vidéo
Description:
1 online resource (1 video file (25 minutes)) : sound, color
London, England : Pidgeon Digital, 1987.
The Nature of Engineering. Part 2. / [presented by] Ted Happold (Buro Happold).
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Description:
1 online resource (1 video file (25 minutes)) : sound, color
vidéo
London, England : Pidgeon Digital, 1987.
Bruce Nauman
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Bruce Nauman is a restlessly inventive artist. Since the late 1960s he has shaped our understanding of how contemporary art can both reflect and comment on our experience of ourselves and of the world. Focusing on his experiments with sound, language, moving image and immersive installations, this book includes texts on Nauman’s video works of the 1980s and 1990s, as well(...)
Bruce Nauman
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Bruce Nauman is a restlessly inventive artist. Since the late 1960s he has shaped our understanding of how contemporary art can both reflect and comment on our experience of ourselves and of the world. Focusing on his experiments with sound, language, moving image and immersive installations, this book includes texts on Nauman’s video works of the 1980s and 1990s, as well as on the development of his studio practice over a period of fifty years, along with a conversation between the artist, Andrea Lissoni, and Nicholas Serota. Nauman is here revealed as an artist who has made his mark on the art of both the twentieth and twenty-first centuries.
Ari Marcopoulos: Upstream
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This artist’s book accompanies Ari Marcopoulos’s exhibition at Kunst Halle Sankt Gallen. To create the book, Marcopoulos re-photographed prints of his photographs that he had produced at home using a pigment printer. This process was in many ways a continuation of the period of pandemic isolation in which most of the images were photographed. Closely aligned with his own(...)
Ari Marcopoulos: Upstream
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This artist’s book accompanies Ari Marcopoulos’s exhibition at Kunst Halle Sankt Gallen. To create the book, Marcopoulos re-photographed prints of his photographs that he had produced at home using a pigment printer. This process was in many ways a continuation of the period of pandemic isolation in which most of the images were photographed. Closely aligned with his own copious output, the selection is both haphazard and intuitive, leaving room for spontaneity and even mistakes. A portion of the book also focuses on the 2021 video installation ‘Alone Together’, featuring a saxophone performance by jazz legend Joe McPhee, which forms a central part of the exhibition.
Monographies photo
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In his work the photographer and video artist Nuno Cera (b. Beja, Portugal, 1972; lives and works in Lisbon) operates at the intersection of art and documentary to address fundamental forms of change: natural, spatial and temporal. His long-term research projects involve different agents and collaborators, including scientists, actors, writers and critics. His work has(...)
Nuno Cera: My light / Minha luz
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In his work the photographer and video artist Nuno Cera (b. Beja, Portugal, 1972; lives and works in Lisbon) operates at the intersection of art and documentary to address fundamental forms of change: natural, spatial and temporal. His long-term research projects involve different agents and collaborators, including scientists, actors, writers and critics. His work has been published internationally, exhibited and commissioned by multiple cultural institutions and exhibition platforms."My Light / Minha Luz" is Nuno Cera’s first comprehensive monograph and focusses on recent series such as My Light, Acid Flamingo, Infinite Window, and Cosmic Debris. With contributions by Julia Albani, Susana Ventura, Jeff Wood, and Daniel Zamarbide.
Monographies photo
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The architectural awareness and experience of space, and its creative use can profit greatly from certain aspects of “games” and the related technology. Here the author investigates a fascinating contribution of avant-garde art to the construction of space in the field of electronic games and arcades, beginning with "New Babylon", moving through the radical suggestions of(...)
Game zone : playgrounds between virtual scenarios and reality
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The architectural awareness and experience of space, and its creative use can profit greatly from certain aspects of “games” and the related technology. Here the author investigates a fascinating contribution of avant-garde art to the construction of space in the field of electronic games and arcades, beginning with "New Babylon", moving through the radical suggestions of the 1960's and 1970's to the commercial and experimental examples of contemporary amusement arcades. Also considered are the virtual worlds of video games which are growing increasingly complex. The book reveals in a critical way how important the element of “play” has become in today’s digital architectonic designs.
petits formats
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American artist Gordon Matta-Clark is perhaps best known for the site-specific artworks he made in the 1970s. His body of work includes performance and recycling pieces, space and texture works, and his “building cuts”. Matta-Clark used a number of media to document his work, such as film, video, and photography, much of which appears in this catalogue, itself published(...)
Gordon Matta-Clark: splitting, cutting, writing, drawing, eating
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American artist Gordon Matta-Clark is perhaps best known for the site-specific artworks he made in the 1970s. His body of work includes performance and recycling pieces, space and texture works, and his “building cuts”. Matta-Clark used a number of media to document his work, such as film, video, and photography, much of which appears in this catalogue, itself published on the occasion of an eponymous exhibition at the Serralves Museum of Contemporary Art, Porto, and Culturgest, Lisbon. The attractively designed book includes numerous of the artist’s own sketches and plans for various works, plus letters and other material that together form an in-depth portrait.
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First edition. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this(...)
Art and the moving image : a critical reader
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First edition. This book traces the story from early spatial experiments with film and video technologies to the current widespread use of projected images in museums and galleries. Why has there been a turn to the cinematic in contemporary art? What happens to the moving image when it shifts from the black box to the white cube, when cinema is exhibited? How does this challenge the traditional mediums of film, painting and sculpture? This publication gathers together key texts including new, translated and previously unavailable essays by writers and theorists including Giorgio Agamben, Beatriz Colomina, Serge Daney, Rosalind Krauss, Maurizio Lazzaratto and Peter Wollen.
Karel Martens: motion
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Published as part of "Motion", an exhibition by Dutch artist and graphic designer Karel Martens at Kunstverein München, this book is the seventh instalment of the "Companion" series produced by the Kunstverein and Roma Publications. With concept and design by Julie Peeters, the greater part of the book’s content is derived from the video ‘Not for Resale’, a sequence of(...)
Karel Martens: motion
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Published as part of "Motion", an exhibition by Dutch artist and graphic designer Karel Martens at Kunstverein München, this book is the seventh instalment of the "Companion" series produced by the Kunstverein and Roma Publications. With concept and design by Julie Peeters, the greater part of the book’s content is derived from the video ‘Not for Resale’, a sequence of photographs of the array of images and objects found on the artist’s studio wall, taken in 2000. Material from two other videos, "Lost & Found" (2004) and "Tol" (2008), is also included, along with a transcription of a conversation between Martens and Chris Fitzpatrick, director of the Kunstverein.
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Released to accompany a major survey at the Solomon R. Guggenheim Museum, this catalogue traces how the classical arts of India, China and Japan and the systems of Hindu, Taoist, Tantric Buddhist and Zen Buddhist thought that were collectively admired as the "East" were known, reconstructed and transformed by American cultural, intellectual and political forces. Featuring(...)
The third mind: american artists contemplate Asia, 1860-1989
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Released to accompany a major survey at the Solomon R. Guggenheim Museum, this catalogue traces how the classical arts of India, China and Japan and the systems of Hindu, Taoist, Tantric Buddhist and Zen Buddhist thought that were collectively admired as the "East" were known, reconstructed and transformed by American cultural, intellectual and political forces. Featuring 270 objects in an array of media including painting, works on paper, books and ephemera, sculptures, video art and installations, this richly illustrated catalogue also includes scholarly essays by museum curators and academics specializing in art history, intellectual history, Asian studies and Postcolonial religious and cultural studies and representing a range of interdisciplinary perspectives.
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This publication accompanies the exhibition “Making the Museum Reinhard Ernst”. The exhibition’s focus is not on finished items or images, but on the work in progress – highlighting the acts of thinking, making, and construction, rather than presentation. Based on four thematic areas – Context, Form, Detail and Construction – a large number of sketches, drawings and(...)
Making the museum Reinhard Ernst : Maki and Associates
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This publication accompanies the exhibition “Making the Museum Reinhard Ernst”. The exhibition’s focus is not on finished items or images, but on the work in progress – highlighting the acts of thinking, making, and construction, rather than presentation. Based on four thematic areas – Context, Form, Detail and Construction – a large number of sketches, drawings and models by Maki and Associates as well as artefacts and video material provide insights into the complex process of creating the new building. The exhibited items presented on the four thematic quadrants at Aedes are supplemented by photos from the photographers Klaus Helbig and Frank Marburger, who have documented the making of the museum from the beginning.