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ix, 163 pages : illustrations ; 26 cm.
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ix, 163 pages : illustrations ; 26 cm.
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London ; New York : Routledge, 1994.
London ; New York : Routledge, 1994.
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Architecture in conservation : managing development at historic sites / James Strike.
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ix, 163 pages : illustrations ; 26 cm.
Architecture in conservation : managing development at historic sites / James Strike.
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ix, 163 pages : illustrations ; 26 cm.
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London ; New York : Routledge, 1994.
London ; New York : Routledge, 1994.
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$97.00
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Résumé:
While the achievements of New York City’s most renowned postwar artists—de Kooning, Pollock, Rothko, Franz Kline—have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more wellknown figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg.(...)
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While the achievements of New York City’s most renowned postwar artists—de Kooning, Pollock, Rothko, Franz Kline—have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more wellknown figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg.(...)
Publication:
décembre 2016
décembre 2016
Titre:
Inventing downtown: artist-run galleries in New York City, 1952-1965
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While the achievements of New York City’s most renowned postwar artists—de Kooning, Pollock, Rothko, Franz Kline—have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more wellknown figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg. Focusing on innovative artist-run galleries, this book invites readers to reevaluate the period—uncovering its diversity, creativity, and nuances, and tracing the spaces’ influence during the decades that followed. Inventing Downtown charts the development of artist-run galleries in Lower Manhattan from the early 1950s to the mid-1960s, showing how the area’s multicultural spirit played a major role in shaping the artworks exhibited there. The book explores 14 key spaces in which styles such as Pop, Minimalism, and performance and installation art thrived. Excerpts from 33 revealing interviews with artists, critics, and dealers, conducted by Billy Klüver and Julie Martin, offer unique personal insight into the era’s creative milieu. Taken together, the book’s essays and interviews provide a distinctly new assessment of how downtown New York’s fertile environment nurtured an innovative art scene.
Inventing downtown: artist-run galleries in New York City, 1952-1965
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While the achievements of New York City’s most renowned postwar artists—de Kooning, Pollock, Rothko, Franz Kline—have been studied in depth, a large cadre of lesser-known but influential artists came of age between 1952 and 1965. Also understudied are the early, experimental works by more wellknown figures such as Mark di Suvero, Jim Dine, Dan Flavin, and Claes Oldenburg. Focusing on innovative artist-run galleries, this book invites readers to reevaluate the period—uncovering its diversity, creativity, and nuances, and tracing the spaces’ influence during the decades that followed. Inventing Downtown charts the development of artist-run galleries in Lower Manhattan from the early 1950s to the mid-1960s, showing how the area’s multicultural spirit played a major role in shaping the artworks exhibited there. The book explores 14 key spaces in which styles such as Pop, Minimalism, and performance and installation art thrived. Excerpts from 33 revealing interviews with artists, critics, and dealers, conducted by Billy Klüver and Julie Martin, offer unique personal insight into the era’s creative milieu. Taken together, the book’s essays and interviews provide a distinctly new assessment of how downtown New York’s fertile environment nurtured an innovative art scene.
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livres
livres
Publication:
décembre 2016
décembre 2016
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$29.95
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This publication introduces the reader to the basics of architecture so they can gain everything they need to know in order to "talk about" this topic. It provides the general public with the keys to understanding architecture from the twentieth and twenty-first centuries, and simultaneously recalls the great edifices of earlier eras. The work is broken down into chapters(...)
$29.95
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This publication introduces the reader to the basics of architecture so they can gain everything they need to know in order to "talk about" this topic. It provides the general public with the keys to understanding architecture from the twentieth and twenty-first centuries, and simultaneously recalls the great edifices of earlier eras. The work is broken down into chapters(...)
Titre:
Talk about contemporary architecture
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$29.95
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This publication introduces the reader to the basics of architecture so they can gain everything they need to know in order to "talk about" this topic. It provides the general public with the keys to understanding architecture from the twentieth and twenty-first centuries, and simultaneously recalls the great edifices of earlier eras. The work is broken down into chapters that decipher a diverse range of essential concepts and answer the fundamental questions on the subject: What is contemporary architecture? When did it arise? What is its purpose? What are its newest innovations? Who are the leading architects and their most significant contributions? How can different styles be recognized? The answers to all of these questions are explained in clear and engaging text, guiding the reader to appreciate this art form that pervades all public spaces and is of universal interest. Designed as an accessible introduction, this work highlights thirty essential dates that changed the face of architecture, as well as the movers and shakers of the architecture world who have initiated and propelled movements ranging from minimalism to modernism to neo-classicism. The book is completed by a detailed chronology and a glossary of the essential vocabulary needed to talk about architecture.
Talk about contemporary architecture
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$29.95
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This publication introduces the reader to the basics of architecture so they can gain everything they need to know in order to "talk about" this topic. It provides the general public with the keys to understanding architecture from the twentieth and twenty-first centuries, and simultaneously recalls the great edifices of earlier eras. The work is broken down into chapters that decipher a diverse range of essential concepts and answer the fundamental questions on the subject: What is contemporary architecture? When did it arise? What is its purpose? What are its newest innovations? Who are the leading architects and their most significant contributions? How can different styles be recognized? The answers to all of these questions are explained in clear and engaging text, guiding the reader to appreciate this art form that pervades all public spaces and is of universal interest. Designed as an accessible introduction, this work highlights thirty essential dates that changed the face of architecture, as well as the movers and shakers of the architecture world who have initiated and propelled movements ranging from minimalism to modernism to neo-classicism. The book is completed by a detailed chronology and a glossary of the essential vocabulary needed to talk about architecture.
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livres
livres
Publication:
avril 2010
avril 2010
Sujet:
Architecture contemporaine
Architecture contemporaine
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livres
livres
Titre:
Felix Gonzalez-Torres
Felix Gonzalez-Torres
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$85.00
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Felix Gonzalez-Torres, one of the most influential artists of his generation, lived and worked resolutely according to his own democratic ideology, determined to “make this a better place for everyone.” Combining principles of conceptual art, minimalism, political activism and poetic beauty, Gonzalez-Torres’s ever-changing arsenal included public billboards, give-away(...)
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Felix Gonzalez-Torres, one of the most influential artists of his generation, lived and worked resolutely according to his own democratic ideology, determined to “make this a better place for everyone.” Combining principles of conceptual art, minimalism, political activism and poetic beauty, Gonzalez-Torres’s ever-changing arsenal included public billboards, give-away(...)
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Felix Gonzalez-Torres
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$85.00
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Felix Gonzalez-Torres, one of the most influential artists of his generation, lived and worked resolutely according to his own democratic ideology, determined to “make this a better place for everyone.” Combining principles of conceptual art, minimalism, political activism and poetic beauty, Gonzalez-Torres’s ever-changing arsenal included public billboards, give-away piles of candy or posters, and ordinary objects (clocks, mirrors, light fixtures) often used to startling effect. His work challenged the notions of public and private space, originality, authorship and—most significantly—the authoritative structure in which he functioned. Now in its second edition, Gonzalez-Torres’s editor Julie Ault has amassed a comprehensive monograph of this important artist. In the spirit of the artist’s method, Ault rethinks the very idea of what a monograph should be. The book, which places strong emphasis on the written word, contains texts by Robert Storr and Miwon Kwon among other notables, as well as significant critical essays, exhibition statements, transcripts from lectures, personal correspondence, and writings that influenced Gonzalez-Torres and his work. Ample visual documentation adds another decisive layer of content. We see works not just in their finality, but often witness their transformation over a lifespan. This collection is a critical reference for the history of contemporary art.
Felix Gonzalez-Torres
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$85.00
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Felix Gonzalez-Torres, one of the most influential artists of his generation, lived and worked resolutely according to his own democratic ideology, determined to “make this a better place for everyone.” Combining principles of conceptual art, minimalism, political activism and poetic beauty, Gonzalez-Torres’s ever-changing arsenal included public billboards, give-away piles of candy or posters, and ordinary objects (clocks, mirrors, light fixtures) often used to startling effect. His work challenged the notions of public and private space, originality, authorship and—most significantly—the authoritative structure in which he functioned. Now in its second edition, Gonzalez-Torres’s editor Julie Ault has amassed a comprehensive monograph of this important artist. In the spirit of the artist’s method, Ault rethinks the very idea of what a monograph should be. The book, which places strong emphasis on the written word, contains texts by Robert Storr and Miwon Kwon among other notables, as well as significant critical essays, exhibition statements, transcripts from lectures, personal correspondence, and writings that influenced Gonzalez-Torres and his work. Ample visual documentation adds another decisive layer of content. We see works not just in their finality, but often witness their transformation over a lifespan. This collection is a critical reference for the history of contemporary art.
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livres
livres
Publication:
septembre 2016
septembre 2016
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Description:
256 pages : color illustrations, plans ; 26 cm
Description:
256 pages : color illustrations, plans ; 26 cm
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New York, NY : Metropolis Books, 2014., ©2014
New York, NY : Metropolis Books, 2014., ©2014
Titre:
Superlight : rethinking how our homes impact the earth / Phyllis Richardson.
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Description:
256 pages : color illustrations, plans ; 26 cm
Superlight : rethinking how our homes impact the earth / Phyllis Richardson.
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256 pages : color illustrations, plans ; 26 cm
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livres
livres
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New York, NY : Metropolis Books, 2014., ©2014
New York, NY : Metropolis Books, 2014., ©2014
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livres
livres
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Boring postcards
Boring postcards
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$14.95
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Martin Parr is a key figure in the world of photography and contemporary art. Some accuse him of cruelty, but many more appreciate the wit and irony with which he tackles such subjects as bad taste, food, the tourist, shopping and the foibles of the British. Parr has been collecting postcards for twenty years, and here is the cream of his collection – his boring(...)
$14.95
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Martin Parr is a key figure in the world of photography and contemporary art. Some accuse him of cruelty, but many more appreciate the wit and irony with which he tackles such subjects as bad taste, food, the tourist, shopping and the foibles of the British. Parr has been collecting postcards for twenty years, and here is the cream of his collection – his boring(...)
Titre:
Boring postcards
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$14.95
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Martin Parr is a key figure in the world of photography and contemporary art. Some accuse him of cruelty, but many more appreciate the wit and irony with which he tackles such subjects as bad taste, food, the tourist, shopping and the foibles of the British. Parr has been collecting postcards for twenty years, and here is the cream of his collection – his boring postcards. With no introduction or commentary of any kind, Parr’s boring postcards are reproduced straight: they are exactly what they say they are, namely boring picture postcards showing boring photographs of boring places … presumably for boring people to buy to send to their boring friends. All of them are shot in Britain, taking us on a boring tour of its motorways, ring roads, traffic interchanges, bus stations, pedestrian precincts, factories, housing estates, airports, caravan sites, convalescent homes and shopping centres. Some attempt to idealize their subjects, only to fail dismally. Others lack any apparent purpose or interest … but the resultant collection of photographic images is wholly compelling. Boring Postcards is multi-layered: a commentary on British architecture, social life and identity, a record of a folk photography which is today being appropriated by the most fashionable photographers (including Parr), an exercise in sublime minimalism … and, above all, a richly comic photographic entertainment
Boring postcards
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$14.95
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Martin Parr is a key figure in the world of photography and contemporary art. Some accuse him of cruelty, but many more appreciate the wit and irony with which he tackles such subjects as bad taste, food, the tourist, shopping and the foibles of the British. Parr has been collecting postcards for twenty years, and here is the cream of his collection – his boring postcards. With no introduction or commentary of any kind, Parr’s boring postcards are reproduced straight: they are exactly what they say they are, namely boring picture postcards showing boring photographs of boring places … presumably for boring people to buy to send to their boring friends. All of them are shot in Britain, taking us on a boring tour of its motorways, ring roads, traffic interchanges, bus stations, pedestrian precincts, factories, housing estates, airports, caravan sites, convalescent homes and shopping centres. Some attempt to idealize their subjects, only to fail dismally. Others lack any apparent purpose or interest … but the resultant collection of photographic images is wholly compelling. Boring Postcards is multi-layered: a commentary on British architecture, social life and identity, a record of a folk photography which is today being appropriated by the most fashionable photographers (including Parr), an exercise in sublime minimalism … and, above all, a richly comic photographic entertainment
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livres
livres
Publication:
février 2004, London
février 2004, London
Sujet:
Théorie de la photographie
Théorie de la photographie
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351 pages : illustrations (chiefly color) ; 29 cm
Description:
351 pages : illustrations (chiefly color) ; 29 cm
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Paris : Norma Éditions, ©2017.
Paris : Norma Éditions, ©2017.
Titre:
Pucci De Rossi / préface, Nancy Huston ; textes, Jean-Louis Gaillemin [and others].
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351 pages : illustrations (chiefly color) ; 29 cm
Pucci De Rossi / préface, Nancy Huston ; textes, Jean-Louis Gaillemin [and others].
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351 pages : illustrations (chiefly color) ; 29 cm
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livres
livres
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Paris : Norma Éditions, ©2017.
Paris : Norma Éditions, ©2017.
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Description:
255 pages : illustrations (some color) ; 29 x 25 cm
Description:
255 pages : illustrations (some color) ; 29 x 25 cm
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Dallas, Texas : Nasher Sculpture Center ; New York : Del Monico Books·D.A.P., [2023], ©2023
Dallas, Texas : Nasher Sculpture Center ; New York : Del Monico Books·D.A.P., [2023], ©2023
Titre:
Groundswell : women of land art / Leigh A. Arnold ; with contributions by Leigh A. Arnold, Scout Hutchinson, Jana La Brasca, Anna Lovatt, Jenni Sorkin, and Anne Thompson.
