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Soviet architectural design often evokes images of brutalism, Stalinist style, and austere, straight-lined concrete blocks. However, objects such as the thousands of derelict bus stops scattered throughout the former Eastern Bloc and Central Asia seem to have a different aesthetic that surpasses the scope of these preconceptions. Rather than being mass-produced, many of(...)
Hoshino Ai: Soviet Architectural Design
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Soviet architectural design often evokes images of brutalism, Stalinist style, and austere, straight-lined concrete blocks. However, objects such as the thousands of derelict bus stops scattered throughout the former Eastern Bloc and Central Asia seem to have a different aesthetic that surpasses the scope of these preconceptions. Rather than being mass-produced, many of them were created by local architects, students, or artists, and still retain a quiet charm today. Whether distinctively shaped, decorated with beautiful mosaics, or painted in once-bright colours, these bus stops that time forgot are lovingly documented by photographer Ai Hoshino.
Monographies photo
livres
Description:
1 online resource : illustrations (chiefly color), audio file, color map, plan, video file
Montréal, Québec : Canadian Centre for Architecture, [2016]
Can design be devious? : the story of the Robert Moses bridges over the Long Island parkways, and other explorations of unexpected political consequences of design / Francesco Garutti ; contributors, Matthew Gandy, Stephen Graham, Antony Hudek, Albena Yaneva ; translation, Stephen Piccolo.
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1 online resource : illustrations (chiefly color), audio file, color map, plan, video file
livres
Montréal, Québec : Canadian Centre for Architecture, [2016]
livres
Le catalogue des voitures
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De la motoneige à la voiture Chewing-GUM, du camion de pompier au bus galactique, cet étonnant catalogue réunit autant de véhicules réels que d'engins délirants. À toi de démêler le vrai du faux !
Le catalogue des voitures
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De la motoneige à la voiture Chewing-GUM, du camion de pompier au bus galactique, cet étonnant catalogue réunit autant de véhicules réels que d'engins délirants. À toi de démêler le vrai du faux !
livres
mars 2016
Littérature jeunesse
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Bus stops are normally mundane structures, standardized and replaceable and therefore scarcely paid any attention. Out on the country roads of the former Soviet Union states, however, lies a treasure trove of unexpected waiting zones for those willing to make the trip - a wide-ranging panoply of socialist architecture. Photographer Peter Ortner offers up a selection of(...)
Back in the USSR: Soviet roadside architecture from Samarkand to Yerevan
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Bus stops are normally mundane structures, standardized and replaceable and therefore scarcely paid any attention. Out on the country roads of the former Soviet Union states, however, lies a treasure trove of unexpected waiting zones for those willing to make the trip - a wide-ranging panoply of socialist architecture. Photographer Peter Ortner offers up a selection of these varied bus stops in this publication. Taken both in Central Asia and in Eastern Europe, in Azerbaijan, Moldova, Uzbekistan, Armenia, Georgia, Ukraine and the Crimea peninsula, Ortner’s photographs illuminate the imaginative variations on this vernacular architecture as well as the more expected works of socialist modernism.
Modernisme
Taylor Holland: eurobus
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This series of 58 digital photographs was shot on bicycle commutes in Paris, France in Spring 2011. This book is dedicated to the anonymous designers of European tour bus graphics, who have embraced an underappreciated art space and made it their own.
Monographies photo, Design graphique et typographie, Transport, tourisme, migration, Consignation
février 2012
Taylor Holland: eurobus
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This series of 58 digital photographs was shot on bicycle commutes in Paris, France in Spring 2011. This book is dedicated to the anonymous designers of European tour bus graphics, who have embraced an underappreciated art space and made it their own.
Geomancy
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The photographs in Geomancy were taken from October 2007 to November 2008, using an Olympus Stylus with color film. I had left New York for Beijing, where I lived on Xindong Lu, sometimes tutored English, and occasionally wrote a column called "Raw China" for Vice. The city embodied an almost too good to be true clichéd "otherness" with an overabundance of literally(...)
Monographies photo
novembre 2025
Geomancy
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The photographs in Geomancy were taken from October 2007 to November 2008, using an Olympus Stylus with color film. I had left New York for Beijing, where I lived on Xindong Lu, sometimes tutored English, and occasionally wrote a column called "Raw China" for Vice. The city embodied an almost too good to be true clichéd "otherness" with an overabundance of literally foreign colors, textures, shapes, and structures. Put another way, China, and Beijing in particular, is extremely photogenic. The title comes from a reference to the Forbidden City in the accompanying story "The First Bus of Beijing" about riding the No. 1 bus. It couldn’t be more appropriate, as Geomancy is a concept taken very seriously in China that means "the art of placing or arranging buildings or other sites auspiciously."
Monographies photo
Ecdm parkabus
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Livré au printemps 2007, le nouveau bâtiment administratif du Centre-Bus de la RATP à Thiais, signé par les architectes Emmanuel Combarel et Dominique Marrec (ECDM), semble émerger de la chaussée. Difficile de dissocier la pensée de la technique dans la conception de ce bâtiment innovant à aucun semblable.
Architecture, monographies
octobre 2008, Bruxelles
Ecdm parkabus
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Livré au printemps 2007, le nouveau bâtiment administratif du Centre-Bus de la RATP à Thiais, signé par les architectes Emmanuel Combarel et Dominique Marrec (ECDM), semble émerger de la chaussée. Difficile de dissocier la pensée de la technique dans la conception de ce bâtiment innovant à aucun semblable.
Architecture, monographies
livres
Description:
147 pages : illustrations ; 20 cm
London ; New York : Verso, 2001.
London : bread and circuses / Jonathan Glancey.
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147 pages : illustrations ; 20 cm
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London ; New York : Verso, 2001.
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xiv, 344 pages, 45 unnumbered leaves of plates : illustrations ; 29 cm
Locust Valley, N.Y. : J.J. Augustin, 1979.
Studies in classical art and archaeology : a tribute to Peter Heinrich von Blanckenhagen / edited by Günter Kopcke and Mary B. Moore.
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xiv, 344 pages, 45 unnumbered leaves of plates : illustrations ; 29 cm
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Locust Valley, N.Y. : J.J. Augustin, 1979.
Posters: a global history
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From band posters stapled to telephone poles to the advertisements hanging at bus shelters to the inspirational prints that adorn office walls, posters surround us everywhere—but do we know how they began? Telling the story of this ephemeral art form, Elizabeth E. Guffey reexamines the poster’s roots in the nineteenth century and explores the relevance they still possess(...)
Posters: a global history
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From band posters stapled to telephone poles to the advertisements hanging at bus shelters to the inspirational prints that adorn office walls, posters surround us everywhere—but do we know how they began? Telling the story of this ephemeral art form, Elizabeth E. Guffey reexamines the poster’s roots in the nineteenth century and explores the relevance they still possess in the age of digital media.
Arts graphiques imprimés