566 Résultats
Classification:
dessins, graphique
dessins, graphique
Numéro de référence:
AP197.S4.010
Description:
This box contains various drawings and collages, some of which are dedicated to Frampton. The box also comprises of posters for lectures/conferences/events that Frampton may have either participated in or attended. Posters include: the lecture on the Imaginary space of El Lissitzky, Harvard University; Place, form, and cultural identity, École polytechnique fédérale de Lausanne; the Alcan Lectures, McGill University; and Modern Architecture and Critique of Ulm, the University of Southern California. Also included in the box is a poster of the Museum of Contemporary Art Los Angeles, which is signed by Arata Isozaki.
AP197.S4.010
Description:
This box contains various drawings and collages, some of which are dedicated to Frampton. The box also comprises of posters for lectures/conferences/events that Frampton may have either participated in or attended. Posters include: the lecture on the Imaginary space of El Lissitzky, Harvard University; Place, form, and cultural identity, École polytechnique fédérale de Lausanne; the Alcan Lectures, McGill University; and Modern Architecture and Critique of Ulm, the University of Southern California. Also included in the box is a poster of the Museum of Contemporary Art Los Angeles, which is signed by Arata Isozaki.
Personnes et institutions:
Date:
circa 1978-2015
circa 1978-2015
Titre:
Posters and prints
Actions:
AP197.S4.010
Description:
This box contains various drawings and collages, some of which are dedicated to Frampton. The box also comprises of posters for lectures/conferences/events that Frampton may have either participated in or attended. Posters include: the lecture on the Imaginary space of El Lissitzky, Harvard University; Place, form, and cultural identity, École polytechnique fédérale de Lausanne; the Alcan Lectures, McGill University; and Modern Architecture and Critique of Ulm, the University of Southern California. Also included in the box is a poster of the Museum of Contemporary Art Los Angeles, which is signed by Arata Isozaki.
Posters and prints
Actions:
AP197.S4.010
Description:
This box contains various drawings and collages, some of which are dedicated to Frampton. The box also comprises of posters for lectures/conferences/events that Frampton may have either participated in or attended. Posters include: the lecture on the Imaginary space of El Lissitzky, Harvard University; Place, form, and cultural identity, École polytechnique fédérale de Lausanne; the Alcan Lectures, McGill University; and Modern Architecture and Critique of Ulm, the University of Southern California. Also included in the box is a poster of the Museum of Contemporary Art Los Angeles, which is signed by Arata Isozaki.
Classification:
dessins, graphique
dessins, graphique
Date:
circa 1978-2015
circa 1978-2015
Personnes et institutions:
Classification:
événements
événements
Description:
Comment les optiques computationnelles opèrent-t-elles dans et à travers l’environnement bâti? Comment sont-elles devenues si omniprésentes et considérées comme allant de soi, répondant aux désirs des centres dexécution et à la lisibilité dont l’informatique a besoin? Quelles logiques, quels imaginaires et quels cadres informatiques se situent en dehors de leurs modes(...)
Comment les optiques computationnelles opèrent-t-elles dans et à travers l’environnement bâti? Comment sont-elles devenues si omniprésentes et considérées comme allant de soi, répondant aux désirs des centres dexécution et à la lisibilité dont l’informatique a besoin? Quelles logiques, quels imaginaires et quels cadres informatiques se situent en dehors de leurs modes(...)
Localisation:
Maison Shaughnessy, CCA Mot(s)-clé(s):
Outils d'aujourd'hui, optiques computationnelles
Maison Shaughnessy, CCA Mot(s)-clé(s):
Outils d'aujourd'hui, optiques computationnelles
Date:
17 juillet 2025, 18h
17 juillet 2025, 18h
Titre:
Outils d’aujourd’hui : Défier les envies computationnelles
Actions:
Description:
Comment les optiques computationnelles opèrent-t-elles dans et à travers l’environnement bâti? Comment sont-elles devenues si omniprésentes et considérées comme allant de soi, répondant aux désirs des centres dexécution et à la lisibilité dont l’informatique a besoin? Quelles logiques, quels imaginaires et quels cadres informatiques se situent en dehors de leurs modes(...)
Outils d’aujourd’hui : Défier les envies computationnelles
Actions:
Description:
Comment les optiques computationnelles opèrent-t-elles dans et à travers l’environnement bâti? Comment sont-elles devenues si omniprésentes et considérées comme allant de soi, répondant aux désirs des centres dexécution et à la lisibilité dont l’informatique a besoin? Quelles logiques, quels imaginaires et quels cadres informatiques se situent en dehors de leurs modes(...)
Classification:
événements
événements
Date:
17 juillet 2025
18h
17 juillet 2025
18h
Localisation:
Maison Shaughnessy, CCA Mot(s)-clé(s):
Outils d'aujourd'hui, optiques computationnelles
Maison Shaughnessy, CCA Mot(s)-clé(s):
Outils d'aujourd'hui, optiques computationnelles
Classification:
dessins
dessins
Titre:
The Triumph of Hannibal
The Triumph of Hannibal
Actions:
Numéro de référence:
DR1984:1641
Description:
- The turbaned figure being carried into the theater seated on a litter certainly refers to a non-Roman figure, possibly Hannibal. Behind this figure is a theater and an imaginary town on a hill. The town buildings recall the Sicilian monuments in the 'Voyage pittoresque ou description des royaumes de Naples et de Sicile' published by the Abbé de Saint-Non in Paris between 1781 and 1786. Desprez interrupted his studies at the French Academy in Rome from December 1777 to January 1779 to accompany Dominique Vivant Denon and several other artists to Naples and Sicily in order to make drawings for this publication. The town buildings also recall several buildings Desprez planned in Stockholm while stage designer and architect to Gustavus III of Sweden from 1784 to 1792.
DR1984:1641
Description:
- The turbaned figure being carried into the theater seated on a litter certainly refers to a non-Roman figure, possibly Hannibal. Behind this figure is a theater and an imaginary town on a hill. The town buildings recall the Sicilian monuments in the 'Voyage pittoresque ou description des royaumes de Naples et de Sicile' published by the Abbé de Saint-Non in Paris between 1781 and 1786. Desprez interrupted his studies at the French Academy in Rome from December 1777 to January 1779 to accompany Dominique Vivant Denon and several other artists to Naples and Sicily in order to make drawings for this publication. The town buildings also recall several buildings Desprez planned in Stockholm while stage designer and architect to Gustavus III of Sweden from 1784 to 1792.
Personnes et institutions:
Sujet:
design de théâtre
design de théâtre
Date:
ca. 1780-1790
ca. 1780-1790
Titre:
The Triumph of Hannibal
Actions:
DR1984:1641
Description:
- The turbaned figure being carried into the theater seated on a litter certainly refers to a non-Roman figure, possibly Hannibal. Behind this figure is a theater and an imaginary town on a hill. The town buildings recall the Sicilian monuments in the 'Voyage pittoresque ou description des royaumes de Naples et de Sicile' published by the Abbé de Saint-Non in Paris between 1781 and 1786. Desprez interrupted his studies at the French Academy in Rome from December 1777 to January 1779 to accompany Dominique Vivant Denon and several other artists to Naples and Sicily in order to make drawings for this publication. The town buildings also recall several buildings Desprez planned in Stockholm while stage designer and architect to Gustavus III of Sweden from 1784 to 1792.
The Triumph of Hannibal
Actions:
DR1984:1641
Description:
- The turbaned figure being carried into the theater seated on a litter certainly refers to a non-Roman figure, possibly Hannibal. Behind this figure is a theater and an imaginary town on a hill. The town buildings recall the Sicilian monuments in the 'Voyage pittoresque ou description des royaumes de Naples et de Sicile' published by the Abbé de Saint-Non in Paris between 1781 and 1786. Desprez interrupted his studies at the French Academy in Rome from December 1777 to January 1779 to accompany Dominique Vivant Denon and several other artists to Naples and Sicily in order to make drawings for this publication. The town buildings also recall several buildings Desprez planned in Stockholm while stage designer and architect to Gustavus III of Sweden from 1784 to 1792.
Classification:
dessins
dessins
Date:
ca. 1780-1790
ca. 1780-1790
Personnes et institutions:
Sujet:
design de théâtre
design de théâtre
Classification:
articles
articles
Titre:
Le jardin de Zomia
Le jardin de Zomia
Actions:
Yutong Lin sur les imaginaires botaniques de la région des montagnes Himalaya-Hengduan
Mot(s)-clé(s):
Le jardin de Zomia, Yutong Lin, CCA Singles, Programme de résidence pour commissaires émergents
Le jardin de Zomia, Yutong Lin, CCA Singles, Programme de résidence pour commissaires émergents
Publié:
28 avril 2025
28 avril 2025
Titre:
Le jardin de Zomia
Yutong Lin sur les imaginaires botaniques de la région des montagnes Himalaya-Hengduan
Actions:
Le jardin de Zomia
Yutong Lin sur les imaginaires botaniques de la région des montagnes Himalaya-Hengduan
Actions:
Classification:
articles
articles
Titre:
La vie radicale d’un paysage
La vie radicale d’un paysage
Actions:
Dossier:
Architecture de l’invocation
Architecture de l’invocation
Mot(s)-clé(s):
Vendôme, monticule de Vendôme, Commune de Paris, Paris, révolution, paysage, terre, sable, colonne, Napoléon, symboles urbains, destruction, imaginaire urbain
Vendôme, monticule de Vendôme, Commune de Paris, Paris, révolution, paysage, terre, sable, colonne, Napoléon, symboles urbains, destruction, imaginaire urbain
Publié:
28 février 2016
28 février 2016
Dossier:
Architecture de l’invocation
Architecture de l’invocation
Classification:
photographies
Quantité:
82 photograph(s)
photographies
Quantité:
82 photograph(s)
Actions:
Numéro de référence:
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
Personnes et institutions:
Sujet:
architecture, ingénierie, sculpture
architecture, ingénierie, sculpture
Date:
1980s-1990s
1980s-1990s
Titre:
Group of views of architecture from Aldo Rossi's trips to Italy, France, Corsica, Greece, United States and unspecified countries
Actions:
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
Group of views of architecture from Aldo Rossi's trips to Italy, France, Corsica, Greece, United States and unspecified countries
Actions:
PH1996:0069:001-109
Description:
Group of 109 Polaroid photographs made by Aldo Rossi with some presented in the exhibition 'Luigi Ghirri - Aldo Rossi. Things Which Are Only Themselves' held at the CCA in 1996. The photographs represent several scenes from Rossi's travels in different countries: building façades, sacred images, billboards, houses from a Shaker village, baroque façades of churches (in Lecce, Italy), shops, street scenes, lakes, ports, showcases and furniture. Rossi's photography shows the interest he shares with photographer Luigi Ghirri in the belief in the autonomous eye of the photographer and in the potential of that eye to reveal something new to the architect. Ghirri sees in Rossi's Polaroids a "concealed passion, the 'secret' images of the architect, [...] puzzles that are solved with the heart". And according to his definition of photography, "a tangle of monuments, lights, thoughts, objects, moments and metaphors forming the landscape we are searching for in our minds... as would the points of an imaginary compass, which indicates a possible direction".
Classification:
photographies
Quantité:
82 photograph(s)
photographies
Quantité:
82 photograph(s)
Date:
1980s-1990s
1980s-1990s
Personnes et institutions:
Sujet:
architecture, ingénierie, sculpture
architecture, ingénierie, sculpture
Classification:
expositions
expositions
Titre:
Sur les traces de... voyage
Sur les traces de... voyage
Actions:
Description:
Interprétant de la manière la plus large le thème des voyages lointains, l’exposition cartographie et élargit la notion de voyage qui s’étend aux expéditions imaginaires, aux sites étranges, aux points de fuite, aux maisons transportables et flottantes, aux caves sans fond, aux dômes de verre convolutés, aux tombeaux, aux cryptes et catacombes, aux aventures dans des(...)
Interprétant de la manière la plus large le thème des voyages lointains, l’exposition cartographie et élargit la notion de voyage qui s’étend aux expéditions imaginaires, aux sites étranges, aux points de fuite, aux maisons transportables et flottantes, aux caves sans fond, aux dômes de verre convolutés, aux tombeaux, aux cryptes et catacombes, aux aventures dans des(...)
Localisation:
Vitrines
Vitrines
Date:
3 décembre 2008 au 1 mai 2009
3 décembre 2008 au 1 mai 2009
Titre:
Sur les traces de... voyage
Actions:
Description:
Interprétant de la manière la plus large le thème des voyages lointains, l’exposition cartographie et élargit la notion de voyage qui s’étend aux expéditions imaginaires, aux sites étranges, aux points de fuite, aux maisons transportables et flottantes, aux caves sans fond, aux dômes de verre convolutés, aux tombeaux, aux cryptes et catacombes, aux aventures dans des(...)
Sur les traces de... voyage
Actions:
Description:
Interprétant de la manière la plus large le thème des voyages lointains, l’exposition cartographie et élargit la notion de voyage qui s’étend aux expéditions imaginaires, aux sites étranges, aux points de fuite, aux maisons transportables et flottantes, aux caves sans fond, aux dômes de verre convolutés, aux tombeaux, aux cryptes et catacombes, aux aventures dans des(...)
Classification:
expositions
expositions
Date:
3 décembre 2008 au
1 mai 2009
3 décembre 2008 au
1 mai 2009
Localisation:
Vitrines
Vitrines
Classification:
événements
événements
Actions:
Mot(s)-clé(s):
chercheur en résidence, Christopher Heuer, Guides sur le chaos, Les renaissances grotesques, Hans Vredeman de Vries, La ville répétée, Design urbain, Imaginaire architectural, Séminaire de chercheur en résidence
chercheur en résidence, Christopher Heuer, Guides sur le chaos, Les renaissances grotesques, Hans Vredeman de Vries, La ville répétée, Design urbain, Imaginaire architectural, Séminaire de chercheur en résidence
Date:
13 juillet 2006
13 juillet 2006
Classification:
événements
événements
Date:
13 juillet 2006
13 juillet 2006
Classification:
dessins, documents textuels, né numérique, photographies
dessins, documents textuels, né numérique, photographies
Numéro de référence:
AP181.S1.011
Description:
Original directory name: "11_Publikation". File consists chiefly of presentations (Powerpoint, PDF and InDesign files), organized by date and topic such as the double cone, the interior design, the restaurants, the lighting, etc. Often, drawings or images used in the presentations are kept within the same directory. In some instances Adobe InDesign files might have dependencies on those drawings and images, so duplicates were not removed. Presentations seemed to have served various purposes such as showing design proposals or the construction’s progress. Some system files, true type font and photographs predate the BMW Welt project. File notably contains the film commissioned by COOP HIMMELB(L)AU to Imaginary Forces in order to show BMW the magnitude of the project of BMW Welt. A six meter long model was created for this purpose. The film was shown to the client on a 8 x 10 meter screen. Film is in directory "o_Präsentation\050407_INNENAUSBAU" and there are also preliminary and alternate versions in other directories in this file. Most common file formats: JPEG File Interchange Format, Acrobat PDF 1.4 - Portable Document Format, Adobe Illustrator, Encapsulated PostScript File Format, Acrobat PDF 1.5 - Portable Document Format
AP181.S1.011
Description:
Original directory name: "11_Publikation". File consists chiefly of presentations (Powerpoint, PDF and InDesign files), organized by date and topic such as the double cone, the interior design, the restaurants, the lighting, etc. Often, drawings or images used in the presentations are kept within the same directory. In some instances Adobe InDesign files might have dependencies on those drawings and images, so duplicates were not removed. Presentations seemed to have served various purposes such as showing design proposals or the construction’s progress. Some system files, true type font and photographs predate the BMW Welt project. File notably contains the film commissioned by COOP HIMMELB(L)AU to Imaginary Forces in order to show BMW the magnitude of the project of BMW Welt. A six meter long model was created for this purpose. The film was shown to the client on a 8 x 10 meter screen. Film is in directory "o_Präsentation\050407_INNENAUSBAU" and there are also preliminary and alternate versions in other directories in this file. Most common file formats: JPEG File Interchange Format, Acrobat PDF 1.4 - Portable Document Format, Adobe Illustrator, Encapsulated PostScript File Format, Acrobat PDF 1.5 - Portable Document Format
Personnes et institutions:
Date:
1995-2007
1995-2007
Titre:
Presentations, BMW Welt, Munich
Actions:
AP181.S1.011
Description:
Original directory name: "11_Publikation". File consists chiefly of presentations (Powerpoint, PDF and InDesign files), organized by date and topic such as the double cone, the interior design, the restaurants, the lighting, etc. Often, drawings or images used in the presentations are kept within the same directory. In some instances Adobe InDesign files might have dependencies on those drawings and images, so duplicates were not removed. Presentations seemed to have served various purposes such as showing design proposals or the construction’s progress. Some system files, true type font and photographs predate the BMW Welt project. File notably contains the film commissioned by COOP HIMMELB(L)AU to Imaginary Forces in order to show BMW the magnitude of the project of BMW Welt. A six meter long model was created for this purpose. The film was shown to the client on a 8 x 10 meter screen. Film is in directory "o_Präsentation\050407_INNENAUSBAU" and there are also preliminary and alternate versions in other directories in this file. Most common file formats: JPEG File Interchange Format, Acrobat PDF 1.4 - Portable Document Format, Adobe Illustrator, Encapsulated PostScript File Format, Acrobat PDF 1.5 - Portable Document Format
Presentations, BMW Welt, Munich
Actions:
AP181.S1.011
Description:
Original directory name: "11_Publikation". File consists chiefly of presentations (Powerpoint, PDF and InDesign files), organized by date and topic such as the double cone, the interior design, the restaurants, the lighting, etc. Often, drawings or images used in the presentations are kept within the same directory. In some instances Adobe InDesign files might have dependencies on those drawings and images, so duplicates were not removed. Presentations seemed to have served various purposes such as showing design proposals or the construction’s progress. Some system files, true type font and photographs predate the BMW Welt project. File notably contains the film commissioned by COOP HIMMELB(L)AU to Imaginary Forces in order to show BMW the magnitude of the project of BMW Welt. A six meter long model was created for this purpose. The film was shown to the client on a 8 x 10 meter screen. Film is in directory "o_Präsentation\050407_INNENAUSBAU" and there are also preliminary and alternate versions in other directories in this file. Most common file formats: JPEG File Interchange Format, Acrobat PDF 1.4 - Portable Document Format, Adobe Illustrator, Encapsulated PostScript File Format, Acrobat PDF 1.5 - Portable Document Format
Classification:
dessins, documents textuels, né numérique, photographies
dessins, documents textuels, né numérique, photographies
Date:
1995-2007
1995-2007
Personnes et institutions:
Classification:
événements
événements
Actions:
Localisation:
Maison Shaughnessy Mot(s)-clé(s):
chercheur en résidence 2022, séminaire, recherche, Desirée Valadares, infrastructure, chemin de fer, autoroute, histoire coloniale
Maison Shaughnessy Mot(s)-clé(s):
chercheur en résidence 2022, séminaire, recherche, Desirée Valadares, infrastructure, chemin de fer, autoroute, histoire coloniale
Date:
10 novembre 2022, 18h
10 novembre 2022, 18h
Classification:
événements
événements
Date:
10 novembre 2022
18h
10 novembre 2022
18h
Localisation:
Maison Shaughnessy Mot(s)-clé(s):
chercheur en résidence 2022, séminaire, recherche, Desirée Valadares, infrastructure, chemin de fer, autoroute, histoire coloniale
Maison Shaughnessy Mot(s)-clé(s):
chercheur en résidence 2022, séminaire, recherche, Desirée Valadares, infrastructure, chemin de fer, autoroute, histoire coloniale
