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Contemporary Austrian architecture has received widespread international recognition over the last few decades. But is there really a specifically Austrian architecture? Six critics, including Walter Chramosta, Bart Lootsma and Ute Woltron present a personal selection of recent projects, mostly small buildings, in an attempt to identify typical regional qualities.
janvier 1900, Brakel
Just! architecture from Austria, critic's choice
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Contemporary Austrian architecture has received widespread international recognition over the last few decades. But is there really a specifically Austrian architecture? Six critics, including Walter Chramosta, Bart Lootsma and Ute Woltron present a personal selection of recent projects, mostly small buildings, in an attempt to identify typical regional qualities.
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janvier 1900, Brakel
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Dans un monde confronté à de nouveaux enjeux climatiques, économiques et politiques, la capacité de l’architecture et des architectes à concevoir (et à construire) des futurs désirables est de plus en plus mise à l’épreuve. En mettant en avant dix lieux pionniers, remarquables quant à leur capacité à explorer et défricher de nouveaux usages, cette publication valorise des(...)
Lieux infinis : construire des bâtiments ou des lieux ? / Infinite places: constructing buildings or places ?
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Dans un monde confronté à de nouveaux enjeux climatiques, économiques et politiques, la capacité de l’architecture et des architectes à concevoir (et à construire) des futurs désirables est de plus en plus mise à l’épreuve. En mettant en avant dix lieux pionniers, remarquables quant à leur capacité à explorer et défricher de nouveaux usages, cette publication valorise des articulations inédites, contribuant à une nouvelle perception du vivre ensemble. En coédition avec l’Institut français, publié à l’occasion de l’exposition « Lieux infinis », au Pavillon français de la 16e Biennale internationale d’architecture de Venise.
Biennale
Ce qu'habiter veut dire
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Ce qu’habiter veut dire est un re´cit sensible qui retrace un parcours de trois anne´es a` la rencontre du territoire belge francophone et de ses habitants. Durant cette exploration et en utilisant le levier que repre´sente la culture, l’Institut Culturel d’Architecture Wallonie-Bruxelles ouvrait cette question a` l’ensemble de ses publics: « Pour toi, c’est quoi habiter?(...)
Ce qu'habiter veut dire
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Ce qu’habiter veut dire est un re´cit sensible qui retrace un parcours de trois anne´es a` la rencontre du territoire belge francophone et de ses habitants. Durant cette exploration et en utilisant le levier que repre´sente la culture, l’Institut Culturel d’Architecture Wallonie-Bruxelles ouvrait cette question a` l’ensemble de ses publics: « Pour toi, c’est quoi habiter? ». Si les re´ponses recueillies sont propres a` la culture belge francophone, leur impact de´passe les frontie`res et questionnent largement nos fac¸ons d’habiter. Car habiter ce n’est pas seulement se loger, c’est aussi prendre conscience d’un paysage et d’un territoire (non-)ba^ti, c’est re´fle´chir a` faire avec ce qui existe de´ja`, ce qui est de´ja` ba^ti et ame´nage´, c’est participer a` l’e´laboration de son cadre de vie et a` la culture qui s’anime autour, c’est enfin et avant tout re^ver. Ce qu’habiter veut dire invite a` s’immerger et a` s’inspirer de visions, tanto^t construites, tanto^t esquisse´es, tanto^t ancre´es dans le re´el, tanto^t utopiques, e´manant de l’ensemble des acteurs de notre cadre de vie.
Théorie de l’architecture
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The Death of Drawing explores the causes and effects of the epochal shift from drawing to computation as the chief design and communication medium in architecture. Drawing both framed the thinking of architects and organized the design and construction process to place architects at its center. Its displacement by building information modeling (BIM) and computational(...)
The death of drawing : architecture in the age of simulation
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The Death of Drawing explores the causes and effects of the epochal shift from drawing to computation as the chief design and communication medium in architecture. Drawing both framed the thinking of architects and organized the design and construction process to place architects at its center. Its displacement by building information modeling (BIM) and computational design recasts both the terms in which architects think and their role in building production. Author David Ross Scheer explains that, whereas drawing allowed architects to represent ideas in form, BIM and computational design simulate experience, making building behavior or performance the primary object of design.
Théorie de l’architecture
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Bridging histories of technology, media studies, and aesthetics, ''Electrographic architecture'' forges a critical narrative of the ways in which illuminated light and color have played key roles in the formation of America's white imaginary. Carolyn L. Kane charts the rise of the country's urban advertisements, light empires, and neoclassical buildings in the early(...)
Electrographic architecture: New York color, Las Vegas light, and America's white imaginary
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Bridging histories of technology, media studies, and aesthetics, ''Electrographic architecture'' forges a critical narrative of the ways in which illuminated light and color have played key roles in the formation of America's white imaginary. Carolyn L. Kane charts the rise of the country's urban advertisements, light empires, and neoclassical buildings in the early twentieth century; the midcentury construction of polychromatic electrographic spectacles; and their eclipse by informatically intense, invisible algorithms at the dawn of the new millennium. Drawing on archival research, interviews, and visual analysis, Electrographic Architecture shows how the development of America's electrographic surround runs parallel to a new paradigm of power, property, and possession.
Théorie de l’architecture
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Environments associated with migration are often seen as provisional, lacking history or architecture. As Anooradha Iyer Siddiqi demonstrates in "Architecture of migration," a refugee camp's aesthetic and material landscapes-even if born out of emergency-reveal histories, futures, politics, and rhetorics. She identifies forces of colonial and humanitarian settlement,(...)
