3433 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2001:0032
Description:
documents include miscellaneous personal papers, 1982-92: correspondence, June 92-present, dead Files, 1990 and 1991. File folder entitled "Preliminary Texts for House VI Book" [but no files on this subject] - miscellaneous papers and correspondence, Berlin project, Lecture 1983, Internal office memos. File folder containing PDE personal accounts - medical, insurance, legal, etc. File folder with 6 files on miscellaneous topics - proposals for services, memos, correspondence, grant applications, etc. File folder containing 4 files: transcripts of Interview between Robert Hughes and Peter Eisenman, correspondence 1982, correspondence 1982-84,"Five Architects" - papers concerning legal action.
DR2001:0032
Description:
documents include miscellaneous personal papers, 1982-92: correspondence, June 92-present, dead Files, 1990 and 1991. File folder entitled "Preliminary Texts for House VI Book" [but no files on this subject] - miscellaneous papers and correspondence, Berlin project, Lecture 1983, Internal office memos. File folder containing PDE personal accounts - medical, insurance, legal, etc. File folder with 6 files on miscellaneous topics - proposals for services, memos, correspondence, grant applications, etc. File folder containing 4 files: transcripts of Interview between Robert Hughes and Peter Eisenman, correspondence 1982, correspondence 1982-84,"Five Architects" - papers concerning legal action.
Personnes et institutions:
Titre:
Miscellaneous personal papers
Actions:
DR2001:0032
Description:
documents include miscellaneous personal papers, 1982-92: correspondence, June 92-present, dead Files, 1990 and 1991. File folder entitled "Preliminary Texts for House VI Book" [but no files on this subject] - miscellaneous papers and correspondence, Berlin project, Lecture 1983, Internal office memos. File folder containing PDE personal accounts - medical, insurance, legal, etc. File folder with 6 files on miscellaneous topics - proposals for services, memos, correspondence, grant applications, etc. File folder containing 4 files: transcripts of Interview between Robert Hughes and Peter Eisenman, correspondence 1982, correspondence 1982-84,"Five Architects" - papers concerning legal action.
Miscellaneous personal papers
Actions:
DR2001:0032
Description:
documents include miscellaneous personal papers, 1982-92: correspondence, June 92-present, dead Files, 1990 and 1991. File folder entitled "Preliminary Texts for House VI Book" [but no files on this subject] - miscellaneous papers and correspondence, Berlin project, Lecture 1983, Internal office memos. File folder containing PDE personal accounts - medical, insurance, legal, etc. File folder with 6 files on miscellaneous topics - proposals for services, memos, correspondence, grant applications, etc. File folder containing 4 files: transcripts of Interview between Robert Hughes and Peter Eisenman, correspondence 1982, correspondence 1982-84,"Five Architects" - papers concerning legal action.
Classification:
documents textuels
documents textuels
Personnes et institutions:
Classification:
documents textuels
documents textuels
Actions:
Numéro de référence:
DR2000:0055
Description:
correspondence between Eisenman and Hans van Dijk regarding the publication of an interview between the two in Wonen TA-BK, includes reviesed transcripts of the interview (18 August 1978)
DR2000:0055
Description:
correspondence between Eisenman and Hans van Dijk regarding the publication of an interview between the two in Wonen TA-BK, includes reviesed transcripts of the interview (18 August 1978)
Personnes et institutions:
Date:
1978-1981
1978-1981
Titre:
A. Correspondence - 65. Hans van Dijk
Actions:
DR2000:0055
Description:
correspondence between Eisenman and Hans van Dijk regarding the publication of an interview between the two in Wonen TA-BK, includes reviesed transcripts of the interview (18 August 1978)
A. Correspondence - 65. Hans van Dijk
Actions:
DR2000:0055
Description:
correspondence between Eisenman and Hans van Dijk regarding the publication of an interview between the two in Wonen TA-BK, includes reviesed transcripts of the interview (18 August 1978)
Classification:
documents textuels
documents textuels
Date:
1978-1981
1978-1981
Personnes et institutions:
Numéro de référence:
ARCH240859
Description:
Participants: Mark Taylor, Peter Eisenman, Sylvia Lavin, Anthony Vidler
ARCH240859
Description:
Participants: Mark Taylor, Peter Eisenman, Sylvia Lavin, Anthony Vidler
Personnes et institutions:
Date:
1991-05-11
1991-05-11
Titre:
Video recording from Anyone Conference tape 5
Actions:
ARCH240859
Description:
Participants: Mark Taylor, Peter Eisenman, Sylvia Lavin, Anthony Vidler
Video recording from Anyone Conference tape 5
Actions:
ARCH240859
Description:
Participants: Mark Taylor, Peter Eisenman, Sylvia Lavin, Anthony Vidler
Date:
1991-05-11
1991-05-11
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH153833
Description:
Letters to Peter Eisenman from Alvin Boyarsky, 1972 & 1982
ARCH153833
Description:
Letters to Peter Eisenman from Alvin Boyarsky, 1972 & 1982
Personnes et institutions:
Date:
1972-1982
1972-1982
Titre:
PDE Personal, 5a Alvin Boyarsky
Actions:
ARCH153833
Description:
Letters to Peter Eisenman from Alvin Boyarsky, 1972 & 1982
PDE Personal, 5a Alvin Boyarsky
Actions:
ARCH153833
Description:
Letters to Peter Eisenman from Alvin Boyarsky, 1972 & 1982
Classification:
documents textuels
documents textuels
Date:
1972-1982
1972-1982
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
House VIII
House VIII
Numéro de référence:
AP143.S4.D17
Description:
File documents an unexecuted project for House VIII. Material in this file was produced between 1973 and 1975. This project has never been published. Documents include conceptual sketches by Eisenman (DR1994:0137:001-045). Notes by an unknown hand explain the geometric operations of House VIII (DR1994:0137:102-105). File contains conceptual drawings, including plans and axonometrics - some graphite on tracing vellum; reprographic copies - all photocopies on wove paper; and manuscript textual records - mostly graphite on wove or tracing paper.
AP143.S4.D17
Description:
File documents an unexecuted project for House VIII. Material in this file was produced between 1973 and 1975. This project has never been published. Documents include conceptual sketches by Eisenman (DR1994:0137:001-045). Notes by an unknown hand explain the geometric operations of House VIII (DR1994:0137:102-105). File contains conceptual drawings, including plans and axonometrics - some graphite on tracing vellum; reprographic copies - all photocopies on wove paper; and manuscript textual records - mostly graphite on wove or tracing paper.
Personnes et institutions:
Date:
1973-1975
1973-1975
Titre:
House VIII
Actions:
AP143.S4.D17
Description:
File documents an unexecuted project for House VIII. Material in this file was produced between 1973 and 1975. This project has never been published. Documents include conceptual sketches by Eisenman (DR1994:0137:001-045). Notes by an unknown hand explain the geometric operations of House VIII (DR1994:0137:102-105). File contains conceptual drawings, including plans and axonometrics - some graphite on tracing vellum; reprographic copies - all photocopies on wove paper; and manuscript textual records - mostly graphite on wove or tracing paper.
House VIII
Actions:
AP143.S4.D17
Description:
File documents an unexecuted project for House VIII. Material in this file was produced between 1973 and 1975. This project has never been published. Documents include conceptual sketches by Eisenman (DR1994:0137:001-045). Notes by an unknown hand explain the geometric operations of House VIII (DR1994:0137:102-105). File contains conceptual drawings, including plans and axonometrics - some graphite on tracing vellum; reprographic copies - all photocopies on wove paper; and manuscript textual records - mostly graphite on wove or tracing paper.
Niveau de description archivistique:
File 17
File 17
Date:
1973-1975
1973-1975
Personnes et institutions:
Classification:
né numérique
né numérique
Numéro de référence:
ARCH279608
Description:
Labelled: "FormZ Bus Stop Model, Eisenman Architects". File formats: form*Z Project file, unidentified file format. A paper order form is included in the envelope. The image disk image file is infected with a virus.
ARCH279608
Description:
Labelled: "FormZ Bus Stop Model, Eisenman Architects". File formats: form*Z Project file, unidentified file format. A paper order form is included in the envelope. The image disk image file is infected with a virus.
Personnes et institutions:
Date:
1997
1997
Titre:
JCDecaux bus shelter model, 3.5" floppy disk, 1.44MB
Actions:
ARCH279608
Description:
Labelled: "FormZ Bus Stop Model, Eisenman Architects". File formats: form*Z Project file, unidentified file format. A paper order form is included in the envelope. The image disk image file is infected with a virus.
JCDecaux bus shelter model, 3.5" floppy disk, 1.44MB
Actions:
ARCH279608
Description:
Labelled: "FormZ Bus Stop Model, Eisenman Architects". File formats: form*Z Project file, unidentified file format. A paper order form is included in the envelope. The image disk image file is infected with a virus.
Classification:
né numérique
né numérique
Date:
1997
1997
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Jury Deliberations
Jury Deliberations
Numéro de référence:
AP103.S5.SS6
Description:
Sub-series documents the process of choosing the IFCCA Prize Competition winner, Peter Eisenman. Material in file was produced 26 and 27 June 1999. Sub-series contains textual records, the jury's vote (sealed), an audiocassette, photographs, and slides.
AP103.S5.SS6
Description:
Sub-series documents the process of choosing the IFCCA Prize Competition winner, Peter Eisenman. Material in file was produced 26 and 27 June 1999. Sub-series contains textual records, the jury's vote (sealed), an audiocassette, photographs, and slides.
Personnes et institutions:
Date:
26-27 June 1999
26-27 June 1999
Titre:
Jury Deliberations
Actions:
AP103.S5.SS6
Description:
Sub-series documents the process of choosing the IFCCA Prize Competition winner, Peter Eisenman. Material in file was produced 26 and 27 June 1999. Sub-series contains textual records, the jury's vote (sealed), an audiocassette, photographs, and slides.
Jury Deliberations
Actions:
AP103.S5.SS6
Description:
Sub-series documents the process of choosing the IFCCA Prize Competition winner, Peter Eisenman. Material in file was produced 26 and 27 June 1999. Sub-series contains textual records, the jury's vote (sealed), an audiocassette, photographs, and slides.
Niveau de description archivistique:
Sub-series 6
Sub-series 6
Date:
26-27 June 1999
26-27 June 1999
Personnes et institutions:
Classification:
articles
articles
Titre:
Mettre en doute la théorie
Mettre en doute la théorie
Actions:
Dijana O. Apostolski, Jana Berankova, Amir Taheri, Vitório Leite
Mot(s)-clé(s):
Boîte à outils pour aujourd'hui 2021, programme de doctorat, recherche, en suspicion de, théorie, linguistique, sémiotique, années 1970, Legalities for Living, doute, design généré par l'utilisateur, corps idéaux, ornement du début de l'ère moderne
Boîte à outils pour aujourd'hui 2021, programme de doctorat, recherche, en suspicion de, théorie, linguistique, sémiotique, années 1970, Legalities for Living, doute, design généré par l'utilisateur, corps idéaux, ornement du début de l'ère moderne
Publié:
12 juin 2023
12 juin 2023
Titre:
Mettre en doute la théorie
Dijana O. Apostolski, Jana Berankova, Amir Taheri, Vitório Leite
Actions:
Mettre en doute la théorie
Dijana O. Apostolski, Jana Berankova, Amir Taheri, Vitório Leite
Actions:
Niveau de description archivistique:
Projet
Projet
Titre:
University Art Museum
University Art Museum
Numéro de référence:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Personnes et institutions:
Date:
1986-1988
1986-1988
Titre:
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Niveau de description archivistique:
File 65
File 65
Date:
1986-1988
1986-1988
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Knoll Textiles
Knoll Textiles
Numéro de référence:
AP143.S4.D86
Description:
File documents the executed project for Knoll International Inc. Material in this file was produced in 1990. File contains artefacts, design drawings, presentation drawings, reference drawings, and textual records. Original labels on folders with the drawings list the designs as projects by Eisenman Architects, and include the Wexner Center, Nunotani Company Headquarters in Tokyo, the Aronoff (DAAP) Center, the Banyoles Hotel, and the Carnegie Mellon Research Institute. Reference drawings include a plan of the Knoll showroom in Los Angeles. Textual documents include agreement, fabric samples, correspondence, and accounting records.
AP143.S4.D86
Description:
File documents the executed project for Knoll International Inc. Material in this file was produced in 1990. File contains artefacts, design drawings, presentation drawings, reference drawings, and textual records. Original labels on folders with the drawings list the designs as projects by Eisenman Architects, and include the Wexner Center, Nunotani Company Headquarters in Tokyo, the Aronoff (DAAP) Center, the Banyoles Hotel, and the Carnegie Mellon Research Institute. Reference drawings include a plan of the Knoll showroom in Los Angeles. Textual documents include agreement, fabric samples, correspondence, and accounting records.
Personnes et institutions:
Date:
1990
1990
Titre:
Knoll Textiles
Actions:
AP143.S4.D86
Description:
File documents the executed project for Knoll International Inc. Material in this file was produced in 1990. File contains artefacts, design drawings, presentation drawings, reference drawings, and textual records. Original labels on folders with the drawings list the designs as projects by Eisenman Architects, and include the Wexner Center, Nunotani Company Headquarters in Tokyo, the Aronoff (DAAP) Center, the Banyoles Hotel, and the Carnegie Mellon Research Institute. Reference drawings include a plan of the Knoll showroom in Los Angeles. Textual documents include agreement, fabric samples, correspondence, and accounting records.
Knoll Textiles
Actions:
AP143.S4.D86
Description:
File documents the executed project for Knoll International Inc. Material in this file was produced in 1990. File contains artefacts, design drawings, presentation drawings, reference drawings, and textual records. Original labels on folders with the drawings list the designs as projects by Eisenman Architects, and include the Wexner Center, Nunotani Company Headquarters in Tokyo, the Aronoff (DAAP) Center, the Banyoles Hotel, and the Carnegie Mellon Research Institute. Reference drawings include a plan of the Knoll showroom in Los Angeles. Textual documents include agreement, fabric samples, correspondence, and accounting records.
Niveau de description archivistique:
File 86
File 86
Date:
1990
1990
Personnes et institutions:
