6523 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Jean-Louis Cohen fonds
Jean-Louis Cohen fonds
Numéro de référence:
AP210
Résumé:
The Jean-Louis Cohen fonds, 1968 – 2023, documents the projects and activities of historian, curator, professor, and architect Jean-Louis Cohen (1949 – 2023). Cohen’s research focus was largely modern architecture and transnational architectural exchange, particularly between and among the United States, Europe, and the former Soviet Union in the 20th century. Through physical and digital records, this fonds documents his academic, publishing, and curatorial work along with his professional activities within architectural research and heritage organizations, as well as his architectural practice.
AP210
Résumé:
The Jean-Louis Cohen fonds, 1968 – 2023, documents the projects and activities of historian, curator, professor, and architect Jean-Louis Cohen (1949 – 2023). Cohen’s research focus was largely modern architecture and transnational architectural exchange, particularly between and among the United States, Europe, and the former Soviet Union in the 20th century. Through physical and digital records, this fonds documents his academic, publishing, and curatorial work along with his professional activities within architectural research and heritage organizations, as well as his architectural practice.
Personnes et institutions:
Date:
1968 - 2023
1968 - 2023
Titre:
Jean-Louis Cohen fonds
Actions:
AP210
Résumé:
The Jean-Louis Cohen fonds, 1968 – 2023, documents the projects and activities of historian, curator, professor, and architect Jean-Louis Cohen (1949 – 2023). Cohen’s research focus was largely modern architecture and transnational architectural exchange, particularly between and among the United States, Europe, and the former Soviet Union in the 20th century. Through physical and digital records, this fonds documents his academic, publishing, and curatorial work along with his professional activities within architectural research and heritage organizations, as well as his architectural practice.
Jean-Louis Cohen fonds
Actions:
AP210
Résumé:
The Jean-Louis Cohen fonds, 1968 – 2023, documents the projects and activities of historian, curator, professor, and architect Jean-Louis Cohen (1949 – 2023). Cohen’s research focus was largely modern architecture and transnational architectural exchange, particularly between and among the United States, Europe, and the former Soviet Union in the 20th century. Through physical and digital records, this fonds documents his academic, publishing, and curatorial work along with his professional activities within architectural research and heritage organizations, as well as his architectural practice.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1968 - 2023
1968 - 2023
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1988:0396
Description:
- This drawing shows a design for a cupboard door decorated with wood inlays. The lower portion of the door includes a landscape view which is rendered in coloured pencil. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
DR1988:0396
Description:
- This drawing shows a design for a cupboard door decorated with wood inlays. The lower portion of the door includes a landscape view which is rendered in coloured pencil. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Personnes et institutions:
Sujet:
design d'intérieur
design d'intérieur
Date:
1920s or 1930s
1920s or 1930s
Titre:
Elevation for a cupboard door with inwood inlays
Actions:
DR1988:0396
Description:
- This drawing shows a design for a cupboard door decorated with wood inlays. The lower portion of the door includes a landscape view which is rendered in coloured pencil. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Elevation for a cupboard door with inwood inlays
Actions:
DR1988:0396
Description:
- This drawing shows a design for a cupboard door decorated with wood inlays. The lower portion of the door includes a landscape view which is rendered in coloured pencil. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be linked to the article "Music in Stone" published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Classification:
dessins
dessins
Date:
1920s or 1930s
1920s or 1930s
Personnes et institutions:
Sujet:
design d'intérieur
design d'intérieur
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Marcel Parizeau
Fonds Marcel Parizeau
Numéro de référence:
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Personnes et institutions:
Date:
1917-1955
1917-1955
Titre:
Fonds Marcel Parizeau
Actions:
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Fonds Marcel Parizeau
Actions:
AP104
Résumé:
Le Fonds Marcel Parizeau contient des documents relatifs à la formation et à la vie de professionnel de Marcel Parizeau. Il contient aussi des œuvres d'art réalisées par ce dernier. Le fonds est composé de dessins d'architecture et de meubles, de carnets de croquis, de tableaux, de manuscrits, de correspondances, ainsi que quelques autres documents.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1917-1955
1917-1955
Personnes et institutions:
Classification:
graphique
graphique
Numéro de référence:
DR1995:0301:001-001
Description:
This poster entitled 'Cedric Price: Pleasure Planning' is composed of a "landscape" of "derby hats" with two ornamental antennae in the foreground. People drawn to a smaller scale are interspersed among the hats. This poster was designed by Price ('CCA Consignment List'), and is for a presentation (unknown date) at the Architectural Association (London).
DR1995:0301:001-001
Description:
This poster entitled 'Cedric Price: Pleasure Planning' is composed of a "landscape" of "derby hats" with two ornamental antennae in the foreground. People drawn to a smaller scale are interspersed among the hats. This poster was designed by Price ('CCA Consignment List'), and is for a presentation (unknown date) at the Architectural Association (London).
Personnes et institutions:
Date:
1955-1965 ?
1955-1965 ?
Titre:
Poster for 'Pleasure Planning' exhibition
Actions:
DR1995:0301:001-001
Description:
This poster entitled 'Cedric Price: Pleasure Planning' is composed of a "landscape" of "derby hats" with two ornamental antennae in the foreground. People drawn to a smaller scale are interspersed among the hats. This poster was designed by Price ('CCA Consignment List'), and is for a presentation (unknown date) at the Architectural Association (London).
Poster for 'Pleasure Planning' exhibition
Actions:
DR1995:0301:001-001
Description:
This poster entitled 'Cedric Price: Pleasure Planning' is composed of a "landscape" of "derby hats" with two ornamental antennae in the foreground. People drawn to a smaller scale are interspersed among the hats. This poster was designed by Price ('CCA Consignment List'), and is for a presentation (unknown date) at the Architectural Association (London).
Classification:
graphique
graphique
Date:
1955-1965 ?
1955-1965 ?
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Ray Affleck
Fonds Ray Affleck
Numéro de référence:
AP088
Résumé:
The Ray Affleck fonds, 1952-1989, documents Raymond Tait Affleck’s professional career as an associate at Affleck, Desbarats, Dimakopoulos, Lebensold, Michaud, Sise (1958-1970) and a principal at Arcop Associates (1970-1989). The fonds comprises of approximately 370 administrative files that were collected by Affleck’s personal secretaries from 1952 to 1989.
AP088
Résumé:
The Ray Affleck fonds, 1952-1989, documents Raymond Tait Affleck’s professional career as an associate at Affleck, Desbarats, Dimakopoulos, Lebensold, Michaud, Sise (1958-1970) and a principal at Arcop Associates (1970-1989). The fonds comprises of approximately 370 administrative files that were collected by Affleck’s personal secretaries from 1952 to 1989.
Personnes et institutions:
Date:
1952-1989
1952-1989
Titre:
Fonds Ray Affleck
Actions:
AP088
Résumé:
The Ray Affleck fonds, 1952-1989, documents Raymond Tait Affleck’s professional career as an associate at Affleck, Desbarats, Dimakopoulos, Lebensold, Michaud, Sise (1958-1970) and a principal at Arcop Associates (1970-1989). The fonds comprises of approximately 370 administrative files that were collected by Affleck’s personal secretaries from 1952 to 1989.
Fonds Ray Affleck
Actions:
AP088
Résumé:
The Ray Affleck fonds, 1952-1989, documents Raymond Tait Affleck’s professional career as an associate at Affleck, Desbarats, Dimakopoulos, Lebensold, Michaud, Sise (1958-1970) and a principal at Arcop Associates (1970-1989). The fonds comprises of approximately 370 administrative files that were collected by Affleck’s personal secretaries from 1952 to 1989.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1952-1989
1952-1989
Personnes et institutions:
Classification:
événements
événements
Titre:
Le rôle élargi: SITU
Le rôle élargi: SITU
Actions:
Description:
Bradley Samuels présente le travail récent de SITU Research et le rôle joué par la recherche au sein de la pratique de SITU dans son ensemble. Une série d’études de cas sera présentée, explorant le rôle élargi de la pratique architecturale et spatiale à travers un éventail de domaines, des droits humains à la politique publique, de la science de la terre au design(...)
Bradley Samuels présente le travail récent de SITU Research et le rôle joué par la recherche au sein de la pratique de SITU dans son ensemble. Une série d’études de cas sera présentée, explorant le rôle élargi de la pratique architecturale et spatiale à travers un éventail de domaines, des droits humains à la politique publique, de la science de la terre au design(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
14 janvier 2016
14 janvier 2016
Titre:
Le rôle élargi: SITU
Actions:
Description:
Bradley Samuels présente le travail récent de SITU Research et le rôle joué par la recherche au sein de la pratique de SITU dans son ensemble. Une série d’études de cas sera présentée, explorant le rôle élargi de la pratique architecturale et spatiale à travers un éventail de domaines, des droits humains à la politique publique, de la science de la terre au design(...)