Architecture of migration: The Dadaab Refugee Camps and Humanitarian Settlement
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Environments associated with migration are often seen as provisional, lacking history or architecture. As Anooradha Iyer Siddiqi demonstrates in "Architecture of migration," a refugee camp's aesthetic and material landscapes-even if born out of emergency-reveal histories, futures, politics, and rhetorics. She identifies forces of colonial and humanitarian settlement, tracing spatial and racial politics in the Dadaab refugee camps established in 1991 on the Kenya-Somalia border-at once a dense setting that manifests decades of architectural, planning, and design initiatives and a much older constructed environment that reflects its own ways of knowing. She moves beyond ahistorical representations of camps and their inhabitants by constructing a material and visual archive of Dadaab, finding long migratory traditions in the architecture, spatial practices, landscapes, and iconography of refugees and humanitarians. Countering conceptualizations of refugee camps as sites of border transgression, criminality, and placelessness, Siddiqi instead theorizes them as complex settlements, ecologies, and material archives created through histories of partitions, sedentarizations, domesticities, and migrations.
Théorie de l’architecture
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The projects included in this book are some of the very best examples that our post-war architects, designers and artists have given Toronto. This book is a celebration of their work, their vision and their energy. The two world wars had a tremendous impact on transforming Canada into a confident and robust industrial nation. With that came a building boom and an artistic(...)
Mean city : From architecture to design - how Toronto went boom!
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The projects included in this book are some of the very best examples that our post-war architects, designers and artists have given Toronto. This book is a celebration of their work, their vision and their energy. The two world wars had a tremendous impact on transforming Canada into a confident and robust industrial nation. With that came a building boom and an artistic explosion that gave young entrepreneurs, designers, artists and architects opportunities to dream big, bold and modern. Mean City celebrates this great boom in architecture and industrial design from 1945 to 1975. With the tremendous opportunities available because of a raging economy, architects and designers built and dreamed like never before. Young architects were given the opportunity to execute fantastic and futuristic buildings that defied convention. Mean City captures Toronto at a moment in a great architectural boom, along with the individuals who were inspired to create this citys great architectural heritage. The book is also a lament to those great modernist buildings that have already been lost, and those that may also meet the same fate in the future.
Architecture du Canada
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Green design is the major architectural movement of our time. Throughout the world architects are producing sustainable buildings in an attempt to preserve the environment and our globe's natural resources. However, current strategies for forming sustainable solutions are typically too general and fail to take advantage of critical geographical, environmental, and(...)
Towards a new regionalism : environmental architecture in the Pacific northwest
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Green design is the major architectural movement of our time. Throughout the world architects are producing sustainable buildings in an attempt to preserve the environment and our globe's natural resources. However, current strategies for forming sustainable solutions are typically too general and fail to take advantage of critical geographical, environmental, and cultural factors particular to a specific place. By focusing on the Pacific northwest, this book provides essential lessons to architects and students on how sustainable architecture can and should be shaped by the unique conditions of a region. Pacific northwest regionalism has consistently supported an architecture aimed at environmental needs and priorities. This book illuminates the history of a "green trail" in the work of key architects of the northwest. It discusses environmental strategies that work in the region, organized according to nature's most basic elements - earth, air, water, and fire - and their underlying principles and forces. The book focuses on technologies, materials, and methods, with a final section that examines thirteen exceptional northwest buildings in detail and in light of their contributions to sustainable architecture. Critical case studies by northwest architects illustrate some of the best environmental design work in North America. Notable architects from Seattle, Portland, and British Columbia are included. These projects feature innovative design in water and site stewardship, intelligent technologies, passive energy strategies, ecologically sound building materials, and environmentally sensitive energy management systems.
Architecture écologique
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Although patents existed in Renaissance Italy and even in Confucian thought, it was not until the middle third of the nineteenth century that architects embraced the practice of patenting in significant numbers. Patents could ensure, as they did for architects' engineering brethren, the economic and cultural benefits afforded by exclusive intellectual property rights. But(...)
Prior art: Patents and the nature of invention in architecture
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Although patents existed in Renaissance Italy and even in Confucian thought, it was not until the middle third of the nineteenth century that architects embraced the practice of patenting in significant numbers. Patents could ensure, as they did for architects' engineering brethren, the economic and cultural benefits afforded by exclusive intellectual property rights. But patent culture was never directly translatable to the field of architecture, which tended to negotiate issues of technological innovation in the context of the more abstract issues of artistic influence and formal expression. In "Prior art," scholar Peter Christensen offers the first full-scale monographic treatment of this complex relationship between art and invention.
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mai 2024
Théorie de l’architecture
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Claude-Nicolas Ledoux’s engraving "Coup d’oeil du théâtre Besançon" in which the architect’s building is seen reflected in the eye of a viewer, is the centre-piece in this intellectual archaeology. Rodolphe el-Khoury’s close reading of Ledoux’s celebrated icon excavates the foundations of architectural transparency, Modernism’s most potent and lasting invention, which is(...)
Architecture, monographies
avril 2006, San Rafael, Philadelphia
See through Ledoux: architecture, theatre, and the poursuit of transsparency
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Claude-Nicolas Ledoux’s engraving "Coup d’oeil du théâtre Besançon" in which the architect’s building is seen reflected in the eye of a viewer, is the centre-piece in this intellectual archaeology. Rodolphe el-Khoury’s close reading of Ledoux’s celebrated icon excavates the foundations of architectural transparency, Modernism’s most potent and lasting invention, which is here traced back to an intellectual milieu that precedes the industrial revolution’s glass and steel building technology. The image becomes a site of entry into the culture of the eighteenth century--debates in public health, the political ideas of Rousseau, the philosophy of Condillac, the project of the Encyclopédie--yielding insights into important, philosophical, and architectural issues.
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avril 2006, San Rafael, Philadelphia
Architecture, monographies