vidéo
Description:
1 online resource (1 video file (25 minutes)) : sound, color
London, England : Pidgeon Digital, 1988.
An Internationalised Tradition in Architecture / [presented by] Rifat Chadirji.
Actions:
Description:
1 online resource (1 video file (25 minutes)) : sound, color
vidéo
London, England : Pidgeon Digital, 1988.
vidéo
Description:
1 online resource (1 video file (21 minutes)) : sound, color
London, England : Pidgeon Digital, 1980.
The art of joining / [presented by] Konrad Wachsmann.
Actions:
Description:
1 online resource (1 video file (21 minutes)) : sound, color
vidéo
London, England : Pidgeon Digital, 1980.
vidéo
Description:
1 online resource (1 video file (28 minutes)) : sound, color
London, England : Pidgeon Digital, 1984.
Romantic high tech / [presented by] Helmut Jahn.
Actions:
Description:
1 online resource (1 video file (28 minutes)) : sound, color
vidéo
London, England : Pidgeon Digital, 1984.
vidéo
Description:
1 online resource (1 video file (30 minutes)) : sound, color
London, England : Pidgeon Digital, 1982.
Architecting the Plumbing / [presented by] Sean Mulcahy.
Actions:
Description:
1 online resource (1 video file (30 minutes)) : sound, color
vidéo
London, England : Pidgeon Digital, 1982.
archives
Description:
approximately 1706 photographic materials, 141 audio recordings, 119 moving images, 101 ephemera, 46 reprographic copies, 25 serials, 3 books, 2 notebooks, 2 maps, 1.67...
Bauhaus in America fonds, approximately 1930-2011
Actions:
Exemplaires:
Description:
approximately 1706 photographic materials, 141 audio recordings, 119 moving images, 101 ephemera, 46 reprographic copies, 25 serials, 3 books, 2 notebooks, 2 maps, 1.67...
archives
audio
Description:
1 online resource.
[Place of publication not identified] : Lateral Addition, 2018.
June 21, 2018 : Listening for Southwest Key in San Diego.
Actions:
Description:
1 online resource.
audio
[Place of publication not identified] : Lateral Addition, 2018.
$55.95
(disponible en magasin)
Résumé:
In three recent video installations, Zachary Formwalt focuses on the architecture of OMA’s new Shenzhen Stock Exchange and the Amsterdam stock and commodities exchange by H.P. Berlage. Although our economy is dictated by financial transactions, the activity of trading itself has become increasingly remote, without actual human encounter. The architecture of the two(...)
Zachary Formwalt: three exchanges. OMA, H.P Berlage
Actions:
Prix:
$55.95
(disponible en magasin)
Résumé:
In three recent video installations, Zachary Formwalt focuses on the architecture of OMA’s new Shenzhen Stock Exchange and the Amsterdam stock and commodities exchange by H.P. Berlage. Although our economy is dictated by financial transactions, the activity of trading itself has become increasingly remote, without actual human encounter. The architecture of the two buildings serves as a starting point for a investigation into the limitations of photography to represent global capital and into the interrelationships between financial capitalism and image-making.
$39.95
(disponible sur commande)
Résumé:
New media artworks are difficult to classify according to the traditional art museum categories determined by medium, geography, and chronology. These works present the curator with novel challenges involving interpretation, exhibition, and dissemination. This book views these challenges as opportunities to rethink curatorial practice. Rethinking Curating explores the(...)
Rethinking curating: art after new media
Actions:
Prix:
$39.95
(disponible sur commande)
Résumé:
New media artworks are difficult to classify according to the traditional art museum categories determined by medium, geography, and chronology. These works present the curator with novel challenges involving interpretation, exhibition, and dissemination. This book views these challenges as opportunities to rethink curatorial practice. Rethinking Curating explores the characteristics distinctive to new media art, including its immateriality and its questioning of time and space, and relates them to such contemporary art forms as video art, conceptual art, socially engaged art, and performance art.
$54.00
(disponible sur commande)
Résumé:
Spanning from the 1970s until today, this monograph traces the development of the Chilean-born, New York-based conceptualist--from his earliest public interventions to his latest installations. Working with public interventions, installations, photography and video, Jaar examines the nature of images and their viewers' relationships to them. His work tackles the very(...)
Théorie de la photographie
septembre 2009
Alfredo Jaar: la politique des images
Actions:
Prix:
$54.00
(disponible sur commande)
Résumé:
Spanning from the 1970s until today, this monograph traces the development of the Chilean-born, New York-based conceptualist--from his earliest public interventions to his latest installations. Working with public interventions, installations, photography and video, Jaar examines the nature of images and their viewers' relationships to them. His work tackles the very possibility of producing art based on events that we would prefer to ignore, and of creating images in a context characterized both by their over-abundance and, paradoxically, by their invisibility.
Théorie de la photographie
$43.95
(disponible en magasin)
Résumé:
Once the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations which no longer presuppose a fixed viewer, urban space becomes envisioned and planned through "fly throughs," and(...)
The moving eye: film, television, architecture, visual art, and the modern
Actions:
Prix:
$43.95
(disponible en magasin)
Résumé:
Once the province of film and media scholars, today the moving image is of broad concern to historians of art and architecture and designers of everything from websites to cities. As museums and galleries devote increasing space to video installations which no longer presuppose a fixed viewer, urban space becomes envisioned and planned through "fly throughs," and technologies such as GPS add data to the experience of travel, moving images have captured the attention of geographers and scholars across the humanities and social sciences. Their practice of "mobility studies" is remaking how we understand a contemporary world in relentless motion. Media theorist and historian Anne Friedberg (1952-2009) was among the first practitioners of visual studies to theorize the experience of vision in motion. Her books have become key points of reference in the discussion of the windows that frame images and the viewers in motion who perceive them. Although widely influential beyond her own discipline, Friedberg's work has never been the subject of an extended study. "The Moving Eye" gathers together essays by renowned thinkers in media studies, art history, architecture, and museum studies to consider the rich implications of her work for understanding film and video, new media, visual art, architecture, exhibition design, urban space, and virtual reality.