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'Human zoos', forgotten symbols of the colonial era, have been totally repressed in our collective memory. In these 'anthropo-zoological' exhibitions, 'exotic' individuals were placed alongside wild beasts and presented behind bars or in enclosures. Human zoos were a key factor, however, in the progressive shift in the West from scientific to popular racism."Human Zoos"(...)
Théorie de l’architecture
novembre 2008, Liverpool
Human zoos science and spectacle in the age of colonial empires
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'Human zoos', forgotten symbols of the colonial era, have been totally repressed in our collective memory. In these 'anthropo-zoological' exhibitions, 'exotic' individuals were placed alongside wild beasts and presented behind bars or in enclosures. Human zoos were a key factor, however, in the progressive shift in the West from scientific to popular racism."Human Zoos" puts into perspective the 'spectacularization' of the other, a process that is at the origin of contemporary stereotypes and of the construction of our own identities. This is a unique book, on a crucial phenomenon, which takes us to the heart of Western fantasies, and allows us to understand the genesis of identity in Japan, Europe and North America.
Théorie de l’architecture
Atrium
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In the 1970s, a void opened at the heart of architecture. In hotels, offices, public buildings, and commercial centers, the atrium emerged globally to challenge the modernist legacies of form and function, altering the pattern and experience of cities. While often appearing at vast scale and to striking effect, the atrium also became omnipresent and mundane. In this(...)
Atrium
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In the 1970s, a void opened at the heart of architecture. In hotels, offices, public buildings, and commercial centers, the atrium emerged globally to challenge the modernist legacies of form and function, altering the pattern and experience of cities. While often appearing at vast scale and to striking effect, the atrium also became omnipresent and mundane. In this lively critique, Charles Rice charts the atrium's appearance in the 1970s and its development through the 1980s, as it accompanied profound shifts in the discipline and practice of architecture. During this period, architectural practice especially in the United States and United Kingdom was changing rapidly, due in part to the manifold effects of deregulation. All aspects of the way buildings were designed, developed, regulated, built, managed, and occupied were being reshaped. A practice guided by the progressive tenets of modernism was being turned into a professional service fully integrated within neoliberal social and economic imperatives. As Rice shows, the atrium gives this story a distinct spatial and material figure, one that offers an inside view of architecture in transformation.
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Hospital builders
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"Hospital Builders" offers a comprehensive appraisal of 32 case studies covering significant healthcare projects in Britain and around the world. Each is thoroughly analysed with a critical description, plans, illustrations and photographs to provide creative information that is of assistance to architects, contractors and managers and all those involved in the(...)
juin 2004, Chichester
Hospital builders
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"Hospital Builders" offers a comprehensive appraisal of 32 case studies covering significant healthcare projects in Britain and around the world. Each is thoroughly analysed with a critical description, plans, illustrations and photographs to provide creative information that is of assistance to architects, contractors and managers and all those involved in the procurement and subsequent occupation of the facilities. The ideas and examples are amplified through an exploration of the historical achievements, present circumstances and potential future direction of our modern progressive health service. Current practitioners contribute from first-hand experience and anticipate the implications of private finance initiatives and competitive healthcare partnerships. A central theme throughout the book is the abiding importance of high-quality hospital architecture and the therapeutic benefits to be gained by friendly, human healthcare environments.
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juin 2004, Chichester
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The Post-War period of progressive civic architecture and art gave rise to some of the UK's most important pieces of publically owned artwork. From the Chadwick figures in Roehampton and a bronze Hepworth in Cardiff to the less well-known Cuminsky murals in Skelmersdale and the vivid Schottland shapes in Warwick, these works of art have become familiar companions,(...)
Concrete poetry: post-war modernist public art
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The Post-War period of progressive civic architecture and art gave rise to some of the UK's most important pieces of publically owned artwork. From the Chadwick figures in Roehampton and a bronze Hepworth in Cardiff to the less well-known Cuminsky murals in Skelmersdale and the vivid Schottland shapes in Warwick, these works of art have become familiar companions, backdrops to British lives. Now with the increased interest in the buildings and architects of the Post-War era the time is right to consider the role of sculpture in these Modernist landscapes. There is also an urgency to this photographic survey, as many crucial works have been lost or destroyed. As acclaimed photographer Simon Phipps journeyed around the UK he uncovered forgotten treasures as well as unexplained losses.
Modernisme
Detroit modern 1935-1985
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Visitors to Detroit may not realize what residents of the Motor City have known for decades: metropolitan Detroit is a stunning showcase of mid-century modern houses. Endowed with old growth trees, rolling topography and miles of lakefront, the Detroit area inspired talented architects and their progressive clients to create uniquely beautiful residences that were(...)
Detroit modern 1935-1985
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Visitors to Detroit may not realize what residents of the Motor City have known for decades: metropolitan Detroit is a stunning showcase of mid-century modern houses. Endowed with old growth trees, rolling topography and miles of lakefront, the Detroit area inspired talented architects and their progressive clients to create uniquely beautiful residences that were seamlessly integrated with lush natural surroundings. Detroit landscape designer and contractor Peter Forguson has shaped and maintained the grounds of many of these structures. This book comprises a comprehensive list he has compiled of the best examples. With nearly 500 photographs on pages designed by Marla Meltzer, Forguson leads readers on a memorable tour of 70 masterpieces of mid-century residential architecture that brings to life the shared visions of architects and clients.
Modernisme
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“The center of architecture is shifting and cannot hold,” writes guest editor Bryony Roberts in Log 48: Expanding Modes of Practice. This moment of change, in which issues of inequity and intersectionality are coming to the fore, represents “an invitation to think differently, a chance to reask the questions that haunted the 20th century.” The collected authors in(...)
Log 48: Expanding modes of practice. Winter/Spring 2020
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“The center of architecture is shifting and cannot hold,” writes guest editor Bryony Roberts in Log 48: Expanding Modes of Practice. This moment of change, in which issues of inequity and intersectionality are coming to the fore, represents “an invitation to think differently, a chance to reask the questions that haunted the 20th century.” The collected authors in this issue range from architects and urbanists to curators and composers who grapple with what it means to practice in a more just way, balancing aesthetics with ethics. As Roberts writes, “What emerges from [these] experiments with situated, intersectional practice is the merging of the professional and the personal. Rather than neutrality, practices cultivate empathy.” At the heart of this issue are Roberts’s interviews with progressive practices Assemble, Borderless Studio, HECTOR, LA-Más, and Mabel O. Wilson. In addition, essayists Peggy Deamer and Michael Kubo discuss collaborative architecture practices today and in the past; Ana Miljacki and Jerome Haferd propose better pedagogies; and Jia Yi Gu, Deborah Garcia, and the feminist architecture collaborative position feminist theory in architectural practice and discourse today, and Cynthia Davidson talks with Mirko Zardini about the role of the museum today.
Revues
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Piecing Together Los Angeles: An Esther McCoy Reader is the first anthology of McCoy's writing. It features a selection of some 70 pieces--ranging from her 1945 article "Schindler, Space Architect" to "Arts & Architecture: Case Study Houses," a 1989 essay commissioned by the Museum of Contemporary Art, Los Angeles. From fiction for The New Yorker to seminal essays on(...)
Piecing together Los Angeles: an Esther McCoy reader
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Piecing Together Los Angeles: An Esther McCoy Reader is the first anthology of McCoy's writing. It features a selection of some 70 pieces--ranging from her 1945 article "Schindler, Space Architect" to "Arts & Architecture: Case Study Houses," a 1989 essay commissioned by the Museum of Contemporary Art, Los Angeles. From fiction for The New Yorker to seminal essays on new architectural forms, McCoy charts the progressive edge of American idealism, from the collective utopian spirit of Jazz Age Greenwich Village, through the Depression and the war years, to the optimism of the 1950s and 1960s. In preparing this volume, writer and editor Susan Morgan extensively researched the McCoy papers at the Archives of American Art. Her editorial decisions were based, in part, on McCoy's original selections for an unrealized anthology solicited by W. W. Norton in 1968.
Théorie de l’urbanisme
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Around the world, a new architectural form is emerging. In public places a progressive architecture is being commissioned to promote open-ended, undetermined, lightly programmed or un-programmed interactions between people. This new phenomenon of architectural form – Pavilions, Pop-Ups and Parasols – is presaged by rapidly changing social relationships flowing from social(...)
Pavilions, pop ups and parasols: the impact of real and virtual meeting on physical space
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Around the world, a new architectural form is emerging. In public places a progressive architecture is being commissioned to promote open-ended, undetermined, lightly programmed or un-programmed interactions between people. This new phenomenon of architectural form – Pavilions, Pop-Ups and Parasols – is presaged by rapidly changing social relationships flowing from social media such as Facebook, Twitter and Instagram. The nexus between real and virtual meeting is effectively being reinvented by innovative and creative architectural practices. People meet in new and responsive ways, architects meet their clients in new forums, knowledge is ‘met’ and achieved in new and interactive frameworks. It contrasts bluntly with the commercially structured interactions of shopping malls and the increasingly deliberate interactions available in cultural institutions. These experiences imbue a new type of client; casually engaged, flocking, hacking, crowd funding and self-helping.
Revues
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La ville a offert de multiples visages depuis son apparition en Mésopotamie et dans la vallée de l'Indus, voici environ 10 000 ans, et héberge aujourd'hui la moitié de l'humanité. L'appréhension du milieu urbain fut toutefois progressive et plurielle. Les quelque 200 cartes de la collection exceptionnelle de la Royal Geographical Society nous montrent comment l'homme a(...)
La ville: la cartographie urbaine de l'antiquité au XXe siècle
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La ville a offert de multiples visages depuis son apparition en Mésopotamie et dans la vallée de l'Indus, voici environ 10 000 ans, et héberge aujourd'hui la moitié de l'humanité. L'appréhension du milieu urbain fut toutefois progressive et plurielle. Les quelque 200 cartes de la collection exceptionnelle de la Royal Geographical Society nous montrent comment l'homme a imaginé, puis dessiné la ville. Par les tablettes en terre cuite des Babyloniens aux plans très précis du milieu du XXe siècle, en passant par les peintures et les enluminures médiévales, ce livre nous entraîne dans les cités, les bourgs et les métropoles de différentes époques.
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This sumptuously illustrated volume presents over 180 outstanding Viennese silver objects representing the period from Neoclassicism to the Wiener Werkstätte. Comparing early eighteenth-century works with examples of twentieth-century design and architecture, it offers a fascinating look at Vienna's contribution to the development of modern decorative arts. The authors(...)
août 2003, Ostfildern
Viennese silver : modern design 1780-1918
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This sumptuously illustrated volume presents over 180 outstanding Viennese silver objects representing the period from Neoclassicism to the Wiener Werkstätte. Comparing early eighteenth-century works with examples of twentieth-century design and architecture, it offers a fascinating look at Vienna's contribution to the development of modern decorative arts. The authors demonstrate how the roots of modern design go back further than is generally assumed. Achieving remarkable clarity and formal reduction, Viennese Biedermeier designers created everyday objects of silver with astonishingly straightforward and purposeful forms that remain as progressive as ever today. In turn-of-the-century Vienna, Josef Hoffmann and Koloman Moser drew inspiration from the intellectual legacy of the period in their designs for the Wiener Werkstätte. Many of the ideas introduced by the Viennese avant-garde were later expressed in such movements as the Bauhaus and De Stijl. By examining this history in all its complexity, the book traces the development of the vocabulary for contemporary design.