photographies
ARCH275848
Description:
2 binders- photographic documentation for projects filed under, "Planning and Urban Design." Includes: L.A. Metro Rail Station, Tanjung Batu, Centennial Campus, North Carolina, New West Quay, Marathon Lands Study and Bayshore Gardens. Includes project information, renderings, presentation slides and plans.
1990
Photographic documentation for various projects
Actions:
ARCH275848
Description:
2 binders- photographic documentation for projects filed under, "Planning and Urban Design." Includes: L.A. Metro Rail Station, Tanjung Batu, Centennial Campus, North Carolina, New West Quay, Marathon Lands Study and Bayshore Gardens. Includes project information, renderings, presentation slides and plans.
photographies
1990
documents textuels
ARCH276444
Description:
Group consists of documents related to architectural standards, Architectural Plastics Data Book (1959), Master Plan Survey for University Endowment Lands (1956), Specification Manual and Specifications: Brick and Tile Masonry. For publications on architectural standards and materials see box : 022-2015-117 (Arthur Erickson Library).
1949-1959
Documents related to architectural standards
Actions:
ARCH276444
Description:
Group consists of documents related to architectural standards, Architectural Plastics Data Book (1959), Master Plan Survey for University Endowment Lands (1956), Specification Manual and Specifications: Brick and Tile Masonry. For publications on architectural standards and materials see box : 022-2015-117 (Arthur Erickson Library).
documents textuels
1949-1959
Projet
AP143.S4.D14
Description:
File documents an executed project for House VI, a weekend/vacation house designed for Richard and Suzanne Frank for a six-acre lot at Great Hollow Road, Cornwall, Connecticut. The file also includes material for renovations to House VI undertaken in 1983, 1986, and 1989-1990. Material in this file was produced between 1971 and 1989. The 1,500 square foot plan of House VI comprises a kitchen, dining room, living room and study on the ground floor, and a bedroom and bathroom on the second floor. The most notable formal and compositional ambiguities of House VI are the two staircases, one green, and the other red and positioned on the ceiling. Documents include drawings by Eisenman concerning the geometric operations at the origin of House VI (DR1994:0134:055-067), conceptual drawings (DR1994:0134:001-068; DR1994:0134:086-130; DR1994:0134:131-160), numerous colour studies of the elevations (DR1994:0134:262-343), a presentation panel (DR1994:0134:521) notes (DR1994:0134:779-782), and a first set of working drawings and "check set," completed on 30 Aug. 1973, (DR1994:0134:667-689). Documents also include drawings for major revisions which occurred from 3 October 1973 through August 1974, photocopies of photographs of the house under construction (DR1994:0134:783-805), and a copy of the site survey (DR1994:0134:806). Planned and executed renovations to House VI began in 1983. Documents relating to unexecuted renovations and additions of 1983 includes drawings (DR1994:0134:604-615), a "bid set" and annotated copies (DR1994:0134:552 and DR1994:0134:554-570; copies: DR1994:0134:646-655), and a photocopy of the site plan indicating Eisenman's initial ideas (DR1994:0134:224). Documents relating to unexecuted renovations and additions of 1986 includes seven drawings (DR1994:0134:553 and DR1994:0134:628-633). House VI was extensively rebuilt between 1988 and 1990. The renovations included the replacement of the exterior plywood walls, the insertion of steel reinforcement, a new roof with skylights, the replacement of the original stucco by a coat of Finestone, the repainting of the interior, and the addition of a plexiglas barrier to the staircase. Documents relating to the renovations of 1988-90 include original and photocopied detail drawings, an interior paint schedule by Eisenman's office, correspondence, original and photocopied technical literature, an incomplete copy of the specifications, and a copy of the original survey map (identical to DR1994:0134:806). There are also numerous photographs of the building before, during and after renovation, one photograph of presentation axonometrics for House VI, and one photograph of Eisenman's office. Documents relating to a publication on House VI include: notes (DR1994:0134:807-853), the book mock-up (DR1994:0134:854-855), and fragments of the original coloured transformation diagrams (DR1994:0134:530-531). File contains conceptual drawings, including plans, axonometrics, and sections - many black felt-tip pen and/or coloured felt-tip pen on tracing paper; and reprographic copies - mostly photocopies on wove paper. Design development drawings include site plans, plans, elevations, sections, and axonometrics - some graphite and/or coloured pencil on tracing paper and some pen and black ink and/or graphite on tracing vellum; and reprographic copies - some photocopies on wove paper and some sepia prints on mylar. Schematic drawings include site plans, plans, elevations, and sections - all pen and black ink on mylar; and reprographic copies - many blackline prints on wove paper. Working drawings include site plans, plans, elevations, sections, electrical drawings, HVAC drawings, structural drawings, and detail drawings - some coloured pencil on blueline prints on wove paper; and reprographic copies - mostly blueline prints on wove paper. Presentation drawings include plans, elevations, and axonometrics - some pen and black ink and/or transparent coloured adhesive film on mylar and some translucent adhesive coloured film on cardboard; and reprographic copies - mostly photocopies on wove paper. Model includes one finished model - grey, white, and silver paint on wood and Fome-Cor with plastic sheets. Notes and documents include manuscripts - mostly black felt-tip pen on wove paper; reprographic copies - mostly photocopies on wove paper; and a land surveyor plan - one blueline print on wove paper. Book project includes layout drawings - some black felt-tip pen on ruled paper; reprographic copies - all photocopies on wove paper; manuscripts - mostly black felt-tip pen on wove or ruled paper; one sample piece of grey cardboard used as backing for some of the presentation drawings; and sets of drawings in the form of book dummies - mostly pen and coloured ink and/or black felt-tip pen on photocopies on wove paper. Detail drawings include elevations, sections, details - mostly graphite on tracing paper. The linear cm of documents includes sets, reprographic copies and manuscripts. Notes and documents include elevations, sections, and details - some graphite on photocopies on wove paper; two sets of drawing copies, some with changes - mostly photocopies on wove paper; reprographic copies - mostly photocopies on wove paper; manuscripts - many graphite on wove paper; ephemera includes trade pamphlets; and photographs include colour images of House X prior to and during one of the renovations.
1971-1989
House VI, Cornwall, Connecticut
Actions:
AP143.S4.D14
Description:
File documents an executed project for House VI, a weekend/vacation house designed for Richard and Suzanne Frank for a six-acre lot at Great Hollow Road, Cornwall, Connecticut. The file also includes material for renovations to House VI undertaken in 1983, 1986, and 1989-1990. Material in this file was produced between 1971 and 1989. The 1,500 square foot plan of House VI comprises a kitchen, dining room, living room and study on the ground floor, and a bedroom and bathroom on the second floor. The most notable formal and compositional ambiguities of House VI are the two staircases, one green, and the other red and positioned on the ceiling. Documents include drawings by Eisenman concerning the geometric operations at the origin of House VI (DR1994:0134:055-067), conceptual drawings (DR1994:0134:001-068; DR1994:0134:086-130; DR1994:0134:131-160), numerous colour studies of the elevations (DR1994:0134:262-343), a presentation panel (DR1994:0134:521) notes (DR1994:0134:779-782), and a first set of working drawings and "check set," completed on 30 Aug. 1973, (DR1994:0134:667-689). Documents also include drawings for major revisions which occurred from 3 October 1973 through August 1974, photocopies of photographs of the house under construction (DR1994:0134:783-805), and a copy of the site survey (DR1994:0134:806). Planned and executed renovations to House VI began in 1983. Documents relating to unexecuted renovations and additions of 1983 includes drawings (DR1994:0134:604-615), a "bid set" and annotated copies (DR1994:0134:552 and DR1994:0134:554-570; copies: DR1994:0134:646-655), and a photocopy of the site plan indicating Eisenman's initial ideas (DR1994:0134:224). Documents relating to unexecuted renovations and additions of 1986 includes seven drawings (DR1994:0134:553 and DR1994:0134:628-633). House VI was extensively rebuilt between 1988 and 1990. The renovations included the replacement of the exterior plywood walls, the insertion of steel reinforcement, a new roof with skylights, the replacement of the original stucco by a coat of Finestone, the repainting of the interior, and the addition of a plexiglas barrier to the staircase. Documents relating to the renovations of 1988-90 include original and photocopied detail drawings, an interior paint schedule by Eisenman's office, correspondence, original and photocopied technical literature, an incomplete copy of the specifications, and a copy of the original survey map (identical to DR1994:0134:806). There are also numerous photographs of the building before, during and after renovation, one photograph of presentation axonometrics for House VI, and one photograph of Eisenman's office. Documents relating to a publication on House VI include: notes (DR1994:0134:807-853), the book mock-up (DR1994:0134:854-855), and fragments of the original coloured transformation diagrams (DR1994:0134:530-531). File contains conceptual drawings, including plans, axonometrics, and sections - many black felt-tip pen and/or coloured felt-tip pen on tracing paper; and reprographic copies - mostly photocopies on wove paper. Design development drawings include site plans, plans, elevations, sections, and axonometrics - some graphite and/or coloured pencil on tracing paper and some pen and black ink and/or graphite on tracing vellum; and reprographic copies - some photocopies on wove paper and some sepia prints on mylar. Schematic drawings include site plans, plans, elevations, and sections - all pen and black ink on mylar; and reprographic copies - many blackline prints on wove paper. Working drawings include site plans, plans, elevations, sections, electrical drawings, HVAC drawings, structural drawings, and detail drawings - some coloured pencil on blueline prints on wove paper; and reprographic copies - mostly blueline prints on wove paper. Presentation drawings include plans, elevations, and axonometrics - some pen and black ink and/or transparent coloured adhesive film on mylar and some translucent adhesive coloured film on cardboard; and reprographic copies - mostly photocopies on wove paper. Model includes one finished model - grey, white, and silver paint on wood and Fome-Cor with plastic sheets. Notes and documents include manuscripts - mostly black felt-tip pen on wove paper; reprographic copies - mostly photocopies on wove paper; and a land surveyor plan - one blueline print on wove paper. Book project includes layout drawings - some black felt-tip pen on ruled paper; reprographic copies - all photocopies on wove paper; manuscripts - mostly black felt-tip pen on wove or ruled paper; one sample piece of grey cardboard used as backing for some of the presentation drawings; and sets of drawings in the form of book dummies - mostly pen and coloured ink and/or black felt-tip pen on photocopies on wove paper. Detail drawings include elevations, sections, details - mostly graphite on tracing paper. The linear cm of documents includes sets, reprographic copies and manuscripts. Notes and documents include elevations, sections, and details - some graphite on photocopies on wove paper; two sets of drawing copies, some with changes - mostly photocopies on wove paper; reprographic copies - mostly photocopies on wove paper; manuscripts - many graphite on wove paper; ephemera includes trade pamphlets; and photographs include colour images of House X prior to and during one of the renovations.
File 14
1971-1989
Projet
Sidings
AP144.S2.D150
Description:
File documents a set of planning design proposals for improved access to an area of British Railways lands, probably in Stratford, Newham, London, England, just north of the intersection of the North London Line, the Docklands Light Railway, London Transport's Central Line and the British Rail main line. The improved access was intended to be achieved primarily through the construction of new railroad sidings. Material in this file was produced in approximately 1989. File contains a drawing.
[ca. 1989]
Sidings
Actions:
AP144.S2.D150
Description:
File documents a set of planning design proposals for improved access to an area of British Railways lands, probably in Stratford, Newham, London, England, just north of the intersection of the North London Line, the Docklands Light Railway, London Transport's Central Line and the British Rail main line. The improved access was intended to be achieved primarily through the construction of new railroad sidings. Material in this file was produced in approximately 1989. File contains a drawing.
File 150
[ca. 1989]
maquettes
Quantité:
3 model(s)
"The Anarchitomy of Tec-ture": student project, Carleton University School of Architecture, Ottawa
DR1986:0768:001-003
architecture, installation
1985
"The Anarchitomy of Tec-ture": student project, Carleton University School of Architecture, Ottawa
Actions:
DR1986:0768:001-003
maquettes
Quantité:
3 model(s)
1985
architecture, installation
Série(s)
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
1903-2003, predominant 1960-2000
Projects
Actions:
AP144.S2
Description:
Series documents Cedric Price's projects from his early work in the late 1950s to work dating from the time he founded his own practice in 1960 until 2000. Material includes numerous competition entries, planning and building projects, transportation-related projects, exhibitions, conceptual projects, furniture and interior designs, and monuments, follies, and decorations. Some projects also reflect his teaching, research, lecture and publication activities. Price also worked on several competition juries (see projects Musique, Elephant). Many of Cedric Price's projects in the series are unexecuted. Significant unrealized projects from the 1960s and 1970s include Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Oxford Corner House (1965-1966), and Generator (1976-1980). Significant built projects from the same period include the New Aviary (1960-1966), his first major realized project (with Lord Snowdon and Frank Newby), and Inter-Action Centre (1971-1979). Other realized projects include an office building (BTDB Computer, 1968-1973) and restaurant (Blackpool Project, 1971-1975). Planning projects from the 1960s and 1970s include Potteries Thinkbelt, Detroit Think Grid (1969-1971) and Rice University's design charette, Atom (1967). In the 1980s and 1990s, Cedric Price worked on several building proposals including greenhouses (Serre, Serre (2)), museums, galleries, and pavilions (Trafalgar, Pertpavs, Snake), a railway station (Strate (2)), a cultural centre (Tiff), houses (Perthut, Castel), a bus station (Walsall), an aviary (CP Aviary) and office buildings (Domain, Berlin). Planning projects from the same time include parks and cultural complexes, (Parc, South Bank), urban areas, (Strate, Stratton, IFPRI, Haven, Mills), university campuses (Frankfurt, Unibad, Bedford), and rural areas (Stark, Arkage). Transportation-related projects include railways (Strate, Control, Rink), roadways (Stratton) and pedestrian links (Magnet, Halmag, South Bank). Only a few of his projects from that period were executed and those include the renovation projects Congress and SAS 29; a mobile market stall design for Westminster City Council (Westal) for which prototypes were built; a coffee cup design (Crowbar); and building conversion projects Gatard and Juke. Exhibition projects in the series include some devoted to Cedric Price's works (AA Exhibition, Aedes, AFX, Afella), some designed by him (Strike, Food for the Future, Topolski/Waterloo, Ashmole, Mean, AFX), as well as projects designed for exhibition (Citlin, Castel). The series also contains self-financed research and client-less projects, which form a significant part of Cedric Price's practice. Undertaken in anticipation of future clients or new planning needs, they include research into air structures and lightweight enclosures as well as integrated construction and transportation solutions (Trucksafe Air Portable Dock Ahoy), and housing research. South Bank, Magnet, and Duck Land represent a few of the client-less projects. The material in this series documents Cedric Price's work in the United Kingdom, in particular England (the Greater London area, and other areas) and Scotland, Germany, France, Austria, Australia, Japan, the United Arab Emirates, and the United States and other locations such as Canada, Nigeria, and Norway. Major clients include J. Lyons & Co. (Oxford Corner House), David Keddie (Two Tree Island, Southend Roof), Howard Gilman (Generator), British Railways (Strate and Strate (2), and others), the McAlpine family , particularly Alistair McAlpine, and their company Sir Robert McAlpine & Sons Ltd. (McAppy, Perthut, Trafalgar, Pertpavs, Ashmole, Perth, Obeliq, McVance); Établissement Public du Parc de la Villette (Parc, Serre, Serre (2), Musique) and the Canadian Centre for Architecture (IFPRI, Mean). He collaborated with several architects and engineers during the course of his career, his closest association being with engineer Frank Newby and quantity surveyor Douglas Smith. Some of his other collaborators include engineer Max Fordham (Strate (2), Tiff, Berlin), engineering firms Scott Wilson Kirkpatrick and Partners (Stratton, Rink, Control), and Sir Frederick Snow & Partners (South Bank), cybernetician Gordon Pask (Kawasaki/Japnet), architectural firm YRM/Yorke Rosenberg Mardall (Unibad), and architect Richard Rogers (Marman). He also collaborated with members of Archigram on the Trondheim Competition, (1972-1974), and with John and Julia Frazer who provided the computer modelling for Generator. David Price, Cedric Price's brother was the model maker for several projects. The series contains conceptual drawings, design development drawings, reference drawings and maps, presentation drawings (particularly for competitions), and working drawings. A significant amount of textual records are included, especially for projects involving a large amount of research or publicity (Air Structures, Lightweight Enclosures, South Bank, CP Aviary, Stratton), for executed projects, and for the larger unrealized projects like Fun Palace and Generator. Also includes photographic materials of project sites and models. Some models included in the series are made from durable materials (wood, metal, plastic), while others are in-office constructions made out of paper, cardboard and Fome-Cor (TM). Of particular note are the 11 models for Magnet, and a full-size prototype of a market stall for Westal. Series also contains publication layouts, including material for the "Cedric Price Supplement", 'Architectural Design' vols. 40- 42 (1970-1972). Changes in office practice are noted around 1971, evident in the Blackpool Project and later, including the adoption of the metric system, and the creation of working and detail drawings on A4 size paper and filed with textual records (e.g. approximately 300 such drawings are included in the textual records for Blackpool Project). At the same time fewer preamble drawings that relate to site sensing, progress and life-cycle graphs and tables are created for the projects (a common feature from the 1960s), although project progress tables are still used. Of particular interest is material in the Early Work and Miscellaneous Records file (AP144.S2.D1) that relates to office work methods and programmes.
Series
1903-2003, predominant 1960-2000
Projet
AP075.S1.1979.PR06
Description:
Project series documents Cornelia Hahn Oberlander's unrealized landscape project for the Discovery Parks University of British Columbia's site in Vancouver, British Columbia. Created in 1979, Discovery Parks is an organization with the mission to accomodate scientific and technological research activities by building and renting research installations. Initially founded by the provincial government, Discovery Parks became self-governning and independant in 1990. The planned site was located at the corner of Westbrook Mall and 16th Avenue. The project series only contains Oberlander's notes, documentation, correspondence with University of British Columbia and the University Endowment Lands.
circa 1979
Discovery Parks, University of British Columbia site, Vancouver, British Columbia (1979-1984)
Actions:
AP075.S1.1979.PR06
Description:
Project series documents Cornelia Hahn Oberlander's unrealized landscape project for the Discovery Parks University of British Columbia's site in Vancouver, British Columbia. Created in 1979, Discovery Parks is an organization with the mission to accomodate scientific and technological research activities by building and renting research installations. Initially founded by the provincial government, Discovery Parks became self-governning and independant in 1990. The planned site was located at the corner of Westbrook Mall and 16th Avenue. The project series only contains Oberlander's notes, documentation, correspondence with University of British Columbia and the University Endowment Lands.
Project
circa 1979
dessins, oeuvres d'art
Quantité:
32 drawing(s)
DR1986:0379-0413
Description:
- This group of drawings and prints for Château de Marcoussis (designed by Charles Rohault de Fleury in 1862-1863), and for later additions to the château by Rohault de Fleury and other architects, is composed mostly of design development and presentation drawings and transfer lithographs - mainly plans and elevations. Three wash drawings and 13 transfer lithographs, some coloured with wash, are for the château as constructed and are mostly dated June 1863 (drawings: DR1986:0380, DR1986:0382, DR1986:0383; transfer lithographs: DR1986:0387 - DR1986:0389, DR1986:0397 - DR1986:0407). Drawings for two unexecuted designs for the château are included: the first is dated 3 May 1862, and possibly 23 May 1862 (DR1986:0379, DR1986:0393, DR1986:394), and the second 15 May 1862 (DR1986:0395 and DR1986:0396). Three untitled drawings may also be designs for Château Marcoussis, although the inscription "1er projet" in conjunction with the later date of April 1863, suggests that they are perhaps for a different unidentified project (DR1986:0390 - DR1986:0392). A proposal for a tower addition by Rohault de Fleury is dated 1 April 1864 (DR1986:0381). This tower also appears on a plan of Château Marcoussis by an unknown hand (DR1986:0408). A land survey for part of the château's park is signed and stamped by the landscape architect, L.L. Le Breton, whose stamp also appears on a drainage plan for the château (DR1986:0409 and DR1986:0397 R). Also included are a proposal for a winter garden for Château Marcoussis designed by Geriche (DR1986:0384), an unattributed project for modifications to the winter garden (DR1986:0385), and plans for an unidentified house (DR1986:0412 and DR1986:0413). Folder DR1986:0386 and mounts DR1986:0410 and DR1986:0411 were acquired with this group. All three objects are inscribed with titles, and those on the mounts indicate the existence of two drawings that were not acquired with the group: "Marcoussis / Mr le Mis de la Baume" (DR1986:0410) and "Escalier au tourelle / (projet) / 1900" (DR1986:0411). The inscribed title which figures on the verso of mount DR1986:0410 indicates that it was at one time used as a folder: "Château de Marcoussis / projets d'agrandissement / et de constructions".
architecture, architecture de paysage, design d'intérieur
prints executed in 1863
Drawings and prints for Château de Marcoussis, France
Actions:
DR1986:0379-0413
Description:
- This group of drawings and prints for Château de Marcoussis (designed by Charles Rohault de Fleury in 1862-1863), and for later additions to the château by Rohault de Fleury and other architects, is composed mostly of design development and presentation drawings and transfer lithographs - mainly plans and elevations. Three wash drawings and 13 transfer lithographs, some coloured with wash, are for the château as constructed and are mostly dated June 1863 (drawings: DR1986:0380, DR1986:0382, DR1986:0383; transfer lithographs: DR1986:0387 - DR1986:0389, DR1986:0397 - DR1986:0407). Drawings for two unexecuted designs for the château are included: the first is dated 3 May 1862, and possibly 23 May 1862 (DR1986:0379, DR1986:0393, DR1986:394), and the second 15 May 1862 (DR1986:0395 and DR1986:0396). Three untitled drawings may also be designs for Château Marcoussis, although the inscription "1er projet" in conjunction with the later date of April 1863, suggests that they are perhaps for a different unidentified project (DR1986:0390 - DR1986:0392). A proposal for a tower addition by Rohault de Fleury is dated 1 April 1864 (DR1986:0381). This tower also appears on a plan of Château Marcoussis by an unknown hand (DR1986:0408). A land survey for part of the château's park is signed and stamped by the landscape architect, L.L. Le Breton, whose stamp also appears on a drainage plan for the château (DR1986:0409 and DR1986:0397 R). Also included are a proposal for a winter garden for Château Marcoussis designed by Geriche (DR1986:0384), an unattributed project for modifications to the winter garden (DR1986:0385), and plans for an unidentified house (DR1986:0412 and DR1986:0413). Folder DR1986:0386 and mounts DR1986:0410 and DR1986:0411 were acquired with this group. All three objects are inscribed with titles, and those on the mounts indicate the existence of two drawings that were not acquired with the group: "Marcoussis / Mr le Mis de la Baume" (DR1986:0410) and "Escalier au tourelle / (projet) / 1900" (DR1986:0411). The inscribed title which figures on the verso of mount DR1986:0410 indicates that it was at one time used as a folder: "Château de Marcoussis / projets d'agrandissement / et de constructions".
dessins, oeuvres d'art
Quantité:
32 drawing(s)
prints executed in 1863
architecture, architecture de paysage, design d'intérieur
archives
Niveau de description archivistique:
Fonds
Fonds John Bird
AP108
Résumé:
The John Bird fonds documents the professional practice of the Westmount-based architect, and includes drawings and photographs of 24 architectural projects carried out in and around Montréal, Québec between 1954 and 1992. The fonds also contains a number of published articles that document John Bird's professional activities. Key projects that are represented include the Canadian Technical Tape Building, St. Laurent (1955-1963), Saint Gabriel's Church, Montréal (1959-1960), and Saint John Brebeuf Church, Lasalle (1962-1966). The fonds also includes numerous projects for Toronto-Dominion Bank buildings (1959-1992) as well as residential designs completed for the Central Mortgage and Housing Corporation (1956-1969).
1942 - 1992
Fonds John Bird
Actions:
AP108
Résumé:
The John Bird fonds documents the professional practice of the Westmount-based architect, and includes drawings and photographs of 24 architectural projects carried out in and around Montréal, Québec between 1954 and 1992. The fonds also contains a number of published articles that document John Bird's professional activities. Key projects that are represented include the Canadian Technical Tape Building, St. Laurent (1955-1963), Saint Gabriel's Church, Montréal (1959-1960), and Saint John Brebeuf Church, Lasalle (1962-1966). The fonds also includes numerous projects for Toronto-Dominion Bank buildings (1959-1992) as well as residential designs completed for the Central Mortgage and Housing Corporation (1956-1969).
archives
Niveau de description archivistique:
Fonds
1942 - 1992
Projet
AP018.S1.1978.PR06
Description:
This project series documents the conceptual site planning for easterly and westerly auxilary lands on the University of Ottawa campus for the Ottawa Health Sciences Centre from 1978-1979. The office identified the project number as 7808. The Ottawa Heath Sciences Complex, a vast hospital network encompassing institutions across the city, hired Parkin Architects Planners in 1971 to design and construct University of Ottawa buildings within the network. These campus buildings were located in the Alta Vista neighbourhood and are referred to as the Health Sciences Centre. This project consists of the conceptual site planning for that Centre. The project is recorded through drawings and textual records consisting of proposal packages, correspondence, conference reports, and detail planning dating from 1973-1979.
1973-1982
Ottawa Health Sciences Centre, Conceptual Site Planning Easterly and Westerly Auxiliary Lands, Ottawa, Ontario (1978-1979)
Actions:
AP018.S1.1978.PR06
Description:
This project series documents the conceptual site planning for easterly and westerly auxilary lands on the University of Ottawa campus for the Ottawa Health Sciences Centre from 1978-1979. The office identified the project number as 7808. The Ottawa Heath Sciences Complex, a vast hospital network encompassing institutions across the city, hired Parkin Architects Planners in 1971 to design and construct University of Ottawa buildings within the network. These campus buildings were located in the Alta Vista neighbourhood and are referred to as the Health Sciences Centre. This project consists of the conceptual site planning for that Centre. The project is recorded through drawings and textual records consisting of proposal packages, correspondence, conference reports, and detail planning dating from 1973-1979.
Project
1973-1982