36154 Résultats
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The work of this photographer is being celebrated in a show of work at the Folkwang Museum in Essen. The exhibition will be shown subsequently in Munich. This publication records all the key creative phases and working fields of this photographer, extending from travel reportage to extensive advertising campaigns (including DaimlerBenz) and product photographs (including(...)
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The work of this photographer is being celebrated in a show of work at the Folkwang Museum in Essen. The exhibition will be shown subsequently in Munich. This publication records all the key creative phases and working fields of this photographer, extending from travel reportage to extensive advertising campaigns (including DaimlerBenz) and product photographs (including(...)
Titre:
Hans Hansen : sachfotographie
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The work of this photographer is being celebrated in a show of work at the Folkwang Museum in Essen. The exhibition will be shown subsequently in Munich. This publication records all the key creative phases and working fields of this photographer, extending from travel reportage to extensive advertising campaigns (including DaimlerBenz) and product photographs (including FSB, Erco, Vitra). As well as this, it introduces a personality and his view of the world of objects, and attempts to explore the photographer’s inspirations and passions.
Hans Hansen : sachfotographie
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The work of this photographer is being celebrated in a show of work at the Folkwang Museum in Essen. The exhibition will be shown subsequently in Munich. This publication records all the key creative phases and working fields of this photographer, extending from travel reportage to extensive advertising campaigns (including DaimlerBenz) and product photographs (including FSB, Erco, Vitra). As well as this, it introduces a personality and his view of the world of objects, and attempts to explore the photographer’s inspirations and passions.
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Publication:
janvier 1900, Baden
janvier 1900, Baden
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Titre:
Genesis
Genesis
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The familiar story of the Creation is told by the author in the visual language of the 20th century. From Fiat Lux! to the seventh day of rest, the story has been translated line by line into the alphabet of the signs, labels and trademarks of consumption and contemporary systems of orientation and signals.
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The familiar story of the Creation is told by the author in the visual language of the 20th century. From Fiat Lux! to the seventh day of rest, the story has been translated line by line into the alphabet of the signs, labels and trademarks of consumption and contemporary systems of orientation and signals.
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Genesis
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The familiar story of the Creation is told by the author in the visual language of the 20th century. From Fiat Lux! to the seventh day of rest, the story has been translated line by line into the alphabet of the signs, labels and trademarks of consumption and contemporary systems of orientation and signals.
Genesis
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The familiar story of the Creation is told by the author in the visual language of the 20th century. From Fiat Lux! to the seventh day of rest, the story has been translated line by line into the alphabet of the signs, labels and trademarks of consumption and contemporary systems of orientation and signals.
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janvier 1900, Baden
janvier 1900, Baden
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Since the late 1980s, Catherine Opie's interest in the motif of the visual road trip has resulted in photographic series that simultaneously document and question personal and collective identities that characterize America. For the past two winters, as the Walker's 2001 Visual Arts artist-in-residence, she has focused on two specific architectural elements in and around(...)
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Since the late 1980s, Catherine Opie's interest in the motif of the visual road trip has resulted in photographic series that simultaneously document and question personal and collective identities that characterize America. For the past two winters, as the Walker's 2001 Visual Arts artist-in-residence, she has focused on two specific architectural elements in and around(...)
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Catherine Opie : skyways & icehouses
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Since the late 1980s, Catherine Opie's interest in the motif of the visual road trip has resulted in photographic series that simultaneously document and question personal and collective identities that characterize America. For the past two winters, as the Walker's 2001 Visual Arts artist-in-residence, she has focused on two specific architectural elements in and around the Twin Cities: ice-fishing houses and skyways. Opie's American cities series explores the historical specificity of architectures that are often taken for granted. Her take on the Twin Cities' vernacular landscape has resulted in 26 panoramic black-and-white images of skyways as well as 14 large-format color images of ice-fishing houses. As a photographic project, Catherine Opie: "Skyways & icehouses" provides a meditative portrait of this particular locale. This catalogue, accompanying the exhibition features selected submissions by Minnesota residents who have had particular experiences with and in these local icons. Their short essays animate Opie's empty landscapes with personal anecdotes, memories, poems, and stories. With an introduction by curator Douglas Fogle
Catherine Opie : skyways & icehouses
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Since the late 1980s, Catherine Opie's interest in the motif of the visual road trip has resulted in photographic series that simultaneously document and question personal and collective identities that characterize America. For the past two winters, as the Walker's 2001 Visual Arts artist-in-residence, she has focused on two specific architectural elements in and around the Twin Cities: ice-fishing houses and skyways. Opie's American cities series explores the historical specificity of architectures that are often taken for granted. Her take on the Twin Cities' vernacular landscape has resulted in 26 panoramic black-and-white images of skyways as well as 14 large-format color images of ice-fishing houses. As a photographic project, Catherine Opie: "Skyways & icehouses" provides a meditative portrait of this particular locale. This catalogue, accompanying the exhibition features selected submissions by Minnesota residents who have had particular experiences with and in these local icons. Their short essays animate Opie's empty landscapes with personal anecdotes, memories, poems, and stories. With an introduction by curator Douglas Fogle
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Publication:
juin 2002, Minneapolis
juin 2002, Minneapolis
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Titre:
George Nikolajevich
George Nikolajevich
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The first monographic survey on the the architect George Nikolajevich, working in St. Louis.
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The first monographic survey on the the architect George Nikolajevich, working in St. Louis.
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George Nikolajevich
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The first monographic survey on the the architect George Nikolajevich, working in St. Louis.
George Nikolajevich
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The first monographic survey on the the architect George Nikolajevich, working in St. Louis.
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livres
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Publication:
octobre 2002, Los Angeles
octobre 2002, Los Angeles
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This young German architect contributes to the current debate in modern architecture with his innovative designs. André Poitiers' adventure in design has been one of experimentation, an experimentation in which he has pursued difficult objectives and pushed himself to the edge of known territory. The expertise is there, acquired in the studio of Norman Foster, but his(...)
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This young German architect contributes to the current debate in modern architecture with his innovative designs. André Poitiers' adventure in design has been one of experimentation, an experimentation in which he has pursued difficult objectives and pushed himself to the edge of known territory. The expertise is there, acquired in the studio of Norman Foster, but his(...)
Titre:
André Poitiers : objects in the territory
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This young German architect contributes to the current debate in modern architecture with his innovative designs. André Poitiers' adventure in design has been one of experimentation, an experimentation in which he has pursued difficult objectives and pushed himself to the edge of known territory. The expertise is there, acquired in the studio of Norman Foster, but his dream has invaded the territory of architecture and generated intentionally provocative figures. Poitiers picked his own, original way, driven by futuristic and iconoclastic impetus. Technology and New Pop seem to have been the hardware and software of his path. The most recent goal on Poitiers' journey is Plasma, the liquid, organic and living material, liable to alter in relation to functional and environmental factors. Poitiers' unusual and individual approach to designing is reflected in the graphics and presentation of the book.
André Poitiers : objects in the territory
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This young German architect contributes to the current debate in modern architecture with his innovative designs. André Poitiers' adventure in design has been one of experimentation, an experimentation in which he has pursued difficult objectives and pushed himself to the edge of known territory. The expertise is there, acquired in the studio of Norman Foster, but his dream has invaded the territory of architecture and generated intentionally provocative figures. Poitiers picked his own, original way, driven by futuristic and iconoclastic impetus. Technology and New Pop seem to have been the hardware and software of his path. The most recent goal on Poitiers' journey is Plasma, the liquid, organic and living material, liable to alter in relation to functional and environmental factors. Poitiers' unusual and individual approach to designing is reflected in the graphics and presentation of the book.
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livres
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Publication:
mars 2002, Basel / Berlin / Boston
mars 2002, Basel / Berlin / Boston
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R 128 by Werner Sobek
R 128 by Werner Sobek
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A presentation of Werner Sobek's experimental but fascinating house in Stuttgart which caused a furore when it was built. When this single family house was built, it took the international architecture world by storm. Constructed on a modular basis, it was glazed throughout, had no interior dividing walls, and could meet its own energy requirements completely. This is(...)
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A presentation of Werner Sobek's experimental but fascinating house in Stuttgart which caused a furore when it was built. When this single family house was built, it took the international architecture world by storm. Constructed on a modular basis, it was glazed throughout, had no interior dividing walls, and could meet its own energy requirements completely. This is(...)
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livres soldés
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mars 2002, Basel / Boston / Berlin
mars 2002, Basel / Boston / Berlin
Titre:
R 128 by Werner Sobek
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A presentation of Werner Sobek's experimental but fascinating house in Stuttgart which caused a furore when it was built. When this single family house was built, it took the international architecture world by storm. Constructed on a modular basis, it was glazed throughout, had no interior dividing walls, and could meet its own energy requirements completely. This is the first book to document Sobek's unique house. In it the author explains the architectural design, describing the supporting structures, the technology used, the temperature control system, and to conclude he explores what it must be like to live in such a futuristic building.
R 128 by Werner Sobek
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A presentation of Werner Sobek's experimental but fascinating house in Stuttgart which caused a furore when it was built. When this single family house was built, it took the international architecture world by storm. Constructed on a modular basis, it was glazed throughout, had no interior dividing walls, and could meet its own energy requirements completely. This is the first book to document Sobek's unique house. In it the author explains the architectural design, describing the supporting structures, the technology used, the temperature control system, and to conclude he explores what it must be like to live in such a futuristic building.
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livres
livres
Publication:
mars 2002, Basel / Boston / Berlin
mars 2002, Basel / Boston / Berlin
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Beyond the Plan is a book about the ways in which we transform our own personal space as an expression of ourselves, whilst still dwelling within structures imposed on us by architects and planners. It centres around a series of interviews carried out by Willats with people living on estates in London, Bath and Berlin between the late 1970s and late 1990s, which led to(...)
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Beyond the Plan is a book about the ways in which we transform our own personal space as an expression of ourselves, whilst still dwelling within structures imposed on us by architects and planners. It centres around a series of interviews carried out by Willats with people living on estates in London, Bath and Berlin between the late 1970s and late 1990s, which led to(...)
Titre:
Beyond the plan : the transformation of personal space in housing
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Beyond the Plan is a book about the ways in which we transform our own personal space as an expression of ourselves, whilst still dwelling within structures imposed on us by architects and planners. It centres around a series of interviews carried out by Willats with people living on estates in London, Bath and Berlin between the late 1970s and late 1990s, which led to the creation of interactive and participatory artworks that were often presented in the same buildings in which those people lived. They examine the personalisation of the dwelling space itself, the individualisation of the immediate environment, and the ways in which adjacent spaces such as wastelands and allotments are turned into places of escape. In the accompanying essays, Willats explains why, as an artist, he centred his work on the polemics of modern building, and sets out the conclusions he has drawn from the exchanges he has had with residents - the common attitudes he has discovered across boundaries of age, taste and social background.
Beyond the plan : the transformation of personal space in housing
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Beyond the Plan is a book about the ways in which we transform our own personal space as an expression of ourselves, whilst still dwelling within structures imposed on us by architects and planners. It centres around a series of interviews carried out by Willats with people living on estates in London, Bath and Berlin between the late 1970s and late 1990s, which led to the creation of interactive and participatory artworks that were often presented in the same buildings in which those people lived. They examine the personalisation of the dwelling space itself, the individualisation of the immediate environment, and the ways in which adjacent spaces such as wastelands and allotments are turned into places of escape. In the accompanying essays, Willats explains why, as an artist, he centred his work on the polemics of modern building, and sets out the conclusions he has drawn from the exchanges he has had with residents - the common attitudes he has discovered across boundaries of age, taste and social background.
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Publication:
avril 2002, London
avril 2002, London
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Titre:
Arcade 20.3 spring 2002
Arcade 20.3 spring 2002
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A hodge-podge: fiction, photos, poetry, catalogs, historical facts, a cartoon—the narrowly objective hard by the expansively subjective. The plurality of genres pleased me. Any account of our territory bereft of, say, facts, poetry, projections, wild speculation, polemics, or sketchy memory, would seem to me to be fatally compromised. As the Office for Soft Architecture(...)
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A hodge-podge: fiction, photos, poetry, catalogs, historical facts, a cartoon—the narrowly objective hard by the expansively subjective. The plurality of genres pleased me. Any account of our territory bereft of, say, facts, poetry, projections, wild speculation, polemics, or sketchy memory, would seem to me to be fatally compromised. As the Office for Soft Architecture(...)
Titre:
Arcade 20.3 spring 2002
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A hodge-podge: fiction, photos, poetry, catalogs, historical facts, a cartoon—the narrowly objective hard by the expansively subjective. The plurality of genres pleased me. Any account of our territory bereft of, say, facts, poetry, projections, wild speculation, polemics, or sketchy memory, would seem to me to be fatally compromised. As the Office for Soft Architecture puts it in their Fourth Walk: “[We] painted the place in the polis of the sour heat and the pulse beneath our coats, the specific entry of our exhalations and words into the atmosphere…Our method was patience. We would slowly absorb each image until we were what we had deliberately chosen to become. Of course then we ourselves were the documents; we acquired a fragility. Hello my Delicate we would repeat when we met by chance in the streets under the rows of posters Hello my Delicate.” Matthew Stadler is a novelist and essayist whose writing about design has appeared in Nest magazine, Wiederhal, Frieze, The Guardian, and The Seattle Times. He is the editor of Clear Cut Press, a new publishing and distribution company based in Astoria, OR. editor@clearcutpress.com. Tae Won Yu is an artist working in Olympia, Washington. His previous projects include designs for Built To Spill, photographs for Nest magazine, and illlustrations for The Stranger.
Arcade 20.3 spring 2002
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A hodge-podge: fiction, photos, poetry, catalogs, historical facts, a cartoon—the narrowly objective hard by the expansively subjective. The plurality of genres pleased me. Any account of our territory bereft of, say, facts, poetry, projections, wild speculation, polemics, or sketchy memory, would seem to me to be fatally compromised. As the Office for Soft Architecture puts it in their Fourth Walk: “[We] painted the place in the polis of the sour heat and the pulse beneath our coats, the specific entry of our exhalations and words into the atmosphere…Our method was patience. We would slowly absorb each image until we were what we had deliberately chosen to become. Of course then we ourselves were the documents; we acquired a fragility. Hello my Delicate we would repeat when we met by chance in the streets under the rows of posters Hello my Delicate.” Matthew Stadler is a novelist and essayist whose writing about design has appeared in Nest magazine, Wiederhal, Frieze, The Guardian, and The Seattle Times. He is the editor of Clear Cut Press, a new publishing and distribution company based in Astoria, OR. editor@clearcutpress.com. Tae Won Yu is an artist working in Olympia, Washington. His previous projects include designs for Built To Spill, photographs for Nest magazine, and illlustrations for The Stranger.
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Publication:
mars 2002, Seattle
mars 2002, Seattle
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William Kesling and his design/build firm, Kesling Modern Structures, played a unique and important role in the development and acceptance of modern architecture in Southern California. Kesling was one of Julius Shulman's first clients. These never-before-published images were taken with Shulman's first vest-pocket camera.
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William Kesling and his design/build firm, Kesling Modern Structures, played a unique and important role in the development and acceptance of modern architecture in Southern California. Kesling was one of Julius Shulman's first clients. These never-before-published images were taken with Shulman's first vest-pocket camera.
Titre:
Kesling modern structures : popularizing modern design in southern California 1934-1962
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William Kesling and his design/build firm, Kesling Modern Structures, played a unique and important role in the development and acceptance of modern architecture in Southern California. Kesling was one of Julius Shulman's first clients. These never-before-published images were taken with Shulman's first vest-pocket camera.
Kesling modern structures : popularizing modern design in southern California 1934-1962
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William Kesling and his design/build firm, Kesling Modern Structures, played a unique and important role in the development and acceptance of modern architecture in Southern California. Kesling was one of Julius Shulman's first clients. These never-before-published images were taken with Shulman's first vest-pocket camera.
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livres
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Publication:
avril 2002, Los Angeles
avril 2002, Los Angeles
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Geoffrey James spent months tracking the Prairie light while photographing the city of Lethbridge and its environs. Those images reveal something of a place, a sensibility and a harsh light that together probe to the core of the Canadian experience. The images formed the basis of an exhibition, The Lethbridge Project, at the Southern Alberta Art Gallery. Now, they have(...)
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Geoffrey James spent months tracking the Prairie light while photographing the city of Lethbridge and its environs. Those images reveal something of a place, a sensibility and a harsh light that together probe to the core of the Canadian experience. The images formed the basis of an exhibition, The Lethbridge Project, at the Southern Alberta Art Gallery. Now, they have(...)
Titre:
Place - Geoffrey James, Rudy Wiebe
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Geoffrey James spent months tracking the Prairie light while photographing the city of Lethbridge and its environs. Those images reveal something of a place, a sensibility and a harsh light that together probe to the core of the Canadian experience. The images formed the basis of an exhibition, The Lethbridge Project, at the Southern Alberta Art Gallery. Now, they have been married with the words of Rudy Wiebe to present a vision of the very soul of Canada, and of that Prairie experience which has so informed recent Canadian fiction. Rudy Wiebe offers an accompanying set of brief stories that draw on many layers of history as well as his personal memories to evoke the sense of place that is Lethbridge.
Place - Geoffrey James, Rudy Wiebe
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Geoffrey James spent months tracking the Prairie light while photographing the city of Lethbridge and its environs. Those images reveal something of a place, a sensibility and a harsh light that together probe to the core of the Canadian experience. The images formed the basis of an exhibition, The Lethbridge Project, at the Southern Alberta Art Gallery. Now, they have been married with the words of Rudy Wiebe to present a vision of the very soul of Canada, and of that Prairie experience which has so informed recent Canadian fiction. Rudy Wiebe offers an accompanying set of brief stories that draw on many layers of history as well as his personal memories to evoke the sense of place that is Lethbridge.
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livres
livres
Publication:
septembre 2002, Vancouver
septembre 2002, Vancouver
Sujet:
livres soldés
livres soldés
