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xix, 312 pages : illustrations ; 28 cm
Description:
xix, 312 pages : illustrations ; 28 cm
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Lanham, Maryland : The Scarecrow Press, Inc. ; [Ottawa] : Art Libraries Society of North America, 2007., ©2007
Lanham, Maryland : The Scarecrow Press, Inc. ; [Ottawa] : Art Libraries Society of North America, 2007., ©2007
Titre:
Art museum libraries and librarianship / edited by Joan M. Benedetti ; foreword by Michael Brand ; introduction by Ann B. Abid.
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Description:
xix, 312 pages : illustrations ; 28 cm
Art museum libraries and librarianship / edited by Joan M. Benedetti ; foreword by Michael Brand ; introduction by Ann B. Abid.
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Description:
xix, 312 pages : illustrations ; 28 cm
Classification:
livres
livres
Publication:
Lanham, Maryland : The Scarecrow Press, Inc. ; [Ottawa] : Art Libraries Society of North America, 2007., ©2007
Lanham, Maryland : The Scarecrow Press, Inc. ; [Ottawa] : Art Libraries Society of North America, 2007., ©2007
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livres
livres
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Description:
xviii, 422 pages ; 24 cm
Description:
xviii, 422 pages ; 24 cm
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New York : Praeger, ©1972.
New York : Praeger, ©1972.
Titre:
A documentary history of conservation in America / edited by Robert McHenry with Charles Van Doren ; introduction by Lorus and Margery Milne.
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Description:
xviii, 422 pages ; 24 cm
A documentary history of conservation in America / edited by Robert McHenry with Charles Van Doren ; introduction by Lorus and Margery Milne.
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Description:
xviii, 422 pages ; 24 cm
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livres
livres
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New York : Praeger, ©1972.
New York : Praeger, ©1972.
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livres
livres
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U-turn volume 1
U-turn volume 1
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Prix:
$26.50
(disponible en magasin)
Résumé:
U-TURN is a new periodical that presents a direct and in-depth history of Chinese contemporary art. Published by AW ASIA in New York, U-TURN seeks to return to the moments and movements that have shaped contemporary art in China since 1978. U-TURN 1, covering the period between 1978 and 1982, was launched at the recent Art Basel. It includes segments on the Stars Group,(...)
$26.50
(disponible en magasin)
Résumé:
U-TURN is a new periodical that presents a direct and in-depth history of Chinese contemporary art. Published by AW ASIA in New York, U-TURN seeks to return to the moments and movements that have shaped contemporary art in China since 1978. U-TURN 1, covering the period between 1978 and 1982, was launched at the recent Art Basel. It includes segments on the Stars Group,(...)
Publication:
octobre 2009
octobre 2009
Titre:
U-turn volume 1
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Prix:
$26.50
(disponible en magasin)
Résumé:
U-TURN is a new periodical that presents a direct and in-depth history of Chinese contemporary art. Published by AW ASIA in New York, U-TURN seeks to return to the moments and movements that have shaped contemporary art in China since 1978. U-TURN 1, covering the period between 1978 and 1982, was launched at the recent Art Basel. It includes segments on the Stars Group, No Name Painting Society, April Photographic Society, and Scar Art, which together comprise the first stirrings of a contemporary art scene in post-Cultural Revolution China.
U-turn volume 1
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Prix:
$26.50
(disponible en magasin)
Résumé:
U-TURN is a new periodical that presents a direct and in-depth history of Chinese contemporary art. Published by AW ASIA in New York, U-TURN seeks to return to the moments and movements that have shaped contemporary art in China since 1978. U-TURN 1, covering the period between 1978 and 1982, was launched at the recent Art Basel. It includes segments on the Stars Group, No Name Painting Society, April Photographic Society, and Scar Art, which together comprise the first stirrings of a contemporary art scene in post-Cultural Revolution China.
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livres
livres
Publication:
octobre 2009
octobre 2009
Classification:
périodiques
périodiques
Titre:
e-flux index #3
e-flux index #3
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$65.00
(disponible en magasin)
Résumé:
Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late(...)
$65.00
(disponible en magasin)
Résumé:
Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late(...)
Titre:
e-flux index #3
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Prix:
$65.00
(disponible en magasin)
Résumé:
Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late Lawrence Weiner memorably declared that “the purpose of art is to ask questions… it doesn’t answer anybody’s question but gives them the means to answer a particular question at a particular moment.” All the better when those questions can provoke a certain illuminating friction with the contradictions of one’s environment and disrupt the automaticity of one’s learned responses, remaining themselves ambiguous or unanswered—because unanswerable. This third issue of e-flux Index, bringing together all the content commissioned and published by e-flux between April and May 2024, contains many such unexpected and unanswered (or unanswerable) questions across its 76 contributions, each of which cut across and reach beyond existing disciplines and borders: “Who is willing to care?”; “Who is the addressee at the end of the regulated pipelines of the English language?”; “Yes, but is it edible?”; “Why does everyone hate college students?”; “Is some form of suffering the condition for the emergence of an organic type of intelligence?”; “What does it mean to make a film today, in 2024, when most of our image consumption has been transferred to other (smaller) screens and other media?; “How to represent history?”; “Whose lives are worth remembering—or even, living?”; “How is it possible to speak the language of imperial renaissance and decolonization in the same breath?”; “Today is which day of the revolution?”—“Are these all just notes for a poem?”
e-flux index #3
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Prix:
$65.00
(disponible en magasin)
Résumé:
Today we are accustomed to the apophatic gesture of free-speech fundamentalists and far-right demagogues, who use the flimsy legal cover of “just asking questions” to broadcast ever more widely the most violent and reactionary forms of hate speech. In resisting this enclosure of thought, art and theory continue to be instructive, if not essential activities. The late Lawrence Weiner memorably declared that “the purpose of art is to ask questions… it doesn’t answer anybody’s question but gives them the means to answer a particular question at a particular moment.” All the better when those questions can provoke a certain illuminating friction with the contradictions of one’s environment and disrupt the automaticity of one’s learned responses, remaining themselves ambiguous or unanswered—because unanswerable. This third issue of e-flux Index, bringing together all the content commissioned and published by e-flux between April and May 2024, contains many such unexpected and unanswered (or unanswerable) questions across its 76 contributions, each of which cut across and reach beyond existing disciplines and borders: “Who is willing to care?”; “Who is the addressee at the end of the regulated pipelines of the English language?”; “Yes, but is it edible?”; “Why does everyone hate college students?”; “Is some form of suffering the condition for the emergence of an organic type of intelligence?”; “What does it mean to make a film today, in 2024, when most of our image consumption has been transferred to other (smaller) screens and other media?; “How to represent history?”; “Whose lives are worth remembering—or even, living?”; “How is it possible to speak the language of imperial renaissance and decolonization in the same breath?”; “Today is which day of the revolution?”—“Are these all just notes for a poem?”
Classification:
périodiques
périodiques
Publication:
décembre 2024
décembre 2024
Sujet:
Revues
Revues
