4749 Résultats
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Description:
approximately 300 pages illustrations (some color) 26 cm
- Bibliothèque main 8556 | ID NK807.N4 PLM; ID:87-B21295 | Disponible
- Bibliothèque main 8557 | 7780 EXHNEWYORK; ID:87-B21295 | Disponible
Description:
approximately 300 pages illustrations (some color) 26 cm
Auteur:
- Metropolitan Museum of Art (New York, N.Y.),
- Johnson, Marilynn.,
- Schwartz, Marvin D.,
- Boorsch, Suzanne.
Sujet:
- Decorative arts United States Exhibitions.,
- Arts décoratifs États-Unis Expositions.,
- Decorative arts,
- United States,
- Exhibition catalogs
Publication:
[New York] Museum, Distributed by New York Graphic Society [1970]
[New York] Museum, Distributed by New York Graphic Society [1970]
Titre:
19th-century America: furniture and other decorative arts; an exhibition in celebration of the hundredth anniversary of the Metropolitan Museum of Art, April 16 through September 7, 1970. Introd. by Berry B. Tracy. Furniture texts by Marilynn Johnson. Other decorative arts texts by Marvin D. Schwartz and Suzanne Boorsch.
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Description:
approximately 300 pages illustrations (some color) 26 cm
19th-century America: furniture and other decorative arts; an exhibition in celebration of the hundredth anniversary of the Metropolitan Museum of Art, April 16 through September 7, 1970. Introd. by Berry B. Tracy. Furniture texts by Marilynn Johnson. Other decorative arts texts by Marvin D. Schwartz and Suzanne Boorsch.
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- Bibliothèque main 8556 | ID NK807.N4 PLM; ID:87-B21295 | Disponible
- Bibliothèque main 8557 | 7780 EXHNEWYORK; ID:87-B21295 | Disponible
Description:
approximately 300 pages illustrations (some color) 26 cm
Classification:
livres
livres
Publication:
[New York] Museum, Distributed by New York Graphic Society [1970]
[New York] Museum, Distributed by New York Graphic Society [1970]
Auteur:
- Metropolitan Museum of Art (New York, N.Y.),
- Johnson, Marilynn.,
- Schwartz, Marvin D.,
- Boorsch, Suzanne.
Sujet:
- Decorative arts United States Exhibitions.,
- Arts décoratifs États-Unis Expositions.,
- Decorative arts,
- United States,
- Exhibition catalogs
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livres
livres
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Description:
viii, 216 pages : illustrations ; 29 cm
Description:
viii, 216 pages : illustrations ; 29 cm
Auteur:
Sujet:
- Herrera, Juan de, approximately 1530-1597 Criticism and interpretation.,
- Herrera, Juan de.,
- Herrera, Juan de, approximately 1530-1597,
- Herrera, Juan de, (1530-1597),
- Classicism in architecture Spain.,
- Classicisme en architecture Espagne.,
- Classicism in architecture,
- El Escorial.,
- Architecture de la Renaissance Espagne.,
- Spain,
- Architecture Spain,
- Criticism, interpretation, etc.
Publication:
New Haven : Yale University Press, 1993.
New Haven : Yale University Press, 1993.
Titre:
Juan de Herrera : architect to Philip II of Spain / Catherine Wilkinson-Zerner.
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Description:
viii, 216 pages : illustrations ; 29 cm
Juan de Herrera : architect to Philip II of Spain / Catherine Wilkinson-Zerner.
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Description:
viii, 216 pages : illustrations ; 29 cm
Classification:
livres
livres
Publication:
New Haven : Yale University Press, 1993.
New Haven : Yale University Press, 1993.
Auteur:
Sujet:
- Herrera, Juan de, approximately 1530-1597 Criticism and interpretation.,
- Herrera, Juan de.,
- Herrera, Juan de, approximately 1530-1597,
- Herrera, Juan de, (1530-1597),
- Classicism in architecture Spain.,
- Classicisme en architecture Espagne.,
- Classicism in architecture,
- El Escorial.,
- Architecture de la Renaissance Espagne.,
- Spain,
- Architecture Spain,
- Criticism, interpretation, etc.
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livres
livres
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Description:
lvii, 158 pages, 82 unnumbered leaves of plates : illustrations ; 32 cm
Description:
lvii, 158 pages, 82 unnumbered leaves of plates : illustrations ; 32 cm
Auteur:
Sujet:
- Andrea, di Bonaiuto, -1377?,
- Andrea, di Giusto, -1451.,
- Barna, da Siena, active 14th century.,
- Benozzo, di Lese, 1420-1497.,
- Cimabue.,
- Domenico, Veneziano, -1461.,
- Giotto, 1266?-1337.,
- Maso, di Banco, active 14th century.,
- Masolino, da Panicale, 1383-approximately 1447.,
- Masaccio, 1401-1428.,
- Piero, della Francesca, 1416?-1492. Legend of the True Cross.,
- Taddeo di Bartolo, approximately 1362-1422.,
- Vecchietta, approximately 1412-1480.,
- Baldovinetti, Alesso, 1425-1499.,
- Castagno, Andrea del, 1423-1457. Last Supper.,
- Gaddi, Taddeo, approximately 1300-approximately 1366.,
- Ghirlandaio, Domenico, 1449-1494.,
- Lippi, Filippino, -1504.,
- Lippi, Filippo, approximately 1406-1469.,
- Lorenzetti, Ambrogio, 1285-approximately 1348.,
- Lorenzetti, Pietro, active 1320-1348.,
- Martini, Simone, 1283-1344.,
- Pollaiolo, Antonio, 1426?-1498.,
- Pollaiolo, Piero, approximately 1443-1496.,
- Sarto, Andrea del, 1486-1530.,
- Uccello, Paolo, 1397-1475.,
- Vanni, Lippo.,
- Cimabue 1240-1302,
- Sarto, Andrea del 1486-1530,
- Orsanmichele (Church : Florence, Italy),
- Christianity and art Catholic Church.,
- Mural painting and decoration, Italian Italy Tuscany.,
- Mural painting and decoration, Italian Italy Tuscany History.,
- Mural painting and decoration, Gothic Italy Tuscany.,
- Mural painting and decoration, Renaissance Italy Tuscany.,
- Painters Italy Tuscany.,
- Peinture et décoration murales italiennes Italie Toscane.,
- Peinture et décoration murales gothiques Italie Toscane.,
- Peinture et décoration murales de la Renaissance Italie Toscane.,
- Christianisme et art Église catholique.,
- Peintres Italie Toscane.,
- Mural painting and decoration, Gothic.,
- Mural painting and decoration, Italian.,
- Mural painting and decoration, Renaissance.,
- Wandmalerei,
- 1270-1530,
- Peinture et décoration murales italiennes toscanes,
- Italy Tuscany.,
- Toskana,
- Mural painting and decoration Italy Tuscany,
- History.,
- [Catalogues]
Publication:
Oxford : Clarendon Press ; New York : Oxford University Press, ©1980.
Oxford : Clarendon Press ; New York : Oxford University Press, ©1980.
Titre:
The mural painters of Tuscany : from Cimabue to Andrea del Sarto / by Eve Borsook.
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Description:
lvii, 158 pages, 82 unnumbered leaves of plates : illustrations ; 32 cm
The mural painters of Tuscany : from Cimabue to Andrea del Sarto / by Eve Borsook.
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Description:
lvii, 158 pages, 82 unnumbered leaves of plates : illustrations ; 32 cm
Classification:
livres
livres
Publication:
Oxford : Clarendon Press ; New York : Oxford University Press, ©1980.
Oxford : Clarendon Press ; New York : Oxford University Press, ©1980.
Auteur:
Sujet:
- Andrea, di Bonaiuto, -1377?,
- Andrea, di Giusto, -1451.,
- Barna, da Siena, active 14th century.,
- Benozzo, di Lese, 1420-1497.,
- Cimabue.,
- Domenico, Veneziano, -1461.,
- Giotto, 1266?-1337.,
- Maso, di Banco, active 14th century.,
- Masolino, da Panicale, 1383-approximately 1447.,
- Masaccio, 1401-1428.,
- Piero, della Francesca, 1416?-1492. Legend of the True Cross.,
- Taddeo di Bartolo, approximately 1362-1422.,
- Vecchietta, approximately 1412-1480.,
- Baldovinetti, Alesso, 1425-1499.,
- Castagno, Andrea del, 1423-1457. Last Supper.,
- Gaddi, Taddeo, approximately 1300-approximately 1366.,
- Ghirlandaio, Domenico, 1449-1494.,
- Lippi, Filippino, -1504.,
- Lippi, Filippo, approximately 1406-1469.,
- Lorenzetti, Ambrogio, 1285-approximately 1348.,
- Lorenzetti, Pietro, active 1320-1348.,
- Martini, Simone, 1283-1344.,
- Pollaiolo, Antonio, 1426?-1498.,
- Pollaiolo, Piero, approximately 1443-1496.,
- Sarto, Andrea del, 1486-1530.,
- Uccello, Paolo, 1397-1475.,
- Vanni, Lippo.,
- Cimabue 1240-1302,
- Sarto, Andrea del 1486-1530,
- Orsanmichele (Church : Florence, Italy),
- Christianity and art Catholic Church.,
- Mural painting and decoration, Italian Italy Tuscany.,
- Mural painting and decoration, Italian Italy Tuscany History.,
- Mural painting and decoration, Gothic Italy Tuscany.,
- Mural painting and decoration, Renaissance Italy Tuscany.,
- Painters Italy Tuscany.,
- Peinture et décoration murales italiennes Italie Toscane.,
- Peinture et décoration murales gothiques Italie Toscane.,
- Peinture et décoration murales de la Renaissance Italie Toscane.,
- Christianisme et art Église catholique.,
- Peintres Italie Toscane.,
- Mural painting and decoration, Gothic.,
- Mural painting and decoration, Italian.,
- Mural painting and decoration, Renaissance.,
- Wandmalerei,
- 1270-1530,
- Peinture et décoration murales italiennes toscanes,
- Italy Tuscany.,
- Toskana,
- Mural painting and decoration Italy Tuscany,
- History.,
- [Catalogues]
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livres
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Description:
285 pages, 32 unnumbered pages of plates : illustrations, plans, facsimiles ; 25 cm
Description:
285 pages, 32 unnumbered pages of plates : illustrations, plans, facsimiles ; 25 cm
Auteur:
- Taylor, Jacqueline (Architectural historian),,
- Meredith, Amaza Lee, 1895-1984.
Sujet:
- Meredith, Amaza Lee, 1895-1984.,
- Azurest South (Ettrick, Va.),
- African American architects Biography.,
- African American women architects Biography.,
- International style (Architecture) Virginia Ettrick.,
- Architectes noirs américains Biographies.,
- African American architects,
- Buildings,
- International style (Architecture),
- Ettrick (Va.) Buildings, structures, etc.,
- Biographies
Publication:
Cambridge, Massachusetts : The MIT Press, [2023], ©2023
Cambridge, Massachusetts : The MIT Press, [2023], ©2023
Titre:
Amaza Lee Meredith imagines herself modern : architecture and the Black American middle class / Jacqueline Taylor.
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Description:
285 pages, 32 unnumbered pages of plates : illustrations, plans, facsimiles ; 25 cm
Amaza Lee Meredith imagines herself modern : architecture and the Black American middle class / Jacqueline Taylor.
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Description:
285 pages, 32 unnumbered pages of plates : illustrations, plans, facsimiles ; 25 cm
Classification:
livres
livres
Publication:
Cambridge, Massachusetts : The MIT Press, [2023], ©2023
Cambridge, Massachusetts : The MIT Press, [2023], ©2023
Auteur:
- Taylor, Jacqueline (Architectural historian),,
- Meredith, Amaza Lee, 1895-1984.
Sujet:
- Meredith, Amaza Lee, 1895-1984.,
- Azurest South (Ettrick, Va.),
- African American architects Biography.,
- African American women architects Biography.,
- International style (Architecture) Virginia Ettrick.,
- Architectes noirs américains Biographies.,
- African American architects,
- Buildings,
- International style (Architecture),
- Ettrick (Va.) Buildings, structures, etc.,
- Biographies
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livres
livres
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Description:
xviii, 899 pages ; 29 cm
Description:
xviii, 899 pages ; 29 cm
Auteur:
Sujet:
- Art Historiography Bibliography.,
- Art Historiographie Bibliographie.,
- 20.00 art sciences: general.,
- Art Historiography,
- Kunst.,
- Western European, East Asian, China, Japan, Greek, Roman, Medieval, Renaissance/Baroque/Rococo, 1750-1850, Modern (1850-1970), 1970-present, Art, Architecture, Painting, Photography, Prints, Sculpture, Bibliography,
- Bibliographies.,
- bibliographies.,
- Bibliographies (form)
Publication:
Chicago : American Library Association, 2005.
Chicago : American Library Association, 2005.
Titre:
Guide to the literature of art history 2 / Max Marmor, Alex Ross.
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Description:
xviii, 899 pages ; 29 cm
Guide to the literature of art history 2 / Max Marmor, Alex Ross.
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Description:
xviii, 899 pages ; 29 cm
Classification:
livres
livres
Publication:
Chicago : American Library Association, 2005.
Chicago : American Library Association, 2005.
Auteur:
Sujet:
- Art Historiography Bibliography.,
- Art Historiographie Bibliographie.,
- 20.00 art sciences: general.,
- Art Historiography,
- Kunst.,
- Western European, East Asian, China, Japan, Greek, Roman, Medieval, Renaissance/Baroque/Rococo, 1750-1850, Modern (1850-1970), 1970-present, Art, Architecture, Painting, Photography, Prints, Sculpture, Bibliography,
- Bibliographies.,
- bibliographies.,
- Bibliographies (form)
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$71.95
(disponible sur commande)
Résumé:
Margaret M. D'Evelyn has gathered evidence to document how Andrea Palladio's understanding of Vitruvius influenced Daniele Barbaro. This volume also charts the invention of the illustrated architectural book and how major architect-authors, such as Leon Battista Alberti and Sebastiano Serlio, contributed to its development - demonstrating how Vitruvius shaped the way the(...)
$71.95
(disponible sur commande)
Résumé:
Margaret M. D'Evelyn has gathered evidence to document how Andrea Palladio's understanding of Vitruvius influenced Daniele Barbaro. This volume also charts the invention of the illustrated architectural book and how major architect-authors, such as Leon Battista Alberti and Sebastiano Serlio, contributed to its development - demonstrating how Vitruvius shaped the way the(...)
Titre:
Venice and Vitruvius: reading Venice with Daniele Barbaro and Andrea Palladio
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$71.95
(disponible sur commande)
Résumé:
Margaret M. D'Evelyn has gathered evidence to document how Andrea Palladio's understanding of Vitruvius influenced Daniele Barbaro. This volume also charts the invention of the illustrated architectural book and how major architect-authors, such as Leon Battista Alberti and Sebastiano Serlio, contributed to its development - demonstrating how Vitruvius shaped the way the city of Venice was viewed.
Venice and Vitruvius: reading Venice with Daniele Barbaro and Andrea Palladio
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$71.95
(disponible sur commande)
Résumé:
Margaret M. D'Evelyn has gathered evidence to document how Andrea Palladio's understanding of Vitruvius influenced Daniele Barbaro. This volume also charts the invention of the illustrated architectural book and how major architect-authors, such as Leon Battista Alberti and Sebastiano Serlio, contributed to its development - demonstrating how Vitruvius shaped the way the city of Venice was viewed.
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$82.95
(disponible sur commande)
Résumé:
Though little known in the English-speaking world, Johann Bernhard Fischer von Erlach (1656-1723) was one of the most important and influential European baroque architects. The buildings that he designed for the emperor of Austria and his courtiers reveal an element of theatricality - an element that author Esther Gordon Dotson probes in this accessible and attractive(...)
$82.95
(disponible sur commande)
Résumé:
Though little known in the English-speaking world, Johann Bernhard Fischer von Erlach (1656-1723) was one of the most important and influential European baroque architects. The buildings that he designed for the emperor of Austria and his courtiers reveal an element of theatricality - an element that author Esther Gordon Dotson probes in this accessible and attractive(...)
Publication:
juillet 2012
juillet 2012
Titre:
J.B. Fischer von Erlach: architecture as theater in the baroque era
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$82.95
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Résumé:
Though little known in the English-speaking world, Johann Bernhard Fischer von Erlach (1656-1723) was one of the most important and influential European baroque architects. The buildings that he designed for the emperor of Austria and his courtiers reveal an element of theatricality - an element that author Esther Gordon Dotson probes in this accessible and attractive volume. In his architectural designs, Fischer incorporated devices from ceremonial pageantry and scene design, controlled lighting effects, and a sense of dramatic progression in approaching and moving through a building. Dotson identifies these various elements in her close reading of Fischer's structures, and splendid new photographs, taken by Mark Richard Ashton, bring them to life on the printed page. The author guides readers in discovering the theatrical qualities in Fischer's buildings, illuminating their conceptual liveliness, variety, and drama.
J.B. Fischer von Erlach: architecture as theater in the baroque era
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$82.95
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Résumé:
Though little known in the English-speaking world, Johann Bernhard Fischer von Erlach (1656-1723) was one of the most important and influential European baroque architects. The buildings that he designed for the emperor of Austria and his courtiers reveal an element of theatricality - an element that author Esther Gordon Dotson probes in this accessible and attractive volume. In his architectural designs, Fischer incorporated devices from ceremonial pageantry and scene design, controlled lighting effects, and a sense of dramatic progression in approaching and moving through a building. Dotson identifies these various elements in her close reading of Fischer's structures, and splendid new photographs, taken by Mark Richard Ashton, bring them to life on the printed page. The author guides readers in discovering the theatrical qualities in Fischer's buildings, illuminating their conceptual liveliness, variety, and drama.
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$92.00
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Résumé:
This publication offers the first comprehensive study in English of Baldassare Longhena (1598–1682), the indispensable architect of the Venetian Baroque. While Longhena's legacy is most visible in his iconic Madonna della Salute, the 17th-century basilica devoted to the Virgin Mary in gratitude for Venice's deliverance from the plague, and in the Pesaro and Rezzonico(...)
$92.00
(disponible sur commande)
Résumé:
This publication offers the first comprehensive study in English of Baldassare Longhena (1598–1682), the indispensable architect of the Venetian Baroque. While Longhena's legacy is most visible in his iconic Madonna della Salute, the 17th-century basilica devoted to the Virgin Mary in gratitude for Venice's deliverance from the plague, and in the Pesaro and Rezzonico(...)
Titre:
Baldessare Longhena and Venetian Baroque architecture
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$92.00
(disponible sur commande)
Résumé:
This publication offers the first comprehensive study in English of Baldassare Longhena (1598–1682), the indispensable architect of the Venetian Baroque. While Longhena's legacy is most visible in his iconic Madonna della Salute, the 17th-century basilica devoted to the Virgin Mary in gratitude for Venice's deliverance from the plague, and in the Pesaro and Rezzonico palaces along the Grand Canal, he created a plethora of other works over the course of a career that spanned half a century. Andrew Hopkins's thought-provoking text considers the full span of Longhena's illustrious career, from his monumental staircases and libraries to the palaces commissioned by private patrons and his projects for Venice's Greek and Jewish communities. This lively account is accompanied by more than sixty color and 300 black-and-white photographs commissioned especially for the book. A complete list of Longhena's work is included in an appendix.
Baldessare Longhena and Venetian Baroque architecture
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$92.00
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Résumé:
This publication offers the first comprehensive study in English of Baldassare Longhena (1598–1682), the indispensable architect of the Venetian Baroque. While Longhena's legacy is most visible in his iconic Madonna della Salute, the 17th-century basilica devoted to the Virgin Mary in gratitude for Venice's deliverance from the plague, and in the Pesaro and Rezzonico palaces along the Grand Canal, he created a plethora of other works over the course of a career that spanned half a century. Andrew Hopkins's thought-provoking text considers the full span of Longhena's illustrious career, from his monumental staircases and libraries to the palaces commissioned by private patrons and his projects for Venice's Greek and Jewish communities. This lively account is accompanied by more than sixty color and 300 black-and-white photographs commissioned especially for the book. A complete list of Longhena's work is included in an appendix.
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livres
livres
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$140.00
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Résumé:
For nearly three centuries Leonardo da Vinci's work was known primarily through the abridged version of his "Treatise on Painting", first published in Paris in 1651 and soon translated into all the major European languages. Here for the first time is a study that examines the historical reception of this vastly influential text. This collection charts the varied(...)
$140.00
(disponible sur commande)
Résumé:
For nearly three centuries Leonardo da Vinci's work was known primarily through the abridged version of his "Treatise on Painting", first published in Paris in 1651 and soon translated into all the major European languages. Here for the first time is a study that examines the historical reception of this vastly influential text. This collection charts the varied(...)
Titre:
Re-reading Leonardo: the treatise on painting across Europe, 1550-1900
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$140.00
(disponible sur commande)
Résumé:
For nearly three centuries Leonardo da Vinci's work was known primarily through the abridged version of his "Treatise on Painting", first published in Paris in 1651 and soon translated into all the major European languages. Here for the first time is a study that examines the historical reception of this vastly influential text. This collection charts the varied interpretations of Leonardo's ideas in French, Italian, Spanish, English, German, Dutch, Flemish, Greek, and Polish speaking environments where the Trattato was an important resource for the academic instruction of artists, one of the key sources drawn upon by art theorists, and widely read by a diverse network of artists, architects, biographers, natural philosophers, translators, astronomers, publishers, engineers, theologians, aristocrats, lawyers, politicians, entrepreneurs, and collectors.
Re-reading Leonardo: the treatise on painting across Europe, 1550-1900
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$140.00
(disponible sur commande)
Résumé:
For nearly three centuries Leonardo da Vinci's work was known primarily through the abridged version of his "Treatise on Painting", first published in Paris in 1651 and soon translated into all the major European languages. Here for the first time is a study that examines the historical reception of this vastly influential text. This collection charts the varied interpretations of Leonardo's ideas in French, Italian, Spanish, English, German, Dutch, Flemish, Greek, and Polish speaking environments where the Trattato was an important resource for the academic instruction of artists, one of the key sources drawn upon by art theorists, and widely read by a diverse network of artists, architects, biographers, natural philosophers, translators, astronomers, publishers, engineers, theologians, aristocrats, lawyers, politicians, entrepreneurs, and collectors.
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livres
livres
Publication:
juillet 2009
juillet 2009
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$38.95
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Le Grand panorama de Lisbonne, œuvre extraordinaire, l’une des plus importantes de la collection du musée national de l’Azulejo, est un document d’une richesse iconographique unique pour l’histoire de la ville de Lisbonne. Elle présente la vue la plus complète de la capitale, se déployant le long du Tage, avant le tremblement de terre qui la détruisit en 1755. La(...)
$38.95
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Résumé:
Le Grand panorama de Lisbonne, œuvre extraordinaire, l’une des plus importantes de la collection du musée national de l’Azulejo, est un document d’une richesse iconographique unique pour l’histoire de la ville de Lisbonne. Elle présente la vue la plus complète de la capitale, se déployant le long du Tage, avant le tremblement de terre qui la détruisit en 1755. La(...)
Publication:
octobre 2024
octobre 2024
Titre:
Le grand panorama de Lisbonne
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$38.95
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Résumé:
Le Grand panorama de Lisbonne, œuvre extraordinaire, l’une des plus importantes de la collection du musée national de l’Azulejo, est un document d’une richesse iconographique unique pour l’histoire de la ville de Lisbonne. Elle présente la vue la plus complète de la capitale, se déployant le long du Tage, avant le tremblement de terre qui la détruisit en 1755. La contemplation de cette œuvre permet d’admirer des bâtiments et des lieux qui ont résisté à la catastrophe, mais aussi d’en observer d’autres ayant disparu, images d’un monde dont la fragilité nous est rappelée. Cette œuvre a été attribuée à l’un des premiers maîtres de la céramique baroque, le peintre d’origine espagnole Gabriel del Barco. Le panneau, d’environ 23 mètres de long, représentant 14 km de côtes d’Algés à Xabregas, nous invite à découvrir – au-delà des palais, églises, couvents et habitations – l’atmosphère générale de la ville lisboète en ce début de xviiie siècle, des zones les plus densément peuplées jusqu’aux campagnes et environs d’Alcântara ou Belém.
Le grand panorama de Lisbonne
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$38.95
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Résumé:
Le Grand panorama de Lisbonne, œuvre extraordinaire, l’une des plus importantes de la collection du musée national de l’Azulejo, est un document d’une richesse iconographique unique pour l’histoire de la ville de Lisbonne. Elle présente la vue la plus complète de la capitale, se déployant le long du Tage, avant le tremblement de terre qui la détruisit en 1755. La contemplation de cette œuvre permet d’admirer des bâtiments et des lieux qui ont résisté à la catastrophe, mais aussi d’en observer d’autres ayant disparu, images d’un monde dont la fragilité nous est rappelée. Cette œuvre a été attribuée à l’un des premiers maîtres de la céramique baroque, le peintre d’origine espagnole Gabriel del Barco. Le panneau, d’environ 23 mètres de long, représentant 14 km de côtes d’Algés à Xabregas, nous invite à découvrir – au-delà des palais, églises, couvents et habitations – l’atmosphère générale de la ville lisboète en ce début de xviiie siècle, des zones les plus densément peuplées jusqu’aux campagnes et environs d’Alcântara ou Belém.