Hiraki Sawa
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Première monographie dédiée aux mondes oniriques miniatures créés par les animations délicates du jeune artiste vidéaste japonais, avec un essai et un entretien. Hiraki Sawa uses lo-tech video animation to create poetic dreamscapes, ruminations on ideas of time and motion, innocence and alienation, dislocation and displacement. His seminal film ‘Dwelling’ was made(...)
mars 2011
Hiraki Sawa
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Première monographie dédiée aux mondes oniriques miniatures créés par les animations délicates du jeune artiste vidéaste japonais, avec un essai et un entretien. Hiraki Sawa uses lo-tech video animation to create poetic dreamscapes, ruminations on ideas of time and motion, innocence and alienation, dislocation and displacement. His seminal film ‘Dwelling’ was made while he was still a graduate student at the Slade School of Fine Art and brought him to the attention of the international art world. Certain leitmotifs recur throughout the films – a child’s rocking horse, migrating animals, model jet planes, objects which play out notions of travel and nomadism, of being at home and thinking of elsewhere.
Susanne Bürner : leaves
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«Leaves» a été tourné dans un parc public de Londres. Le film a pour sujet une prairie entourée d'arbres. Susanne Bürner a conçu une brochure de feuilles volantes indiquant la nature de ce spectacle. L'ouvrage reproduit des réflexions et des textes critiques qui engendrent un léger glissement entre des formats, la peinture, le cinéma et le paysage. “Leaves” was shot(...)
Susanne Bürner : leaves
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«Leaves» a été tourné dans un parc public de Londres. Le film a pour sujet une prairie entourée d'arbres. Susanne Bürner a conçu une brochure de feuilles volantes indiquant la nature de ce spectacle. L'ouvrage reproduit des réflexions et des textes critiques qui engendrent un léger glissement entre des formats, la peinture, le cinéma et le paysage. “Leaves” was shot in a public park in London. The video shows a meadow surrounded by trees as its theatrical protagonist. Susanne Bürner has conceived a publication of lose leaves in the nature of this spectacle. The publication provides reference material shifting between different formats, between, painting, film and landscape.
Performing image
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In "Performing Image", Isobel Harbison examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism. Over this period, artists have used a variety of DIY modes of self-imaging and circulation from home video(...)
Performing image
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In "Performing Image", Isobel Harbison examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism. Over this period, artists have used a variety of DIY modes of self-imaging and circulation from home video to social media suggesting how and why Western subjects might seek alternative platforms for self-expression and self-representation. In the course of her argument, Harbison offers close analyses of works by such artists as Robert Rauschenberg, Yvonne Rainer, Mark Leckey, Wu Tsang, and Martine Syms.
Théorie de l’art
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''Public, Private, Secret: On Photography & the Configuration of Self'' explores the roles that photography and video play in the crafting of identity, and the reconfiguration of social conventions that define our public and private selves. Consciously framed by our present era, this collection of essays, interviews, and reflections assesses how our image-making and(...)
Public, private, secret: on photography and the configuration of self
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''Public, Private, Secret: On Photography & the Configuration of Self'' explores the roles that photography and video play in the crafting of identity, and the reconfiguration of social conventions that define our public and private selves. Consciously framed by our present era, this collection of essays, interviews, and reflections assesses how our image-making and consumption patterns are embedded and implicated in a wider matrix of online behavior and social codes, which in turn give images a life of their own. The writings address the various disruptions, resistances, and subversions that artists propose to the limited versions of race, gender, sexuality, and autonomy that populate mainstream popular culture.
Théorie de la photographie
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Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader art-historical context. He considers a wide range of media—from painting, sculpture, and photography to artists’ films, video, sound work, animation, and installation—and analyzes the work of internationally prominent(...)
Landscape into eco art: articulations of nature since the 60s
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Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader art-historical context. He considers a wide range of media—from painting, sculpture, and photography to artists’ films, video, sound work, animation, and installation—and analyzes the work of internationally prominent artists such as Olafur Eliasson, Nancy Holt, Mark Dion, and Robert Smithson. In doing so, Cheetham reveals eco art to be a dynamic extension of a long tradition of landscape depiction in the West that boldly enters into today’s debates on climate science, government policy, and our collective and individual responsibility to the planet.
Théorie de l’art
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Rachel Harrison's assemblages of found and constructed objects carry a provisional quality, a wry sense of humor and an all-embracing intelligence. Playing with materials ranging from plinth, pedestal and corrugated cardboard to plastic ketchup bottles, insulated travel mugs and Barbie's wheelchair-bound friend, Harrison creates colorful, canny, thought-provoking(...)
Rachel Harrison: Museum with walls
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Rachel Harrison's assemblages of found and constructed objects carry a provisional quality, a wry sense of humor and an all-embracing intelligence. Playing with materials ranging from plinth, pedestal and corrugated cardboard to plastic ketchup bottles, insulated travel mugs and Barbie's wheelchair-bound friend, Harrison creates colorful, canny, thought-provoking constructions that are worthy peers of Rauschenberg's Combines. This volume, the most comprehensive monograph of Harrison's sculpture, video and painting to date, provides documentation of the past 15 years of her work and includes essays by Tom Eccles, David Joselit, Iwona Blazwick and Jack Bankowsky, plus contributions from Paul Chan, John Kelsey, Allan McCollum, Lucy Raven, Amy Sillman and Steven Stern.
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Working from the tradition of assemblage, the practice of David Armstrong Six denotes a realm of associative abstraction that extends notions of contingency beyond the object and into a zone of poetic reflexivity, levity and grace. The Canadian artist draws upon a wide range of references and materials, producing works in sculpture, drawing and video, and exploits the(...)
David Armstrong Six: three know points
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Working from the tradition of assemblage, the practice of David Armstrong Six denotes a realm of associative abstraction that extends notions of contingency beyond the object and into a zone of poetic reflexivity, levity and grace. The Canadian artist draws upon a wide range of references and materials, producing works in sculpture, drawing and video, and exploits the dubious nature of cultural prototypes. This book represents a series of sculptural propositions emerging from the cumulative conflation of a studio-based language as a venue for perceptual and spatial inquiry. Includes a critical text by Scott Lyall and an interview with the artist by Kristan Horton.
Art canadien
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Art Isn’t Fair is the title of the last video completed in 2012 by Allan Sekula, a work commenting on the rise of art fairs as yet another international gathering of moneyed elites. This new compilation of textual, photographic and filmic essays underscores Sekula’s longstanding engagement with the many intersections between art, photography, and the shifting terrain of(...)
Allan Sekula: Art Isn't Fair: Further essays on the traffic of photographs and related media
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Art Isn’t Fair is the title of the last video completed in 2012 by Allan Sekula, a work commenting on the rise of art fairs as yet another international gathering of moneyed elites. This new compilation of textual, photographic and filmic essays underscores Sekula’s longstanding engagement with the many intersections between art, photography, and the shifting terrain of power struggles from both a local and international perspective. Bringing together an ensemble of works that Sekula never had the chance to publish together before his death in 2013, this new collection expands our sense of the persistent depth and breadth of Sekula’s concerns and commitments.
Monographies photo
Melting landscape
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This publication is part of architect Kei Kaihoh’s exhibit at the Venice Architecture Biennale 2021. In the form of a card set, ''Melting landscape'' presents 53 sketches with related infos, explanations and ideas written on the back of each card. ''What does snow mean to the people living in Yasuzuka, and to us? Why do people live in heavy snowfall areas? How to(...)
Melting landscape
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This publication is part of architect Kei Kaihoh’s exhibit at the Venice Architecture Biennale 2021. In the form of a card set, ''Melting landscape'' presents 53 sketches with related infos, explanations and ideas written on the back of each card. ''What does snow mean to the people living in Yasuzuka, and to us? Why do people live in heavy snowfall areas? How to understand the harshness and beauty of snow?” Snow is always full of contradictions and complexities. This project will explore the possibility of coexistence between people and snow by approaching the true nature of snow through images created by video director Tomoko Mikanagi.
Architecture, monographies
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296 pages : illustrations (some color) ; 28 cm
New York : Museum of Modern Art : Distributed by H.N. Abrams, [1999], ©1999
The museum as muse : artists reflect / Kynaston McShine.
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296 pages : illustrations (some color) ; 28 cm
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New York : Museum of Modern Art : Distributed by H.N. Abrams, [1999], ©1999