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This publication discusses the failure, collapse and historicization of the modernist ideals espoused by Theo van Doesburg, set against the current political backdrop of mass protest. It reflects on the failing of modernity, with contributions by authors from the field of art history, architecture, philosophy, anthropology, sociology and poetry. It is published in(...)
Théorie de l’architecture
janvier 2022
Antonis Pittas: Jaune, Geel, Gelb, Yellow. Monochrome
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This publication discusses the failure, collapse and historicization of the modernist ideals espoused by Theo van Doesburg, set against the current political backdrop of mass protest. It reflects on the failing of modernity, with contributions by authors from the field of art history, architecture, philosophy, anthropology, sociology and poetry. It is published in conjunction with the exhibition "jaune, geel, gelb, yellow. Act on modernism with Antonis Pittas and Theo van Doesburg" at Centraal Museum, Utrecht.
Théorie de l’architecture
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In 2016, a small protest encampment at the Standing Rock reservation in North Dakota, initially established to block construction of the Dakota Access oil pipeline, grew to be the largest Indigenous protest movement in the twenty-first century, attracting tens of thousands of Indigenous and non-Native allies from around the world. Its slogan ''Mni Wiconi''—Water is(...)
Our history is the future: Standing Rock versus the Dakota Access Pipeline, and the long tradition of indigenous resistance
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In 2016, a small protest encampment at the Standing Rock reservation in North Dakota, initially established to block construction of the Dakota Access oil pipeline, grew to be the largest Indigenous protest movement in the twenty-first century, attracting tens of thousands of Indigenous and non-Native allies from around the world. Its slogan ''Mni Wiconi''—Water is Life—was about more than just a pipeline. Water Protectors knew this battle for Native sovereignty had already been fought many times before, and that, even after the encampment was gone, their anti-colonial struggle would continue. In ''Our history is the future'', Nick Estes traces traditions of Indigenous resistance leading to the #NoDAPL movement from the days of the Missouri River trading forts through the Indian Wars, the Pick-Sloan dams, the American Indian Movement, and the campaign for Indigenous rights at the United Nations. While a historian by trade, Estes also draws on observations from the encampments and from growing up as a citizen of the Oceti Sakowin (the Nation of the Seven Council Fires), making Our History is the Future at once a work of history, a personal story, and a manifesto.
Autochtone
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Many of the texts in this volume are interviews with the speakers from the lecture series. We felt it was necessary to provide each speaker with the opportunity to reflect on how their research has been altered by the events of the past year. While past volumes asked many questions, this collection of interviews and talks puts forward strategies for addressing some of the(...)
Politics of public space, volume 4
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Many of the texts in this volume are interviews with the speakers from the lecture series. We felt it was necessary to provide each speaker with the opportunity to reflect on how their research has been altered by the events of the past year. While past volumes asked many questions, this collection of interviews and talks puts forward strategies for addressing some of the perceived inequities in the public domain. Nigel Bertram and Kim Dovey’s texts explore forms of protest, preservation and civil disobedience within urban spaces. Protest continues to be intrinsic to public discourse and by consequence, how the city is preserved and developed. In contrast, these modes of resistance have their counterpart in discussions about policy-making and planning. For Lynda Roberts this is through revealing the political motivations behind the procurement of cultural artifacts and their deployment throughout the arts precinct. Crystal Legacy outlines ideas of agonism and consensus planning in large scale infrastructure projects. Marcus Westbury reflects on new forms of tenure in creating and running a public cultural institute and Elizabeth Taylor unpacks the political, social and commercial motivations behind car parking.
Revues
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In Hungarian Cubes, German-Hungarian artist Katharina Roters explores the one aspect of the Magyar Kocka that could be individualized: the ornamental decorations on their facades. Roters strips the houses she photographs of all surplus details, clearing out fences, railings, antennas, road signs, power lines, and the like, which enables the viewer to focus on the(...)
Hungarian cubes: subversive ornaments in socialism
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In Hungarian Cubes, German-Hungarian artist Katharina Roters explores the one aspect of the Magyar Kocka that could be individualized: the ornamental decorations on their facades. Roters strips the houses she photographs of all surplus details, clearing out fences, railings, antennas, road signs, power lines, and the like, which enables the viewer to focus on the ornaments—and to see how they offered a rare opportunity for individualism and even protest under the conformity of the communist system.
Monographies photo
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Description:
236 pages : chiefly color illustrations ; 37 cm
New York : Collins Publishers in association with I. Shapiro, 1987.
A day in the life of the Soviet Union / photographed by 100 of the world's leading photojournalists on one day, May 15, 1987 ; project directors, Rick Smolan and David Cohen.
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236 pages : chiefly color illustrations ; 37 cm
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New York : Collins Publishers in association with I. Shapiro, 1987.
Other scenes
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Other Scenes, curated by Aaron Rose at Roberts & Tilton, LA presents an eclectic group of emerging and established artists all of whom share disturbing yet romantic visions, such as Rita Ackermann, Gusmano Cesaretti, Daido Moriyama, Daniel Higgs, Becca Mann, Ryan McGinley, Jockum Nordstroem, Raymond Pettibon and Gee Vaucher. In these artists works, a discreet form of(...)
Other scenes
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Other Scenes, curated by Aaron Rose at Roberts & Tilton, LA presents an eclectic group of emerging and established artists all of whom share disturbing yet romantic visions, such as Rita Ackermann, Gusmano Cesaretti, Daido Moriyama, Daniel Higgs, Becca Mann, Ryan McGinley, Jockum Nordstroem, Raymond Pettibon and Gee Vaucher. In these artists works, a discreet form of protest exists; a desire to find love amongst the ruins, beauty in the shadows. The works included in the exhibition span from 1974 to the present, including many works created specifically for this exhibition.
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The architecture of the city
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Aldo Rossi, a practicing architect and leader of the Italian architectural movement La Tendenza, is also one of the most influential theorists writing today. The Architecture of the City is his major work of architectural and urban theory. In part a protest against functionalism and the Modern Movement, in part an attempt to restore the craft of architecture to its(...)
The architecture of the city
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Aldo Rossi, a practicing architect and leader of the Italian architectural movement La Tendenza, is also one of the most influential theorists writing today. The Architecture of the City is his major work of architectural and urban theory. In part a protest against functionalism and the Modern Movement, in part an attempt to restore the craft of architecture to its position as the only valid object of architectural study, and in part an analysis of the rules and forms of the city's construction, the book has become immensely popular among architects and design students.
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janvier 1986, Cambridge
Théorie de l’urbanisme
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Cities around the world are formulating plans to respond to climate change and adapt to its impact. Often, marginalized urban residents resist these plans, offering “counterplans” to protest unjust and exclusionary actions. In this book, Kian Goh examines climate change response strategies in three cities—New York, Jakarta, and Rotterdam—and the mobilization of community(...)
Form and flow: The spatial politics of urban resilience and climate
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Cities around the world are formulating plans to respond to climate change and adapt to its impact. Often, marginalized urban residents resist these plans, offering “counterplans” to protest unjust and exclusionary actions. In this book, Kian Goh examines climate change response strategies in three cities—New York, Jakarta, and Rotterdam—and the mobilization of community groups to fight the perceived injustices and oversights of these plans. Looking through the lenses of urban design and socioecological spatial politics, Goh reveals how contested visions of the future city are produced and gain power.
L'humain et la ville
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This Reader comprises sections on urban social theory, racial and social difference in the city, culture in everyday life, culture and the urban economy, globalization and transnational social relations and the regulation of urban space. Drawing together seminal selections covering the nineteenth to the twenty-first centuries, this publication includes forty-three(...)
The urban sociology reader, second edition
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This Reader comprises sections on urban social theory, racial and social difference in the city, culture in everyday life, culture and the urban economy, globalization and transnational social relations and the regulation of urban space. Drawing together seminal selections covering the nineteenth to the twenty-first centuries, this publication includes forty-three writings from eminent names such as Simmel, Wirth, Park, Burgess, DuBois, Zukin, Sassen, and Harvey. The 2nd edition illuminates more recent urban issues such as sprawl, sustainability, immigration and urban protest. Selections are predominantly sociological, but some readings cross disciplinary boundaries.
Théorie de l’urbanisme
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While destruction as a theme can be traced throughout art history, from the early atomic age it has remained a pervasive and compelling element of contemporary visual culture. Damage Control features the work of more than 40 international artists working in a range of media--painting, sculpture, photography, film, installation, and performance--who have used destruction(...)
octobre 2013
Damage control: art and destruction since 1950
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While destruction as a theme can be traced throughout art history, from the early atomic age it has remained a pervasive and compelling element of contemporary visual culture. Damage Control features the work of more than 40 international artists working in a range of media--painting, sculpture, photography, film, installation, and performance--who have used destruction as a means of responding to their historical moment and as a strategy for inciting spectacle and catharsis, as a form of rebellion and protest, or as an essential part of re-creation and restoration.