Le rôle élargi: SITU
Actions:
Description:
Bradley Samuels présente le travail récent de SITU Research et le rôle joué par la recherche au sein de la pratique de SITU dans son ensemble. Une série d’études de cas sera présentée, explorant le rôle élargi de la pratique architecturale et spatiale à travers un éventail de domaines, des droits humains à la politique publique, de la science de la terre au design(...)
Classification:
événements
événements
Date:
14 janvier 2016
14 janvier 2016
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Numéro de référence:
AP172
Description:
The Mies in America Research Collection documents an exhibition and publication project produced by Curator and Architectural Historian, Phyllis Lambert (1927-), and associated researchers between 1996-2002. The project explored German-born architect Ludwig Mies van der Rohe's (1886-1969) contributions to the American architectural landscape following his immigration from Germany to Chicago in 1938. The resulting book, a collaboration between the Canadian Centre for Architecture and the Whitney Museum of American Art, was published in 2001. The exhibition ran from 2001-2002 with stops at the Whitney Museum of American Art (New York), the Canadian Centre for Architecture, (Montreal), and the Museum of Contemporary Art (Chicago). The Mies in America research collection consists of correspondence, research, and administrative, manuscript, and curatorial files created by Phyllis Lambert and the project team for the book and exhibition project Mies in America, originally housed in the Mies research office at the Canadian Centre for Architecture. Throughout the process, the team of researchers consulted previously unstudied material on Mies van der Rhoe from major repositories across North America, including drawings, collages, photographs, project documents, letters, and extensive interviews , which are represented in photocopy throughout the collection to document the research activities as well as curatorial choices and manuscript development. Subsequent curatorial decisions based on this research are detailed through notes, correspondence, manuscript drafts, and object lists as the book and exhibition projects took shape. Original annotations, edits, and comments made by Phyllis Lambert and her research associates are present throughout. The administrative activities of the research team are also documented through correspondence, research assistant assignments, research trips, and photography requests. Files from the assistant curator (Cammie McAtee), and research assistants (primarily Elspeth Cowell, Nathalie Senecal, and Deborah Miller) are integrated throughout the collection.
AP172
Description:
The Mies in America Research Collection documents an exhibition and publication project produced by Curator and Architectural Historian, Phyllis Lambert (1927-), and associated researchers between 1996-2002. The project explored German-born architect Ludwig Mies van der Rohe's (1886-1969) contributions to the American architectural landscape following his immigration from Germany to Chicago in 1938. The resulting book, a collaboration between the Canadian Centre for Architecture and the Whitney Museum of American Art, was published in 2001. The exhibition ran from 2001-2002 with stops at the Whitney Museum of American Art (New York), the Canadian Centre for Architecture, (Montreal), and the Museum of Contemporary Art (Chicago). The Mies in America research collection consists of correspondence, research, and administrative, manuscript, and curatorial files created by Phyllis Lambert and the project team for the book and exhibition project Mies in America, originally housed in the Mies research office at the Canadian Centre for Architecture. Throughout the process, the team of researchers consulted previously unstudied material on Mies van der Rhoe from major repositories across North America, including drawings, collages, photographs, project documents, letters, and extensive interviews , which are represented in photocopy throughout the collection to document the research activities as well as curatorial choices and manuscript development. Subsequent curatorial decisions based on this research are detailed through notes, correspondence, manuscript drafts, and object lists as the book and exhibition projects took shape. Original annotations, edits, and comments made by Phyllis Lambert and her research associates are present throughout. The administrative activities of the research team are also documented through correspondence, research assistant assignments, research trips, and photography requests. Files from the assistant curator (Cammie McAtee), and research assistants (primarily Elspeth Cowell, Nathalie Senecal, and Deborah Miller) are integrated throughout the collection.
