3398 Résultats
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1988:0433:022
Description:
- Abrasion marks at the t. and c.r. suggest that a finial design was altered and in one case redrawn. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
DR1988:0433:022
Description:
- Abrasion marks at the t. and c.r. suggest that a finial design was altered and in one case redrawn. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
October 1849
October 1849
Titre:
Sections for Fonthill House on lines LM, NO, and PQ showing the courtyards
Actions:
DR1988:0433:022
Description:
- Abrasion marks at the t. and c.r. suggest that a finial design was altered and in one case redrawn. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
Sections for Fonthill House on lines LM, NO, and PQ showing the courtyards
Actions:
DR1988:0433:022
Description:
- Abrasion marks at the t. and c.r. suggest that a finial design was altered and in one case redrawn. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
Classification:
dessins
dessins
Date:
October 1849
October 1849
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins
dessins
Titre:
Elevations and profiles for variant types of dormer windows for the office buildings, Fonthill House
Elevations and profiles for variant types of dormer windows for the office buildings, Fonthill House
Actions:
Numéro de référence:
DR1988:0433:029
Description:
- Designs for three types of gabled dormer windows for the service wings of Fonthill House, Wiltshire. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
DR1988:0433:029
Description:
- Designs for three types of gabled dormer windows for the service wings of Fonthill House, Wiltshire. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
October 1849
October 1849
Titre:
Elevations and profiles for variant types of dormer windows for the office buildings, Fonthill House
Actions:
DR1988:0433:029
Description:
- Designs for three types of gabled dormer windows for the service wings of Fonthill House, Wiltshire. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
Elevations and profiles for variant types of dormer windows for the office buildings, Fonthill House
Actions:
DR1988:0433:029
Description:
- Designs for three types of gabled dormer windows for the service wings of Fonthill House, Wiltshire. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
Classification:
dessins
dessins
Date:
October 1849
October 1849
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
expositions
expositions
Actions:
Description:
L’exposition Architectes de l’image : les photographes à l’âge héroïque des grands travaux fait ressortir les liens entre la représentation photographique et les grands travaux entrepris au cours du premier siècle de développement de la photographie dans les domaines de l’architecture et de l’ingénierie. L’idée centrale de l’exposition – le photographe vu comme un(...)
L’exposition Architectes de l’image : les photographes à l’âge héroïque des grands travaux fait ressortir les liens entre la représentation photographique et les grands travaux entrepris au cours du premier siècle de développement de la photographie dans les domaines de l’architecture et de l’ingénierie. L’idée centrale de l’exposition – le photographe vu comme un(...)
Date:
11 octobre 1995 au 4 février 1996
11 octobre 1995 au 4 février 1996
Titre:
Architectes de l'image : les photographes à l'âge héroïque des grands travaux
Actions:
Description:
L’exposition Architectes de l’image : les photographes à l’âge héroïque des grands travaux fait ressortir les liens entre la représentation photographique et les grands travaux entrepris au cours du premier siècle de développement de la photographie dans les domaines de l’architecture et de l’ingénierie. L’idée centrale de l’exposition – le photographe vu comme un(...)
Architectes de l'image : les photographes à l'âge héroïque des grands travaux
Actions:
Description:
L’exposition Architectes de l’image : les photographes à l’âge héroïque des grands travaux fait ressortir les liens entre la représentation photographique et les grands travaux entrepris au cours du premier siècle de développement de la photographie dans les domaines de l’architecture et de l’ingénierie. L’idée centrale de l’exposition – le photographe vu comme un(...)
