4351 Résultats
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Eggleston’s vivid photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning. One of the foremost practitioners in the medium’s history, Eggleston is widely considered the father of color photography. He pioneered the use of dye-transfer printing for art photography in the 1970s. The technically advanced process—first developed by Kodak(...)
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Eggleston’s vivid photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning. One of the foremost practitioners in the medium’s history, Eggleston is widely considered the father of color photography. He pioneered the use of dye-transfer printing for art photography in the 1970s. The technically advanced process—first developed by Kodak(...)
Titre:
William Eggleston: The last dyes
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Eggleston’s vivid photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning. One of the foremost practitioners in the medium’s history, Eggleston is widely considered the father of color photography. He pioneered the use of dye-transfer printing for art photography in the 1970s. The technically advanced process—first developed by Kodak in the 1940s—allowed him to achieve the richness of tonal depth and color saturation that he had been searching for. In the early 1990s, Kodak stopped producing the dyes, paper, and film used in the process. With the necessary materials now discontinued, and the bulk of what remained being used for this exhibition, "The last dyes" marks the final presentation of new works completed in this medium.
William Eggleston: The last dyes
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Eggleston’s vivid photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning. One of the foremost practitioners in the medium’s history, Eggleston is widely considered the father of color photography. He pioneered the use of dye-transfer printing for art photography in the 1970s. The technically advanced process—first developed by Kodak in the 1940s—allowed him to achieve the richness of tonal depth and color saturation that he had been searching for. In the early 1990s, Kodak stopped producing the dyes, paper, and film used in the process. With the necessary materials now discontinued, and the bulk of what remained being used for this exhibition, "The last dyes" marks the final presentation of new works completed in this medium.
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livres
livres
Publication:
novembre 2025
novembre 2025
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
John Gossage: LAMF
John Gossage: LAMF
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American photographer John Gossage's (born 1946) LAMF, first conceived in 1987 as a hand-assembled work exclusively for his friends, is a consummate example of the photobook as art. For the project, Gossage employed a custom telephoto lens and 6000 ASA film to shoot the area around the Berlin Wall in near-total blackness, capturing the dark atmosphere of a divided city.(...)
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American photographer John Gossage's (born 1946) LAMF, first conceived in 1987 as a hand-assembled work exclusively for his friends, is a consummate example of the photobook as art. For the project, Gossage employed a custom telephoto lens and 6000 ASA film to shoot the area around the Berlin Wall in near-total blackness, capturing the dark atmosphere of a divided city.(...)
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John Gossage: LAMF
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American photographer John Gossage's (born 1946) LAMF, first conceived in 1987 as a hand-assembled work exclusively for his friends, is a consummate example of the photobook as art. For the project, Gossage employed a custom telephoto lens and 6000 ASA film to shoot the area around the Berlin Wall in near-total blackness, capturing the dark atmosphere of a divided city. This new facsimile edition of LAMF, made in close collaboration with the photographer, features an expanded edit of 44 images (twice as many as the original) and a new interview with Gossage about the book's genesis and his long affinity for Berlin, which is also the subject of his acclaimed books Stadt des Schwarz and Berlin in the Time of the Wall.
John Gossage: LAMF
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American photographer John Gossage's (born 1946) LAMF, first conceived in 1987 as a hand-assembled work exclusively for his friends, is a consummate example of the photobook as art. For the project, Gossage employed a custom telephoto lens and 6000 ASA film to shoot the area around the Berlin Wall in near-total blackness, capturing the dark atmosphere of a divided city. This new facsimile edition of LAMF, made in close collaboration with the photographer, features an expanded edit of 44 images (twice as many as the original) and a new interview with Gossage about the book's genesis and his long affinity for Berlin, which is also the subject of his acclaimed books Stadt des Schwarz and Berlin in the Time of the Wall.
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livres
livres
Publication:
mai 2026
mai 2026
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
For an ecology of images
For an ecology of images
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When Susan Sontag first proposed the idea of an "ecology of images," she meant it as an exhortation to be vigilant against the vast surplus of pictures threatening our ability to truly see. Today, beyond the deep anxieties over a diminishing attention economy, concern focuses on the environmental cost of storing and circulating the digital images that confront us with(...)
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When Susan Sontag first proposed the idea of an "ecology of images," she meant it as an exhortation to be vigilant against the vast surplus of pictures threatening our ability to truly see. Today, beyond the deep anxieties over a diminishing attention economy, concern focuses on the environmental cost of storing and circulating the digital images that confront us with(...)
Titre:
For an ecology of images
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When Susan Sontag first proposed the idea of an "ecology of images," she meant it as an exhortation to be vigilant against the vast surplus of pictures threatening our ability to truly see. Today, beyond the deep anxieties over a diminishing attention economy, concern focuses on the environmental cost of storing and circulating the digital images that confront us with unprecedented speed. Against the disposable rapidity demanded by digital media, Peter Szendy emphasizes the labor and time required for images to develop and come into view. This inquisitive essay takes us from mimicry in the animal kingdom to the history of the shadow, Pliny’s story about the birth of painting to Nabokov’s butterflies, the first use of slo-mo in film to the first aerial photograph.
For an ecology of images
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When Susan Sontag first proposed the idea of an "ecology of images," she meant it as an exhortation to be vigilant against the vast surplus of pictures threatening our ability to truly see. Today, beyond the deep anxieties over a diminishing attention economy, concern focuses on the environmental cost of storing and circulating the digital images that confront us with unprecedented speed. Against the disposable rapidity demanded by digital media, Peter Szendy emphasizes the labor and time required for images to develop and come into view. This inquisitive essay takes us from mimicry in the animal kingdom to the history of the shadow, Pliny’s story about the birth of painting to Nabokov’s butterflies, the first use of slo-mo in film to the first aerial photograph.
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livres
livres
Publication:
janvier 2025
janvier 2025
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
Titre:
Isa Genzken
Isa Genzken
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Interview – in her discussion with Diedrich Diedrichsen the artist considers her relationship to the many sources behind her work : minimal sculpture, modernist architecture, conceptual art, and other multi-media artists` practices, such as Bruce Nauman’s. Survey – Alex Farquharson examines the principal themes in Genzken’s work since her now-legendary first exhibition in(...)
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Interview – in her discussion with Diedrich Diedrichsen the artist considers her relationship to the many sources behind her work : minimal sculpture, modernist architecture, conceptual art, and other multi-media artists` practices, such as Bruce Nauman’s. Survey – Alex Farquharson examines the principal themes in Genzken’s work since her now-legendary first exhibition in(...)
Publication:
octobre 2005, London
octobre 2005, London
Titre:
Isa Genzken
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Interview – in her discussion with Diedrich Diedrichsen the artist considers her relationship to the many sources behind her work : minimal sculpture, modernist architecture, conceptual art, and other multi-media artists` practices, such as Bruce Nauman’s. Survey – Alex Farquharson examines the principal themes in Genzken’s work since her now-legendary first exhibition in Berlin whilst still a student of Gerhard Richter. Focus – Sabine Breitwieser looks at Genzken’s little known ‘Hi-Fi’ series of photographic works, which centre on magazine advertisements for stereo equipment. Artist’s choice – "The bad glazier" by Charles Baudelaire (1869). Artist’s writings – notes from a 1973 exercise based on instructions by Bruce Nauman ; an previously unpublishd 1996 film script ; a 2003 interview with Wolfgang Tillmans ; and two new artist`s statements. Chronology and bibliography.
Isa Genzken
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Interview – in her discussion with Diedrich Diedrichsen the artist considers her relationship to the many sources behind her work : minimal sculpture, modernist architecture, conceptual art, and other multi-media artists` practices, such as Bruce Nauman’s. Survey – Alex Farquharson examines the principal themes in Genzken’s work since her now-legendary first exhibition in Berlin whilst still a student of Gerhard Richter. Focus – Sabine Breitwieser looks at Genzken’s little known ‘Hi-Fi’ series of photographic works, which centre on magazine advertisements for stereo equipment. Artist’s choice – "The bad glazier" by Charles Baudelaire (1869). Artist’s writings – notes from a 1973 exercise based on instructions by Bruce Nauman ; an previously unpublishd 1996 film script ; a 2003 interview with Wolfgang Tillmans ; and two new artist`s statements. Chronology and bibliography.
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livres
livres
Publication:
octobre 2005, London
octobre 2005, London
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livres
livres
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$64.95
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There may be no more conspicuous sign of luxury (some might say decadence) than an over-the-top design of that most utilitarian of spaces, the lavatory. Restaurants, hotels, clubs, and similar clients have increasingly seen the restroom as a manifestation of corporate culture and an expression of their attitude toward customers or employers, as well as an easy buzz(...)
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There may be no more conspicuous sign of luxury (some might say decadence) than an over-the-top design of that most utilitarian of spaces, the lavatory. Restaurants, hotels, clubs, and similar clients have increasingly seen the restroom as a manifestation of corporate culture and an expression of their attitude toward customers or employers, as well as an easy buzz(...)
Publication:
mars 2005, Basel
mars 2005, Basel
Titre:
Flush! : modern toilet design
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There may be no more conspicuous sign of luxury (some might say decadence) than an over-the-top design of that most utilitarian of spaces, the lavatory. Restaurants, hotels, clubs, and similar clients have increasingly seen the restroom as a manifestation of corporate culture and an expression of their attitude toward customers or employers, as well as an easy buzz generator. "Flush!" is a book for anyone with more than a mere passing interest in concepts for comfort when nature calls, and includes over 40 examples of innovative design for washrooms and a survey of the latest trends in restroom design. An introduction with examples from history - including film, art, and literature - provides an entertaining introduction to the culture of the lavatory.
Flush! : modern toilet design
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There may be no more conspicuous sign of luxury (some might say decadence) than an over-the-top design of that most utilitarian of spaces, the lavatory. Restaurants, hotels, clubs, and similar clients have increasingly seen the restroom as a manifestation of corporate culture and an expression of their attitude toward customers or employers, as well as an easy buzz generator. "Flush!" is a book for anyone with more than a mere passing interest in concepts for comfort when nature calls, and includes over 40 examples of innovative design for washrooms and a survey of the latest trends in restroom design. An introduction with examples from history - including film, art, and literature - provides an entertaining introduction to the culture of the lavatory.
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livres
livres
Publication:
mars 2005, Basel
mars 2005, Basel
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livres
livres
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$14.00
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Born in Canada, but trained at the California Institute of the Arts, McFetridge won public acclaim as a designer when he was still a student. For two years, he was art director of the famous underground Beastie Boys magazine Grand Royal. Since then he has worked for numerous clients ranging from Nike, Pepsi, and Stuessy to Burton, Girl and 2K/Gingham. He made clips for(...)
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Born in Canada, but trained at the California Institute of the Arts, McFetridge won public acclaim as a designer when he was still a student. For two years, he was art director of the famous underground Beastie Boys magazine Grand Royal. Since then he has worked for numerous clients ranging from Nike, Pepsi, and Stuessy to Burton, Girl and 2K/Gingham. He made clips for(...)
Titre:
Geoff McFetridge. Bend the void
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Born in Canada, but trained at the California Institute of the Arts, McFetridge won public acclaim as a designer when he was still a student. For two years, he was art director of the famous underground Beastie Boys magazine Grand Royal. Since then he has worked for numerous clients ranging from Nike, Pepsi, and Stuessy to Burton, Girl and 2K/Gingham. He made clips for Plaid, Simian, and recently also for The Whitest Boy Alive, and he created film title sequences for The Virgin Suicides and Adaptation. He is one of the Beautiful Losers, and makes solo exhibitions from Los Angeles to Paris and from London to Tokyo. "Bend the Void. The Space between Yeah and Yes" is his first large solo exhibition in the Netherlands.
Geoff McFetridge. Bend the void
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Born in Canada, but trained at the California Institute of the Arts, McFetridge won public acclaim as a designer when he was still a student. For two years, he was art director of the famous underground Beastie Boys magazine Grand Royal. Since then he has worked for numerous clients ranging from Nike, Pepsi, and Stuessy to Burton, Girl and 2K/Gingham. He made clips for Plaid, Simian, and recently also for The Whitest Boy Alive, and he created film title sequences for The Virgin Suicides and Adaptation. He is one of the Beautiful Losers, and makes solo exhibitions from Los Angeles to Paris and from London to Tokyo. "Bend the Void. The Space between Yeah and Yes" is his first large solo exhibition in the Netherlands.
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livres
livres
Publication:
mars 2007, Zurich
mars 2007, Zurich
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livres
livres
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'What People Do for Money' is published on the occasion of the 11th edition of Manifesta, the European Biennial of Contemporary Art. Curated by artist Christian Jankowski, the biennial permeates the social fabric of Zurich by initiating collaborative projects between artists and citizens from different worlds of work. The catalogue features over thirty of these joint(...)
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'What People Do for Money' is published on the occasion of the 11th edition of Manifesta, the European Biennial of Contemporary Art. Curated by artist Christian Jankowski, the biennial permeates the social fabric of Zurich by initiating collaborative projects between artists and citizens from different worlds of work. The catalogue features over thirty of these joint(...)
Publication:
juillet 2016
juillet 2016
Titre:
Manifesta 11: What people do for money
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'What People Do for Money' is published on the occasion of the 11th edition of Manifesta, the European Biennial of Contemporary Art. Curated by artist Christian Jankowski, the biennial permeates the social fabric of Zurich by initiating collaborative projects between artists and citizens from different worlds of work. The catalogue features over thirty of these joint ventures along with illustrations of the thematic exhibition, documentation of the Pavillon of Refl ections on Lake Zurich, and coverage of the participatory artists’ guild at Cabaret Voltaire. Including commentaries from the artists’ collaborators, stills from the film programme, sociological research, and new literary texts, it presents a multifaceted portrait of Zurich one which by generating and gauging discussions serves to contextualise the Swiss capital within Europe today.
Manifesta 11: What people do for money
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'What People Do for Money' is published on the occasion of the 11th edition of Manifesta, the European Biennial of Contemporary Art. Curated by artist Christian Jankowski, the biennial permeates the social fabric of Zurich by initiating collaborative projects between artists and citizens from different worlds of work. The catalogue features over thirty of these joint ventures along with illustrations of the thematic exhibition, documentation of the Pavillon of Refl ections on Lake Zurich, and coverage of the participatory artists’ guild at Cabaret Voltaire. Including commentaries from the artists’ collaborators, stills from the film programme, sociological research, and new literary texts, it presents a multifaceted portrait of Zurich one which by generating and gauging discussions serves to contextualise the Swiss capital within Europe today.
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livres
livres
Publication:
juillet 2016
juillet 2016
Classification:
livres
livres
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$53.95
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'The Exhibitionist: Journal on Exhibition Making' is an anthology of the first 12 issues of the journal about contemporary curating that bears the same name. Established in 2009 as a forum for critical reflection on exhibition-making and curatorial practice, The Exhibitionist has always defined itself as “by curators, for curators.” Modeled after the iconic French film(...)
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'The Exhibitionist: Journal on Exhibition Making' is an anthology of the first 12 issues of the journal about contemporary curating that bears the same name. Established in 2009 as a forum for critical reflection on exhibition-making and curatorial practice, The Exhibitionist has always defined itself as “by curators, for curators.” Modeled after the iconic French film(...)
Titre:
The Exhibitionist: journal on exhibition making. The first six years
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'The Exhibitionist: Journal on Exhibition Making' is an anthology of the first 12 issues of the journal about contemporary curating that bears the same name. Established in 2009 as a forum for critical reflection on exhibition-making and curatorial practice, The Exhibitionist has always defined itself as “by curators, for curators.” Modeled after the iconic French film journal Cahiers du cinéma, The Exhibitionist has served a critical role in examining current curatorial practices by focusing specifically on the exhibition format as a site of experimentation and inquiry. The Exhibitionist has historicized, analyzed and critiqued a phenomenon it is itself symptomatic of—the rise of the curator since the 1960s, the ensuing explosion of curatorial creativity and the growing fascination with the discipline of curating.
The Exhibitionist: journal on exhibition making. The first six years
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'The Exhibitionist: Journal on Exhibition Making' is an anthology of the first 12 issues of the journal about contemporary curating that bears the same name. Established in 2009 as a forum for critical reflection on exhibition-making and curatorial practice, The Exhibitionist has always defined itself as “by curators, for curators.” Modeled after the iconic French film journal Cahiers du cinéma, The Exhibitionist has served a critical role in examining current curatorial practices by focusing specifically on the exhibition format as a site of experimentation and inquiry. The Exhibitionist has historicized, analyzed and critiqued a phenomenon it is itself symptomatic of—the rise of the curator since the 1960s, the ensuing explosion of curatorial creativity and the growing fascination with the discipline of curating.
Classification:
livres
livres
Publication:
février 2017
février 2017
Sujet:
Muséologie
Muséologie
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livres
livres
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$16.95
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In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam, and an expanded notion of artistic practice (epitomized by "Happenings"), Yvonne Rainer presented her evening-length work, The Mind is a Muscle. A choreographed, multipart performance for seven dancers, interspersed with film and text, this major work was built(...)
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In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam, and an expanded notion of artistic practice (epitomized by "Happenings"), Yvonne Rainer presented her evening-length work, The Mind is a Muscle. A choreographed, multipart performance for seven dancers, interspersed with film and text, this major work was built(...)
Titre:
Yvonne Rainer: the mind is a muscle
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In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam, and an expanded notion of artistic practice (epitomized by "Happenings"), Yvonne Rainer presented her evening-length work, The Mind is a Muscle. A choreographed, multipart performance for seven dancers, interspersed with film and text, this major work was built upon a backbone of variations on Rainer's dance solo, Trio A. In this extended illustrated essay exploring The Mind is a Muscle, Catherine Wood examines the political and media context in which Rainer chose to use the dance-theatre situation as her medium and analyzes Rainer's radical approach to image-making in live form. Catherine Wood is Curator of contemporary art/performance at Tate Modern.
Yvonne Rainer: the mind is a muscle
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In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam, and an expanded notion of artistic practice (epitomized by "Happenings"), Yvonne Rainer presented her evening-length work, The Mind is a Muscle. A choreographed, multipart performance for seven dancers, interspersed with film and text, this major work was built upon a backbone of variations on Rainer's dance solo, Trio A. In this extended illustrated essay exploring The Mind is a Muscle, Catherine Wood examines the political and media context in which Rainer chose to use the dance-theatre situation as her medium and analyzes Rainer's radical approach to image-making in live form. Catherine Wood is Curator of contemporary art/performance at Tate Modern.
Classification:
livres
livres
Publication:
janvier 1900, London
janvier 1900, London
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
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$79.00
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Accompanying the first US survey and largest exhibition to date dedicated to Thai artist Rirkrit Tiravanija, "Rirkrit Tiravanija: A LOT OF PEOPLE" traces four decades of Tiravanija’s multifaceted practice. Spanning rarely seen early works from the 1980s through recent projects, the publication covers Tiravanija’s experimentations with installation, film, works on paper,(...)
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Accompanying the first US survey and largest exhibition to date dedicated to Thai artist Rirkrit Tiravanija, "Rirkrit Tiravanija: A LOT OF PEOPLE" traces four decades of Tiravanija’s multifaceted practice. Spanning rarely seen early works from the 1980s through recent projects, the publication covers Tiravanija’s experimentations with installation, film, works on paper,(...)
Titre:
Rirkrit Tiravanija: A LOT OF PEOPLE
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Accompanying the first US survey and largest exhibition to date dedicated to Thai artist Rirkrit Tiravanija, "Rirkrit Tiravanija: A LOT OF PEOPLE" traces four decades of Tiravanija’s multifaceted practice. Spanning rarely seen early works from the 1980s through recent projects, the publication covers Tiravanija’s experimentations with installation, film, works on paper, ephemera, sculpture and participatory works. Designed by Tiffany Malakooti, the publication features over 400 images as well as 23 newly commissioned texts. Longform essays by exhibition curators Ruba Katrib and Yasmil Raymond, as well as scholars Jörn Schafaff, David Teh and Mi You, dive into key aspects of Tiravanija’s work, providing historical context. These texts are complemented by 18 short reflections from artists, thinkers and collaborators who have been key interlocutors with Tiravanija over the years.
Rirkrit Tiravanija: A LOT OF PEOPLE
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$79.00
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Accompanying the first US survey and largest exhibition to date dedicated to Thai artist Rirkrit Tiravanija, "Rirkrit Tiravanija: A LOT OF PEOPLE" traces four decades of Tiravanija’s multifaceted practice. Spanning rarely seen early works from the 1980s through recent projects, the publication covers Tiravanija’s experimentations with installation, film, works on paper, ephemera, sculpture and participatory works. Designed by Tiffany Malakooti, the publication features over 400 images as well as 23 newly commissioned texts. Longform essays by exhibition curators Ruba Katrib and Yasmil Raymond, as well as scholars Jörn Schafaff, David Teh and Mi You, dive into key aspects of Tiravanija’s work, providing historical context. These texts are complemented by 18 short reflections from artists, thinkers and collaborators who have been key interlocutors with Tiravanija over the years.
Classification:
livres
livres
Publication:
novembre 2023
novembre 2023
