PH1986:1187:065
published 1855
PH1986:1187:066
published 1855
PH1988:0039
architecture, architecture de paysage
after 1940
architecture, architecture de paysage
photographies
AP178.S1.1967.PR02.004
Description:
Original file title : Monumento ao poeta António Nobre Siza's office numbered photographic materials in this file MNA001-MNA019, MNA020-MNA027, R-MNA020, MNA027a.
1967-1980
Photographs and negatives of project site, model, inauguration, and sculpture, Monument to the poet António Nobre, Matosinhos
Actions:
AP178.S1.1967.PR02.004
Description:
Original file title : Monumento ao poeta António Nobre Siza's office numbered photographic materials in this file MNA001-MNA019, MNA020-MNA027, R-MNA020, MNA027a.
photographies
1967-1980
documents textuels, photographies
AP178.S1.1967.PR02.005
Description:
Original file title : Monumento ao poeta António Nobre Nota : Digitalizadas quase todas as peças. Siza's office numbered photographic materials in this file MNA028-MNA036.
1967-1980
Photographs and negatives of project site, model, inauguration, and sculpture, Monument to the poet António Nobre, Matosinhos
Actions:
AP178.S1.1967.PR02.005
Description:
Original file title : Monumento ao poeta António Nobre Nota : Digitalizadas quase todas as peças. Siza's office numbered photographic materials in this file MNA028-MNA036.
documents textuels, photographies
1967-1980
DR1974:0002:010:029
architecture, militaire, urbanisme
printed 1802
Design by Charles-Étienne Durand for a monument in honour of Bonaparte, First Consul of France, Nîmes: Elevation
Actions:
DR1974:0002:010:029
architecture, militaire, urbanisme
DR1994:0076
architecture, architecture de paysage
1932-1940
architecture, architecture de paysage
dessins
DR1988:0270:005
Description:
- The large plan taking up most of the sheet seems to be for the same project as the other drawings in the album, while the four small drawings - plan, elevations, and cross section - are an alternate proposal. According to the inscription, yellow wash on the main plan signifies those elements of the existing structure which were to be demolished, black indicates the parts of the earlier structure which would be reused, while pink indicates proposed construction.
architecture
after 20 December 1806
Projet de monument sur l'emplacement de l'église de la Madeleine: Plan, observations, et projet alternatif
Actions:
DR1988:0270:005
Description:
- The large plan taking up most of the sheet seems to be for the same project as the other drawings in the album, while the four small drawings - plan, elevations, and cross section - are an alternate proposal. According to the inscription, yellow wash on the main plan signifies those elements of the existing structure which were to be demolished, black indicates the parts of the earlier structure which would be reused, while pink indicates proposed construction.
dessins
after 20 December 1806
architecture
PH1980:0358:001
Description:
- Glasgow Town Hall is identifed by a sign "[illeg.] ALL WORKING MEN'S CLUB". The keystones of the arcades of the building are carved with human heads and grotesques known as the "Tontine Heads".
architecture, sculpture
1868-1871
View of Glasgow Town Hall (now demolished) and the Tontine Hotel with an equestrian monument in the foreground, Scotland
Actions:
PH1980:0358:001
Description:
- Glasgow Town Hall is identifed by a sign "[illeg.] ALL WORKING MEN'S CLUB". The keystones of the arcades of the building are carved with human heads and grotesques known as the "Tontine Heads".
architecture, sculpture
Sous-série
Other monuments
AP041.S3.SS03
Description:
The sub-series documents the solo exhibition "Other monuments" of Melvin Charney presenting six of his projects. The exhibition was held at Harvard University’s Gund Hall, and later at the Art Gallery of Ontario, Toronto, in 1978. Includes photographic materials, posters, and sketches.
1978
Other monuments
Actions:
AP041.S3.SS03
Description:
The sub-series documents the solo exhibition "Other monuments" of Melvin Charney presenting six of his projects. The exhibition was held at Harvard University’s Gund Hall, and later at the Art Gallery of Ontario, Toronto, in 1978. Includes photographic materials, posters, and sketches.
Subseries
1978