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255 pages : illustrations (some color) ; 29 x 25 cm
Groundswell : women of land art / Leigh A. Arnold ; with contributions by Leigh A. Arnold, Scout Hutchinson, Jana La Brasca, Anna Lovatt, Jenni Sorkin, and Anne Thompson.
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255 pages : illustrations (some color) ; 29 x 25 cm
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livres
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Dallas, Texas : Nasher Sculpture Center ; New York : Del Monico Books·D.A.P., [2023], ©2023
Dallas, Texas : Nasher Sculpture Center ; New York : Del Monico Books·D.A.P., [2023], ©2023
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livres
livres
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Ed Ruscha, photographer
Ed Ruscha, photographer
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$54.95
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Résumé:
Although known for his paintings and drawings, California artist Ed Ruscha has also attracted critical attention for his photography. A new exhibition and accompanying catalogue, "Ed Ruscha, photographer", depart from earlier books to explore how the artist’s different disciplines — painting, drawing, printmaking, and photography — are guided and shaped by a single(...)
$54.95
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Although known for his paintings and drawings, California artist Ed Ruscha has also attracted critical attention for his photography. A new exhibition and accompanying catalogue, "Ed Ruscha, photographer", depart from earlier books to explore how the artist’s different disciplines — painting, drawing, printmaking, and photography — are guided and shaped by a single(...)
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Ed Ruscha, photographer
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$54.95
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Although known for his paintings and drawings, California artist Ed Ruscha has also attracted critical attention for his photography. A new exhibition and accompanying catalogue, "Ed Ruscha, photographer", depart from earlier books to explore how the artist’s different disciplines — painting, drawing, printmaking, and photography — are guided and shaped by a single vision. Ruscha’s relationship to photography is complex and ambivalent, and the work is difficult to define. He has referred to his photography as a “hobby” but from the outset it has drawn considerable critical interest. The small books of photographs that Ruscha produced in the sixties and seventies earned him a reputation as an underground artist among his peers, and have influenced subsequent generations of artists in Europe and North America. The photographs were snapshot size, with an amateurish quality that intrigued his contemporaries. Neither purely documentary nor solely artistic, their subject matter was stereotypical and banal, with motifs drawn from sites in Southern California or the western United States. This, combined with their serial presentation, created a mythical road-movie or photo-novel effect with Beat Generation innuendos and inspired interest among artists at a time when serial logic was prominent in Pop art and Minimalism, and later in Conceptual art. This volume is produced in conjunction with a traveling exhibition to be shown in Europe in 2006, organized by The Whitney Museum of American Art, New York. The exhibition photographs have been selected from the collections of the Whitney and the artist by independent curator Margit Rowell.
Ed Ruscha, photographer
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$54.95
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Although known for his paintings and drawings, California artist Ed Ruscha has also attracted critical attention for his photography. A new exhibition and accompanying catalogue, "Ed Ruscha, photographer", depart from earlier books to explore how the artist’s different disciplines — painting, drawing, printmaking, and photography — are guided and shaped by a single vision. Ruscha’s relationship to photography is complex and ambivalent, and the work is difficult to define. He has referred to his photography as a “hobby” but from the outset it has drawn considerable critical interest. The small books of photographs that Ruscha produced in the sixties and seventies earned him a reputation as an underground artist among his peers, and have influenced subsequent generations of artists in Europe and North America. The photographs were snapshot size, with an amateurish quality that intrigued his contemporaries. Neither purely documentary nor solely artistic, their subject matter was stereotypical and banal, with motifs drawn from sites in Southern California or the western United States. This, combined with their serial presentation, created a mythical road-movie or photo-novel effect with Beat Generation innuendos and inspired interest among artists at a time when serial logic was prominent in Pop art and Minimalism, and later in Conceptual art. This volume is produced in conjunction with a traveling exhibition to be shown in Europe in 2006, organized by The Whitney Museum of American Art, New York. The exhibition photographs have been selected from the collections of the Whitney and the artist by independent curator Margit Rowell.
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livres
livres
Publication:
janvier 1900, Göttingen
janvier 1900, Göttingen
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223 pages : illustrations (some color) ; 24 cm
Description:
223 pages : illustrations (some color) ; 24 cm
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New York : Actar Publishers, [2016], ©2016
New York : Actar Publishers, [2016], ©2016
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XXL-XS : new directions in ecological design / Mitchell Joachim, Mike Silver.
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223 pages : illustrations (some color) ; 24 cm
XXL-XS : new directions in ecological design / Mitchell Joachim, Mike Silver.
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223 pages : illustrations (some color) ; 24 cm
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livres
livres
Publication:
New York : Actar Publishers, [2016], ©2016
New York : Actar Publishers, [2016], ©2016
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