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23 pages : illustrations, map, plans, portraits ; 20 cm
[London] : H.M.S.O., 1980, ©1971.
Clifford's Tower and the castles of York / by D.F. Renn.
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23 pages : illustrations, map, plans, portraits ; 20 cm
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[London] : H.M.S.O., 1980, ©1971.
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1 folded sheet (8 pages) : illustrations, plan ; 21 x 8 cm
London : Dept. of the Environment, Ancient Monuments and Historic Buildings, 1979.
Avebury, Wiltshire : français.
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1 folded sheet (8 pages) : illustrations, plan ; 21 x 8 cm
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London : Dept. of the Environment, Ancient Monuments and Historic Buildings, 1979.
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15 pages : illustrations (some color), maps, plans, portrait ; 23 x 11 cm
[Montpellier] : Association pour la connaissance du patrimoine en Languedoc-Roussillon., ©1998.
Le grand temple de Montpellier / [textes, Franck Labarbe avec la collaboration de Thierry Lochard ; photographies, Jean-Michel Périn].
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15 pages : illustrations (some color), maps, plans, portrait ; 23 x 11 cm
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[Montpellier] : Association pour la connaissance du patrimoine en Languedoc-Roussillon., ©1998.
$52.95
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Résumé:
"The Continuous Monument", developed by the Italian collective Superstudio during summer 1969, is one of the most known visionary projects within the history of architecture. In sketchbooks Number 11 and 12, dated over a few months between May and November 1969, much of the story of the Continuous Monument emerges – as it were, fully-fledged – from its first conception as(...)
Sketchbook 12 and the continuous monument: Adolfo Natalini
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Résumé:
"The Continuous Monument", developed by the Italian collective Superstudio during summer 1969, is one of the most known visionary projects within the history of architecture. In sketchbooks Number 11 and 12, dated over a few months between May and November 1969, much of the story of the Continuous Monument emerges – as it were, fully-fledged – from its first conception as a belt around Florence, and its later ambitious circumnavigation of the globe, to its diffident public manifestation – at the scale of a gallery – for the first of the two exhibitions in Graz in 1969. The drawings became the basis of the now better-known Superstudio collages.
Architecture, monographies
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1 folded sheet (6 pages) : illustrations, plans ; 21 x 10 cm.
[London] : H.M.S.0., ©1984.
Battle Abbey and the Battle of Hastings.
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1 folded sheet (6 pages) : illustrations, plans ; 21 x 10 cm.
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[London] : H.M.S.0., ©1984.
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2 volumes
Hamburg, Strumper, 1886.
Die Renaissance in Italien. Eine sammlung der werthvollsten erhaltenen Monumente in chronologischer Folge geordnet. Hrsg. von Alexander Schütz ...
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2 volumes
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Hamburg, Strumper, 1886.
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144 pages : illustrations (some color) ; 30 cm.
[Clermont-Ferrand] : Ministère de la culture, Inventaire général des monuments et des richesses artistiques de la France, Région d'Auvergne ; [Olliergues] : Parc naturel régional Livradois-Forez, [©1986]
Châteldon, entre Dore et Bois noirs.
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144 pages : illustrations (some color) ; 30 cm.
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[Clermont-Ferrand] : Ministère de la culture, Inventaire général des monuments et des richesses artistiques de la France, Région d'Auvergne ; [Olliergues] : Parc naturel régional Livradois-Forez, [©1986]
$44.00
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Résumé:
Monuments represent power: explicitly and simply, but not universally. In Estonia, the classical notion of a monument is a strange one. Its presence is marginal, its tradition non-existent and its form tormented by an apparent cultural displacement. The statue on a square never claimed the central position so common in Western Europe. This semantic void directs attention(...)
Théorie de l’architecture
juillet 2018
Weak monument: architectures beyond the plinth
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Monuments represent power: explicitly and simply, but not universally. In Estonia, the classical notion of a monument is a strange one. Its presence is marginal, its tradition non-existent and its form tormented by an apparent cultural displacement. The statue on a square never claimed the central position so common in Western Europe. This semantic void directs attention to other, less exceptional pieces of architecture. Sometimes a stairway marks a politically charged location, or a pavement becomes symbolic. Instead of explicit meanings inscribed in marble and bronze, an implicit charge is revealed that might be weaker yet more relevant, for what is only implicit cannot be openly questioned. Weak Monument explores the blurred line between a monument's explicitly political form and the architecture of everyday. It juxtaposes classical monuments with seemingly insignificant architectural objects and public space in a collection of images and drawings, archival as well as newly commissioned ones, alongside essays and brief texts
Théorie de l’architecture
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32 p. : illustrations en coul., couv. illustrations en coul. ; 23 cm
Bordeaux : Le Festin, 2000 33-Bordeaux : Impr. Zure.
Le Pays beaumontois, Dordogne / [Inventaire général des monuments et des richesses artistiques de la France, Commission régionale Aquitaine] ; [réd ; par Bertrand Charneau].
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32 p. : illustrations en coul., couv. illustrations en coul. ; 23 cm
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Bordeaux : Le Festin, 2000 33-Bordeaux : Impr. Zure.
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28 p. : ill., plans ; 21 cm.
London : H.M.S.O., 1982.
Thornton Abbey, Humberside / gatehouse and church by the late Alfred Clapham ; monastic buildings by the late P.K. Baillie Reynolds.
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28 p. : ill., plans ; 21 cm.
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London : H.M.S.O., 1982.