2385 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
La nuova piazzetta Manzoni
La nuova piazzetta Manzoni
Numéro de référence:
AP142.S1.D129
Description:
File documents an executed project for a plaza outside the Manzoni subway station, on Croce Rossa Street, Milan, Italy. The plaza notably comprises a large fountain monument (edified on the memory of Alessandro Pertini), which was heavily criticized by the public. Material in this file was produced between 1988 and 1990. File contains a reference drawing, conceptual drawings, design development drawings and presentation drawings. File also contains textual records, including correspondence, specifications, clippings on the project's controversy, promotional material, sketches, drawings and photographic material.
AP142.S1.D129
Description:
File documents an executed project for a plaza outside the Manzoni subway station, on Croce Rossa Street, Milan, Italy. The plaza notably comprises a large fountain monument (edified on the memory of Alessandro Pertini), which was heavily criticized by the public. Material in this file was produced between 1988 and 1990. File contains a reference drawing, conceptual drawings, design development drawings and presentation drawings. File also contains textual records, including correspondence, specifications, clippings on the project's controversy, promotional material, sketches, drawings and photographic material.
Personnes et institutions:
Date:
1988-1990
1988-1990
Titre:
La nuova piazzetta Manzoni
Actions:
AP142.S1.D129
Description:
File documents an executed project for a plaza outside the Manzoni subway station, on Croce Rossa Street, Milan, Italy. The plaza notably comprises a large fountain monument (edified on the memory of Alessandro Pertini), which was heavily criticized by the public. Material in this file was produced between 1988 and 1990. File contains a reference drawing, conceptual drawings, design development drawings and presentation drawings. File also contains textual records, including correspondence, specifications, clippings on the project's controversy, promotional material, sketches, drawings and photographic material.
La nuova piazzetta Manzoni
Actions:
AP142.S1.D129
Description:
File documents an executed project for a plaza outside the Manzoni subway station, on Croce Rossa Street, Milan, Italy. The plaza notably comprises a large fountain monument (edified on the memory of Alessandro Pertini), which was heavily criticized by the public. Material in this file was produced between 1988 and 1990. File contains a reference drawing, conceptual drawings, design development drawings and presentation drawings. File also contains textual records, including correspondence, specifications, clippings on the project's controversy, promotional material, sketches, drawings and photographic material.
Niveau de description archivistique:
File 129
File 129
Date:
1988-1990
1988-1990
Personnes et institutions:
Classification:
événements
événements
Actions:
Localisation:
Maison Shaughnessy Mot(s)-clé(s):
chercheur en résidence 2022, Irene Brisson, Haïti, lakay, diaspora, appartenance, mémoire, créole, kreyòl, créolisation, bòsmason
Maison Shaughnessy Mot(s)-clé(s):
chercheur en résidence 2022, Irene Brisson, Haïti, lakay, diaspora, appartenance, mémoire, créole, kreyòl, créolisation, bòsmason
Date:
4 août 2022, 18h
4 août 2022, 18h
Classification:
événements
événements
Date:
4 août 2022
18h
4 août 2022
18h
Localisation:
Maison Shaughnessy Mot(s)-clé(s):
chercheur en résidence 2022, Irene Brisson, Haïti, lakay, diaspora, appartenance, mémoire, créole, kreyòl, créolisation, bòsmason
Maison Shaughnessy Mot(s)-clé(s):
chercheur en résidence 2022, Irene Brisson, Haïti, lakay, diaspora, appartenance, mémoire, créole, kreyòl, créolisation, bòsmason
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2003.D7
Description:
The project series documents Abalos & Herreros’ entry for an open competition for the national library José Vasconcelos, Mexico city, Mexico. The firm identified this project as number 170. “The central library is a county’s visible deposit for its culture, a legacy to the future; contemplating al [sic] periods of a culture in a holistic and integrated way crosses historic earas [sic] and puts human memory in relation to geological time, a substrate which shelters and protects human life. [The] library will establish this dialogue by anchoring in the site, the city and the country by basic gesture putting the geologic substrate, the lagoon and the volcanos which construct and nourish the earth as a relief. A lagoon perforated by seven craters composes the germlike landscape which starts the projects, giving us a first drawing which transforms the space almost into a lake of waterlilies.” (ARCH270975) Documenting the project are conceptual drawings, competition documents, resumes, correspondence and a map.
AP164.S1.2003.D7
Description:
The project series documents Abalos & Herreros’ entry for an open competition for the national library José Vasconcelos, Mexico city, Mexico. The firm identified this project as number 170. “The central library is a county’s visible deposit for its culture, a legacy to the future; contemplating al [sic] periods of a culture in a holistic and integrated way crosses historic earas [sic] and puts human memory in relation to geological time, a substrate which shelters and protects human life. [The] library will establish this dialogue by anchoring in the site, the city and the country by basic gesture putting the geologic substrate, the lagoon and the volcanos which construct and nourish the earth as a relief. A lagoon perforated by seven craters composes the germlike landscape which starts the projects, giving us a first drawing which transforms the space almost into a lake of waterlilies.” (ARCH270975) Documenting the project are conceptual drawings, competition documents, resumes, correspondence and a map.
Personnes et institutions:
Date:
2001-2003
2001-2003
Titre:
Biblioteca de México, Mexico City, Mexico
Actions:
AP164.S1.2003.D7
Description:
The project series documents Abalos & Herreros’ entry for an open competition for the national library José Vasconcelos, Mexico city, Mexico. The firm identified this project as number 170. “The central library is a county’s visible deposit for its culture, a legacy to the future; contemplating al [sic] periods of a culture in a holistic and integrated way crosses historic earas [sic] and puts human memory in relation to geological time, a substrate which shelters and protects human life. [The] library will establish this dialogue by anchoring in the site, the city and the country by basic gesture putting the geologic substrate, the lagoon and the volcanos which construct and nourish the earth as a relief. A lagoon perforated by seven craters composes the germlike landscape which starts the projects, giving us a first drawing which transforms the space almost into a lake of waterlilies.” (ARCH270975) Documenting the project are conceptual drawings, competition documents, resumes, correspondence and a map.
Biblioteca de México, Mexico City, Mexico
Actions:
AP164.S1.2003.D7
Description:
The project series documents Abalos & Herreros’ entry for an open competition for the national library José Vasconcelos, Mexico city, Mexico. The firm identified this project as number 170. “The central library is a county’s visible deposit for its culture, a legacy to the future; contemplating al [sic] periods of a culture in a holistic and integrated way crosses historic earas [sic] and puts human memory in relation to geological time, a substrate which shelters and protects human life. [The] library will establish this dialogue by anchoring in the site, the city and the country by basic gesture putting the geologic substrate, the lagoon and the volcanos which construct and nourish the earth as a relief. A lagoon perforated by seven craters composes the germlike landscape which starts the projects, giving us a first drawing which transforms the space almost into a lake of waterlilies.” (ARCH270975) Documenting the project are conceptual drawings, competition documents, resumes, correspondence and a map.
Niveau de description archivistique:
Project
Project
Date:
2001-2003
2001-2003
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
Personnes et institutions:
Date:
1984-1992
1984-1992
Titre:
Reconstrução da Igreja Madre de Salemi [Reconstruction of the Mother Church of Salemi], Salemi, Italy (1983-1999)
Actions:
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
Reconstrução da Igreja Madre de Salemi [Reconstruction of the Mother Church of Salemi], Salemi, Italy (1983-1999)
Actions:
AP178.S1.1983.PR01
Description:
This project series documents the Reconstrução da Igreja Madre de Salemi, the Piazza Alicia and the Recuperação do Plano Cascio in Salemi, Italy. While the records were held in the office’s archives this project was assigned the number [7]/80. The office assigned the dates 1983-1999 for this project. The reconstruction of the mother Church of Salemi, the construction of the Piazza Alicia, and the rehabilitation of Plano Cascio was part of an urban renewal for Salemi. In 1968, an earthquake destroyed the Igreja Madre de Salemi and damaged the area. The church was never rebuilt. In 1982, Roberto Collovà and Siza we're chosen by the Curia of Mazara del Vallo for the reconstruction of the church. Instead of rebuilding it, the architects decided to use the ruins to create something new that would represent the spirit of the church and the memory of the earthquake. Documenting this project are plans, project documentation, and correspondence. Photographic materials document construction work and the model.
Niveau de description archivistique:
Project
Project
Date:
1984-1992
1984-1992
Personnes et institutions:
Classification:
pages web
pages web
Titre:
En hommage à Claude Cormier
En hommage à Claude Cormier
Actions:
Résumé:
Un hommage à Claude Cormier (1960-2023) écrit en sa mémoire par Phyllis Lambert.
Titre:
En hommage à Claude Cormier
Actions:
Résumé:
En hommage à Claude Cormier
Actions:
Résumé:
Un hommage à Claude Cormier (1960-2023) écrit en sa mémoire par Phyllis Lambert.
Classification:
pages web
pages web
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2005.D3
Description:
The project series documents the design for an artificial hill and serves as the finish-line for the “Elfstedentocht”, Leeuwarden, Netherlands, at the International Architecture Biennale Rotterdam 2005. The firm identified this project as number 201. "The finish of the great race of the Elfstedentocht should be accompanied by a three-dimensial event which signals the site in the memory of the citizen. If from there, furthermore, the last part of the race is dominated we will be able to imagine that this three-dimensional event is a hybrid between a tribune and a landscaping milestone. […] If towards the South and East it disposes of a slope consisting of artificial lawn with solarium and tribunes above the canal and a scating [sic] park, then towards the North it could house the sport installations with tribunes and a climbing zone with the result that this minimum architectural organization could give life to the site during all year basing on the small sports center, solarium and skating track. A shelter structure crowns the artificial hill composing a lookout spot from where one dominates the whole city and the surrounding landscape." (ARCH270975) Documenting the project are conceptual and presentation drawings, digital, graphic and reference materials, correspondence, publications, competition documents, and agreements.
AP164.S1.2005.D3
Description:
The project series documents the design for an artificial hill and serves as the finish-line for the “Elfstedentocht”, Leeuwarden, Netherlands, at the International Architecture Biennale Rotterdam 2005. The firm identified this project as number 201. "The finish of the great race of the Elfstedentocht should be accompanied by a three-dimensial event which signals the site in the memory of the citizen. If from there, furthermore, the last part of the race is dominated we will be able to imagine that this three-dimensional event is a hybrid between a tribune and a landscaping milestone. […] If towards the South and East it disposes of a slope consisting of artificial lawn with solarium and tribunes above the canal and a scating [sic] park, then towards the North it could house the sport installations with tribunes and a climbing zone with the result that this minimum architectural organization could give life to the site during all year basing on the small sports center, solarium and skating track. A shelter structure crowns the artificial hill composing a lookout spot from where one dominates the whole city and the surrounding landscape." (ARCH270975) Documenting the project are conceptual and presentation drawings, digital, graphic and reference materials, correspondence, publications, competition documents, and agreements.
Personnes et institutions:
Date:
1982, 2005, predominant 2005
1982, 2005, predominant 2005
Titre:
Colina artificial, International Architecture Biennale Rotterdam, Leeuwarden, Netherlands (2005)
Actions:
AP164.S1.2005.D3
Description:
The project series documents the design for an artificial hill and serves as the finish-line for the “Elfstedentocht”, Leeuwarden, Netherlands, at the International Architecture Biennale Rotterdam 2005. The firm identified this project as number 201. "The finish of the great race of the Elfstedentocht should be accompanied by a three-dimensial event which signals the site in the memory of the citizen. If from there, furthermore, the last part of the race is dominated we will be able to imagine that this three-dimensional event is a hybrid between a tribune and a landscaping milestone. […] If towards the South and East it disposes of a slope consisting of artificial lawn with solarium and tribunes above the canal and a scating [sic] park, then towards the North it could house the sport installations with tribunes and a climbing zone with the result that this minimum architectural organization could give life to the site during all year basing on the small sports center, solarium and skating track. A shelter structure crowns the artificial hill composing a lookout spot from where one dominates the whole city and the surrounding landscape." (ARCH270975) Documenting the project are conceptual and presentation drawings, digital, graphic and reference materials, correspondence, publications, competition documents, and agreements.
Colina artificial, International Architecture Biennale Rotterdam, Leeuwarden, Netherlands (2005)
Actions:
AP164.S1.2005.D3
Description:
The project series documents the design for an artificial hill and serves as the finish-line for the “Elfstedentocht”, Leeuwarden, Netherlands, at the International Architecture Biennale Rotterdam 2005. The firm identified this project as number 201. "The finish of the great race of the Elfstedentocht should be accompanied by a three-dimensial event which signals the site in the memory of the citizen. If from there, furthermore, the last part of the race is dominated we will be able to imagine that this three-dimensional event is a hybrid between a tribune and a landscaping milestone. […] If towards the South and East it disposes of a slope consisting of artificial lawn with solarium and tribunes above the canal and a scating [sic] park, then towards the North it could house the sport installations with tribunes and a climbing zone with the result that this minimum architectural organization could give life to the site during all year basing on the small sports center, solarium and skating track. A shelter structure crowns the artificial hill composing a lookout spot from where one dominates the whole city and the surrounding landscape." (ARCH270975) Documenting the project are conceptual and presentation drawings, digital, graphic and reference materials, correspondence, publications, competition documents, and agreements.
Niveau de description archivistique:
Project
Project
Date:
1982, 2005, predominant 2005
1982, 2005, predominant 2005
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Joseph Rykwert fonds
Joseph Rykwert fonds
Numéro de référence:
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Personnes et institutions:
Date:
1928-2022
1928-2022
Titre:
Joseph Rykwert fonds
Actions:
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Joseph Rykwert fonds
Actions:
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1928-2022
1928-2022
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Date:
7 décembre 2017
7 décembre 2017
Titre:
Venez oublier l’Internet, avec Evgueny Morozov
Actions:
Description:
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Venez oublier l’Internet, avec Evgueny Morozov
Actions:
Description:
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Classification:
événements
événements
Date:
7 décembre 2017
7 décembre 2017
Classification:
événements
événements
Actions:
Description:
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Mot(s)-clé(s):
Craig Hodgetts
Craig Hodgetts
Date:
29 mars 2018
29 mars 2018
Titre:
Venez oublier la grille, avec Craig Hodgetts
Actions:
Description:
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Venez oublier la grille, avec Craig Hodgetts
Actions:
Description:
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Classification:
événements
événements
Date:
29 mars 2018
29 mars 2018
Mot(s)-clé(s):
Craig Hodgetts
Craig Hodgetts
Classification:
événements
événements
Description:
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Mot(s)-clé(s):
Johannes Grenzfurthner
Johannes Grenzfurthner
Date:
12 avril 2018
12 avril 2018
Titre:
Venez oublier la contre-culture, avec Johannes Grenzfurthner
Actions:
Description:
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Venez oublier la contre-culture, avec Johannes Grenzfurthner
Actions:
Description:
Les individus agissent comme leurs propres historiens, en masquant certaines histoires et en mettant l’accent sur d’autres. Mais à l’échelle des nations et des cultures, et surtout dans cette époque de la mémoire numérique omniprésente, il est devenu plus difficile d’oublier. S’appuyant sur la question de l’histoire et de ses usages, soulevée par des expositions comme(...)
Classification:
événements
événements
Date:
12 avril 2018
12 avril 2018
Mot(s)-clé(s):
Johannes Grenzfurthner
Johannes Grenzfurthner
