4351 Résultats
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Compiled and edited by artist Tamami Iinuma, this collection of architectural photography by Taki Koji (1928–2011) spans the decade between 1968 and 1979 and includes works by architects such as Kazuo Shinohara, Toyo Ito, Kazunari Sakamoto, and Hironori Shirasawa. The images were digitised from original prints and film, and 125 photographs were selected and retouched by(...)
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Compiled and edited by artist Tamami Iinuma, this collection of architectural photography by Taki Koji (1928–2011) spans the decade between 1968 and 1979 and includes works by architects such as Kazuo Shinohara, Toyo Ito, Kazunari Sakamoto, and Hironori Shirasawa. The images were digitised from original prints and film, and 125 photographs were selected and retouched by(...)
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Koji Taki: Searching for the language of the house
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Compiled and edited by artist Tamami Iinuma, this collection of architectural photography by Taki Koji (1928–2011) spans the decade between 1968 and 1979 and includes works by architects such as Kazuo Shinohara, Toyo Ito, Kazunari Sakamoto, and Hironori Shirasawa. The images were digitised from original prints and film, and 125 photographs were selected and retouched by Iinuma especially for this posthumous publication. Two texts are included as well: Koji’s own ''The language of a house'' (originally published in 1975) and the critical examination ''The houses are all gone under the sea: Koji Taki’s anti-architectural photography'' by cultural anthropologist Ryuta Imafuku.
Koji Taki: Searching for the language of the house
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Compiled and edited by artist Tamami Iinuma, this collection of architectural photography by Taki Koji (1928–2011) spans the decade between 1968 and 1979 and includes works by architects such as Kazuo Shinohara, Toyo Ito, Kazunari Sakamoto, and Hironori Shirasawa. The images were digitised from original prints and film, and 125 photographs were selected and retouched by Iinuma especially for this posthumous publication. Two texts are included as well: Koji’s own ''The language of a house'' (originally published in 1975) and the critical examination ''The houses are all gone under the sea: Koji Taki’s anti-architectural photography'' by cultural anthropologist Ryuta Imafuku.
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livres
livres
Publication:
septembre 2020
septembre 2020
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Gregory Crewdson
Gregory Crewdson
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With a meticulous approach that has been likened to that of a film director, Crewdson typically works with a large crew and extremely technical sets to achieve a remarkably atmospheric and textured perspective. His fanatical attention to light and location creates a vision of life at once familiar and haunting; his artistic vision seems in line with those of Edward Hopper(...)
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With a meticulous approach that has been likened to that of a film director, Crewdson typically works with a large crew and extremely technical sets to achieve a remarkably atmospheric and textured perspective. His fanatical attention to light and location creates a vision of life at once familiar and haunting; his artistic vision seems in line with those of Edward Hopper(...)
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Gregory Crewdson
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With a meticulous approach that has been likened to that of a film director, Crewdson typically works with a large crew and extremely technical sets to achieve a remarkably atmospheric and textured perspective. His fanatical attention to light and location creates a vision of life at once familiar and haunting; his artistic vision seems in line with those of Edward Hopper and David Lynch. Published together for the first time are images from each of his many series of work, from the little-seen black-and-white images of Fireflies to more recent masterpieces such as Beneath the Roses and Sanctuary.
Gregory Crewdson
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With a meticulous approach that has been likened to that of a film director, Crewdson typically works with a large crew and extremely technical sets to achieve a remarkably atmospheric and textured perspective. His fanatical attention to light and location creates a vision of life at once familiar and haunting; his artistic vision seems in line with those of Edward Hopper and David Lynch. Published together for the first time are images from each of his many series of work, from the little-seen black-and-white images of Fireflies to more recent masterpieces such as Beneath the Roses and Sanctuary.
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livres
livres
Publication:
novembre 2013
novembre 2013
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Monographies photo
Monographies photo
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Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative(...)
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Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative(...)
Titre:
Charles Sheeler : across media
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Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative painting, and applied art at the School of Industrial Art in Philadelphia, Sheeler also attended the Pennsylvania Academy of the Fine Arts, where he learned an impressionistic, painterly style. He later embraced European modernism and taught himself photography. Sheeler fully absorbed the lessons of each discipline and forged his own singular approach. This illustrated book, created to accompany a traveling exhibition of Sheeler's work, features detailed analyses of the artist's mediums and working methods. Focusing on the complex, often paradoxical, relationships among photography, film, drawing, printmaking, and painting that were central to Sheeler's art, this book traces critical points in Sheeler's trajectory, beginning with a small selection of Sheeler's seminal photographs, circa 1917, of the interior of an eighteenth-century Quaker fieldstone house in Doylestown, Pennsylvania. Sections are also devoted to the 1920 film Manhatta, made in collaboration with Paul Strand; a series of commercial photographs of the Ford Motor Company's River Rogue factory (1927); the enigmatic painting The Artist Looks at Nature (1943) and its related works; and finally a group of mill subjects from the 1940s and 1950s that experiments with photomontage.
Charles Sheeler : across media
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Charles Sheeler (1883-1965) is recognized as one of the founders of American modernism and one of the master photographers of the twentieth century. His work is synonymous with precisionism, a crisp, clean, hard-edged style that reconciled cubist abstraction and the machine aesthetic of Marcel Duchamp with American subject matter. Trained in industrial drawing, decorative painting, and applied art at the School of Industrial Art in Philadelphia, Sheeler also attended the Pennsylvania Academy of the Fine Arts, where he learned an impressionistic, painterly style. He later embraced European modernism and taught himself photography. Sheeler fully absorbed the lessons of each discipline and forged his own singular approach. This illustrated book, created to accompany a traveling exhibition of Sheeler's work, features detailed analyses of the artist's mediums and working methods. Focusing on the complex, often paradoxical, relationships among photography, film, drawing, printmaking, and painting that were central to Sheeler's art, this book traces critical points in Sheeler's trajectory, beginning with a small selection of Sheeler's seminal photographs, circa 1917, of the interior of an eighteenth-century Quaker fieldstone house in Doylestown, Pennsylvania. Sections are also devoted to the 1920 film Manhatta, made in collaboration with Paul Strand; a series of commercial photographs of the Ford Motor Company's River Rogue factory (1927); the enigmatic painting The Artist Looks at Nature (1943) and its related works; and finally a group of mill subjects from the 1940s and 1950s that experiments with photomontage.
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livres
livres
Publication:
juillet 2006, Berkeley, Los Angeles, London
juillet 2006, Berkeley, Los Angeles, London
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livres soldés
livres soldés
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livres
livres
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In the late 1960s, Polaroid Corporation founder Edwin Land initiated a project to invite more than 800 artists around the world to shoot on Polaroid film, supplying them with the company's latest products. Over the ensuing decades, more than 4,500 works, by photographers ranging from Ansel Adams to Andy Warhol, were presented to the company and found their way into(...)
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In the late 1960s, Polaroid Corporation founder Edwin Land initiated a project to invite more than 800 artists around the world to shoot on Polaroid film, supplying them with the company's latest products. Over the ensuing decades, more than 4,500 works, by photographers ranging from Ansel Adams to Andy Warhol, were presented to the company and found their way into(...)
Titre:
From polaroid to impossible: masterpieces of instant photography, the Westlicht collection
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In the late 1960s, Polaroid Corporation founder Edwin Land initiated a project to invite more than 800 artists around the world to shoot on Polaroid film, supplying them with the company's latest products. Over the ensuing decades, more than 4,500 works, by photographers ranging from Ansel Adams to Andy Warhol, were presented to the company and found their way into Polaroid's International Collection at their European headquarters near Frankfurt am Main. In 2008 Polaroid went bankrupt. The company was bought by the Impossible Project (who promptly invented a new kind of instant film at the Polaroid factory in Enschede) and its legendary collection was acquired by the Westlicht Schauplatz museum in Vienna. From Polaroid to Impossible celebrates both this acquisition and the launch of a new Polaroid collection spearheaded by Westlicht and the Impossible Project. It offers the first overview of the European Polaroid Collection, and includes selected Polaroid masterpieces by figures such as Ansel Adams, Barbara Crane, Giselle Freund, Gottfried Helnwein, Sally Mann, Robert Mapplethorpe, Helmut Newton, Stephen Shore, Aaron Siskind, Andy Warhol, William Wegman and Minor White; artists like Miyako Ishiuchi, Andreas Mahl and Catherine Wagner, who made specialties of the medium; plus newly commissioned Impossible instant photography by contemporary artists such as Nobuyoshi Araki, David Leventhal, Mary Ellen Mark and Stefanie Schneider. Numerous images are reproduced in full color at 1:1 scale, making this volume a luscious and giftworthy celebration of the charm of the Polaroid photograph.
From polaroid to impossible: masterpieces of instant photography, the Westlicht collection
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In the late 1960s, Polaroid Corporation founder Edwin Land initiated a project to invite more than 800 artists around the world to shoot on Polaroid film, supplying them with the company's latest products. Over the ensuing decades, more than 4,500 works, by photographers ranging from Ansel Adams to Andy Warhol, were presented to the company and found their way into Polaroid's International Collection at their European headquarters near Frankfurt am Main. In 2008 Polaroid went bankrupt. The company was bought by the Impossible Project (who promptly invented a new kind of instant film at the Polaroid factory in Enschede) and its legendary collection was acquired by the Westlicht Schauplatz museum in Vienna. From Polaroid to Impossible celebrates both this acquisition and the launch of a new Polaroid collection spearheaded by Westlicht and the Impossible Project. It offers the first overview of the European Polaroid Collection, and includes selected Polaroid masterpieces by figures such as Ansel Adams, Barbara Crane, Giselle Freund, Gottfried Helnwein, Sally Mann, Robert Mapplethorpe, Helmut Newton, Stephen Shore, Aaron Siskind, Andy Warhol, William Wegman and Minor White; artists like Miyako Ishiuchi, Andreas Mahl and Catherine Wagner, who made specialties of the medium; plus newly commissioned Impossible instant photography by contemporary artists such as Nobuyoshi Araki, David Leventhal, Mary Ellen Mark and Stefanie Schneider. Numerous images are reproduced in full color at 1:1 scale, making this volume a luscious and giftworthy celebration of the charm of the Polaroid photograph.
Classification:
livres
livres
Publication:
juillet 2011
juillet 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
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Rosalyn Drexler’s collages and large-format paintings from the 1960s open the category of Pop art to technology and politics in a way that feels contemporary today, crossing hard-edge painting with depictions of sex, violence, race and gender role-playing in film and media. ''Who Does She Think She Is?'' recovers the artist’s early sculptures, recently rediscovered and(...)
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Rosalyn Drexler’s collages and large-format paintings from the 1960s open the category of Pop art to technology and politics in a way that feels contemporary today, crossing hard-edge painting with depictions of sex, violence, race and gender role-playing in film and media. ''Who Does She Think She Is?'' recovers the artist’s early sculptures, recently rediscovered and(...)
Titre:
Rosalyn Drexler: Who does she think she is?
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Rosalyn Drexler’s collages and large-format paintings from the 1960s open the category of Pop art to technology and politics in a way that feels contemporary today, crossing hard-edge painting with depictions of sex, violence, race and gender role-playing in film and media. ''Who Does She Think She Is?'' recovers the artist’s early sculptures, recently rediscovered and not exhibited since 1960. Documentation of Drexler’s performances and theatrical work, photographs evoking her role in the downtown New York scene and a selection of her books and other archival materials present her work across multiple mediums, offering a comprehensive look at Drexler’s varied career.
Rosalyn Drexler: Who does she think she is?
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Rosalyn Drexler’s collages and large-format paintings from the 1960s open the category of Pop art to technology and politics in a way that feels contemporary today, crossing hard-edge painting with depictions of sex, violence, race and gender role-playing in film and media. ''Who Does She Think She Is?'' recovers the artist’s early sculptures, recently rediscovered and not exhibited since 1960. Documentation of Drexler’s performances and theatrical work, photographs evoking her role in the downtown New York scene and a selection of her books and other archival materials present her work across multiple mediums, offering a comprehensive look at Drexler’s varied career.
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livres
livres
Publication:
juin 2016
juin 2016
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The cultural economy forms a leading trajectory of urban development, and has emerged as a key facet of globalizing cities. Cultural industries include new media, digital arts, music and film, and the design industries and professions, as well as allied consumption and spectacle in the city. The cultural economy now represents the third-largest sector in metropolitan(...)
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The cultural economy forms a leading trajectory of urban development, and has emerged as a key facet of globalizing cities. Cultural industries include new media, digital arts, music and film, and the design industries and professions, as well as allied consumption and spectacle in the city. The cultural economy now represents the third-largest sector in metropolitan(...)
Titre:
Cities and the cultural economy
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The cultural economy forms a leading trajectory of urban development, and has emerged as a key facet of globalizing cities. Cultural industries include new media, digital arts, music and film, and the design industries and professions, as well as allied consumption and spectacle in the city. The cultural economy now represents the third-largest sector in metropolitan cities of the West (for example London, Berlin, New York, San Francisco, and Melbourne), but is also influential in the development of East Asian cities (Tokyo, Shanghai, Hong Kong and Singapore), as well as the mega-cities of the Global South (e.g. Mumbai, Capetown, and São Paulo).
Cities and the cultural economy
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The cultural economy forms a leading trajectory of urban development, and has emerged as a key facet of globalizing cities. Cultural industries include new media, digital arts, music and film, and the design industries and professions, as well as allied consumption and spectacle in the city. The cultural economy now represents the third-largest sector in metropolitan cities of the West (for example London, Berlin, New York, San Francisco, and Melbourne), but is also influential in the development of East Asian cities (Tokyo, Shanghai, Hong Kong and Singapore), as well as the mega-cities of the Global South (e.g. Mumbai, Capetown, and São Paulo).
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livres
livres
Publication:
juillet 2015
juillet 2015
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
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Photographer Sean Lotman and his son Tennbo present a collection of collaborative works in which they took photographs of each other with a Polaroid camera and corresponded through letters. The relationship between the two is layered by the multiple exposures of the camera, blending the gaze of the son with the perspective of the child. ‘Puking Rainbows Past and Future’(...)
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Photographer Sean Lotman and his son Tennbo present a collection of collaborative works in which they took photographs of each other with a Polaroid camera and corresponded through letters. The relationship between the two is layered by the multiple exposures of the camera, blending the gaze of the son with the perspective of the child. ‘Puking Rainbows Past and Future’(...)
Titre:
Puking rainbows past and future
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Photographer Sean Lotman and his son Tennbo present a collection of collaborative works in which they took photographs of each other with a Polaroid camera and corresponded through letters. The relationship between the two is layered by the multiple exposures of the camera, blending the gaze of the son with the perspective of the child. ‘Puking Rainbows Past and Future’ gathers memories of the now that contain both “then” and “now”. The images are reproduced in transparent foil with the same dimensions as Polaroid film, while the codex binding uses the rainbow colours of the book’s title. Extras include an essay by Sean and illustrations by Tennbo.
Puking rainbows past and future
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Photographer Sean Lotman and his son Tennbo present a collection of collaborative works in which they took photographs of each other with a Polaroid camera and corresponded through letters. The relationship between the two is layered by the multiple exposures of the camera, blending the gaze of the son with the perspective of the child. ‘Puking Rainbows Past and Future’ gathers memories of the now that contain both “then” and “now”. The images are reproduced in transparent foil with the same dimensions as Polaroid film, while the codex binding uses the rainbow colours of the book’s title. Extras include an essay by Sean and illustrations by Tennbo.
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livres
livres
Publication:
juillet 2024
juillet 2024
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Rooted in the expansive dream-work that shaped Zhao’s creative process, the book emerges from a series of artistic rituals shared between these three collaborators, through which Zhao’s cinematic storytelling, Buckley’s mesmerising writings, and Grzybowska’s haunting photographs were made. Brought together in this book, they conjure a parallel telling of the story of(...)
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Rooted in the expansive dream-work that shaped Zhao’s creative process, the book emerges from a series of artistic rituals shared between these three collaborators, through which Zhao’s cinematic storytelling, Buckley’s mesmerising writings, and Grzybowska’s haunting photographs were made. Brought together in this book, they conjure a parallel telling of the story of(...)
Sujet:
Monographies photo
Monographies photo
Publication:
décembre 2025
décembre 2025
Titre:
Even as a Shadow, Even as a Dream
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Rooted in the expansive dream-work that shaped Zhao’s creative process, the book emerges from a series of artistic rituals shared between these three collaborators, through which Zhao’s cinematic storytelling, Buckley’s mesmerising writings, and Grzybowska’s haunting photographs were made. Brought together in this book, they conjure a parallel telling of the story of Hamnet, the son of William Shakespeare. "Even as a Shadow, Even as a Dream'' unfolds as a quiet companion to the film: not a document of its making, but a powerful reimagining that exists somewhere in the threshold between the worlds of waking and dreaming, reality and illusion, life and death.
Even as a Shadow, Even as a Dream
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Rooted in the expansive dream-work that shaped Zhao’s creative process, the book emerges from a series of artistic rituals shared between these three collaborators, through which Zhao’s cinematic storytelling, Buckley’s mesmerising writings, and Grzybowska’s haunting photographs were made. Brought together in this book, they conjure a parallel telling of the story of Hamnet, the son of William Shakespeare. "Even as a Shadow, Even as a Dream'' unfolds as a quiet companion to the film: not a document of its making, but a powerful reimagining that exists somewhere in the threshold between the worlds of waking and dreaming, reality and illusion, life and death.
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livres
livres
Publication:
décembre 2025
décembre 2025
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
The wife of Bath
The wife of Bath
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Ever since her triumphant debut in Chaucer’s ''Canterbury Tales'', the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers—from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in(...)
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Ever since her triumphant debut in Chaucer’s ''Canterbury Tales'', the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers—from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in(...)
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The wife of Bath
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Ever since her triumphant debut in Chaucer’s ''Canterbury Tales'', the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers—from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In ''The Wife of Bath'', Marion Turner tells the fascinating story of where Chaucer’s favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter.
The wife of Bath
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Ever since her triumphant debut in Chaucer’s ''Canterbury Tales'', the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers—from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In ''The Wife of Bath'', Marion Turner tells the fascinating story of where Chaucer’s favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter.
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livres
livres
Publication:
mars 2024
mars 2024
Sujet:
Littérature et poésie
Littérature et poésie
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livres
livres
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$53.00
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Kwai Shing West Estate is a residential complex in Hong Kong that is home to 18,000 people. It attracted the attention of filmmaker and photographer Pascal Greco because of its architecture and its atypical hillside construction. This book presents Greco’s ten-year investigation into the complex, during which he captured his strange fascination through both photography(...)
$53.00
(disponible en magasin)
Résumé:
Kwai Shing West Estate is a residential complex in Hong Kong that is home to 18,000 people. It attracted the attention of filmmaker and photographer Pascal Greco because of its architecture and its atypical hillside construction. This book presents Greco’s ten-year investigation into the complex, during which he captured his strange fascination through both photography(...)
Titre:
Pascal Greco: Kwai Shing West estate
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Kwai Shing West Estate is a residential complex in Hong Kong that is home to 18,000 people. It attracted the attention of filmmaker and photographer Pascal Greco because of its architecture and its atypical hillside construction. This book presents Greco’s ten-year investigation into the complex, during which he captured his strange fascination through both photography and film: walls, staircases, cables, pipes, neon lights, and not a soul to be seen. And yet, discreetly, life pulsates. Together with musician Lea Bertucci he produced an immersive audio-visual work, a tribute to the sometimes strange architecture of public housing but also to the loneliness experienced in such complexes.
Pascal Greco: Kwai Shing West estate
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Kwai Shing West Estate is a residential complex in Hong Kong that is home to 18,000 people. It attracted the attention of filmmaker and photographer Pascal Greco because of its architecture and its atypical hillside construction. This book presents Greco’s ten-year investigation into the complex, during which he captured his strange fascination through both photography and film: walls, staircases, cables, pipes, neon lights, and not a soul to be seen. And yet, discreetly, life pulsates. Together with musician Lea Bertucci he produced an immersive audio-visual work, a tribute to the sometimes strange architecture of public housing but also to the loneliness experienced in such complexes.
Classification:
livres
livres
Publication:
février 2024
février 2024
Sujet:
Monographies photo
Monographies photo
