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1 online resource (822 pages) : illustrations.
Amsterdam : Amsterdam University Press, [2024], ©2024
Films that work harder : the circulation of industrial film / edited by Vinzenz Hediger, Florian Hoof, Yvonne Zimmermann with Scott Anthony.
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Description:
1 online resource (822 pages) : illustrations.
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Amsterdam : Amsterdam University Press, [2024], ©2024
périodiques
October 165
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October #165, Fall 2018. In this issue: A Questionnaire on Monuments: 49 responses; Monumental Propaganda; From Institutional Critique to Institutional Liberation? A Decolonial Perspective on the Crises of Contemporary Art.
October 165
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October #165, Fall 2018. In this issue: A Questionnaire on Monuments: 49 responses; Monumental Propaganda; From Institutional Critique to Institutional Liberation? A Decolonial Perspective on the Crises of Contemporary Art.
périodiques
septembre 2018
Revues
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'Type' is a guide through the history of our letters and a study of their power. From fashion through propaganda and the development of mass litteracy, Loxley shows how typography has changed our world.
avril 2005, London, New York
Type : the secret history of letters
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'Type' is a guide through the history of our letters and a study of their power. From fashion through propaganda and the development of mass litteracy, Loxley shows how typography has changed our world.
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Cuban artist Diango Hernàndez creates paintings in the shape of faceted diamonds, which for him are symbols of a land governed by a single party, a metaphor of an "untouchable" regime whose politics seem to have no end. Source materials for the paintings are drawn from government propaganda beginning in the 1950s.
Diango Hernandez: diamonds and stones: my education
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Cuban artist Diango Hernàndez creates paintings in the shape of faceted diamonds, which for him are symbols of a land governed by a single party, a metaphor of an "untouchable" regime whose politics seem to have no end. Source materials for the paintings are drawn from government propaganda beginning in the 1950s.
$47.95
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From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China's modern experience. ''Manhua Modernity'' offers a richly illustrated, deeply(...)
Manhua modernity: Chinese culture and the pictorial turn
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From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China's modern experience. ''Manhua Modernity'' offers a richly illustrated, deeply contextualized analysis of these illustrations across the lively pages of popular pictorial magazines that entertained, informed, and mobilized a nation through a half century of political and cultural transformation. In this compelling media history, John Crespi argues that manhua must be understood in the context of the pictorial magazines that hosted them, and in turn these magazines must be seen as important mediators of the modern urban experience. Even as times changed—from interwar-era consumerism to war-time mobilization to Mao-style propaganda—the art form adapted to stay on the cutting edge of both politics and style.
Expositions en cours
Don't brand my public space!
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Don’t Brand My Public Space! is a critical investigation of the visual strategies employed to identify and brand political spaces. In the context of a revival of xenophobic propaganda on the one hand and the degradation of places into pure marketing products on the other, it is possible to recognize an increasingly theatrical, unquestioned production of public signs and symbols...
Don't brand my public space!
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Don’t Brand My Public Space! is a critical investigation of the visual strategies employed to identify and brand political spaces. In the context of a revival of xenophobic propaganda on the one hand and the degradation of places into pure marketing products on the other, it is possible to recognize an increasingly theatrical, unquestioned production of public signs and symbols...
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''The importance of mistakes'', an interview with Terrt Dowling by Adrian Shaughnessy - ''Mapping the terrain : illustration for children'', by Martin Salisbury - ''Mario Hugo : a Modern romantic'', by Mark Webster - ''Paul Farrington : the beauty of the unpredictable'', by Anna Gerber - ''Heated debate : the borrowers'', by Robert Mason -''The compelling image'',(...)
Varoom 05 2007 : the journal of illustration and made images
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''The importance of mistakes'', an interview with Terrt Dowling by Adrian Shaughnessy - ''Mapping the terrain : illustration for children'', by Martin Salisbury - ''Mario Hugo : a Modern romantic'', by Mark Webster - ''Paul Farrington : the beauty of the unpredictable'', by Anna Gerber - ''Heated debate : the borrowers'', by Robert Mason -''The compelling image'', chosen by George Hardie - ''A beginners guide to propaganda'', a visual essay by Nick McFarlane - ''An unwritten diary'', by Richard Beards
Revues
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Postcards epitomize the complex history of visual culture. These often nostalgic, inexpensive mementos of commercial culture have also been carriers, even instigators, of colonialist exoticism and political propaganda. They straddle the by now largely obliterated line between 'high' and 'low' art, between an earlier modernist art history and more recent work in visual(...)
Postcards: ephemeral histories of modernity
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Postcards epitomize the complex history of visual culture. These often nostalgic, inexpensive mementos of commercial culture have also been carriers, even instigators, of colonialist exoticism and political propaganda. They straddle the by now largely obliterated line between 'high' and 'low' art, between an earlier modernist art history and more recent work in visual culture. This illustrated volume brings together the latest interdisciplinary research on postcards as a significant area of scholarly inquiry.
Arts graphiques imprimés
Books on Japan
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How did the Japanese see themselves from 1931 to 1972? Even more importantly, how did the Japanese want the rest of the world to see them during those four pivotal decades? This controversial, unprecedented book, selected from a massive private collection of magazines and newspapers, takes an in-depth look at the information, news, photos and advertisements used in(...)
Books on Japan
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$69.95
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How did the Japanese see themselves from 1931 to 1972? Even more importantly, how did the Japanese want the rest of the world to see them during those four pivotal decades? This controversial, unprecedented book, selected from a massive private collection of magazines and newspapers, takes an in-depth look at the information, news, photos and advertisements used in Japanese propaganda books, illustrating the radical sociopolitical evolution of the nation and culture throughout that period of the 20th century.
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The Soviet Union was unique in its dynamic use of the illustrated book as a means of propaganda. Through the form of the book, the USSR articulated its utopian (and eventually totalitarian) ideologies and expressed its absolute power through avant-garde writing and radical graphic design that was in full flower during the 1920s and 1930s. The Soviet Photobook 1920-1941(...)
janvier 2016
The Soviet photobook, 1920-1941
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The Soviet Union was unique in its dynamic use of the illustrated book as a means of propaganda. Through the form of the book, the USSR articulated its utopian (and eventually totalitarian) ideologies and expressed its absolute power through avant-garde writing and radical graphic design that was in full flower during the 1920s and 1930s. The Soviet Photobook 1920-1941 presents 160 produced photobooks from this period and includes more than 400 additional reference illustrations.