member states. Whether arranged in a semicircle or horseshoe, as opposing benches or classroom style, the seats in these halls not only offer clues to a nation’s history, but also the atmosphere in which its laws are shaped. Comparing contexts between divergent geographical locations and governments, both democratic and authoritarian, the lexicon addresses these spaces as more than symbolic representations of national values, portraying them as actors in the shaping of our shared future.
Architecture contemporaine
Smoke
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This illustrated work reflects on the cultural implications of smoking, and suggests, through a series of brilliantly inventive illustrations, that society's attitude to smoke is both paradoxical and intolerant. It portrays a world in which smokers, banished from public places, must encounter one another as outlaws. Meanwhile, car exhausts and factory chimneys continue to(...)
Smoke
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This illustrated work reflects on the cultural implications of smoking, and suggests, through a series of brilliantly inventive illustrations, that society's attitude to smoke is both paradoxical and intolerant. It portrays a world in which smokers, banished from public places, must encounter one another as outlaws. Meanwhile, car exhausts and factory chimneys continue to pollute the atmosphere. Smoke is a beautifully illustrated prose poem that lingers in the mind. "A cigarette is a breathing space. It makes a parenthesis. The time of a cigarette is a parenthesis, and if it is shared you are both in that parenthesis. It's like a proscenium arch for a dialogue." - John Berger (in interview)
Littérature et poésie
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"Artificial light" suggests an alternative type of critical theory consisting of personal and fictitious anecdotes, real and fake photographs, and mini-essays that addresses prevalent themes in architecture such as immediacy, affect, abstraction, atmosphere, realness, and banality. With a narrative style reminiscent of other unconventional writers on design such as Paul(...)
Artificial light : a narrative inquiry into the nature of abstraction, immediacy, and other architectural fictions
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"Artificial light" suggests an alternative type of critical theory consisting of personal and fictitious anecdotes, real and fake photographs, and mini-essays that addresses prevalent themes in architecture such as immediacy, affect, abstraction, atmosphere, realness, and banality. With a narrative style reminiscent of other unconventional writers on design such as Paul Shepheard, Roger Connah, and Rebecca Solnit, "Artificial light" is the beautifully written and visually engaging debut of a dynamic new voice in the world of architectural criticism. Keith Mitnick is an assistant professor of architecture at the University of Michigan, where he teaches graduate-level studios and seminars in architectural criticism, and a founding principal of Mitnick Roddier Hicks.
Théorie de l’architecture
As if, Uta Eisenreich
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This book of photographs is the sequel to ‘A NOT B’ (2010), wherein quotidian items are again staged and captured through the camera’s unblinking eye. Yet the images are no longer set in the innocent atmosphere of the preschool years, when the world is read through analogies, but catapulted into a darker space of representation at the cusp of adolescence, against the(...)
As if, Uta Eisenreich
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$80.00
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This book of photographs is the sequel to ‘A NOT B’ (2010), wherein quotidian items are again staged and captured through the camera’s unblinking eye. Yet the images are no longer set in the innocent atmosphere of the preschool years, when the world is read through analogies, but catapulted into a darker space of representation at the cusp of adolescence, against the backdrop of a hyper-commercialised world. The compositions create a distinctive play with logic, language, and meaning. Objects transform from their humble selves into abstract shapes discharged of meaning, or alternately into advertisements for themselves, charged with desire or bad omens of an ominous future.
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Shu’s design process always begins with an intense study of the location. The architect spends as long as possible on the site, absorbing its atmosphere. He then produces drafts in the form of hand-drawn sketches, creating them in relatively quick succession. Imagining the House follows this process in various buildings. Photographic documentation of the locations(...)
Wang Shu: imagining the house
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Shu’s design process always begins with an intense study of the location. The architect spends as long as possible on the site, absorbing its atmosphere. He then produces drafts in the form of hand-drawn sketches, creating them in relatively quick succession. Imagining the House follows this process in various buildings. Photographic documentation of the locations elucidate Shu’s on-site research. The reproductions of drawings in this book demonstrate how the designs change and become more concrete over the course of the process. The book provides unique insights into the work of an architect who has hitherto received little attention in Europe, thereby addressing a considerable omission in the publishing world.
Architecture, monographies
Blindhaedir: East Iceland
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Silvia Bachli and Eric Hatan spent four months, from March to June, in Seydisfjordur in eastern Iceland. The landscape they explored on their daily walks is dominated by snow, which shapes the atmosphere in and around the fjord with its changeable forms: turquoise meltwater, frost patterns, a few glass-clear bright colours in the whiteness, walls of snow by the edge of(...)
Blindhaedir: East Iceland
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Silvia Bachli and Eric Hatan spent four months, from March to June, in Seydisfjordur in eastern Iceland. The landscape they explored on their daily walks is dominated by snow, which shapes the atmosphere in and around the fjord with its changeable forms: turquoise meltwater, frost patterns, a few glass-clear bright colours in the whiteness, walls of snow by the edge of the road, drifts, icicles and at last the first brown snow-free places - things are slowly turning green. The artists create a unique portrait of Iceland's magnificent landscapes with their photographs, in all its detail, thus chronicling the passage of time and the approach of the warmer season.
Monographies photo
111 Inception
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This book is a chain of inspiration that involves 111 architects from around the world. How does inspiration move through the atmosphere? How do we inspire each other? And how does creative inspiration itself change through each person’s unique experience? To find out, Anna Bates initiated an experiment in 2017, tasking one architect to use a painting by Theo van Doesburg(...)
111 Inception
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This book is a chain of inspiration that involves 111 architects from around the world. How does inspiration move through the atmosphere? How do we inspire each other? And how does creative inspiration itself change through each person’s unique experience? To find out, Anna Bates initiated an experiment in 2017, tasking one architect to use a painting by Theo van Doesburg as a stimulus for creating their own work. This would then be passed on to other architects, who in turn would draw inspiration for their new work, and so on, growing into a web of conversation, interplay, and inspiration. Gary Bates of Space Group was invited to create the first work.
Architecture contemporaine
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In galleries and museums, one’s perception of art, space, and atmosphere is largely determined by lighting. But which light settings should art and museum experts and exhibition designers choose, and on what basis are those choices made? Pioneering LED technologies make customized lighting scenarios possible, turning artificial light into an interactive material in museum(...)
Light up: The potential of light in museum architecture
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In galleries and museums, one’s perception of art, space, and atmosphere is largely determined by lighting. But which light settings should art and museum experts and exhibition designers choose, and on what basis are those choices made? Pioneering LED technologies make customized lighting scenarios possible, turning artificial light into an interactive material in museum architecture – not only in terms of design practice, but also in terms of real-time spatial experiences. Computer-controlled lighting technologies are breaking boundaries, allowing the individual to take full control of lighting design. ''Light Up'' explores the potential of dynamic artificial lighting technologies in museum architecture, offering new insights into the use of light in exhibition spaces.
Matériaux et éclairage