Classification:
expositions
expositions
Date:
11 octobre 1995 au
4 février 1996
11 octobre 1995 au
4 février 1996
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH276176
Description:
43 files - Group contains subject working files, project files, press materials, professional organizations and honours and files related to book and film projects. Files are generally organized alphabetically, A-P, and include: Association of International Architects; Arthur Erickson Commercial Buildings (large scale developments); AIA Gold Medal Certificate, Honours, Awards and C.V.; Avon; Architect License - Washington; AIBC Learning Units and Correspondence; AIBC Notice of Inquiry; Book - "Works in Concrete"; Canada Council - Architecture Office; Changsha/Weihai 2004; China Trip 2003; Concord Pacific; Contacts; Edmonton Art Gallery; Evelyn Drive; Evergreen/Coal Harbour; Gastown Canopy; Governor General - Correspondence; International Academy of Architecture; Kunming Trip June 2003; Life & Times Doc.; Lethbridge - Larry Paterson; Museum of Anthropology Expansion files; Oberlander, Cornelia; Onley, Yukiko - book; Order of British Columbia; "Passions"- Documentary.
ARCH276176
Description:
43 files - Group contains subject working files, project files, press materials, professional organizations and honours and files related to book and film projects. Files are generally organized alphabetically, A-P, and include: Association of International Architects; Arthur Erickson Commercial Buildings (large scale developments); AIA Gold Medal Certificate, Honours, Awards and C.V.; Avon; Architect License - Washington; AIBC Learning Units and Correspondence; AIBC Notice of Inquiry; Book - "Works in Concrete"; Canada Council - Architecture Office; Changsha/Weihai 2004; China Trip 2003; Concord Pacific; Contacts; Edmonton Art Gallery; Evelyn Drive; Evergreen/Coal Harbour; Gastown Canopy; Governor General - Correspondence; International Academy of Architecture; Kunming Trip June 2003; Life & Times Doc.; Lethbridge - Larry Paterson; Museum of Anthropology Expansion files; Oberlander, Cornelia; Onley, Yukiko - book; Order of British Columbia; "Passions"- Documentary.
Personnes et institutions:
Date:
ca. 2000-2005
ca. 2000-2005
Titre:
Project files, press materials, and various office files
Actions:
ARCH276176
Description:
43 files - Group contains subject working files, project files, press materials, professional organizations and honours and files related to book and film projects. Files are generally organized alphabetically, A-P, and include: Association of International Architects; Arthur Erickson Commercial Buildings (large scale developments); AIA Gold Medal Certificate, Honours, Awards and C.V.; Avon; Architect License - Washington; AIBC Learning Units and Correspondence; AIBC Notice of Inquiry; Book - "Works in Concrete"; Canada Council - Architecture Office; Changsha/Weihai 2004; China Trip 2003; Concord Pacific; Contacts; Edmonton Art Gallery; Evelyn Drive; Evergreen/Coal Harbour; Gastown Canopy; Governor General - Correspondence; International Academy of Architecture; Kunming Trip June 2003; Life & Times Doc.; Lethbridge - Larry Paterson; Museum of Anthropology Expansion files; Oberlander, Cornelia; Onley, Yukiko - book; Order of British Columbia; "Passions"- Documentary.
Project files, press materials, and various office files
Actions:
ARCH276176
Description:
43 files - Group contains subject working files, project files, press materials, professional organizations and honours and files related to book and film projects. Files are generally organized alphabetically, A-P, and include: Association of International Architects; Arthur Erickson Commercial Buildings (large scale developments); AIA Gold Medal Certificate, Honours, Awards and C.V.; Avon; Architect License - Washington; AIBC Learning Units and Correspondence; AIBC Notice of Inquiry; Book - "Works in Concrete"; Canada Council - Architecture Office; Changsha/Weihai 2004; China Trip 2003; Concord Pacific; Contacts; Edmonton Art Gallery; Evelyn Drive; Evergreen/Coal Harbour; Gastown Canopy; Governor General - Correspondence; International Academy of Architecture; Kunming Trip June 2003; Life & Times Doc.; Lethbridge - Larry Paterson; Museum of Anthropology Expansion files; Oberlander, Cornelia; Onley, Yukiko - book; Order of British Columbia; "Passions"- Documentary.
Classification:
documents textuels
documents textuels
Date:
ca. 2000-2005
ca. 2000-2005
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1988:0433:042
Description:
- These drawings of moulding profiles are tentatively identified as jamb profiles because of similarities to the jamb profile on DR1988:0433:025. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
DR1988:0433:042
Description:
- These drawings of moulding profiles are tentatively identified as jamb profiles because of similarities to the jamb profile on DR1988:0433:025. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
October 1849 ?
October 1849 ?
Titre:
Details for stonework for Fonthill House, possibly sections for jambs
Actions:
DR1988:0433:042
Description:
- These drawings of moulding profiles are tentatively identified as jamb profiles because of similarities to the jamb profile on DR1988:0433:025. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
Details for stonework for Fonthill House, possibly sections for jambs
Actions:
DR1988:0433:042
Description:
- These drawings of moulding profiles are tentatively identified as jamb profiles because of similarities to the jamb profile on DR1988:0433:025. - One of a group of working drawings for William Burn's October 1849 project for Fonthill House, Wiltshire, a country house designed in the Jacobethan style. This group represents only one of the projects that Burn proposed for Fonthill House; the final project, executed in 1856, was much smaller (Walker, 31, illustrated in Hitchcock, vol. 2, fig. VIII 31). Drawings include plans, elevations, and sections, as well as full-scale drawings of masonry details. Approximately half of the drawings are part of a numbered series from one to twenty-two, while the other drawings, mostly masonry details, were not numbered. These latter drawings are not as carefully finished, and a few are incomplete.
Classification:
dessins
dessins
Date:
October 1849 ?
October 1849 ?
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Numéro de référence:
CD033
Résumé:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
CD033
Résumé:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
Personnes et institutions:
Date:
2003-2008
2003-2008
Titre:
Collection d’Aldo Cibic pour le projet Microrealities
Actions:
CD033
Résumé:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
Collection d’Aldo Cibic pour le projet Microrealities
Actions:
CD033
Résumé:
The Aldo Cibic Microrealities project collection primarily consists of presentation materials, publications and born digital materials, like videos and photographs, by Aldo Cibic produced between 2003 and 2008 for the project “Microrealities”.
Classification:
archives
Niveau de description archivistique:
collection
archives
Niveau de description archivistique:
collection
Date:
2003-2008
2003-2008
Personnes et institutions:
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Actions:
Numéro de référence:
DR1974:0002:003:001-105
Description:
- This album consists primarily of design development drawings and the architect's copies of the working drawings for Hôtel Soltykoff. The hôtel consisted of a single rectangular pavilion with a central porte cochère and a rear courtyard with an outbuilding. The principal façade facing rue Saint-Arnaud (now rue Volney) and the interior were lavishly decorated. The structure of the hôtel consisted of load-bearing masonry combined with cast-iron columns, iron beams, and interior wood framing. The exterior was finished with cut stone. The album contains plans, elevations, details and sections, and full-scale drawings of the architectural elements, ornamentation, as well as joinery. Many of the drawings and transfer lithographs are inscribed with both the date of the drawing/original and the date of contract. Revisions, which are also often dated, have been made either directly on the drawing or on pieces of paper attached to the sheets. Inscriptions indicate that in some cases these revisions were added after the construction of the building. Also included are preliminary drawings (DR1974:0002:003:028 R/V), and detailed interior views, some of which are partially coloured with watercolour (DR1974:0002:003:049, DR1974:0002:003:069, DR1974:0002:003:078). The drawings and transfer lithographs have been grouped, possibly by the compiler of the album, according to the part of the building represented, and by the type of construction: stonework, woodwork, framework, and ironwork. Unbound material inserted into the album includes four large unbound full-scale preliminary sketches for architectural ornament, possibly for Hôtel Soltykoff (DR1974:0002:003:061 - DR1974:0002:003:064) and two drawings for a terrace and staircase, apparently not for Hôtel Soltykoff (DR1974:0002:003:003 and DR1974:0002:003:042).
DR1974:0002:003:001-105
Description:
- This album consists primarily of design development drawings and the architect's copies of the working drawings for Hôtel Soltykoff. The hôtel consisted of a single rectangular pavilion with a central porte cochère and a rear courtyard with an outbuilding. The principal façade facing rue Saint-Arnaud (now rue Volney) and the interior were lavishly decorated. The structure of the hôtel consisted of load-bearing masonry combined with cast-iron columns, iron beams, and interior wood framing. The exterior was finished with cut stone. The album contains plans, elevations, details and sections, and full-scale drawings of the architectural elements, ornamentation, as well as joinery. Many of the drawings and transfer lithographs are inscribed with both the date of the drawing/original and the date of contract. Revisions, which are also often dated, have been made either directly on the drawing or on pieces of paper attached to the sheets. Inscriptions indicate that in some cases these revisions were added after the construction of the building. Also included are preliminary drawings (DR1974:0002:003:028 R/V), and detailed interior views, some of which are partially coloured with watercolour (DR1974:0002:003:049, DR1974:0002:003:069, DR1974:0002:003:078). The drawings and transfer lithographs have been grouped, possibly by the compiler of the album, according to the part of the building represented, and by the type of construction: stonework, woodwork, framework, and ironwork. Unbound material inserted into the album includes four large unbound full-scale preliminary sketches for architectural ornament, possibly for Hôtel Soltykoff (DR1974:0002:003:061 - DR1974:0002:003:064) and two drawings for a terrace and staircase, apparently not for Hôtel Soltykoff (DR1974:0002:003:003 and DR1974:0002:003:042).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1854-1858, printed 1854-1858
1854-1858, printed 1854-1858
Titre:
Album of prints and drawings for Hôtel Soltykoff, rue Saint-Arnaud, Paris
Actions:
DR1974:0002:003:001-105
Description:
- This album consists primarily of design development drawings and the architect's copies of the working drawings for Hôtel Soltykoff. The hôtel consisted of a single rectangular pavilion with a central porte cochère and a rear courtyard with an outbuilding. The principal façade facing rue Saint-Arnaud (now rue Volney) and the interior were lavishly decorated. The structure of the hôtel consisted of load-bearing masonry combined with cast-iron columns, iron beams, and interior wood framing. The exterior was finished with cut stone. The album contains plans, elevations, details and sections, and full-scale drawings of the architectural elements, ornamentation, as well as joinery. Many of the drawings and transfer lithographs are inscribed with both the date of the drawing/original and the date of contract. Revisions, which are also often dated, have been made either directly on the drawing or on pieces of paper attached to the sheets. Inscriptions indicate that in some cases these revisions were added after the construction of the building. Also included are preliminary drawings (DR1974:0002:003:028 R/V), and detailed interior views, some of which are partially coloured with watercolour (DR1974:0002:003:049, DR1974:0002:003:069, DR1974:0002:003:078). The drawings and transfer lithographs have been grouped, possibly by the compiler of the album, according to the part of the building represented, and by the type of construction: stonework, woodwork, framework, and ironwork. Unbound material inserted into the album includes four large unbound full-scale preliminary sketches for architectural ornament, possibly for Hôtel Soltykoff (DR1974:0002:003:061 - DR1974:0002:003:064) and two drawings for a terrace and staircase, apparently not for Hôtel Soltykoff (DR1974:0002:003:003 and DR1974:0002:003:042).
Album of prints and drawings for Hôtel Soltykoff, rue Saint-Arnaud, Paris
Actions:
DR1974:0002:003:001-105
Description:
- This album consists primarily of design development drawings and the architect's copies of the working drawings for Hôtel Soltykoff. The hôtel consisted of a single rectangular pavilion with a central porte cochère and a rear courtyard with an outbuilding. The principal façade facing rue Saint-Arnaud (now rue Volney) and the interior were lavishly decorated. The structure of the hôtel consisted of load-bearing masonry combined with cast-iron columns, iron beams, and interior wood framing. The exterior was finished with cut stone. The album contains plans, elevations, details and sections, and full-scale drawings of the architectural elements, ornamentation, as well as joinery. Many of the drawings and transfer lithographs are inscribed with both the date of the drawing/original and the date of contract. Revisions, which are also often dated, have been made either directly on the drawing or on pieces of paper attached to the sheets. Inscriptions indicate that in some cases these revisions were added after the construction of the building. Also included are preliminary drawings (DR1974:0002:003:028 R/V), and detailed interior views, some of which are partially coloured with watercolour (DR1974:0002:003:049, DR1974:0002:003:069, DR1974:0002:003:078). The drawings and transfer lithographs have been grouped, possibly by the compiler of the album, according to the part of the building represented, and by the type of construction: stonework, woodwork, framework, and ironwork. Unbound material inserted into the album includes four large unbound full-scale preliminary sketches for architectural ornament, possibly for Hôtel Soltykoff (DR1974:0002:003:061 - DR1974:0002:003:064) and two drawings for a terrace and staircase, apparently not for Hôtel Soltykoff (DR1974:0002:003:003 and DR1974:0002:003:042).
Classification:
dessins, oeuvres d'art
dessins, oeuvres d'art
Date:
1854-1858, printed 1854-1858
1854-1858, printed 1854-1858
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1980:0060:001
Description:
- This perspective drawing, with the plans for the first (DR1980:0060:002) and second (DR1980:0060:003) floors, form a set of early presentation drawings. According to David De Long, the scale is probably 1/4" = 1' (see object file). The house is presented as if seen from behind a window across the street. De Long also notes that this drawing does not show the low wall and the garden court indicated in the plans shown in Hitchcock; that the CCA drawing portrays a less cubic house than the photograph of the building in Hitchcock due to the former's higher point of view; and that the front windows in the drawing extend down to a sill slightly higher than that which supports the plants whereas they stop short of halfway down to the "plant" sill in the finished house.
DR1980:0060:001
Description:
- This perspective drawing, with the plans for the first (DR1980:0060:002) and second (DR1980:0060:003) floors, form a set of early presentation drawings. According to David De Long, the scale is probably 1/4" = 1' (see object file). The house is presented as if seen from behind a window across the street. De Long also notes that this drawing does not show the low wall and the garden court indicated in the plans shown in Hitchcock; that the CCA drawing portrays a less cubic house than the photograph of the building in Hitchcock due to the former's higher point of view; and that the front windows in the drawing extend down to a sill slightly higher than that which supports the plants whereas they stop short of halfway down to the "plant" sill in the finished house.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1915
1915
Titre:
Exterior perspective for the street facade for Emil Bach House, Chicago, Illinois
Actions:
DR1980:0060:001
Description:
- This perspective drawing, with the plans for the first (DR1980:0060:002) and second (DR1980:0060:003) floors, form a set of early presentation drawings. According to David De Long, the scale is probably 1/4" = 1' (see object file). The house is presented as if seen from behind a window across the street. De Long also notes that this drawing does not show the low wall and the garden court indicated in the plans shown in Hitchcock; that the CCA drawing portrays a less cubic house than the photograph of the building in Hitchcock due to the former's higher point of view; and that the front windows in the drawing extend down to a sill slightly higher than that which supports the plants whereas they stop short of halfway down to the "plant" sill in the finished house.
Exterior perspective for the street facade for Emil Bach House, Chicago, Illinois
Actions:
DR1980:0060:001
Description:
- This perspective drawing, with the plans for the first (DR1980:0060:002) and second (DR1980:0060:003) floors, form a set of early presentation drawings. According to David De Long, the scale is probably 1/4" = 1' (see object file). The house is presented as if seen from behind a window across the street. De Long also notes that this drawing does not show the low wall and the garden court indicated in the plans shown in Hitchcock; that the CCA drawing portrays a less cubic house than the photograph of the building in Hitchcock due to the former's higher point of view; and that the front windows in the drawing extend down to a sill slightly higher than that which supports the plants whereas they stop short of halfway down to the "plant" sill in the finished house.
Classification:
dessins
dessins
Date:
1915
1915
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
expositions
expositions
Actions:
Description:
Au cours des années soixante, les profondes transformations de Montréal en ont fait un archétype des grandes métropoles occidentales. À titre d’hôte de l’exposition universelle de 1967, Montréal a confirmé son statut de ville de l’avenir sur la scène internationale. Les années 60 : Montréal voit grand illustre les processus qui ont entraîné cette mutation. À travers des(...)
Au cours des années soixante, les profondes transformations de Montréal en ont fait un archétype des grandes métropoles occidentales. À titre d’hôte de l’exposition universelle de 1967, Montréal a confirmé son statut de ville de l’avenir sur la scène internationale. Les années 60 : Montréal voit grand illustre les processus qui ont entraîné cette mutation. À travers des(...)
Localisation:
Salles principales
Salles principales
Date:
20 octobre 2004 au 11 septembre 2005
20 octobre 2004 au 11 septembre 2005
Titre:
Les années 60 : Montréal voit grand
Actions:
Description:
Au cours des années soixante, les profondes transformations de Montréal en ont fait un archétype des grandes métropoles occidentales. À titre d’hôte de l’exposition universelle de 1967, Montréal a confirmé son statut de ville de l’avenir sur la scène internationale. Les années 60 : Montréal voit grand illustre les processus qui ont entraîné cette mutation. À travers des(...)
Les années 60 : Montréal voit grand
Actions:
Description:
Au cours des années soixante, les profondes transformations de Montréal en ont fait un archétype des grandes métropoles occidentales. À titre d’hôte de l’exposition universelle de 1967, Montréal a confirmé son statut de ville de l’avenir sur la scène internationale. Les années 60 : Montréal voit grand illustre les processus qui ont entraîné cette mutation. À travers des(...)
Classification:
expositions
expositions
Date:
20 octobre 2004 au
11 septembre 2005
20 octobre 2004 au
11 septembre 2005
Localisation:
Salles principales
Salles principales
Classification:
expositions
expositions
Actions:
Description:
L’œuvre de Myron Goldsmith montre comment une économie des moyens et une approche simple peuvent produire un langage architectural éminemment poétique. L’exposition Myron Goldsmith, poète de la structure montre, à partir d’un corpus de notes, de carnets d’esquisses et d’études provenant de la collection des documents personnels de Goldsmith conservés au CCA, comment(...)
L’œuvre de Myron Goldsmith montre comment une économie des moyens et une approche simple peuvent produire un langage architectural éminemment poétique. L’exposition Myron Goldsmith, poète de la structure montre, à partir d’un corpus de notes, de carnets d’esquisses et d’études provenant de la collection des documents personnels de Goldsmith conservés au CCA, comment(...)
Localisation:
Salles principales
Salles principales
Date:
13 mars 1991 au 2 juin 1991
13 mars 1991 au 2 juin 1991
Titre:
Myron Goldsmith : poète de la structure
Actions:
Description:
L’œuvre de Myron Goldsmith montre comment une économie des moyens et une approche simple peuvent produire un langage architectural éminemment poétique. L’exposition Myron Goldsmith, poète de la structure montre, à partir d’un corpus de notes, de carnets d’esquisses et d’études provenant de la collection des documents personnels de Goldsmith conservés au CCA, comment(...)
Myron Goldsmith : poète de la structure
Actions:
Description:
L’œuvre de Myron Goldsmith montre comment une économie des moyens et une approche simple peuvent produire un langage architectural éminemment poétique. L’exposition Myron Goldsmith, poète de la structure montre, à partir d’un corpus de notes, de carnets d’esquisses et d’études provenant de la collection des documents personnels de Goldsmith conservés au CCA, comment(...)
Classification:
expositions
expositions
Date:
13 mars 1991 au
2 juin 1991
13 mars 1991 au
2 juin 1991
Localisation:
Salles principales
Salles principales
