1304 Résultats
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109 pages : illustrations ; 19 cm
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109 pages : illustrations ; 19 cm
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[Rousset] : Manuella Editions, ©2019.
[Rousset] : Manuella Editions, ©2019.
Titre:
Forward : rencontre avec Hans Ulrich Obrist / Eugénie Paultre.
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Description:
109 pages : illustrations ; 19 cm
Forward : rencontre avec Hans Ulrich Obrist / Eugénie Paultre.
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109 pages : illustrations ; 19 cm
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livres
livres
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[Rousset] : Manuella Editions, ©2019.
[Rousset] : Manuella Editions, ©2019.
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audio
audio
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1 online resource.
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[Place of publication not identified] : Scratching the Surface, 2018.
[Place of publication not identified] : Scratching the Surface, 2018.
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audio
audio
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[Place of publication not identified] : Scratching the Surface, 2018.
[Place of publication not identified] : Scratching the Surface, 2018.
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199 pages : illustrations ; 17 cm
Description:
199 pages : illustrations ; 17 cm
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Zurich : JRP/Ringier, [2017], ©2017
Zurich : JRP/Ringier, [2017], ©2017
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Somewhere totally else : columns, 2012-2017 / Hans Ulrich Obrist ; drawings by David Shrigley ; edited by Finn Canonica and Clément Dirié.
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199 pages : illustrations ; 17 cm
Somewhere totally else : columns, 2012-2017 / Hans Ulrich Obrist ; drawings by David Shrigley ; edited by Finn Canonica and Clément Dirié.
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199 pages : illustrations ; 17 cm
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livres
livres
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Zurich : JRP/Ringier, [2017], ©2017
Zurich : JRP/Ringier, [2017], ©2017
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$25.95
(disponible en magasin)
Résumé:
Through conversations with curators and participating artists, this book revisits some of the most groundbreaking yet under-researched European and US public art exhibitions of the 1980s and 1990s. It focuses on questions central to all these projects: How can art productively navigate political tensions? How have artists and curators addressed the ethical asymmetries of(...)
$25.95
(disponible en magasin)
Résumé:
Through conversations with curators and participating artists, this book revisits some of the most groundbreaking yet under-researched European and US public art exhibitions of the 1980s and 1990s. It focuses on questions central to all these projects: How can art productively navigate political tensions? How have artists and curators addressed the ethical asymmetries of(...)
Titre:
Assuming asymmetries: Conversations on curating public art projects of the 1980s and 1990s
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$25.95
(disponible en magasin)
Résumé:
Through conversations with curators and participating artists, this book revisits some of the most groundbreaking yet under-researched European and US public art exhibitions of the 1980s and 1990s. It focuses on questions central to all these projects: How can art productively navigate political tensions? How have artists and curators addressed the ethical asymmetries of the border condition, of inside and outside, working across walls and fences—whether physical, political, or social? Why is participation so hard to catalyze and conduct? How have artworks come to constitute a practice of “situated knowledge,” engaging with the contexts in which they are produced or exhibited? And finally, what can we learn from the exhibitions discussed here when developing new, respectful forms of curating today?
Assuming asymmetries: Conversations on curating public art projects of the 1980s and 1990s
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$25.95
(disponible en magasin)
Résumé:
Through conversations with curators and participating artists, this book revisits some of the most groundbreaking yet under-researched European and US public art exhibitions of the 1980s and 1990s. It focuses on questions central to all these projects: How can art productively navigate political tensions? How have artists and curators addressed the ethical asymmetries of the border condition, of inside and outside, working across walls and fences—whether physical, political, or social? Why is participation so hard to catalyze and conduct? How have artworks come to constitute a practice of “situated knowledge,” engaging with the contexts in which they are produced or exhibited? And finally, what can we learn from the exhibitions discussed here when developing new, respectful forms of curating today?
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livres
livres
Publication:
février 2022
février 2022
Sujet:
Muséologie
Muséologie
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livres
livres
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$13.95
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Now that we 'curate' even lunch, what happens to the role of the connoisseur in contemporary culture? 'Curate' is now a buzzword, applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of(...)
$13.95
(disponible sur commande)
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Now that we 'curate' even lunch, what happens to the role of the connoisseur in contemporary culture? 'Curate' is now a buzzword, applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of(...)
Titre:
Curationism: how curating took over the art world and everything else
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$13.95
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Now that we 'curate' even lunch, what happens to the role of the connoisseur in contemporary culture? 'Curate' is now a buzzword, applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of individual artists. Curatorial-studies programs continue to grow, and the business world is adopting curation as a means of adding value to content. Everyone, it seems, is a curator. But what is a curator, exactly? And what does the explosive popularity of curating say about our culture's relationship with taste, labour and the avant-garde? In this vibrant, revelatory and original study, David Balzer travels through art history and around the globe to explore the cult of curation, from superstar curator Hans Ulrich Obrist's war with sleep to Subway's 'sandwich artists.' Recalling such landmark works of cultural criticism as Tom Wolfe's The Painted Word and John Berger's Ways of Seeing, Curationism will change the way you look at art - and maybe even the way you see yourself.
Curationism: how curating took over the art world and everything else
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$13.95
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Résumé:
Now that we 'curate' even lunch, what happens to the role of the connoisseur in contemporary culture? 'Curate' is now a buzzword, applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of individual artists. Curatorial-studies programs continue to grow, and the business world is adopting curation as a means of adding value to content. Everyone, it seems, is a curator. But what is a curator, exactly? And what does the explosive popularity of curating say about our culture's relationship with taste, labour and the avant-garde? In this vibrant, revelatory and original study, David Balzer travels through art history and around the globe to explore the cult of curation, from superstar curator Hans Ulrich Obrist's war with sleep to Subway's 'sandwich artists.' Recalling such landmark works of cultural criticism as Tom Wolfe's The Painted Word and John Berger's Ways of Seeing, Curationism will change the way you look at art - and maybe even the way you see yourself.
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livres
livres
Publication:
septembre 2014
septembre 2014
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Muséologie
Muséologie
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livres
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1 online resource (315 pages)
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Open Humanities Press
Open Humanities Press
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Executing Practices Helen Pritchard, Eric Snodgrass, Magda Tyżlik-Carver.
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1 online resource (315 pages)
Executing Practices Helen Pritchard, Eric Snodgrass, Magda Tyżlik-Carver.
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1 online resource (315 pages)
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livres
livres
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Open Humanities Press
Open Humanities Press
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39 pages : illustrations ; 27 cm
Description:
39 pages : illustrations ; 27 cm
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Casalgrande (Italy) : Comune di Casalgrande, [2000]
Casalgrande (Italy) : Comune di Casalgrande, [2000]
Titre:
Esercizi di fotografia : Casalgrande 2000 / [ideation and organization, Roberto Margini, Luca Nasi, Maurizio Vecchi].
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Description:
39 pages : illustrations ; 27 cm
Esercizi di fotografia : Casalgrande 2000 / [ideation and organization, Roberto Margini, Luca Nasi, Maurizio Vecchi].
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39 pages : illustrations ; 27 cm
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livres
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Casalgrande (Italy) : Comune di Casalgrande, [2000]
Casalgrande (Italy) : Comune di Casalgrande, [2000]
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336 pages, [64] pages de plates : illustrations, plans, facsimiles ; 23 cm.
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336 pages, [64] pages de plates : illustrations, plans, facsimiles ; 23 cm.
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Roma : Apeiron, ©1993.
Roma : Apeiron, ©1993.
Titre:
The power of imagery : essays on Rome, Italy & imagination / edited by Peter van Kessel.
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336 pages, [64] pages de plates : illustrations, plans, facsimiles ; 23 cm.
The power of imagery : essays on Rome, Italy & imagination / edited by Peter van Kessel.
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336 pages, [64] pages de plates : illustrations, plans, facsimiles ; 23 cm.
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Roma : Apeiron, ©1993.
Roma : Apeiron, ©1993.
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1 folded sheet ([10] pages) : illustrations (some color), portrait ; 30 cm
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1 folded sheet ([10] pages) : illustrations (some color), portrait ; 30 cm
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[London] : [Barbican Art], [2002]
[London] : [Barbican Art], [2002]
Titre:
Barbican : this was tomorrow : gallery guide, 14 February-14 April 2002, the Curve.
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1 folded sheet ([10] pages) : illustrations (some color), portrait ; 30 cm
Barbican : this was tomorrow : gallery guide, 14 February-14 April 2002, the Curve.
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1 folded sheet ([10] pages) : illustrations (some color), portrait ; 30 cm
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livres
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[London] : [Barbican Art], [2002]
[London] : [Barbican Art], [2002]
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livres
livres
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$29.95
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Résumé:
Carolee Thea explores the intellectual convictions and personal visions that lay the groundwork for the most prestigious and influential exhibitions in the world today. Among the aesthetic and theoretical issues raised are the relationship between artist and curator, globalism, post-colonialism, capitalism, the future of cultural tourism and the biennial as spectacle or(...)
$29.95
(disponible sur commande)
Résumé:
Carolee Thea explores the intellectual convictions and personal visions that lay the groundwork for the most prestigious and influential exhibitions in the world today. Among the aesthetic and theoretical issues raised are the relationship between artist and curator, globalism, post-colonialism, capitalism, the future of cultural tourism and the biennial as spectacle or(...)
Titre:
On curating: interviews with ten international curators
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$29.95
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Résumé:
Carolee Thea explores the intellectual convictions and personal visions that lay the groundwork for the most prestigious and influential exhibitions in the world today. Among the aesthetic and theoretical issues raised are the relationship between artist and curator, globalism, post-colonialism, capitalism, the future of cultural tourism and the biennial as spectacle or utopian ideal. Thea's interviewees are Joseph Backstein, Carolyn Christov-Bakargiev, Okwui Enwezor, Charles Esche, Massimiliano Gioni, RoseLee Goldberg, Mary Jane Jacob, Pi Li, Virginia Perez-Ratton and Rirkrit Tiravanija.
On curating: interviews with ten international curators
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Prix:
$29.95
(disponible sur commande)
Résumé:
Carolee Thea explores the intellectual convictions and personal visions that lay the groundwork for the most prestigious and influential exhibitions in the world today. Among the aesthetic and theoretical issues raised are the relationship between artist and curator, globalism, post-colonialism, capitalism, the future of cultural tourism and the biennial as spectacle or utopian ideal. Thea's interviewees are Joseph Backstein, Carolyn Christov-Bakargiev, Okwui Enwezor, Charles Esche, Massimiliano Gioni, RoseLee Goldberg, Mary Jane Jacob, Pi Li, Virginia Perez-Ratton and Rirkrit Tiravanija.
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livres
livres
Publication:
octobre 2009
octobre 2009