Personnes et institutions:
Date:
1957-2002
1957-2002
Titre:
Dossier de recherche Mies in America
Actions:
AP172
Description:
The Mies in America Research Collection documents an exhibition and publication project produced by Curator and Architectural Historian, Phyllis Lambert (1927-), and associated researchers between 1996-2002. The project explored German-born architect Ludwig Mies van der Rohe's (1886-1969) contributions to the American architectural landscape following his immigration from Germany to Chicago in 1938. The resulting book, a collaboration between the Canadian Centre for Architecture and the Whitney Museum of American Art, was published in 2001. The exhibition ran from 2001-2002 with stops at the Whitney Museum of American Art (New York), the Canadian Centre for Architecture, (Montreal), and the Museum of Contemporary Art (Chicago). The Mies in America research collection consists of correspondence, research, and administrative, manuscript, and curatorial files created by Phyllis Lambert and the project team for the book and exhibition project Mies in America, originally housed in the Mies research office at the Canadian Centre for Architecture. Throughout the process, the team of researchers consulted previously unstudied material on Mies van der Rhoe from major repositories across North America, including drawings, collages, photographs, project documents, letters, and extensive interviews , which are represented in photocopy throughout the collection to document the research activities as well as curatorial choices and manuscript development. Subsequent curatorial decisions based on this research are detailed through notes, correspondence, manuscript drafts, and object lists as the book and exhibition projects took shape. Original annotations, edits, and comments made by Phyllis Lambert and her research associates are present throughout. The administrative activities of the research team are also documented through correspondence, research assistant assignments, research trips, and photography requests. Files from the assistant curator (Cammie McAtee), and research assistants (primarily Elspeth Cowell, Nathalie Senecal, and Deborah Miller) are integrated throughout the collection.
Dossier de recherche Mies in America
Actions:
AP172
Description:
The Mies in America Research Collection documents an exhibition and publication project produced by Curator and Architectural Historian, Phyllis Lambert (1927-), and associated researchers between 1996-2002. The project explored German-born architect Ludwig Mies van der Rohe's (1886-1969) contributions to the American architectural landscape following his immigration from Germany to Chicago in 1938. The resulting book, a collaboration between the Canadian Centre for Architecture and the Whitney Museum of American Art, was published in 2001. The exhibition ran from 2001-2002 with stops at the Whitney Museum of American Art (New York), the Canadian Centre for Architecture, (Montreal), and the Museum of Contemporary Art (Chicago). The Mies in America research collection consists of correspondence, research, and administrative, manuscript, and curatorial files created by Phyllis Lambert and the project team for the book and exhibition project Mies in America, originally housed in the Mies research office at the Canadian Centre for Architecture. Throughout the process, the team of researchers consulted previously unstudied material on Mies van der Rhoe from major repositories across North America, including drawings, collages, photographs, project documents, letters, and extensive interviews , which are represented in photocopy throughout the collection to document the research activities as well as curatorial choices and manuscript development. Subsequent curatorial decisions based on this research are detailed through notes, correspondence, manuscript drafts, and object lists as the book and exhibition projects took shape. Original annotations, edits, and comments made by Phyllis Lambert and her research associates are present throughout. The administrative activities of the research team are also documented through correspondence, research assistant assignments, research trips, and photography requests. Files from the assistant curator (Cammie McAtee), and research assistants (primarily Elspeth Cowell, Nathalie Senecal, and Deborah Miller) are integrated throughout the collection.
Classification:
archives
Niveau de description archivistique:
Collection 172
archives
Niveau de description archivistique:
Collection 172
Date:
1957-2002
1957-2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2010.PR01
Description:
Project series documents Cornelia Hahn Oberlander's for an unrealized green roof proposal for Roy Thomson Hall, a concert hall in Toronto, Ontario. The concert hall was originally known as the New Massey Hall and was designed by Arthur Erickson in the early 1980s. Oberlander worked on this project in 2011 with architectural firm Keith Loffler McAlpine Architects. The project consisted in the revitalisation of the building for its 30th birthday and as a tribute to Arthur Erickson. The project included the addition of the green roof, which was initially part of Erickson's design. The green roof was planned to cover the four flat corners of the square base of the building. The project series only contains a few sketches, including landscape plans, and rendering for the roof garden. The project is also documented through correspondence with architects, and project proposals.
AP075.S1.2010.PR01
Description:
Project series documents Cornelia Hahn Oberlander's for an unrealized green roof proposal for Roy Thomson Hall, a concert hall in Toronto, Ontario. The concert hall was originally known as the New Massey Hall and was designed by Arthur Erickson in the early 1980s. Oberlander worked on this project in 2011 with architectural firm Keith Loffler McAlpine Architects. The project consisted in the revitalisation of the building for its 30th birthday and as a tribute to Arthur Erickson. The project included the addition of the green roof, which was initially part of Erickson's design. The green roof was planned to cover the four flat corners of the square base of the building. The project series only contains a few sketches, including landscape plans, and rendering for the roof garden. The project is also documented through correspondence with architects, and project proposals.
