When space meets art
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How long ago have you been to an exhibition or an event? What information and amusement you get from it? Did you enjoy it? We are thrilled to present you our latest title When Space Meets Art/When Art Meets Space which leads you to taste and feel all sorts of events comprehensively. An exhibition, a party or any kinds of event can encompass all design areas. For many(...)
When space meets art
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$39.95
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How long ago have you been to an exhibition or an event? What information and amusement you get from it? Did you enjoy it? We are thrilled to present you our latest title When Space Meets Art/When Art Meets Space which leads you to taste and feel all sorts of events comprehensively. An exhibition, a party or any kinds of event can encompass all design areas. For many of us who usually focus only on the exhibited items or the subject of events, few of us ever pay attention to the whole design environment. This title will guide you to look and feel it through two key components: spatial design and graphic elements. From 3D to 2D, it demonstrates how structural work including venue setups from exterior to interior makes the whole event outstanding and turn into exceptional eye-catching fascination and how graphic elements from venue decorations to promotional items makes consistency to reflect the whole event concept and affect the affiliation from the exhibited subjects to audience. By that, the title ultimately reveals how these objects affect your sense and blow up your impression to particular events.
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A retrospective of Edward Burtynsky's (born 1955) photography from the past 40 years, The Great Acceleration reveals the depth of the photographer's investigation into the human alteration of natural landscapes around the world, showing their present fragility and enduring beauty in equal measure. "The Great Acceleration" is an established term used to describe the rapid(...)
Edward Burtynsky: The great acceleration
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A retrospective of Edward Burtynsky's (born 1955) photography from the past 40 years, The Great Acceleration reveals the depth of the photographer's investigation into the human alteration of natural landscapes around the world, showing their present fragility and enduring beauty in equal measure. "The Great Acceleration" is an established term used to describe the rapid rise of human impact on our planet, among them population growth, water usage, transportation, greenhouse gas emissions, resource extraction and food production, each of which Burtynsky has photographed the signs of in great detail throughout his career. From open pit mines across North America to oil derricks in Azerbaijan, from rice terraces in China to oil bunkering in Nigeria, Burtynsky has traveled the world and back again as part of his restless and seemingly inexhaustible drive to discover the ways, both old and new, that organized human activity has transformed the earth. Including many of Burtynsky's landmark images, and which have never been published, the book is an urgent call to action, inviting us to appreciate the sublimity that remains in nature while deepening our understanding of the challenges and responsibilities confronting us today.
Monographies photo
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Denise Scott Brown (1931), a well-known architect who, since the late 1960s, has formed, together with Robert Venturi, one of the most prolific and revolutionary couples in the history of contemporary architecture, has also been a photographer and traveller: naturalised American, she was born in Zambia, grew up and studied in South Africa, went on to study in England and(...)
Architecture, monographies
mars 2026
Denise Scott Brown: The Architect's Album 02/ L'album de l'arquitecte
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Denise Scott Brown (1931), a well-known architect who, since the late 1960s, has formed, together with Robert Venturi, one of the most prolific and revolutionary couples in the history of contemporary architecture, has also been a photographer and traveller: naturalised American, she was born in Zambia, grew up and studied in South Africa, went on to study in England and Italy, continued learning and teaching on the East and West coasts of the United States and settled in Philadelphia, where she currently lives. To her we dedicate this second volume of the collection ''The Architect's Album'', whose first issue was dedicated to the figure of Sigurd Lewerentz, architect-photographer-traveller. Here we present a selection of around 50 unpublished photographs that tell the story of her wedding journey with her first husband, Robert Scott Brown, in 1955: five weeks travelling in Illyria, a Balkan region between Albania and the former Yugoslavia,where a young architect-photographer shows us, through her camera, a country in transition, portraying aspects of rural and urban life, through places, people, animals, landscapes, streets and architecture that take us on a unique and transcendental journey, her Illyrian Honeymoon.
Architecture, monographies
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''The Devouring Eye: Photography and the Mouth'' is a provocative essay by Swiss photographer and academic Olivier Richon which rethinks the act of looking through the language of appetite, taste, and consumption. Drawn from a series of influential lectures delivered during his twenty-five-year tenure as Head of the Photography programme at the Royal College of Art(...)
The devouring eye: Photography and the mouth
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''The Devouring Eye: Photography and the Mouth'' is a provocative essay by Swiss photographer and academic Olivier Richon which rethinks the act of looking through the language of appetite, taste, and consumption. Drawn from a series of influential lectures delivered during his twenty-five-year tenure as Head of the Photography programme at the Royal College of Art (1997–2022) – a period during which the course shaped an entire generation of photographers – the book presents a meditation on the camera as both eye and mouth: an apparatus that ingests the world in order to produce images. Framed through a psychoanalytic lens, Richon proposes that photography is less a neutral act of observation than a form of visual incorporation. If looking maintains distance, the mouth abolishes it. The camera becomes a devouring organ, where the object is dissolved, digested, and made into an image. The desire to see becomes entangled with the desire to consume. Through this reading, photography is revealed as an insatiable medium – one that satisfies and frustrates our appetite for representation in equal measure. ''The Devouring Eye'' invites us to reconsider how we relate to images, and how deeply they live in us.
Théorie de la photographie
Robot futures
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With robots, we are inventing a new species that is part material and part digital. The ambition of modern robotics goes beyond copying humans, beyond the effort to make walking, talking androids that are indistinguishable from people. Future robots will have superhuman abilities in both the physical and digital realms. They will be embedded in our physical spaces, with(...)
Robot futures
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With robots, we are inventing a new species that is part material and part digital. The ambition of modern robotics goes beyond copying humans, beyond the effort to make walking, talking androids that are indistinguishable from people. Future robots will have superhuman abilities in both the physical and digital realms. They will be embedded in our physical spaces, with the ability to go where we cannot, and will have minds of their own, thanks to artificial intelligence. In ''Robot futures,'' the roboticist Illah Reza Nourbakhsh considers how we will share our world with these creatures, and how our society could change as it incorporates a race of stronger, smarter beings. Nourbakhsh imagines a future that includes adbots offering interactive custom messaging; robotic flying toys that operate by means of “gaze tracking”; robot-enabled multimodal, multicontinental telepresence; and even a way that nanorobots could allow us to assume different physical forms. Nourbakhsh examines the underlying technology and the social consequences of each scenario. He also offers a counter-vision: a robotics designed to create civic and community empowerment. His book helps us understand why that is the robot future we should try to bring about.
Social
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Landscapes are all around us, but most of us know very little about how they have developed, what goes on in them, and how they react to changing climates, tectonics, and human activities. Examining what landscape is, and how we use a range of ideas and techniques to study it, Andrew Goudie and Heather Viles demonstrate how scientists have built on classic(...)
Landscape and geomorphology: A very short Introduction
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Landscapes are all around us, but most of us know very little about how they have developed, what goes on in them, and how they react to changing climates, tectonics, and human activities. Examining what landscape is, and how we use a range of ideas and techniques to study it, Andrew Goudie and Heather Viles demonstrate how scientists have built on classic methods--pioneered by the great researchers of the nineteenth century--to shed new light on our planet. Using examples from around the world, including New Zealand, the Tibetan Plateau, and the deserts of the Middle East, they examine some of the key controls on landscape today such as tectonics and climate, as well as humans and the living world. They also discuss some major "landscape detectives" from the past, including Charles Darwin, who did some important, but often overlooked, research on landscape. Concluding with the cultural importance of landscape, and exploring how this has led to the conservation of much "earth heritage," they delve into the future and look at how we can predict the response of landscapes to the projected climate change.
Théorie du paysage
The passionate triangle
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Triangles abounded in the intellectual culture of early modern Europe—the Christian Trinity was often mapped as a triangle, for instance, and perspective, a characteristic artistic technique, is based on a triangular theory of vision. Renaissance artists, for their part, often used shapes and lines to arrange figures into a triangle on the surface of a painting—a practice(...)
The passionate triangle
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Triangles abounded in the intellectual culture of early modern Europe—the Christian Trinity was often mapped as a triangle, for instance, and perspective, a characteristic artistic technique, is based on a triangular theory of vision. Renaissance artists, for their part, often used shapes and lines to arrange figures into a triangle on the surface of a painting—a practice modern scholars call triangular composition. But is there secret meaning in the triangular arrangements artists used, or just a pleasing symmetry? What do triangles really tell us about the European Renaissance and its most beguiling works of art? In this book, Rebecca Zorach takes us on a lively hunt for the triangle’s embedded significance. From the leisure pursuits of Egyptian priests to Jacopo Tintoretto’s love triangles, Zorach explores how the visual and mathematical properties of triangles allowed them to express new ideas and to inspire surprisingly intense passions. Examining prints and paintings as well as literary, scientific, and philosophical texts, 'The Passionate Triangle' opens up an array of new ideas, presenting unexpected stories of the irrational, passionate, melancholic, and often erotic potential of mathematical thinking before the Scientific Revolution.
Théorie de l’art
Deanna Bowen
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This black-on-black book brings together over 20 years of Deanna Bowen’s commitment to the excavation and recontextualization of colonial legacies—particularly those which implicate her family history and the Black diaspora in North America—making her artworks vital, both in Canada and abroad. Working primarily with photography—both rediscovered and new, but also video,(...)
Deanna Bowen
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This black-on-black book brings together over 20 years of Deanna Bowen’s commitment to the excavation and recontextualization of colonial legacies—particularly those which implicate her family history and the Black diaspora in North America—making her artworks vital, both in Canada and abroad. Working primarily with photography—both rediscovered and new, but also video, documentary film, sound, performance, publishing, found objects and installation art—Bowen introduces us to a re-reading of white historic and archival facts.
Monographies photo
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Thomas Church's 1948 Donnell garden in Sonoma, California, and Garrett Eckbo's 1959 ALCOA forecast garden in Los Angeles helped define the parameters of modern landscape design in the US. Although these gardens appear in almost every book on modern landscape architecture, the published facts and details have been relatively few. This volume assembles virtually all known(...)
The Donnel and Eckbo gardens : modern California masterworks
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Thomas Church's 1948 Donnell garden in Sonoma, California, and Garrett Eckbo's 1959 ALCOA forecast garden in Los Angeles helped define the parameters of modern landscape design in the US. Although these gardens appear in almost every book on modern landscape architecture, the published facts and details have been relatively few. This volume assembles virtually all known documents on the two projects, including interviews with Church's collaborators and the holdings of the Environmental design archives, UC Berkeley.
Jardins
Origen
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Territory of fiction or scene of a reality, 'Origen' is presented as a photographic project which hopes to show a personal experience lived in absolute methodological and creative freedom. Origen aims to raise the curiosity of the spectator, to create a personal imaginary where emotions and lived feelings are portrayed in the work of the three authors. It wants to erode(...)
Photographie- collections
janvier 2015
Origen
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Territory of fiction or scene of a reality, 'Origen' is presented as a photographic project which hopes to show a personal experience lived in absolute methodological and creative freedom. Origen aims to raise the curiosity of the spectator, to create a personal imaginary where emotions and lived feelings are portrayed in the work of the three authors. It wants to erode the modern and contemporary layer which protects us from our most primitive, natural and animal instincts.
Photographie- collections