399 Résultats
Classification:
expositions
expositions
Description:
Lancé en novembre 1998 par la Fondation du Centre Canadien d’Architecture, le Prix du CCA pour la conception des villes invitait les architectes du monde entier à relever un défi qui se pose à toutes les grandes villes à l’aube du XXIe siècle : la revitalisation de secteurs urbains lacérés par d’importantes structures liées aux transports, vestiges de l’activité(...)
Lancé en novembre 1998 par la Fondation du Centre Canadien d’Architecture, le Prix du CCA pour la conception des villes invitait les architectes du monde entier à relever un défi qui se pose à toutes les grandes villes à l’aube du XXIe siècle : la revitalisation de secteurs urbains lacérés par d’importantes structures liées aux transports, vestiges de l’activité(...)
Localisation:
Salles principales
Salles principales
Date:
15 novembre 2000 au 1 avril 2001
15 novembre 2000 au 1 avril 2001
Titre:
New York : Concours CCA pour la conception des villes
Actions:
Description:
Lancé en novembre 1998 par la Fondation du Centre Canadien d’Architecture, le Prix du CCA pour la conception des villes invitait les architectes du monde entier à relever un défi qui se pose à toutes les grandes villes à l’aube du XXIe siècle : la revitalisation de secteurs urbains lacérés par d’importantes structures liées aux transports, vestiges de l’activité(...)
New York : Concours CCA pour la conception des villes
Actions:
Description:
Lancé en novembre 1998 par la Fondation du Centre Canadien d’Architecture, le Prix du CCA pour la conception des villes invitait les architectes du monde entier à relever un défi qui se pose à toutes les grandes villes à l’aube du XXIe siècle : la revitalisation de secteurs urbains lacérés par d’importantes structures liées aux transports, vestiges de l’activité(...)
Classification:
expositions
expositions
Date:
15 novembre 2000 au
1 avril 2001
15 novembre 2000 au
1 avril 2001
Localisation:
Salles principales
Salles principales
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP183
Résumé:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
AP183
Résumé:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Personnes et institutions:
Date:
1995-1996
1995-1996
Titre:
Documents d’archives d’Ulrich Königs pour le projet Chemnitz Stadium
Actions:
AP183
Résumé:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Documents d’archives d’Ulrich Königs pour le projet Chemnitz Stadium
Actions:
AP183
Résumé:
The Ulrich Königs Chemnitz Stadium project records, 1995-1996, document the competition entry and design for an innovative stadium in Chemnitz, Germany. The project was a collaboration between Peter Kulka, Ulrich Königs, Cecil Balmond, and Arup Group, Ltd. The design was primarily driven by the theoretical and methodological processes made possible by computer-aided design, rather than aesthetics. The project records have both digital and physical components, which chiefly include renderings, wireframe drawings, digital 3D models, photographs, slides, video, and a booklet.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1995-1996
1995-1996
Personnes et institutions:
Classification:
dessins, né numérique
dessins, né numérique
Numéro de référence:
AP183.002.FM
Description:
This directory contains 6 GIFs of the renderings contained in AP183.002. In Fcheck, the original renderings played as an animation; however, still image TIFs were the only available preservation format during export. GIFs were created at the time of processing to best recreate the original experience and use of the files. Most common file formats: Graphics Interchange Format.
AP183.002.FM
Description:
This directory contains 6 GIFs of the renderings contained in AP183.002. In Fcheck, the original renderings played as an animation; however, still image TIFs were the only available preservation format during export. GIFs were created at the time of processing to best recreate the original experience and use of the files. Most common file formats: Graphics Interchange Format.
Personnes et institutions:
Date:
15 October 1995 - 17 October 1995
15 October 1995 - 17 October 1995
Titre:
Animated renderings of Chemnitz Stadium
Actions:
AP183.002.FM
Description:
This directory contains 6 GIFs of the renderings contained in AP183.002. In Fcheck, the original renderings played as an animation; however, still image TIFs were the only available preservation format during export. GIFs were created at the time of processing to best recreate the original experience and use of the files. Most common file formats: Graphics Interchange Format.
Animated renderings of Chemnitz Stadium
Actions:
AP183.002.FM
Description:
This directory contains 6 GIFs of the renderings contained in AP183.002. In Fcheck, the original renderings played as an animation; however, still image TIFs were the only available preservation format during export. GIFs were created at the time of processing to best recreate the original experience and use of the files. Most common file formats: Graphics Interchange Format.
Classification:
dessins, né numérique
dessins, né numérique
Date:
15 October 1995 - 17 October 1995
15 October 1995 - 17 October 1995
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Personnes et institutions:
Date:
1994 - 2004
1994 - 2004
Titre:
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Niveau de description archivistique:
Series
Series
Date:
1994 - 2004
1994 - 2004
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Presentation files
Presentation files
Numéro de référence:
AP195.S2
Description:
Series 2: Presentation files, 1999 – 2009, contains CAD files, 3D models, renderings, and photographs used for presentation of the Phaeno Science Centre, especially during the competition and design phases. Formats include chiefly images (EXIF, JPEG, TIFF) and CAD files (AutoCAD, plotter files, EPS). This series contains a wide variety of materials used by ZHA to present Phaeno Science Centre to clients, the press, and other stakeholders. This includes 3D models and CAD files, other drawings and diagrams, and photographs. Notably, this series includes concept animations used by ZHA to develop the shape and structure of Phaeno, as well as concept sketches possibly drawn by Zaha Hadid. Other materials of interest include a digitized copy of digital plans that had been printed and given a hand-painted rendering surface.
AP195.S2
Description:
Series 2: Presentation files, 1999 – 2009, contains CAD files, 3D models, renderings, and photographs used for presentation of the Phaeno Science Centre, especially during the competition and design phases. Formats include chiefly images (EXIF, JPEG, TIFF) and CAD files (AutoCAD, plotter files, EPS). This series contains a wide variety of materials used by ZHA to present Phaeno Science Centre to clients, the press, and other stakeholders. This includes 3D models and CAD files, other drawings and diagrams, and photographs. Notably, this series includes concept animations used by ZHA to develop the shape and structure of Phaeno, as well as concept sketches possibly drawn by Zaha Hadid. Other materials of interest include a digitized copy of digital plans that had been printed and given a hand-painted rendering surface.
Personnes et institutions:
Date:
1999 - 2009
1999 - 2009
Titre:
Presentation files
Actions:
AP195.S2
Description:
Series 2: Presentation files, 1999 – 2009, contains CAD files, 3D models, renderings, and photographs used for presentation of the Phaeno Science Centre, especially during the competition and design phases. Formats include chiefly images (EXIF, JPEG, TIFF) and CAD files (AutoCAD, plotter files, EPS). This series contains a wide variety of materials used by ZHA to present Phaeno Science Centre to clients, the press, and other stakeholders. This includes 3D models and CAD files, other drawings and diagrams, and photographs. Notably, this series includes concept animations used by ZHA to develop the shape and structure of Phaeno, as well as concept sketches possibly drawn by Zaha Hadid. Other materials of interest include a digitized copy of digital plans that had been printed and given a hand-painted rendering surface.
Presentation files
Actions:
AP195.S2
Description:
Series 2: Presentation files, 1999 – 2009, contains CAD files, 3D models, renderings, and photographs used for presentation of the Phaeno Science Centre, especially during the competition and design phases. Formats include chiefly images (EXIF, JPEG, TIFF) and CAD files (AutoCAD, plotter files, EPS). This series contains a wide variety of materials used by ZHA to present Phaeno Science Centre to clients, the press, and other stakeholders. This includes 3D models and CAD files, other drawings and diagrams, and photographs. Notably, this series includes concept animations used by ZHA to develop the shape and structure of Phaeno, as well as concept sketches possibly drawn by Zaha Hadid. Other materials of interest include a digitized copy of digital plans that had been printed and given a hand-painted rendering surface.
Niveau de description archivistique:
Series
Series
Date:
1999 - 2009
1999 - 2009
Personnes et institutions:
Classification:
né numérique
Quantité:
124 digital file(s)
né numérique
Quantité:
124 digital file(s)
Numéro de référence:
ARCH275099
Description:
Original directory names: "Base de Données Ambiente", "Programme captation", "Programme IIS Génération XML", "scripts". The scripts directory contains a .vbs script that checks whether or not the system is running and starts the system if it is not running. A "Readme.txt" file at the same level as the 4 directories explains how to run the applications together with the animation software. Prevalent file types: .cs, .resx, .config, .exe, .resources, .mdf, .ldf, .aspx, .txt, .vbs
ARCH275099
Description:
Original directory names: "Base de Données Ambiente", "Programme captation", "Programme IIS Génération XML", "scripts". The scripts directory contains a .vbs script that checks whether or not the system is running and starts the system if it is not running. A "Readme.txt" file at the same level as the 4 directories explains how to run the applications together with the animation software. Prevalent file types: .cs, .resx, .config, .exe, .resources, .mdf, .ldf, .aspx, .txt, .vbs
Personnes et institutions:
Date:
2002-2007
2002-2007
Titre:
Data collection modules from the installation at the Canadian Centre for Architecture (2006-2007)
Actions:
ARCH275099
Description:
Original directory names: "Base de Données Ambiente", "Programme captation", "Programme IIS Génération XML", "scripts". The scripts directory contains a .vbs script that checks whether or not the system is running and starts the system if it is not running. A "Readme.txt" file at the same level as the 4 directories explains how to run the applications together with the animation software. Prevalent file types: .cs, .resx, .config, .exe, .resources, .mdf, .ldf, .aspx, .txt, .vbs
Data collection modules from the installation at the Canadian Centre for Architecture (2006-2007)
Actions:
ARCH275099
Description:
Original directory names: "Base de Données Ambiente", "Programme captation", "Programme IIS Génération XML", "scripts". The scripts directory contains a .vbs script that checks whether or not the system is running and starts the system if it is not running. A "Readme.txt" file at the same level as the 4 directories explains how to run the applications together with the animation software. Prevalent file types: .cs, .resx, .config, .exe, .resources, .mdf, .ldf, .aspx, .txt, .vbs
Classification:
né numérique
Quantité:
124 digital file(s)
né numérique
Quantité:
124 digital file(s)
Date:
2002-2007
2002-2007
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Cet été, notre camp de jour propose aux jeunes de 7 à 10 ans un large éventail d’activités permettant d’en apprendre davantage sur l’architecture, l’environnement bâti et le design. Encadrées par une équipe d’animation spécialisée, les activités de la semaine seront liées à des thématiques trouvant écho dans nos expositions en cours.
Cet été, notre camp de jour propose aux jeunes de 7 à 10 ans un large éventail d’activités permettant d’en apprendre davantage sur l’architecture, l’environnement bâti et le design. Encadrées par une équipe d’animation spécialisée, les activités de la semaine seront liées à des thématiques trouvant écho dans nos expositions en cours.
Mot(s)-clé(s):
camp d'été
camp d'été
Date:
18 août 2025 au 22 août 2025
18 août 2025 au 22 août 2025
Titre:
Camp de jour été 2025
Actions:
Description:
Cet été, notre camp de jour propose aux jeunes de 7 à 10 ans un large éventail d’activités permettant d’en apprendre davantage sur l’architecture, l’environnement bâti et le design. Encadrées par une équipe d’animation spécialisée, les activités de la semaine seront liées à des thématiques trouvant écho dans nos expositions en cours.
Camp de jour été 2025
Actions:
Description:
Cet été, notre camp de jour propose aux jeunes de 7 à 10 ans un large éventail d’activités permettant d’en apprendre davantage sur l’architecture, l’environnement bâti et le design. Encadrées par une équipe d’animation spécialisée, les activités de la semaine seront liées à des thématiques trouvant écho dans nos expositions en cours.
Classification:
événements
événements
Date:
18 août 2025 au
22 août 2025
18 août 2025 au
22 août 2025
Mot(s)-clé(s):
camp d'été
camp d'été
Classification:
événements
événements
Actions:
Description:
Cet été, notre camp de jour propose aux jeunes de 7 à 11 ans un large éventail d’activités permettant d’en apprendre davantage sur l’architecture, l’environnement bâti et le design. Encadrées par une équipe d’animation spécialisée, les activités de la semaine seront liées à des thématiques trouvant écho dans nos expositions en cours.
Cet été, notre camp de jour propose aux jeunes de 7 à 11 ans un large éventail d’activités permettant d’en apprendre davantage sur l’architecture, l’environnement bâti et le design. Encadrées par une équipe d’animation spécialisée, les activités de la semaine seront liées à des thématiques trouvant écho dans nos expositions en cours.
Mot(s)-clé(s):
camp d'été
camp d'été
Date:
août 2024
août 2024
Titre:
Camp de jour été 2024
Actions:
Description:
Cet été, notre camp de jour propose aux jeunes de 7 à 11 ans un large éventail d’activités permettant d’en apprendre davantage sur l’architecture, l’environnement bâti et le design. Encadrées par une équipe d’animation spécialisée, les activités de la semaine seront liées à des thématiques trouvant écho dans nos expositions en cours.
Camp de jour été 2024
Actions:
Description:
Cet été, notre camp de jour propose aux jeunes de 7 à 11 ans un large éventail d’activités permettant d’en apprendre davantage sur l’architecture, l’environnement bâti et le design. Encadrées par une équipe d’animation spécialisée, les activités de la semaine seront liées à des thématiques trouvant écho dans nos expositions en cours.
Classification:
événements
événements
Date:
août 2024 au
août 2024
août 2024 au
août 2024
Mot(s)-clé(s):
camp d'été
camp d'été
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP168
Résumé:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
AP168
Résumé:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
Personnes et institutions:
Date:
1994-2004
1994-2004
Titre:
Documents d’archives de Neil Denari pour le projet Interrupted Projections
Actions:
AP168
Résumé:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
Documents d’archives de Neil Denari pour le projet Interrupted Projections
Actions:
AP168
Résumé:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1994-2004
1994-2004
Personnes et institutions:
Classification:
né numérique
né numérique
Numéro de référence:
ARCH252218
Description:
Labelled: "UN Studio; Van Berkel & Bos". Annotations on the original physical media: "UN Studio; IFCCA Animations; 06/99". Prevalent file formats: Tagged Image File Format, Quicktime, unidentified file format.
ARCH252218
Description:
Labelled: "UN Studio; Van Berkel & Bos". Annotations on the original physical media: "UN Studio; IFCCA Animations; 06/99". Prevalent file formats: Tagged Image File Format, Quicktime, unidentified file format.
Personnes et institutions:
Date:
1998-1999
1998-1999
Titre:
Presentation materials for the IFCCA competition, CD-R, 650 MB
Actions:
ARCH252218
Description:
Labelled: "UN Studio; Van Berkel & Bos". Annotations on the original physical media: "UN Studio; IFCCA Animations; 06/99". Prevalent file formats: Tagged Image File Format, Quicktime, unidentified file format.
Presentation materials for the IFCCA competition, CD-R, 650 MB
Actions:
ARCH252218
Description:
Labelled: "UN Studio; Van Berkel & Bos". Annotations on the original physical media: "UN Studio; IFCCA Animations; 06/99". Prevalent file formats: Tagged Image File Format, Quicktime, unidentified file format.
Classification:
né numérique
né numérique
Date:
1998-1999
1998-1999
Personnes et institutions:
