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$44.95
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Résumé:
This volume expands David Reinfurt’s uniquely pragmatic and experimental approach to pedagogy into a collaborative project that weaves together a multiplicity of voices to present a polyphonic approach to design history and teaching. Three of Reinfurt’s new Princeton University graphic design courses—C-i-r-c-u-l-a-t-i-o-n, M-u-l-t-p-l-i-c-i-t-y and(...)
$44.95
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Résumé:
This volume expands David Reinfurt’s uniquely pragmatic and experimental approach to pedagogy into a collaborative project that weaves together a multiplicity of voices to present a polyphonic approach to design history and teaching. Three of Reinfurt’s new Princeton University graphic design courses—C-i-r-c-u-l-a-t-i-o-n, M-u-l-t-p-l-i-c-i-t-y and(...)
Publication:
août 2025
août 2025
Titre:
A Co* program for graphic design
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This volume expands David Reinfurt’s uniquely pragmatic and experimental approach to pedagogy into a collaborative project that weaves together a multiplicity of voices to present a polyphonic approach to design history and teaching. Three of Reinfurt’s new Princeton University graphic design courses—C-i-r-c-u-l-a-t-i-o-n, M-u-l-t-p-l-i-c-i-t-y and R-e-s-e-a-r-c-h—developed explicitly in the context of remote teaching and in light of urgent realignments around whose stories get told and who does the telling, are presented in this follow-up to A *New* Program for Graphic Design (Inventory Press/D.A.P., 2018). C-i-r-c-u-l-a-t-i-o-n examines the distribution networks for graphic design including electronic and conventional means. M-u-l-t-p-l-i-c-i-t-y, taught with mathematics professor Philip Ording, explores graphic design from the perspective of topology and topology through the practice of graphic design. R-e-s-e-a-r-c-h is an advanced graphic design class which cultivates an exploratory and expansive design process and investigates what the term ""design research"" has meant at different points in design history.
A Co* program for graphic design
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$44.95
(disponible en magasin)
Résumé:
This volume expands David Reinfurt’s uniquely pragmatic and experimental approach to pedagogy into a collaborative project that weaves together a multiplicity of voices to present a polyphonic approach to design history and teaching. Three of Reinfurt’s new Princeton University graphic design courses—C-i-r-c-u-l-a-t-i-o-n, M-u-l-t-p-l-i-c-i-t-y and R-e-s-e-a-r-c-h—developed explicitly in the context of remote teaching and in light of urgent realignments around whose stories get told and who does the telling, are presented in this follow-up to A *New* Program for Graphic Design (Inventory Press/D.A.P., 2018). C-i-r-c-u-l-a-t-i-o-n examines the distribution networks for graphic design including electronic and conventional means. M-u-l-t-p-l-i-c-i-t-y, taught with mathematics professor Philip Ording, explores graphic design from the perspective of topology and topology through the practice of graphic design. R-e-s-e-a-r-c-h is an advanced graphic design class which cultivates an exploratory and expansive design process and investigates what the term ""design research"" has meant at different points in design history.
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Publication:
août 2025
août 2025
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livres
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Yoko Ono: the other rooms
Yoko Ono: the other rooms
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The Other Rooms is a sequel to Yoko Ono's Grapefruit, a now classic artist's book that was first published in 1964 and became a cult classic following its wider distribution after 1970. Matching the satisfyingly compact size of Grapefruit, and beautifully bound in white cloth, The Other Rooms is conceived as a series of rooms that unfold the story of, in the words of the(...)
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The Other Rooms is a sequel to Yoko Ono's Grapefruit, a now classic artist's book that was first published in 1964 and became a cult classic following its wider distribution after 1970. Matching the satisfyingly compact size of Grapefruit, and beautifully bound in white cloth, The Other Rooms is conceived as a series of rooms that unfold the story of, in the words of the(...)
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Yoko Ono: the other rooms
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The Other Rooms is a sequel to Yoko Ono's Grapefruit, a now classic artist's book that was first published in 1964 and became a cult classic following its wider distribution after 1970. Matching the satisfyingly compact size of Grapefruit, and beautifully bound in white cloth, The Other Rooms is conceived as a series of rooms that unfold the story of, in the words of the artist, “the life of a woman seeing through the eyes of her son.” On page after page, or room after room, Ono walks the reader through her unique expression of motherly utopian pedagogy, providing observations and instruction “pieces” such as the following, for “Balance Piece”: a) Politicians should wear pink transparent loose robes or pajama-like outfits without the bottoms at all times. b) A priest should wear a bright red suit with one sleeve and bell-bottom pants with his penis exposed at all times. c) The army should wear drag (cocktail party-type flair skirts) and high-heel shoes with jewelry (earrings, etc.) Other sequences simply describe imaginary rooms, and invite the reader to inhabit them, or suggest new approaches to tasks such as gardening, or to one's hometown, all in the serenely open style for which Ono is so famed. The Other Rooms is joyfully interactive in this sense, finding ways “to open doors… where there are no doors.”
Yoko Ono: the other rooms
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Résumé:
The Other Rooms is a sequel to Yoko Ono's Grapefruit, a now classic artist's book that was first published in 1964 and became a cult classic following its wider distribution after 1970. Matching the satisfyingly compact size of Grapefruit, and beautifully bound in white cloth, The Other Rooms is conceived as a series of rooms that unfold the story of, in the words of the artist, “the life of a woman seeing through the eyes of her son.” On page after page, or room after room, Ono walks the reader through her unique expression of motherly utopian pedagogy, providing observations and instruction “pieces” such as the following, for “Balance Piece”: a) Politicians should wear pink transparent loose robes or pajama-like outfits without the bottoms at all times. b) A priest should wear a bright red suit with one sleeve and bell-bottom pants with his penis exposed at all times. c) The army should wear drag (cocktail party-type flair skirts) and high-heel shoes with jewelry (earrings, etc.) Other sequences simply describe imaginary rooms, and invite the reader to inhabit them, or suggest new approaches to tasks such as gardening, or to one's hometown, all in the serenely open style for which Ono is so famed. The Other Rooms is joyfully interactive in this sense, finding ways “to open doors… where there are no doors.”
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Publication:
février 2010
février 2010
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$31.95
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Combining formal argument with informal conversations and design proposals, this title offers creative ideas for "thinking and acting architecture differently." What makes the book unique is the freshness of its voices — young architects and emerging practitioners who for the most part have not published before. Interwoven with their proposals are conversations among(...)
$31.95
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Combining formal argument with informal conversations and design proposals, this title offers creative ideas for "thinking and acting architecture differently." What makes the book unique is the freshness of its voices — young architects and emerging practitioners who for the most part have not published before. Interwoven with their proposals are conversations among(...)
Titre:
Architecture at the edge of everything else
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$31.95
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Combining formal argument with informal conversations and design proposals, this title offers creative ideas for "thinking and acting architecture differently." What makes the book unique is the freshness of its voices — young architects and emerging practitioners who for the most part have not published before. Interwoven with their proposals are conversations among these new voices and more established authors and practitioners, including Sanford Kwinter, Sylvia Lavin, K. Michael Hays, Philippe Rahm, Liam Gillick, Teddy Cruz, and Michael Meredith. This publication investigates the inner contradictions tangling and obscuring architectural discourse. It locates architecture in a cultural, social, political, and situational landscape — the space it actually occupies in the contemporary world. Examining architecture as it comes into contact with other disciplines — including art, art history, cultural studies, curating, landscape architecture, neuroaesthetics, pedagogy, philosophy, political science, and urbanism — the book considers architecture's precarious position at the edge : at the edge of its own dilemmas and at the edge of "everything else." In different ways, all the contributors suggest how to understand the innovative possibilities and pitfalls of spatial practices—teasing, analyzing, and celebrating architecture's disciplinary ambiguity — with proposals that range from a "lo-res" architecture to one controlled by the curatorial impulse, from customizable "skins" on residential buildings to the collection of residual space for new uses. Their investigations encompass how to interpret, how to intervene, and how to imagine.
Architecture at the edge of everything else
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Combining formal argument with informal conversations and design proposals, this title offers creative ideas for "thinking and acting architecture differently." What makes the book unique is the freshness of its voices — young architects and emerging practitioners who for the most part have not published before. Interwoven with their proposals are conversations among these new voices and more established authors and practitioners, including Sanford Kwinter, Sylvia Lavin, K. Michael Hays, Philippe Rahm, Liam Gillick, Teddy Cruz, and Michael Meredith. This publication investigates the inner contradictions tangling and obscuring architectural discourse. It locates architecture in a cultural, social, political, and situational landscape — the space it actually occupies in the contemporary world. Examining architecture as it comes into contact with other disciplines — including art, art history, cultural studies, curating, landscape architecture, neuroaesthetics, pedagogy, philosophy, political science, and urbanism — the book considers architecture's precarious position at the edge : at the edge of its own dilemmas and at the edge of "everything else." In different ways, all the contributors suggest how to understand the innovative possibilities and pitfalls of spatial practices—teasing, analyzing, and celebrating architecture's disciplinary ambiguity — with proposals that range from a "lo-res" architecture to one controlled by the curatorial impulse, from customizable "skins" on residential buildings to the collection of residual space for new uses. Their investigations encompass how to interpret, how to intervene, and how to imagine.
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Publication:
juin 2010
juin 2010
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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525 pages : illustrations, maps, charts, plans ; 23 cm
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525 pages : illustrations, maps, charts, plans ; 23 cm
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Rotterdam : NAi Publishers : Berlage Institute, 2011.
Rotterdam : NAi Publishers : Berlage Institute, 2011.
Titre:
The Berlage survey of culture, education, and practice of architecture and urbanism / edited by Salomon Frausto.
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525 pages : illustrations, maps, charts, plans ; 23 cm
The Berlage survey of culture, education, and practice of architecture and urbanism / edited by Salomon Frausto.
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525 pages : illustrations, maps, charts, plans ; 23 cm
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Rotterdam : NAi Publishers : Berlage Institute, 2011.
Rotterdam : NAi Publishers : Berlage Institute, 2011.
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xiv, 978 pages : illustrations ; 28 cm
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xiv, 978 pages : illustrations ; 28 cm
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New York : Oxford University Press, [2013]
New York : Oxford University Press, [2013]
Titre:
World architecture : a cross-cultural history / Richard Ingersoll, Spiro Kostof.
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xiv, 978 pages : illustrations ; 28 cm
World architecture : a cross-cultural history / Richard Ingersoll, Spiro Kostof.
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xiv, 978 pages : illustrations ; 28 cm
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New York : Oxford University Press, [2013]
New York : Oxford University Press, [2013]
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