Architecture in photographs
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Arranged chronologically, Architecture in Photographs spans the history of the medium and includes works in a variety of photographic processes by distinguished nineteenth-century practitioners. The seventy-five images presented here, all from the collection of the J. Paul Getty Museum, form a panoply of architectural structures and styles, from Egyptian ruins to Greek(...)
Architecture in photographs
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Arranged chronologically, Architecture in Photographs spans the history of the medium and includes works in a variety of photographic processes by distinguished nineteenth-century practitioners. The seventy-five images presented here, all from the collection of the J. Paul Getty Museum, form a panoply of architectural structures and styles, from Egyptian ruins to Greek temples and Gothic cathedrals, and from skyscrapers and Modernist schools to mundane vernacular dwellings.
Photographie- collections
Thomas Struth : walking
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With the title "walking", Thomas Struth makes us participants of a powerful reflection on architecture and its evocative power. Walking through the streets of different places and countries, Struth fixes his gaze on how architectural spaces inform us about the stances taken by their inhabitants to populate them. Decisions that create the structure and soul of cities.(...)
Thomas Struth : walking
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$37.95
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With the title "walking", Thomas Struth makes us participants of a powerful reflection on architecture and its evocative power. Walking through the streets of different places and countries, Struth fixes his gaze on how architectural spaces inform us about the stances taken by their inhabitants to populate them. Decisions that create the structure and soul of cities. Images that represent a particular way of looking at what is around us.
Monographies photo
archives
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1 audiocassette (DAT) (approximately 70 min.) : digital ; 2 7/8 x 2 1/8 in., 1/8 in. tape. master, 1 videocassette (Hi-8) : sound, color ; 8 mm master, 1 videodisc (DVD-R)...
L'idée du visuel : propos sur la découverte progressive : recordings, 1997.
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1 audiocassette (DAT) (approximately 70 min.) : digital ; 2 7/8 x 2 1/8 in., 1/8 in. tape. master, 1 videocassette (Hi-8) : sound, color ; 8 mm master, 1 videodisc (DVD-R)...
archives
Archizines
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From photo-copied and print-on-demand newsletters such as Another Pamphlet, Scapegoat and Preston is My Paris, to beautiful magazines such as Mark, Spam and PIN-UP, ARCHIZINES celebrates and promotes the recent resurgence of alternative and independent architectural publishing from around the world. This catalogue, accompanying an exhibition at the Architectural(...)
Archizines
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From photo-copied and print-on-demand newsletters such as Another Pamphlet, Scapegoat and Preston is My Paris, to beautiful magazines such as Mark, Spam and PIN-UP, ARCHIZINES celebrates and promotes the recent resurgence of alternative and independent architectural publishing from around the world. This catalogue, accompanying an exhibition at the Architectural Association, explores the relationship between architecture and publishing with contributions from Pedro Gadanho (Beyond), Iker Gil (MAS Context), Adam Murray (Preston is my Paris), Rob Wilson (Block), Mimi Zeiger (Maximum Maxim MMX/loudpaper) and more. Themes addressed in a series of new essays include the role of publishing in academia and architectural practice, and the representation of architecture in fictional writing, photography, magazines and fanzine culture.
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Since its publication in 1936, Walter Benjamin's "Artwork" essay has become a canonical text about the status and place of the fine arts in modern mass culture. Benjamin was especially concerned with the ability of new technologies--notably film, sound recording, and photography--to reproduce works of art in great number. Benjamin could not have foreseen the explosion of(...)
Théorie de l’architecture
juillet 2003, Stanford
Mapping Benjamin : the work of art in the digital age
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Since its publication in 1936, Walter Benjamin's "Artwork" essay has become a canonical text about the status and place of the fine arts in modern mass culture. Benjamin was especially concerned with the ability of new technologies--notably film, sound recording, and photography--to reproduce works of art in great number. Benjamin could not have foreseen the explosion of imagery and media that has occurred during the past fifty years. Does Benjamin's famous essay still speak to this new situation? That is the question posed by the editors of this book to a wide range of leading scholars and thinkers across a spectrum of disciplines in the humanities. The essays gathered here do not hazard a univocal reply to that question; rather they offer a rich, wide-ranging critique of Benjamin's position that refracts and reflects contemporary thinking about the ethical, political, and aesthetic implications of life in the digital age.
Théorie de l’architecture
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Founded by architect Walter Gropius (1883–1969) in 1919, the Bauhaus was the 20th century’s most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where(...)
Object lessons: the Bauhaus and Harvard
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Founded by architect Walter Gropius (1883–1969) in 1919, the Bauhaus was the 20th century’s most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where he would help establish a collection of Bauhaus material that has since grown to more than 30,000 objects—the largest such collection outside Germany. Harvard in turn became an unofficial center for the Bauhaus in America. Written by established and emerging voices in the field, the scholarship presented here expands on the special link between the two institutions, while highlighting understudied aspects of the Bauhaus, such as weaving, photography, and art made by women. Accompanied by illustrations—some of never-before-published objects—this book yields fascinating insights for Bauhaus devotees and design aficionados.
Théorie de l’architecture
livres
Description:
142, [1] pages : illustrations (some color) ; 23 cm
Québec : Éditions GID, ©2010.
Robert Lamontagne, artisan de Beaumont / Pierre Beaudet ; photographies de Paul St-Arnaud ; préface de Cyril Simard.
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142, [1] pages : illustrations (some color) ; 23 cm
livres
Québec : Éditions GID, ©2010.
livres
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24 unnumbered pages : chiefly illustrations (some color), maps ; 23 cm.
[Caen] : [Inventaire général SPADEM], [©1995]
Falaise : Calvados / [textes, Jean-Louis Libourel, Hervé Pelvillain ; photographies, Pascal Corbierre].
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24 unnumbered pages : chiefly illustrations (some color), maps ; 23 cm.
livres
[Caen] : [Inventaire général SPADEM], [©1995]
livres
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87 pages : illustrations (some color), color maps ; 30 cm.
[Rouen?] : Inventaire général/ADAGP, ©1999.
Rouen, port de mer : Seine-Maritime / textes, Jérôme Decoux ; photographies, Denis Couchaux [and others].
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87 pages : illustrations (some color), color maps ; 30 cm.
livres
[Rouen?] : Inventaire général/ADAGP, ©1999.
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191 pages : 110 illustrations (some color) ; 34 cm
Rodez : Editions du Rouergue, ©1992.
Images et mythes-- : Gaudí / photographies, Alain Willaume ; textes, Jordi Castellanos, Juan José Lahuerta ; [traduction franc̦aise, Claude Bleton et Christine Maintenant ; traduction anglaise, Dominic Currin].
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191 pages : 110 illustrations (some color) ; 34 cm
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Rodez : Editions du Rouergue, ©1992.