1094 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0012:078:003
Description:
File containing documents in French and Flemish, including correspondence and notes related to the exhibition, Melvin Charney: projets/construction 1975-1980 at the Cultural and Information Centre of Canada in Brussels, Belgium. Original folder inscribed in graphite: CENTRE CULT. CANADIEN - BRUXELLES NOV 29 - DEC 22
DR2012:0012:078:003
Description:
File containing documents in French and Flemish, including correspondence and notes related to the exhibition, Melvin Charney: projets/construction 1975-1980 at the Cultural and Information Centre of Canada in Brussels, Belgium. Original folder inscribed in graphite: CENTRE CULT. CANADIEN - BRUXELLES NOV 29 - DEC 22
Personnes et institutions:
Date:
1980-1981
1980-1981
Titre:
Correspondence and notes related to exhibition "Melvin Charney: projets/construction 1975-1980"
Actions:
DR2012:0012:078:003
Description:
File containing documents in French and Flemish, including correspondence and notes related to the exhibition, Melvin Charney: projets/construction 1975-1980 at the Cultural and Information Centre of Canada in Brussels, Belgium. Original folder inscribed in graphite: CENTRE CULT. CANADIEN - BRUXELLES NOV 29 - DEC 22
Correspondence and notes related to exhibition "Melvin Charney: projets/construction 1975-1980"
Actions:
DR2012:0012:078:003
Description:
File containing documents in French and Flemish, including correspondence and notes related to the exhibition, Melvin Charney: projets/construction 1975-1980 at the Cultural and Information Centre of Canada in Brussels, Belgium. Original folder inscribed in graphite: CENTRE CULT. CANADIEN - BRUXELLES NOV 29 - DEC 22
Classification:
documents textuels
documents textuels
Date:
1980-1981
1980-1981
Personnes et institutions:
Classification:
oeuvres d'art
oeuvres d'art
Titre:
Fireworks Structures
Fireworks Structures
Actions:
Numéro de référence:
DR1982:0242
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0242) depicts the four pyramids decked with lanterns and ornaments that replaced the Baroque "theatre" that had been used for the ceremonies that day (DR1982:0245).
DR1982:0242
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0242) depicts the four pyramids decked with lanterns and ornaments that replaced the Baroque "theatre" that had been used for the ceremonies that day (DR1982:0245).
Personnes et institutions:
Date:
printed between 1717 and 1719
printed between 1717 and 1719
Titre:
Fireworks Structures
Actions:
DR1982:0242
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0242) depicts the four pyramids decked with lanterns and ornaments that replaced the Baroque "theatre" that had been used for the ceremonies that day (DR1982:0245).
Fireworks Structures
Actions:
DR1982:0242
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0242) depicts the four pyramids decked with lanterns and ornaments that replaced the Baroque "theatre" that had been used for the ceremonies that day (DR1982:0245).
Classification:
oeuvres d'art
oeuvres d'art
Date:
printed between 1717 and 1719
printed between 1717 and 1719
Personnes et institutions:
Classification:
dessins
Quantité:
33 drawing(s)
dessins
Quantité:
33 drawing(s)
Actions:
Numéro de référence:
DR1997:0063:001-033
Description:
- These drawings by Ludwig Mies van der Rohe were made in the context of a "crit" with his student George Danforth. They elucidate, critique or otherwise respond to some aspect of the thesis project. - The group includes a plan of Mies van der Rohe's unrealized project for the German Pavilion for the Brussels World's Fair (1934), elements of which were further developed in the thesis project (DR1997:0063:001). Danforth is the author of the inscriptions on this sheet.
DR1997:0063:001-033
Description:
- These drawings by Ludwig Mies van der Rohe were made in the context of a "crit" with his student George Danforth. They elucidate, critique or otherwise respond to some aspect of the thesis project. - The group includes a plan of Mies van der Rohe's unrealized project for the German Pavilion for the Brussels World's Fair (1934), elements of which were further developed in the thesis project (DR1997:0063:001). Danforth is the author of the inscriptions on this sheet.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1940-1941
1940-1941
Titre:
Sketches for a graduate thesis for a small museum, Department of Architecture, Illinois Institute of Technology
Actions:
DR1997:0063:001-033
Description:
- These drawings by Ludwig Mies van der Rohe were made in the context of a "crit" with his student George Danforth. They elucidate, critique or otherwise respond to some aspect of the thesis project. - The group includes a plan of Mies van der Rohe's unrealized project for the German Pavilion for the Brussels World's Fair (1934), elements of which were further developed in the thesis project (DR1997:0063:001). Danforth is the author of the inscriptions on this sheet.
Sketches for a graduate thesis for a small museum, Department of Architecture, Illinois Institute of Technology
Actions:
DR1997:0063:001-033
Description:
- These drawings by Ludwig Mies van der Rohe were made in the context of a "crit" with his student George Danforth. They elucidate, critique or otherwise respond to some aspect of the thesis project. - The group includes a plan of Mies van der Rohe's unrealized project for the German Pavilion for the Brussels World's Fair (1934), elements of which were further developed in the thesis project (DR1997:0063:001). Danforth is the author of the inscriptions on this sheet.
Classification:
dessins
Quantité:
33 drawing(s)
dessins
Quantité:
33 drawing(s)
Date:
1940-1941
1940-1941
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
événements
événements
Actions:
Description:
Joignez-vous à nous pour une conversation avec 51N4E et Rural Urban Framework sur la façon dont les deux bureaux considèrent la création architecturale comme un processus chorégraphique.
Joignez-vous à nous pour une conversation avec 51N4E et Rural Urban Framework sur la façon dont les deux bureaux considèrent la création architecturale comme un processus chorégraphique.
Titre:
« The Things Around Us » avec 51N4E et Rural Urban Framework
Actions:
Description:
Joignez-vous à nous pour une conversation avec 51N4E et Rural Urban Framework sur la façon dont les deux bureaux considèrent la création architecturale comme un processus chorégraphique.
« The Things Around Us » avec 51N4E et Rural Urban Framework
Actions:
Description:
Joignez-vous à nous pour une conversation avec 51N4E et Rural Urban Framework sur la façon dont les deux bureaux considèrent la création architecturale comme un processus chorégraphique.
Classification:
événements
événements
Date:
18 mai 2021
10h à 11h
18 mai 2021
10h à 11h
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP142.S2.D4
Description:
File documents an exhibition on Aldo Rossi that was held in 1991 at the Centre Georges Pompidou, Paris, France, at Stichting de Beurs van Berlage, Amsterdam, Netherlands (1992), and at Berlinische Galerie, Berlin, Germany (1993), at Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (1993). The exhibition travelled or was intended to travel to Brussels, Belgium, Santiago de Compostela, Spain, Moscow, Russia, New York City, United States, and Tokyo, Japan. Further research may confirm these and other sites for the exhibition. Material in this file was produced in 1991 and 1993. File contains textual records, including sketches, drawings, correspondence, architect's statements, estimates, appraisals, invoices, calculations, administrative records, financial records, price lists, clippings, business cards, memorandums, layouts, lists of exhibited works, a list of donated works, acquisitions lists, lists of lenders of works, lists of photographs for the catalogue, lists of projects by Aldo Rossi, a schedule for drawings, imprints and draft imprints, exhibition plans and layouts, invitations, an exhibition guide book, a pamphlet on the furniture of Aldo Rossi, a calendar, a bibliography, a biographical chronology, drafts and the published exhibition catalogue 'Aldo Rossi par Aldo Rossi, architecte', and material for Alberto Ferlenga's 'Aldo Rossi: Architetture 1988-1992', a floppy disk, drafts for the exhibition and exhibition catalogue, draft exhibition labels, a document label, a report, notes, photocopies of views of drawings, views of models, and views of completed projects, negatives, and photographs, including contact sheets, views of models, views of an exhibition showing drawings and models, and views of completed projects by Aldo Rossi.