Personnes et institutions:
Date:
2009-2011
2009-2011
Titre:
Roy Thomson Hall, Toronto, Ontario (circa 2010)
Actions:
AP075.S1.2010.PR01
Description:
Project series documents Cornelia Hahn Oberlander's for an unrealized green roof proposal for Roy Thomson Hall, a concert hall in Toronto, Ontario. The concert hall was originally known as the New Massey Hall and was designed by Arthur Erickson in the early 1980s. Oberlander worked on this project in 2011 with architectural firm Keith Loffler McAlpine Architects. The project consisted in the revitalisation of the building for its 30th birthday and as a tribute to Arthur Erickson. The project included the addition of the green roof, which was initially part of Erickson's design. The green roof was planned to cover the four flat corners of the square base of the building. The project series only contains a few sketches, including landscape plans, and rendering for the roof garden. The project is also documented through correspondence with architects, and project proposals.
Roy Thomson Hall, Toronto, Ontario (circa 2010)
Actions:
AP075.S1.2010.PR01
Description:
Project series documents Cornelia Hahn Oberlander's for an unrealized green roof proposal for Roy Thomson Hall, a concert hall in Toronto, Ontario. The concert hall was originally known as the New Massey Hall and was designed by Arthur Erickson in the early 1980s. Oberlander worked on this project in 2011 with architectural firm Keith Loffler McAlpine Architects. The project consisted in the revitalisation of the building for its 30th birthday and as a tribute to Arthur Erickson. The project included the addition of the green roof, which was initially part of Erickson's design. The green roof was planned to cover the four flat corners of the square base of the building. The project series only contains a few sketches, including landscape plans, and rendering for the roof garden. The project is also documented through correspondence with architects, and project proposals.
Niveau de description archivistique:
Project
Project
Date:
2009-2011
2009-2011
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP195
Résumé:
The Zaha Hadid Architects Phaeno Science Centre project records, 1996-2015, consist of approximately 43,800 digital files that document the design and construction of an interactive science museum in Wolfsburg, Germany. Materials related to presentations, publications, events, and the press are also represented. Formats include chiefly CAD files, especially plotter files and AutoCAD drawings, though related text documents and images are also represented. The majority of the records date from 2000 to 2006.
AP195
Résumé:
The Zaha Hadid Architects Phaeno Science Centre project records, 1996-2015, consist of approximately 43,800 digital files that document the design and construction of an interactive science museum in Wolfsburg, Germany. Materials related to presentations, publications, events, and the press are also represented. Formats include chiefly CAD files, especially plotter files and AutoCAD drawings, though related text documents and images are also represented. The majority of the records date from 2000 to 2006.
Personnes et institutions:
Date:
1996 - 2015
1996 - 2015
Titre:
Documents d’archives de Zaha Hadid Architects pour le projet Phaeno Science Centre
Actions:
AP195
Résumé:
The Zaha Hadid Architects Phaeno Science Centre project records, 1996-2015, consist of approximately 43,800 digital files that document the design and construction of an interactive science museum in Wolfsburg, Germany. Materials related to presentations, publications, events, and the press are also represented. Formats include chiefly CAD files, especially plotter files and AutoCAD drawings, though related text documents and images are also represented. The majority of the records date from 2000 to 2006.
Documents d’archives de Zaha Hadid Architects pour le projet Phaeno Science Centre
Actions:
AP195
Résumé:
The Zaha Hadid Architects Phaeno Science Centre project records, 1996-2015, consist of approximately 43,800 digital files that document the design and construction of an interactive science museum in Wolfsburg, Germany. Materials related to presentations, publications, events, and the press are also represented. Formats include chiefly CAD files, especially plotter files and AutoCAD drawings, though related text documents and images are also represented. The majority of the records date from 2000 to 2006.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1996 - 2015
1996 - 2015
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Brian Boigon
Fonds Brian Boigon
Numéro de référence:
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Personnes et institutions:
Date:
1981 - 2015
1981 - 2015
Titre:
Fonds Brian Boigon
Actions:
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Fonds Brian Boigon
Actions:
AP188
Résumé:
The Brian Boigon fonds, 1981–2015, documents various creative and professional projects by artist and data-architect, Brian Boigon. The majority of the fonds documents the multidisciplinary symposium series Culture Lab. Material in the fonds also documents Boigon’s research into cartoon movement in cyberspace in the form of both the Cartoon Regulators and Spillville. The fonds also contains records pertaining to Boigon’s web design company, Roller Coaster Studios. The records in the fonds largely consist of research and planning material, photographs and AV recordings documenting the projects, and sketches by Boigon and others.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1981 - 2015
1981 - 2015
Personnes et institutions:
