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Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were configured as useful to the party's political programme. Focusing on the urban "soundscape" of Düsseldorf, the author makes a persuasive case for investigating such sound(...)
Nazi soundscapes : sound, technology and urban space in Germany, 1933-1945
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Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were configured as useful to the party's political programme. Focusing on the urban "soundscape" of Düsseldorf, the author makes a persuasive case for investigating such sound events and technological devices in their specific contexts of production and reception. Nazi Soundscapes identifies strategies for controlling space and reworking identity patterns, but also the ongoing difficulties in manipulating mediated sounds and the spaces of listening reception, whether in the home, workplace, the cinema, public rituals or with wartime siren systems. The study revises visualist notions of social control, and reveals the disciplinary functions of listening (as eavesdropping) as well as the sonic dimensions to exclusion and violence during Nazism. An essential title for everyone interested in the links between German political culture, audiovisual media and urban history,Nazi Soundscapes provides a fascinating analysis of the cultural significance of sound between the 1920s and early 1940s.
Théorie de l’architecture
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339 pages : illustrations (some color) ; 24 cm.
Milan, Italy : Mousse Publishing ; Toronto : The Power Plant Contemporary Art Gallery, 2022., ©2022
Dawit L. Petros : spazio disponibile / editors, Liz Park, Gaëtane Verna.
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339 pages : illustrations (some color) ; 24 cm.
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Milan, Italy : Mousse Publishing ; Toronto : The Power Plant Contemporary Art Gallery, 2022., ©2022
Jimi Hendrix: soundscapes
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Jimi Hendrix, one of the great instrumentalists in rock history, pioneered an amplified sound that extended the scope of the guitar into the urban landscape. ''Jimi Hendrix: Soundscapes'' traces Hendrix’s personal and musical trajectory through the places in which he played, following him from the Pacific Northwest to the California coast, through the South and on to New(...)
Jimi Hendrix: soundscapes
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Jimi Hendrix, one of the great instrumentalists in rock history, pioneered an amplified sound that extended the scope of the guitar into the urban landscape. ''Jimi Hendrix: Soundscapes'' traces Hendrix’s personal and musical trajectory through the places in which he played, following him from the Pacific Northwest to the California coast, through the South and on to New York City, and from his musical beginnings as a youth in Seattle to his debut, touring career and his last weeks in London.
Acoustique
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Une vaste recherche sur la notion d'écologie acoustique et sonore (les sonorités du paysage : la sonosphère, le Soundscape) et sa transition vers une nouvelle écosophie sonore, intégrant la multidimensionalité de l'écoute pour proposer d'entendre (et donc à la fois d'écouter, de comprendre et de vouloir) autrement.
Les sonorités du monde : De l'écologie sonore à l'écosophie sonore
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Une vaste recherche sur la notion d'écologie acoustique et sonore (les sonorités du paysage : la sonosphère, le Soundscape) et sa transition vers une nouvelle écosophie sonore, intégrant la multidimensionalité de l'écoute pour proposer d'entendre (et donc à la fois d'écouter, de comprendre et de vouloir) autrement.
Acoustique
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Never before has the everyday soundtrack of urban space been so cacophonous. Since the 1970s, sound researchers have attempted to classify noise, music, and everyday sounds using concepts such as Pierre Shafer's sound object and R. Murray Schafer's soundscape. Recently, the most significant team of soundscape researchers in the world has been concerned with the effects of(...)
Sonic experience : a guide to everyday sounds
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Never before has the everyday soundtrack of urban space been so cacophonous. Since the 1970s, sound researchers have attempted to classify noise, music, and everyday sounds using concepts such as Pierre Shafer's sound object and R. Murray Schafer's soundscape. Recently, the most significant team of soundscape researchers in the world has been concerned with the effects of sounds on listeners. In a multidisciplinary work spanning musicology, electro-acoustic composition, architecture, urban studies, communication, phenomenology, social theory, physics, and psychology, Jean-François Augoyard, Henry Torgue, and their associates at the Centre for Research on Sonic Space and the Urban Environment (CRESSON) in Grenoble, France, provide an alphabetical sourcebook of eighty sonic/auditory effects. Their accounts of sonic effects such as echo, anticipation, vibrato, and wha-wha integrate information about the objective physical spaces in which sounds occur with cultural contexts and individual auditory experience. "Sonic experience" attempts to rehabilitate general acoustic awareness, combining accessible definitions and literary examples with more in-depth technical information for specialists.
Acoustique
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Meyers analyses the shape of sound; architecture and sound; form; materiality; windows; the urban soundscape, its politics, aesthetics and social character; reflection; virtuality; sound art; and silence. This publication offers new theoretical insights into sound and the spatial experience accompanied by several key case studies. These include Meyers work with Stephen(...)
Victoria Meyers: shape of sound
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Meyers analyses the shape of sound; architecture and sound; form; materiality; windows; the urban soundscape, its politics, aesthetics and social character; reflection; virtuality; sound art; and silence. This publication offers new theoretical insights into sound and the spatial experience accompanied by several key case studies. These include Meyers work with Stephen Vitiello, whose piece A Bell For Every Minute animated the New York High Line project, and her collaborations with composer and sound artist Michael Schumacher.
Architecture, monographies
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88 pages : illustrations ; 27 cm
Taiwan : National Taiwan Museum of Fine Arts, 2023.
Diachronic apparatuses of Taiwan : architecture as on-going details within landscape / chief editor, Chia-Cheng Wang
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88 pages : illustrations ; 27 cm
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Taiwan : National Taiwan Museum of Fine Arts, 2023.
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258 pages : illustrations (some color) ; 25 cm
Cambridge, Mass. : MIT Press : MIT List Visual Arts Center, 2006.
Sensorium : embodied experience, technology, and contemporary art / edited by Caroline A. Jones ; essays by Bill Arning [and others] ; abecedarius entries by Bill Arning [and others] ; artist statements by Mathieu Briand [and others].
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258 pages : illustrations (some color) ; 25 cm
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Cambridge, Mass. : MIT Press : MIT List Visual Arts Center, 2006.
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The immersive soundscape installations and intimate environments of the Canadian artist duo Janet Cardiff (born 1957) and Georges Bures Miller (born 1960) present an ongoing series of chapters in the life of the ghost in the machine. Their works describe tales of tag-sale menace and shared loneliness through aural means, wholly reconceiving the gallery experience. A(...)
Janet Cardiff & George Bures Miller: works from the Goetz collection
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The immersive soundscape installations and intimate environments of the Canadian artist duo Janet Cardiff (born 1957) and Georges Bures Miller (born 1960) present an ongoing series of chapters in the life of the ghost in the machine. Their works describe tales of tag-sale menace and shared loneliness through aural means, wholly reconceiving the gallery experience. A pioneering collector of new media art, Ingvild Goetz has assembled a significant series of works by Cardiff and Miller over the years, and this publication presents this important collection for the first time. Texts by Goetz, Okwui Enwezor, León Krempel and Rainald Schumacher provide background details and references to each work that shed light on its place in the artists’ oeuvre, with a particular focus on the couple’s very personal and theatrical use of sound.
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From the strictly regimented church bells to the freewheeling chatter of civic life, Renaissance Florence was a city built not just of stone but of sound as well. An evocative alternative to the dominant visual understanding of urban spaces, The Noisy Renaissance examines the premodern city as an acoustic phenomenon in which citizens used sound to navigate space and(...)
The noisy Renaissance: sound, architecture and Florentine urban life
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From the strictly regimented church bells to the freewheeling chatter of civic life, Renaissance Florence was a city built not just of stone but of sound as well. An evocative alternative to the dominant visual understanding of urban spaces, The Noisy Renaissance examines the premodern city as an acoustic phenomenon in which citizens used sound to navigate space and society. Analyzing a range of documentary and literary evidence, art and architectural historian Niall Atkinson creates an “acoustic topography” of Florence. The dissemination of official messages, the rhythm of prayer, and the murmur of rumor and gossip combined to form a soundscape that became a foundation in the creation and maintenance of the urban community just as much as the city’s physical buildings. Sound in this space triggered a wide variety of social behaviors and spatial relations: hierarchical, personal, communal, political, domestic, sexual, spiritual, and religious.