AP142.S2.D4
Description:
File documents an exhibition on Aldo Rossi that was held in 1991 at the Centre Georges Pompidou, Paris, France, at Stichting de Beurs van Berlage, Amsterdam, Netherlands (1992), and at Berlinische Galerie, Berlin, Germany (1993), at Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (1993). The exhibition travelled or was intended to travel to Brussels, Belgium, Santiago de Compostela, Spain, Moscow, Russia, New York City, United States, and Tokyo, Japan. Further research may confirm these and other sites for the exhibition. Material in this file was produced in 1991 and 1993. File contains textual records, including sketches, drawings, correspondence, architect's statements, estimates, appraisals, invoices, calculations, administrative records, financial records, price lists, clippings, business cards, memorandums, layouts, lists of exhibited works, a list of donated works, acquisitions lists, lists of lenders of works, lists of photographs for the catalogue, lists of projects by Aldo Rossi, a schedule for drawings, imprints and draft imprints, exhibition plans and layouts, invitations, an exhibition guide book, a pamphlet on the furniture of Aldo Rossi, a calendar, a bibliography, a biographical chronology, drafts and the published exhibition catalogue 'Aldo Rossi par Aldo Rossi, architecte', and material for Alberto Ferlenga's 'Aldo Rossi: Architetture 1988-1992', a floppy disk, drafts for the exhibition and exhibition catalogue, draft exhibition labels, a document label, a report, notes, photocopies of views of drawings, views of models, and views of completed projects, negatives, and photographs, including contact sheets, views of models, views of an exhibition showing drawings and models, and views of completed projects by Aldo Rossi.
Personnes et institutions:
Date:
1991-1993
1991-1993
Titre:
Mostra AR Parigi
Actions:
AP142.S2.D4
Description:
File documents an exhibition on Aldo Rossi that was held in 1991 at the Centre Georges Pompidou, Paris, France, at Stichting de Beurs van Berlage, Amsterdam, Netherlands (1992), and at Berlinische Galerie, Berlin, Germany (1993), at Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (1993). The exhibition travelled or was intended to travel to Brussels, Belgium, Santiago de Compostela, Spain, Moscow, Russia, New York City, United States, and Tokyo, Japan. Further research may confirm these and other sites for the exhibition. Material in this file was produced in 1991 and 1993. File contains textual records, including sketches, drawings, correspondence, architect's statements, estimates, appraisals, invoices, calculations, administrative records, financial records, price lists, clippings, business cards, memorandums, layouts, lists of exhibited works, a list of donated works, acquisitions lists, lists of lenders of works, lists of photographs for the catalogue, lists of projects by Aldo Rossi, a schedule for drawings, imprints and draft imprints, exhibition plans and layouts, invitations, an exhibition guide book, a pamphlet on the furniture of Aldo Rossi, a calendar, a bibliography, a biographical chronology, drafts and the published exhibition catalogue 'Aldo Rossi par Aldo Rossi, architecte', and material for Alberto Ferlenga's 'Aldo Rossi: Architetture 1988-1992', a floppy disk, drafts for the exhibition and exhibition catalogue, draft exhibition labels, a document label, a report, notes, photocopies of views of drawings, views of models, and views of completed projects, negatives, and photographs, including contact sheets, views of models, views of an exhibition showing drawings and models, and views of completed projects by Aldo Rossi.
Mostra AR Parigi
Actions:
AP142.S2.D4
Description:
File documents an exhibition on Aldo Rossi that was held in 1991 at the Centre Georges Pompidou, Paris, France, at Stichting de Beurs van Berlage, Amsterdam, Netherlands (1992), and at Berlinische Galerie, Berlin, Germany (1993), at Stedelijk Museum voor Actuele Kunst, Ghent, Belgium (1993). The exhibition travelled or was intended to travel to Brussels, Belgium, Santiago de Compostela, Spain, Moscow, Russia, New York City, United States, and Tokyo, Japan. Further research may confirm these and other sites for the exhibition. Material in this file was produced in 1991 and 1993. File contains textual records, including sketches, drawings, correspondence, architect's statements, estimates, appraisals, invoices, calculations, administrative records, financial records, price lists, clippings, business cards, memorandums, layouts, lists of exhibited works, a list of donated works, acquisitions lists, lists of lenders of works, lists of photographs for the catalogue, lists of projects by Aldo Rossi, a schedule for drawings, imprints and draft imprints, exhibition plans and layouts, invitations, an exhibition guide book, a pamphlet on the furniture of Aldo Rossi, a calendar, a bibliography, a biographical chronology, drafts and the published exhibition catalogue 'Aldo Rossi par Aldo Rossi, architecte', and material for Alberto Ferlenga's 'Aldo Rossi: Architetture 1988-1992', a floppy disk, drafts for the exhibition and exhibition catalogue, draft exhibition labels, a document label, a report, notes, photocopies of views of drawings, views of models, and views of completed projects, negatives, and photographs, including contact sheets, views of models, views of an exhibition showing drawings and models, and views of completed projects by Aldo Rossi.
Niveau de description archivistique:
File 4
File 4
Date:
1991-1993
1991-1993
Personnes et institutions:
Classification:
oeuvres d'art
oeuvres d'art
Actions:
Numéro de référence:
DR1982:0244
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0244) depicts the illuminations in front of the Hôtel de Ville on the night of October 18th. Three pyramids of great height, decked with lanterns and ornaments were illuminated, and rockets and sprays erupted from the top of the adjacent belfry. The illuminations continued for three days.
DR1982:0244
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0244) depicts the illuminations in front of the Hôtel de Ville on the night of October 18th. Three pyramids of great height, decked with lanterns and ornaments were illuminated, and rockets and sprays erupted from the top of the adjacent belfry. The illuminations continued for three days.
Personnes et institutions:
Date:
printed between 1717 and 1719
printed between 1717 and 1719
Titre:
Illuminations at the Hôtel de Ville, with Fireworks from the Belfry
Actions:
DR1982:0244
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0244) depicts the illuminations in front of the Hôtel de Ville on the night of October 18th. Three pyramids of great height, decked with lanterns and ornaments were illuminated, and rockets and sprays erupted from the top of the adjacent belfry. The illuminations continued for three days.
Illuminations at the Hôtel de Ville, with Fireworks from the Belfry
Actions:
DR1982:0244
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0244) depicts the illuminations in front of the Hôtel de Ville on the night of October 18th. Three pyramids of great height, decked with lanterns and ornaments were illuminated, and rockets and sprays erupted from the top of the adjacent belfry. The illuminations continued for three days.
Classification:
oeuvres d'art
oeuvres d'art
Date:
printed between 1717 and 1719
printed between 1717 and 1719
Personnes et institutions:
Classification:
oeuvres d'art
oeuvres d'art
Numéro de référence:
DR1982:0240
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0240) depicts the third transformation that was wrought on the Place au Vendredi: the statue of Charles V, ornamented with an illuminated monogramme of Charles VI, became the centerpiece of a temporary fenced compound for fireworks - a firework display layout standard for at least a century, and still in use today.
DR1982:0240
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0240) depicts the third transformation that was wrought on the Place au Vendredi: the statue of Charles V, ornamented with an illuminated monogramme of Charles VI, became the centerpiece of a temporary fenced compound for fireworks - a firework display layout standard for at least a century, and still in use today.
Personnes et institutions:
Date:
printed between 1717 and 1719
printed between 1717 and 1719
Titre:
A Fireworks Display in the Place au Vendredi on October 19th
Actions:
DR1982:0240
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0240) depicts the third transformation that was wrought on the Place au Vendredi: the statue of Charles V, ornamented with an illuminated monogramme of Charles VI, became the centerpiece of a temporary fenced compound for fireworks - a firework display layout standard for at least a century, and still in use today.
A Fireworks Display in the Place au Vendredi on October 19th
Actions:
DR1982:0240
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0240) depicts the third transformation that was wrought on the Place au Vendredi: the statue of Charles V, ornamented with an illuminated monogramme of Charles VI, became the centerpiece of a temporary fenced compound for fireworks - a firework display layout standard for at least a century, and still in use today.
Classification:
oeuvres d'art
oeuvres d'art
Date:
printed between 1717 and 1719
printed between 1717 and 1719
Personnes et institutions:
Classification:
expositions
expositions
Description:
Alors que le débat politique contemporain se préoccupe particulièrement de notre santé, les architectes, urbanistes et architectes du paysage développent-ils un nouveau programme politique et moral pour répondre à ces préoccupations sociétales? En imparfaite santé étudie la complexité, la corrélation et l’émergence de ces problèmes sanitaires contemporains au travers des(...)
Alors que le débat politique contemporain se préoccupe particulièrement de notre santé, les architectes, urbanistes et architectes du paysage développent-ils un nouveau programme politique et moral pour répondre à ces préoccupations sociétales? En imparfaite santé étudie la complexité, la corrélation et l’émergence de ces problèmes sanitaires contemporains au travers des(...)
Localisation:
Salles principales Mot(s)-clé(s):
en imparfaite santé, giovanna borasi, mirko zardini, kersten geers, david van severen, office, kgdvs
Salles principales Mot(s)-clé(s):
en imparfaite santé, giovanna borasi, mirko zardini, kersten geers, david van severen, office, kgdvs
Date:
25 octobre 2011 au 15 avril 2012
25 octobre 2011 au 15 avril 2012
Titre:
En imparfaite santé : La médicalisation de l’architecture
Actions:
Description:
Alors que le débat politique contemporain se préoccupe particulièrement de notre santé, les architectes, urbanistes et architectes du paysage développent-ils un nouveau programme politique et moral pour répondre à ces préoccupations sociétales? En imparfaite santé étudie la complexité, la corrélation et l’émergence de ces problèmes sanitaires contemporains au travers des(...)
En imparfaite santé : La médicalisation de l’architecture
Actions:
Description:
Alors que le débat politique contemporain se préoccupe particulièrement de notre santé, les architectes, urbanistes et architectes du paysage développent-ils un nouveau programme politique et moral pour répondre à ces préoccupations sociétales? En imparfaite santé étudie la complexité, la corrélation et l’émergence de ces problèmes sanitaires contemporains au travers des(...)
Classification:
expositions
expositions
Date:
25 octobre 2011 au
15 avril 2012
25 octobre 2011 au
15 avril 2012
Localisation:
Salles principales Mot(s)-clé(s):
en imparfaite santé, giovanna borasi, mirko zardini, kersten geers, david van severen, office, kgdvs
Salles principales Mot(s)-clé(s):
en imparfaite santé, giovanna borasi, mirko zardini, kersten geers, david van severen, office, kgdvs
Classification:
oeuvres d'art
oeuvres d'art
Actions:
Numéro de référence:
DR1982:0245
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0245), shows the events in the Marché or Place au Vendredi on 18 October. A large temporary "theatre" with a raised loggia and central ædicule, had been erected and embellished with rich tapestries , trophies, statuary, and a portrait of the Emperor. Dwarfing the adjacent buildings, it reflected the heavy, High Baroque style of stage-set then popular.
DR1982:0245
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0245), shows the events in the Marché or Place au Vendredi on 18 October. A large temporary "theatre" with a raised loggia and central ædicule, had been erected and embellished with rich tapestries , trophies, statuary, and a portrait of the Emperor. Dwarfing the adjacent buildings, it reflected the heavy, High Baroque style of stage-set then popular.
Personnes et institutions:
Sujet:
design de théâtre
design de théâtre
Date:
printed between 1717 and 1719
printed between 1717 and 1719
Titre:
The Inauguration Ceremony in a Theatre Erected on the Place au Vendredi on October 18th
Actions:
DR1982:0245
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0245), shows the events in the Marché or Place au Vendredi on 18 October. A large temporary "theatre" with a raised loggia and central ædicule, had been erected and embellished with rich tapestries , trophies, statuary, and a portrait of the Emperor. Dwarfing the adjacent buildings, it reflected the heavy, High Baroque style of stage-set then popular.
The Inauguration Ceremony in a Theatre Erected on the Place au Vendredi on October 18th
Actions:
DR1982:0245
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0245), shows the events in the Marché or Place au Vendredi on 18 October. A large temporary "theatre" with a raised loggia and central ædicule, had been erected and embellished with rich tapestries , trophies, statuary, and a portrait of the Emperor. Dwarfing the adjacent buildings, it reflected the heavy, High Baroque style of stage-set then popular.
Classification:
oeuvres d'art
oeuvres d'art
Date:
printed between 1717 and 1719
printed between 1717 and 1719
Personnes et institutions:
Sujet:
design de théâtre
design de théâtre
Classification:
photographies
photographies
Numéro de référence:
AP140.S2.SS7.D2.P7
Description:
views of various projects by the successive firms of Stirling and Gowan, James Stirling and James Stirling and Partner, including Flats at Ham Common, School Assembly Hall, Brunswick Park Primary School, Dorman Long Headquarters, Florey Building, Queen's College, University of Oxford and British Olivetti Headquarters in Milton Keynes, also views of Liverpool, of the Maison de verre in Paris by architect Pierre Charreau, the Alton Estate in Roehampton, the Atomium at the 1958 Exposition universelle et internationale in Brussels, Keeling House in London by architect Denys Lasdun, buildings by architect Antoni Gaudí, projects by Le Corbusier for lectures by James Stirling, of travels in the United States, including San Francisco, also includes a few negatives
AP140.S2.SS7.D2.P7
Description:
views of various projects by the successive firms of Stirling and Gowan, James Stirling and James Stirling and Partner, including Flats at Ham Common, School Assembly Hall, Brunswick Park Primary School, Dorman Long Headquarters, Florey Building, Queen's College, University of Oxford and British Olivetti Headquarters in Milton Keynes, also views of Liverpool, of the Maison de verre in Paris by architect Pierre Charreau, the Alton Estate in Roehampton, the Atomium at the 1958 Exposition universelle et internationale in Brussels, Keeling House in London by architect Denys Lasdun, buildings by architect Antoni Gaudí, projects by Le Corbusier for lectures by James Stirling, of travels in the United States, including San Francisco, also includes a few negatives
Personnes et institutions:
Titre:
Views of various projects by the successive firms of Stirling and Gowan, James Stirling and James Stirling and Partner
Actions:
AP140.S2.SS7.D2.P7
Description:
views of various projects by the successive firms of Stirling and Gowan, James Stirling and James Stirling and Partner, including Flats at Ham Common, School Assembly Hall, Brunswick Park Primary School, Dorman Long Headquarters, Florey Building, Queen's College, University of Oxford and British Olivetti Headquarters in Milton Keynes, also views of Liverpool, of the Maison de verre in Paris by architect Pierre Charreau, the Alton Estate in Roehampton, the Atomium at the 1958 Exposition universelle et internationale in Brussels, Keeling House in London by architect Denys Lasdun, buildings by architect Antoni Gaudí, projects by Le Corbusier for lectures by James Stirling, of travels in the United States, including San Francisco, also includes a few negatives
Views of various projects by the successive firms of Stirling and Gowan, James Stirling and James Stirling and Partner
Actions:
AP140.S2.SS7.D2.P7
Description:
views of various projects by the successive firms of Stirling and Gowan, James Stirling and James Stirling and Partner, including Flats at Ham Common, School Assembly Hall, Brunswick Park Primary School, Dorman Long Headquarters, Florey Building, Queen's College, University of Oxford and British Olivetti Headquarters in Milton Keynes, also views of Liverpool, of the Maison de verre in Paris by architect Pierre Charreau, the Alton Estate in Roehampton, the Atomium at the 1958 Exposition universelle et internationale in Brussels, Keeling House in London by architect Denys Lasdun, buildings by architect Antoni Gaudí, projects by Le Corbusier for lectures by James Stirling, of travels in the United States, including San Francisco, also includes a few negatives
Classification:
photographies
photographies
Personnes et institutions:
